| Danse Classique String Orchestra [Score] - Intermediate/advanced Wingert-Jones Publications
Composed by Daniel DiMarino. For string orchestra. Original Concert Work. Gr...(+)
Composed by Daniel DiMarino.
For string orchestra. Original
Concert Work. Grade 4. Score
and set of parts. Duration
4:06. Published by Wingert-
Jones Publications
$50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Piano solo Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP). UPC: 680160685202. What?! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement. $47.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Time's Quiet Passing Concert band - Intermediate/advanced Wingert-Jones Publications
Concert Band - Grade 4 SKU: WJ.3014231 Composed by Jacob Narverud. C...(+)
Concert Band - Grade 4 SKU: WJ.3014231 Composed by Jacob Narverud. Concert Band Grade 4 & Up. Concert Band Series. Concert and Contest. Concert and Contest. Score and parts. Wingert-Jones Publications #3014231. Published by Wingert-Jones Publications (WJ.3014231). UPC: 822424018498. 9 x 12 inches. Beautiful and poignant, here is an intriguing musical portrait of the passage of time. Relaxed and gentle, with lush, solid harmonies and an occasional glimpse of dissonance, this is a work that fully displays the musical dimensions of the ensemble. The lyrical melody, continuously passed and developed from one section to another, represents the dawning of each new day. Perfect for concerts, festivals and graduation ceremonies. $60.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| That Little Beast - Intermediate/advanced Wingert-Jones Publications
Concert Band - Grade 4.5 SKU: WJ.SBW2405 Composed by Peter Sciaino. Symph...(+)
Concert Band - Grade 4.5 SKU: WJ.SBW2405 Composed by Peter Sciaino. Symphonic Grade 4 & Up. Contest/Festival. Set of parts. Wingert-Jones Publications #SBW2405. Published by Wingert-Jones Publications (WJ.SBW2405). 9 x 12 inches. This new, intense work by Composer Peter Sciaino is a perfect glimpse into the creative and unique personality that make him so fun and lovable. This work takes all the things that makes Peter's music unique and mashes them together in a fun, fast, and jazzy new work for the concert band! $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| That Little Beast - Intermediate/advanced Wingert-Jones Publications
Concert Band - Grade 4.5 SKU: WJ.SBW2405FS Composed by Peter Sciaino. Sym...(+)
Concert Band - Grade 4.5 SKU: WJ.SBW2405FS Composed by Peter Sciaino. Symphonic Grade 4 & Up. Contest/Festival. Score Only. Wingert-Jones Publications #SBW2405FS. Published by Wingert-Jones Publications (WJ.SBW2405FS). 9 x 12 inches. This new, intense work by Composer Peter Sciaino is a perfect glimpse into the creative and unique personality that make him so fun and lovable. This work takes all the things that makes Peter's music unique and mashes them together in a fun, fast, and jazzy new work for the concert band! $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Only One Glimpse - Fanfare Band Score/parts - Gobelin Music Publications Hal Leonard
(Brass) SKU: HL.4007093 De Haske Ensemble. Softcover. Published by Hal Le...(+)
(Brass) SKU: HL.4007093 De Haske Ensemble. Softcover. Published by Hal Leonard (HL.4007093). UPC: 840126959079. $97.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Portrait of a Painter: Monet Choral 3-part 3-Part Mixed [Octavo] Heritage Music Press
By Amy F Bernon. 3-part mixed, piano. Octavo. Published by Heritage Music Press....(+)
By Amy F Bernon. 3-part mixed, piano. Octavo. Published by Heritage Music Press.
$2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Best of Irish Music Piano, Vocal and Guitar Creative Concepts
By Various. Creative Concepts Publishing. Size 9x12 inches. 192 pages. Published...(+)
By Various. Creative Concepts Publishing. Size 9x12 inches. 192 pages. Published by Creative Concepts.
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Waterways - Three (3) Pieces For Piano Score Piano solo Wilhelm Hansen
Piano SKU: HL.14041307 Composed by Per Norgard. Music Sales America. Clas...(+)
Piano SKU: HL.14041307 Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. 14 pages. Edition Wilhelm Hansen #WH31073. Published by Edition Wilhelm Hansen (HL.14041307). ISBN 9788759819333. 10.25x14.5x0.052 inches. Waterways (Vandveje) - Three Pieces for Piano by Per Nørgård (2008-09). Written for Anne Marie Fjord Abildskov. Preface / Programme Note The three small piano pieces collectively called WATERWAYS was composed in 2008-2009 for Anne Marie Fjord Abildskov and they are dedicated to her. You will hear traces of earlier piano works of mine – GROOVING from 1968 and ACHILLEUS AND THE TORTOISE from 1983 – in these new pieces.
The first movement is characterized by echo-like sounds, which also appear in GROOVING. Semitones are overlayered and soundsimultaniously, and then they are muted one by one to give a reminiscence of the initial sound. In this new movement an extra echo is added, like an extra skim of the stone across the water surface – three skims, actually.
In the second movement you may hear traces of ACHILLEUS AND THE TORTOISE. The left and right hand both play arpeggio-like scale patterns. The music is shimmering, like a moiré on a water surface, with constantly changing, very short durations. In the third movement the pattern of irregular durations is maintained and expanded, but only in fragments – and you may catch a glimpse of a new melody emerging.
Per Nørgård
$18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Little Violin Music in Memory of Elijah McClain Merion Music
Chamber Music Violin SKU: PR.144407380 Composed by Ellen Taaffe Zwilich. ...(+)
Chamber Music Violin SKU: PR.144407380 Composed by Ellen Taaffe Zwilich. Performance Score. 4 pages. Duration 4 minutes. Merion Music #144-40738. Published by Merion Music (PR.144407380). ISBN 9781491133903. UPC: 680160683475. 9 x 12 inches. In her powerful Foreword to the music, violinist Kelly Hall-Tompkins has written: “There are great works which give voice to important moments for generations, and this is one of them.†The tragedy of Elijah McClain’s murder has moved us all, and for many musicians the image of this gentle young man playing his violin for kittens at an animal shelter has added a poignant extra layer. Zwilich was a professional violinist before turning exclusively to composing, and A LITTLE VIOLIN MUSIC is a memorial from the heart of one violinist to another. [THESE NOTES MAY NOT BE REPRODUCED OUTSIDE OF THE PUBLICATION; OK TO QUOTE A BIT AND GIVE AUTHOR CREDIT]We often research important pieces of music to gain some glimpse into the mind of the composer by understanding the times in which a piece was written. The times that brought this piece into being, 2020, has been a year like no other in our lifetimes.With the suffering of a once in a century pandemic raging in ever higher waves, and millions of people around the world confined to their homes with a shared attention span for the first time in generations, we watched in horror the 8 minute 46 second killing of George Floyd, a man previously unknown to us, but now unwillingly joining a long list of names of unarmed African Americans killed by police. The anguished backlash of citizens around the world, from Japan to New Zealand to Germany to the United States, of every age, color, and creed, has rallied for weeks and months on end to demand enough and that “Black Lives Matter.â€And yet, in the midst of it all is an America starkly divided against itself with some defiantly pushing back, emboldened by authoritarian-style government actions against its own citizens occurring all over the country. It is against this backdrop that we ever had a chance to know of Elijah McClain. Here in quarantine I sometimes practice my scales in front of the news. And one day the mirror image looking back at me from the screen was a slight young man, warm, affable brown eyes, and also a violin under his chin. The newsreel-style camera pan so familiar now, I knew the only reason we were gazing upon his unfamous face was that he too had been killed by police nearly a year before. But the revelation of it in the broadcast hit me particularly hard.Ellen Taaffe Zwilich, who is not only one of the great composers of our time, is also a dear friend, and called me the next day, also deeply saddened by the news. It was from Ellen that I learned that Elijah used to play for the kittens at the local animal shelter so they wouldn’t be lonely. This kind, gentle soul was aggressively taken into police custody while saying, “I am an introvert. Please respect the boundaries that I am speaking... I’m going home.†He was never seen alive again.Ellen and I spoke of the sadness and the injustice of this several times. She felt a powerful calling to contribute something in a statement and the result is the piece you now hold in your hands. I am deeply honored to be the dedicatee of the piece, to have worked together with Ellen on some of the final details, and to pen this score note. As an invited alumna of the Eastman School of Music, I premiered the work for their virtual event on Diversity and Inclusion. Each time I play it, there is a persistent lump in my throat because Ellen has captured something poignant and powerful here.There are great works which give voice to important moments for generations, and this is one of them. We humbly offer this piece in memory of Elijah McClain.Foreword © 2021 by Kelly Hall-Tompkins. Used by permission. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Day Time Impressions Piano solo - Intermediate/advanced Forsyth Publications
Piano Solo - Easy-Intermediate SKU: FP.FBS03 Composed by Sarah Baker. She...(+)
Piano Solo - Easy-Intermediate SKU: FP.FBS03 Composed by Sarah Baker. Sheet Music and Books. Nine pieces on a day time theme for solo piano, by Sarah Baker. Suggested grade 4-5. Classical. Collection. Forsyths Publications #FBS03. Published by Forsyths Publications (FP.FBS03). ISBN 9790570500192. Sarah Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.
All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills. Suitable for players of around grade 4-5 standard, her evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!
Air Balloon!: One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front! The sound of the gas being blown into the balloon to try to keep it high enough to pass the house sounded so loud and intimidating, and then there was the bustle of the neighbours as we all went out into the street to watch. It was both terrifying and exhilarating to watch the balloon float past and then land so near by.
Buzzards Circling: There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. Growing up in the Chilterns gave me plenty of opportunity to watch buzzards and red kites. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.
There’s A Cow In The Garden Eating The Flowers: Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child, looking out of the window and seeing the cow walking round and eating the flowers. The final phrase articulates my longing: ‘I wish it would come again’.
Watching The World Go By: A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.
Autumn Skies: A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone. Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.
Snake In The Pond: One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again. Here I portray the sense of the hazy summer afternoon as I peacefully watched the tiny movements of fish in the pond, contrasted with the fear and excitement of seeing the snake appear.
Morning Commute: I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. There is one main road out of the village where I grew up, and that got more and more congested the closer we got to the town. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.
The Witch’s Cottage: My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.
These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up. - Sarah Baker 2023. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Peaceful Pop Piano Solos Piano solo Hal Leonard | | |
| Pacific Dreams Choral SATB - Intermediate De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050). English. Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.
Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren.... $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pacific Dreams Brass ensemble - Intermediate De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. I...(+)
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. Inspiration Series. Original Light Music. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-030. Published by De Haske Publications (BT.DHP-0991451-030). Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.
Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren.... $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| From There - Performance/Rehearsal CD Heritage Music Press
SKU: LO.99-2265H Composed by Alisa Bair. Choral. Concert. Performance/reh...(+)
SKU: LO.99-2265H Composed by Alisa Bair. Choral. Concert. Performance/rehearsal CD. Heritage Music Press #99/2265H. Published by Heritage Music Press (LO.99-2265H). UPC: 000308117028. A tender, intimate glimpse into the most private place of grief, this rich and emotional original expresses the universal longing for one who has passed on, while gently questioning the mystery of the world beyond. With words written in memory of the lyricist’s father and music born out of the resonant experience of the composer who lost her daughter, “From There†is a superb choice for any school, church or community wanting to honor someone’s memory or simply acknowledge that loss is part of life. $22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| From There Choral SATB SATB A Cappella [Octavo] Heritage Music Press
By Alisa Bair. For SATB choir (a cappella). Concert. Octavo. Published by Herita...(+)
By Alisa Bair. For SATB choir (a cappella). Concert. Octavo. Published by Heritage Music Press. (15/2421H)
$2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 101 Montunos Book/2CDs Piano solo [Sheet music + CD] Sher Music Company
With 2 CDs. Jazz, Jazz Instruction. 101 Montunos. Softcover Book and CD. She...(+)
With 2 CDs. Jazz, Jazz
Instruction. 101 Montunos.
Softcover Book and CD. Sher
Music Company #9781883217075.
Published by Sher Music
Company
$57.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Variations On An African Hymnsong Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.026-5037-01 Composed by Bob Hilliard. Arranged by Bergero...(+)
Grade 3 SKU: CL.026-5037-01 Composed by Bob Hilliard. Arranged by Bergeron. Concert Band. Extra score. C.L. Barnhouse #026-5037-01. Published by C.L. Barnhouse (CL.026-5037-01). One of Quincy Hilliard’s most exciting compositions, Variations on an African Hymnsong has been skillfully arranged for the flexible instrumentation Build-A-Band series by Jimi Bergeron. Based on a Nigerian folk hymn, this very appealing selection features interesting harmonies, beautiful tone colors and driving polyrhythms, all combine to make this a stunning work for band, especially for groups with large percussion sections. Give your students a glimpse of music from another culture rarely heard or performed by wind bands. Perfect for contest or concert use. Truly exceptional! $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Variations On An African Hymnsong Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.026-5037-00 Composed by Bob Hilliard. Arranged by Bergero...(+)
Grade 3 SKU: CL.026-5037-00 Composed by Bob Hilliard. Arranged by Bergeron. Concert Band. Score and set of parts. C.L. Barnhouse #026-5037-00. Published by C.L. Barnhouse (CL.026-5037-00). One of Quincy Hilliard’s most exciting compositions, Variations on an African Hymnsong has been skillfully arranged for the flexible instrumentation Build-A-Band series by Jimi Bergeron. Based on a Nigerian folk hymn, this very appealing selection features interesting harmonies, beautiful tone colors and driving polyrhythms, all combine to make this a stunning work for band, especially for groups with large percussion sections. Give your students a glimpse of music from another culture rarely heard or performed by wind bands. Perfect for contest or concert use. Truly exceptional! $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Riqq Technique [Sheet music + Audio access] Mel Bay
Hand percussion and bodhran - Beginning; Intermediate; Advanced SKU: MB.22062...(+)
Hand percussion and bodhran - Beginning; Intermediate; Advanced SKU: MB.22062M Composed by Michel Merhej Baklouk. Squareback saddle stitch, Percussion: Hand Percussion and Bodhran, Method. World Music. Book and online audio. 128 pages. Mel Bay Publications, Inc #22062M. Published by Mel Bay Publications, Inc (MB.22062M). ISBN 9781513460536. 8.75 x 11.75 inches. Built around the life and teachings of master percussionist, Michel Merhej Baklouk, this book has been designed as a biographical tribute, a teaching manual, and a resource guide for anyone wishing to develop a deeper understanding of the role that percussion plays in Near Eastern Arabic music. This book differs from most technique manuals in that it includes historical information about Arabic music as it pertains to the life and work of a single artist, Michel Merhej Baklouk.The book is composed of three parts: Introduction, Lessons, and Reference Information. Each part is written to stand on its own as well as fit with the whole so that readers can approach the book either as individual articles and lessons, or in its entirety, to be read from cover to cover. By presenting Michel's work in this way, we hope to appeal to a wider audience, percussion students at varying skill levels and from varying music disciplines and backgrounds, students of music and Middle Eastern studies, or anyone else interested in twentieth century Arab music and culture.The first part, Introduction, contains several essays about Michel's life, his teaching philosophy, pedagogical practices, musical aesthetics and performance practices. Although these sections may be read independently, they are also designed to help percussion students apply the book's lessons to their own playing and musical interpretations.The technical focus of this book is on the riqq; however, students of Arabic music (beginning through advanced) can adapt the practical exercises to gain mastery of the percussion instrument(s) of their choice.The second part, Lessons, begins with information about how to hold the percussion instrument (case in point: the riqq) and how to practice effectively. It then presents the body of exercises that Michel developed for his students. These exercises have been taken directly from Michel's notated lessons, which he developed into units corresponding to levels of proficiency, or academic years as he taught them at the Conservatory in Beirut; however, for the purposes of this book, the exercises are reorganized to correspond to subject matter and only roughly mirror Michel's conservatory sequence. Unit 1, Technique Building Exercises, is aimed at novice players or anyone who is new to reading music. Units 2 through 5 focus on specific rhythmic structures with increasing complexity. Students should master each unit of exercises before proceeding to the next unit. The third part, Reference Information, includes a notation reference, a list of rhythms, a list of further reading recommendations, and a glossary of Arabic music terms, many of which are used in the text. All Arabic words in this book appear in italics, except proper names, and with the exception of some proper Arab names, the text is essentially written in the standard system of transliteration used by the Library of Congress and most academic literature Throughout the book you will see quotations from Michel offset in the text. These prosaic tidbits may be words of wisdom, interesting anecdotes about Michel's life, or insights into his work and world of music.Each provides a glimpse into the personality of this exceptional musician. As a technical manual for students of Arabic percussion, Classical Riqq Technique provides specific exercises and explores important concepts, some of which are rarely taught, even in private lessons. At the same time, this book strives for a broader goal, to present and preserve classical percussion from the perspective of a master who not only lived in but also influenced the golden age of Arabic music. Includes access to online audio. $22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Notebook for Johann Christian Bach Piano solo Peters
Piano SKU: PE.EP11503 Composed by Johann Sebastian Bach. Masterworks; Pia...(+)
Piano SKU: PE.EP11503 Composed by Johann Sebastian Bach. Masterworks; Piano - Intermediate / Advanced Collection; Piano Resources. Baroque; Classical; Masterwork. Book. 112 pages. Edition Peters #98-EP11503. Published by Edition Peters (PE.EP11503). ISBN 9790014127084. The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Friedemann Bach. Together, Bach's Notebooks provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. Presented as a luxury linen-bound edition with gold-embossed cover lettering, illustrations and critical commentary, this volume includes pieces not featured in previous collections.
This first Urtext edition Notebook for Bach's son Johann Christian has been reconstructed by renowned Bach scholar Christoph Wolff from copies from the estate of C.P.E. Bach. It includes pieces for keyboard by J.S. Bach, Johann Christian's initial attempts at composition (minuets and polonaises), and pieces by the older brothers Carl Philipp Emanuel and Johann Christoph Friedrich and son-in-law Johann Christoph Altnickol. The collection is completed by two sets of short preludes and fughettas from Bach's early Leipzig teaching practice, which may have come from other lost notebooks for his family, possibly the one for C.P.E. Bach.
Clavier-Büchlein für Johann Christian Bach
Nach den hochgelobten Ausgaben der Clavier-Büchlein für Anna Magdalena Bach und Wilhelm Friedemann Bach vervollständigt das Clavier-Büchlein für Johann Christian Bach die Sammlung an überlieferten Unterrichtswerken innerhalb der Bachfamilie. In ihrer Gesamtheit bieten Bachs Clavier-Büchlein einen faszinierenden Einblick in das häusliche Musizieren der Familie Bach. Sie enthalten Originalkompositionen, Übungen für den Unterricht sowie beispielhafte Werke anderer Komponisten, die alle gesammelt wurden, um den Familienmitgliedern Literatur für eine umfassende musikalische Ausbildung bereitzustellen. In e. $90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reflections Piano solo Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by Lara
Downes. Collection. Theodore
Presser Company #440-40028.
Published by Theodore Presser
Company
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| György Kurtág: Zoli Kocsis's Manuscript Book EMB (Editio Musica Budapest)
Hardcover/CD Score SKU: HL.50600750 Facsimile Numbered Edition with CD...(+)
Hardcover/CD Score SKU: HL.50600750 Facsimile Numbered Edition with CD. Composed by Gyorgy Kurtag. Contemporary Music. EMB. Classical, Contemporary, Facsimile. Hardcover with CD. Composed 2016. Editio Musica Budapest #Z15000N. Published by Editio Musica Budapest (HL.50600750). ISBN 9790080305324. 245x340 mm inches. Hungarian, English. Gyorgy Kurtag. In the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who had been his student in earlier years and who, even today, is one of its most authentic performers. Kocsis played from this notebook in the first public performance of Games in 1974. The gradually expanding series of piano pieces also appeared in print in the course of later decades; however, since then he has used this collection - expanded over 32 years since by Kurtág - whenever he plays pieces from Games in concert. Since the time of this 1974 concert, as he writes: 'I didn't know that the spiral notebook I received at the premiere would later become, as it were, my permanent companion. That I would take it with me from Japan to Canada, from Australia to Iceland, travelling to the world's most prominent concert halls, surviving fire damage, flood, transport catastrophes, theft attempts, forced landings and so on, and that - well beyond the intention of its being 'copied with love' - it would include works and sketches for which this notebook would become the principal source.' The manuscript gives a glimpse into Kurtág's workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtág's handwriting about the composer's intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score. The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsis's own personal preface, as well as András Wilheim's essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued. $174.95 - See more - Buy online | | |
| 101 Montunos
Piano solo [Sheet music + CD] Sher Music Company
By Rebeca Mauleon-Santana. Edited by Rebeca Mauleon-Santana. For Piano. Afro-Car...(+)
By Rebeca Mauleon-Santana. Edited by Rebeca Mauleon-Santana. For Piano. Afro-Caribbean. Book and 2 CD Package. Published by Sher Music Company.
(5)$36.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carl Davis -- Maestro Faber Music Limited
SKU: AP.12-0571539580 Composed by Carl Davis, Wendy Thompson. Reference T...(+)
SKU: AP.12-0571539580 Composed by Carl Davis, Wendy Thompson. Reference Textbooks; Textbook - General. Faber Edition. Book. Faber Music #12-0571539580. Published by Faber Music (AP.12-0571539580). ISBN 9780571539581. English. [Carl Davis] By Wendy Thompson. How do you bring a forgotten silent film back to life? What are the techniques behind writing a successful film score? How do you work with and inspire choreographers? Carl Davis's fascinating story gives an insight into the prolific composing and conducting career of one of the world's most celebrated film and television composers. Born in New York, Carl Davis spent his early years of his career in American before going on to study in Copenhagen. From there he moved to Britain and entered the worlds of classical music, theatre, film and television. He has since composed almost 400 film and TV scores, winning several BAFTAs and Ivor Novello awards, as well as establishing himself as the number one choice to score silent films.Some of his most recognisable work includes the soundtracks for The French Lieutenant's Woman (BAFTA/Ivor Novello Winner), Pride and Prejudice (1995 TV Series), Scandal (1989) and Cranford. Written by Wendy Thompson, Carl Davis: Maestro is a glimpse into the life of a consummate all-round musician and his impact on many spheres of music-making. $41.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Zoli Kocsis's Manuscript book Piano solo [Sheet music + CD] EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ15000N Facsimile numbered edition with CD. Compo...(+)
Piano SKU: BT.EMBZ15000N Facsimile numbered edition with CD. Composed by Gyorgy Kurtag. Book with CD. Composed 2016. 122 pages. Editio Musica Budapest #EMBZ15000N. Published by Editio Musica Budapest (BT.EMBZ15000N). English-Hungarian. In the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who was his student in earlier years and who, throughout his entire life, was one of its most authentic performers. Kocsis played from this notebook in the first public performance of Games in 1974. The gradually expanding series of piano pieces also appeared in print in the course of later decades however, he always used this collection - expanded over 32 years since by Kurtág - whenever he played pieces from Games in concert. Since the time of this 1974 concert, as Kocsis wrote later: ''I didn't know that the spiral notebook I received at thepremiere would later become, as it were, my permanent companion. That I would take it with me from Japan to Canada, from Australia to Iceland, travelling to the world's most prominent concert halls, surviving fire damage, flood, transport catastrophes, theft attempts, forced landings and so on, and that - well beyond the intention of its being 'copied with love' - it would include works and sketches for which this notebook would become the principal source.''The manuscript gives a glimpse into Kurtág's workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtág's handwriting about the composer's intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score.The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsis's own personal preface, as well as András Wilheim's essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued. $102.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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