| Larry Carlton Guitar [DVD] Hal Leonard
Taught by Larry Carlton. Instructional video: DVD for guitar. Published by Hal L...(+)
Taught by Larry Carlton. Instructional video: DVD for guitar. Published by Hal Leonard.
(1)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Just One Little Light - collection Voice solo [Sheet music] Jackman Music Corporation
By Janice Kapp Perry / Larry Bastian. Arranged by Janice Kapp Perry / Randy Kart...(+)
By Janice Kapp Perry / Larry Bastian. Arranged by Janice Kapp Perry / Randy Kartchner. Text: Janice Kapp Perry / Joy Saunders Lundberg / Carolyn J. Rasmus. For Vocal Songbook. Level: Varied. Published by Jackman Music Corporation.
$11.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Songs For Little Mandolin Pickers Mandolin - Beginner Santorella Publications
Easy Songs for Little Mandolin Pickers composed by Larry McCabe. For mandolin. T...(+)
Easy Songs for Little Mandolin Pickers composed by Larry McCabe. For mandolin. This edition: Paperback. Collection. Little Picker series. Childrens. Book. Text Language: English; Standard notation, tablature and chords. 32 pages. Published by Santorella Publications
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Early Rock'N'Roll Era Fake Book
Melody line, Lyrics and Chords [Fake Book] - Intermediate Hal Leonard
Fake Book (Includes melody line and chords). Size 9.75x12 inches. 280 pages. Pub...(+)
Fake Book (Includes melody line and chords). Size 9.75x12 inches. 280 pages. Published by Hal Leonard.
(4)$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Spirit of an Eagle (full set) Concert band [Score and Parts] Carl Fischer
Composed by Larry Clark. For concert band (part 1 - flute, clarinet in Bb / trum...(+)
Composed by Larry Clark. For concert band (part 1 - flute, clarinet in Bb / trumpet in Bb, violin, part 2 - clarinet in Bb / trumpet in Bb, alto saxophone in Eb, oboe / violin, part 3 - clarinet in Bb / tenor saxophone in Bb, alto saxophone in Eb, horn in F, violin, viola, part 4 - tenor saxophone). Flexible Band Series. Score and parts. Duration 3 minutes, 56 seconds. Published by Carl Fischer
$75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ultra Smooth Jazz Grooves for Guitar (Book/CD) Guitar notes and tablatures [Book + CD] ADG productions
By The Super Groovers. For Guitar. Educational Books, Jazz. Method Book and Perf...(+)
By The Super Groovers. For Guitar. Educational Books, Jazz. Method Book and Performance/Accompaniment CD. Published by ADG Productions.
$21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Trios for Strings Violin [Part] Carl Fischer
(32 Trios That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(32 Trios That Can Be Played by Any Combination of String Instruments). By Larry Clark. Edited by Doris Gazda. Arranged by Larry Clark. For violin. Violin part. 48 pages. Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Irish and American Fiddle Tunes for Harmonica Harmonica [Sheet music + CD] Centerstream
Book/CD Pack Harmonica - Difficulty: easy-medium SKU: HL.232 By Glenn Wei...(+)
Book/CD Pack Harmonica - Difficulty: easy-medium SKU: HL.232 By Glenn Weiser. Harmonica. Irish and Folk. Softcover harmonica songbook and examples CD. With harmonica notation, instructional text, illustrations and introductory text. 128 pages. Published by Centerstream Publications (HL.232). ISBN 9780931759109. UPC: 073999028355. 9x12 inches. Glenn Weiser. A complete guide to playing fiddle tunes on the harmonica! Covers: tips on hand positions; playing instructions and techniques; rhythmic patterns for the reel, jig, hornpipe and waltz; and more. Features over 100 songs, along with a CD that demonstrates several of the tunes. Ability to read music is not necessary. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Beatles: Beatles for Classical Guitar
Guitar Classical guitar - Intermediate/advanced Hal Leonard
Performed by The Beatles, composed by John Lennon, Paul McCartney, arranged by L...(+)
Performed by The Beatles, composed by John Lennon, Paul McCartney, arranged by Larry Beekman. For guitar. Format: Guitar solo book. With introductory text, instructional text and fingerings. Classic rock, britpop and psychedelic rock. 64 pages. 9x12 inches. Published by Hal Leonard
(9)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Compatible Trios for Winds (Horn) 3 French horns (trio) [Solo Part] Carl Fischer
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. Arranged by Larry Clark. For Horn. Compatible Trios for Winds. Part book. 48 pages. Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To You Alone Choral SATB SATB, Piano [collection] - Intermediate SoundForth
By Faye Lopez. Arranged by Larry Carrier. Choral. For SATB choir, piano. Choral ...(+)
By Faye Lopez. Arranged by Larry Carrier. Choral. For SATB choir, piano. Choral collection. Sacred, choral. Intermediate. Collection. Published by SoundForth . collection. Sacred, choral.
$12.95 - See more - Buy online | | |
| Easy Songs for Little Guitar Pickers Guitar notes and tablatures [Sheet music + CD] Santorella Publications
Easy Songs for Little Guitar Pickers with CD arranged by Larry McCabe. For guita...(+)
Easy Songs for Little Guitar Pickers with CD arranged by Larry McCabe. For guitar. This edition: Paperback. Collection. Little Picker series. Childrens. Book and CD. Text Language: English; Standard notation, tablature and lyrics. 32 pages. Published by Santorella Publications
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Git'er Done String Orchestra [Score and Parts] - Easy Hal Leonard
By Larry Moore. For Orchestra (Score and Parts). Easy Pop Specials For Strings. ...(+)
By Larry Moore. For Orchestra (Score and Parts). Easy Pop Specials For Strings. Grade 2. Published by Hal Leonard
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio B Flat, E Flat, C and Bass clef Instruments [Sheet music + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.
$17.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| None Other Lamb Choral SATB SATB divisi [Octavo] - Intermediate Kjos Music Company
By Larry Peterson. For SATB choir divisi with organ accompaniment. (SATB). Chor...(+)
By Larry Peterson. For SATB choir divisi with organ accompaniment. (SATB). Choral Octavos. Drew Collins Choral Collections. Choral. Level: Grade 3. Choral Octavo. Published by Neil A. Kjos Music Company.
$1.60 $1.52 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sleep, My Child - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2.5 SKU: CF.YAS186F Shlof, Mayn Kind. Composed by Larry Clark. Young String Orchestra (YAS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS186F. Published by Carl Fischer Music (CF.YAS186F). ISBN 9781491151884. UPC: 680160909384. 9 x 12 inches. A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a violin solo on the song. It them develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece. Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest-conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness, so a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57 as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say, Everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sleep, My Child - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2.5 SKU: CF.YAS186 Shlof, Mayn Kind. Composed by Larry Clark. Young String Orchestra (YAS). Set of Score and Parts. With Standard notation. 8+5+2+8+5+5+3+12 pages. Duration 2018. Carl Fischer Music #YAS186. Published by Carl Fischer Music (CF.YAS186). ISBN 9781491151518. UPC: 680160909018. 9 x 12 inches. Key: D minor. A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a violin solo on the song. It them develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece. Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest-conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness, so a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57 as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say, Everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sleep, My Child Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 2 SKU: CF.YPS208F Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS208F. Published by Carl Fischer Music (CF.YPS208F). ISBN 9781491152966. UPC: 680160910465. A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece. Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sleep, My Child Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2 SKU: CF.YPS208 Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208). ISBN 9781491152287. UPC: 680160909780. Key: D minor. A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece. Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The All-Jazz Real Book - C Edition C Instruments [Fake Book] Sher Music Company
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Incl...(+)
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Included with the book contains 37 melodies played by the following artists:
Bob Sheppard - saxes and flute
Steve Houghton - drums
Dave Carpenter - acoustic bass
Paul van Wageningen - drums
Marc van Wageningen - electric bass
Larry Dunlap - piano and synthesizer
Dave Mac Nab - guitar.
(3)$44.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Cello SKU: CF.BF120 29 Duets That Can Be Played by Any C...(+)
Chamber Music Cello SKU: CF.BF120 29 Duets That Can Be Played by Any Combination of String Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, Claude Rouget de Lisle, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Doris Gazda Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #BF120. Published by Carl Fischer Music (CF.BF120). ISBN 9781491149836. UPC: 680160907335. 9 x 12 inches. Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Double Bass SKU: CF.BF121 29 Duets That Can Be Played by...(+)
Chamber Music Double Bass SKU: CF.BF121 29 Duets That Can Be Played by Any Combination of String Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, Claude Rouget de Lisle, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Doris Gazda Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #BF121. Published by Carl Fischer Music (CF.BF121). ISBN 9781491149843. UPC: 680160907342. 9 x 12 inches. Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music viola SKU: CF.BF119 29 Duets That Can Be Played by Any C...(+)
Chamber Music viola SKU: CF.BF119 29 Duets That Can Be Played by Any Combination of String Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, Claude Rouget de Lisle, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Doris Gazda Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #BF119. Published by Carl Fischer Music (CF.BF119). ISBN 9781491149829. UPC: 680160907328. 9 x 12 inches. Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Violin SKU: CF.BF118 29 Duets That Can Be Played by Any ...(+)
Chamber Music Violin SKU: CF.BF118 29 Duets That Can Be Played by Any Combination of String Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, Claude Rouget de Lisle, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Doris Gazda Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #BF118. Published by Carl Fischer Music (CF.BF118). ISBN 9781491149812. UPC: 680160907311. 9 x 12 inches. Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| How the Grinch Stole Christmas (featuring Welcome Christmas and Youre a Mean One, Mr. Grinch) Concert band [Score and Parts] - Intermediate/advanced Alfred Publishing
By Dr. Seuss, Albert Hague And Eugene Poddany. Arranged by Larry Clark. By Dr. S...(+)
By Dr. Seuss, Albert Hague And Eugene Poddany. Arranged by Larry Clark. By Dr. Seuss, Albert Hague and Eugene Poddany / arr. Larry Clark. For Concert Band. Concert Band. Pop Symphonic Band. Movie; Novelty; Secular. Conductor Score and Parts. 262 pages. Duration 5:01. Published by Alfred Publishing. Level: 4 (Medium) (grade 4).
(2)$87.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| How the Grinch Stole Christmas (featuring Welcome Christmas and Youre a Mean One, Mr. Grinch) Concert band [Score] - Intermediate/advanced Alfred Publishing
By Dr. Seuss, Albert Hague And Eugene Poddany. Arranged by Larry Clark. By Dr. S...(+)
By Dr. Seuss, Albert Hague And Eugene Poddany. Arranged by Larry Clark. By Dr. Seuss, Albert Hague and Eugene Poddany / arr. Larry Clark. For Concert Band. Concert Band. Pop Symphonic Band. Movie; Novelty; Secular. Conductor Score. Published by Alfred Publishing. Level: 4 (Medium) (grade 4).
(1)$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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