| Future of Tomorrow [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS245F Composed by Benjamin Yeo. Sws. Cps. Full score. 24 pages. Carl Fischer Music #CPS245F. Published by Carl Fischer Music (CF.CPS245F). ISBN 9781491158135. UPC: 680160916733. 9 x 12 inches. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1-4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Morte dell' Oom (No Poh Intended): Symphonia Volume II [Listening CD] Mark Custom Music
By Symphonia. By Various. For band. Mark Records. Classical. Audio CD. Published...(+)
By Symphonia. By Various. For band. Mark Records. Classical. Audio CD. Published by Mark Custom Music
$15.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Noona Comprehensive Music Magic Piano Young Performer Primer Piano solo Heritage Music Press
By Walter Noona. Piano. Level: Primer. Piano method. Published by Heritage Music...(+)
By Walter Noona. Piano. Level: Primer. Piano method. Published by Heritage Music Press.
$14.95 - See more - Buy online | | |
| Hal Leonard Acoustic Guitar Tab Method - Book 1 Guitar notes and tablatures [Sheet music + Audio access] Hal Leonard
(Book with Online Audio). By Various. For Guitar. Guitar Tab Method. Softcover...(+)
(Book with Online Audio). By
Various. For Guitar. Guitar
Tab Method. Softcover Audio
Online. Guitar tablature. 32
pages. Published by Hal
Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Take Me Out to the Ballgame Jazz Ensemble - Easy Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.50085 Composed by Albert Von Tilzer and...(+)
Jazz Ensemble - Grade 2.5 SKU: AP.50085 Composed by Albert Von Tilzer and Jack Norworth. Arranged by Drew Zaremba. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Young Jazz Ensemble. Great American Songbook; Jazz. Score and Part(s). Duration 5:25. Alfred Music #00-50085. Published by Alfred Music (AP.50085). ISBN 9781470663001. UPC: 038081580210. English. This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like oom-pah feel, then back into a slow-building swing with a big shout section. A captivating chart you and the band will relish! (5:25). $52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Oh, We Are Fine Musicians Choral 2-part 2-part, Piano Lorenz Publishing Company
Composed by Mark Burrows. Choral. Octavo. Lorenz Publishing Company #15/3495H. P...(+)
Composed by Mark Burrows. Choral. Octavo. Lorenz Publishing Company #15/3495H. Published by Lorenz Publishing Company (LO.15-3495H).
$3.20 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| German Favorites for Accordion Accordion - Easy Santorella Publications
German Favorites for Accordion composed by Various. Arranged by Gary Dahl. For a...(+)
German Favorites for Accordion composed by Various. Arranged by Gary Dahl. For accordion. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 48 pages. Published by Santorella Publications
(2)$18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stepping Stones Viola Boosey and Hawkes
Viola Part Only. By Colledge, K. & H. (Viola). Boosey and Hawkes Chamber Music....(+)
Viola Part Only. By Colledge, K. & H. (Viola). Boosey and Hawkes Chamber Music. 7 pages. Published by Boosey & Hawkes.
$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| An Old Fashioned Polka String Orchestra [Score and Parts] - Intermediate Wingert-Jones Publications
Composed by David Bobrowitz. For string orchestra. Light Concert. Grade 4. S...(+)
Composed by David Bobrowitz.
For string orchestra. Light
Concert. Grade 4. Score and
set of parts. Duration 4:06.
Published by Wingert-Jones
Publications
$50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hal Leonard Acoustic Guitar Tab Method - Combo Edition Guitar notes and tablatures Acoustic guitar [Sheet music + Audio access] Hal Leonard
Books 1 and 2 with Online Audio, Plus Bonus Material. By Various. Guitar Tab ...(+)
Books 1 and 2 with Online
Audio, Plus Bonus Material.
By Various. Guitar Tab
Method. Acoustic,
Instruction. Softcover Audio
Online. With guitar
tablature. 82 pages.
Published by Hal Leonard
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gum Leaf Rag Concert band [Score and Parts] - Easy Brolga Music Publishing Company
By Brian West. For concert band. Brolga Music Young Band Series. Grade 2. Score ...(+)
By Brian West. For concert band. Brolga Music Young Band Series. Grade 2. Score and set of parts. Duration 1:45. Published by Brolga Music Publishing Company . Score and Parts.
$66.95 $63.6025 (5% off) See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hal Leonard Acoustic Guitar Tab Method - Book 1 (Book Only) Guitar notes and tablatures Hal Leonard
Book Only. By Various. Guitar Tab Method. Softcover. Guitar tablature. 32 ...(+)
Book Only. By Various.
Guitar Tab Method.
Softcover. Guitar tablature.
32 pages. Published by Hal
Leonard
$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Take Me Out to the Ballgame Jazz Ensemble [Score] - Easy Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.50085S Composed by Albert Von Tilzer an...(+)
Jazz Ensemble - Grade 2.5 SKU: AP.50085S Composed by Albert Von Tilzer and Jack Norworth. Arranged by Drew Zaremba. Jazz Ensemble; Performance Music Ensemble; Single Titles. Young Jazz Ensemble. Great American Songbook; Jazz. Score. 28 pages. Duration 5:25. Alfred Music #00-50085S. Published by Alfred Music (AP.50085S). ISBN 9781470663018. UPC: 038081580227. English. This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like oom-pah feel, then back into a slow-building swing with a big shout section. A captivating chart you and the band will relish! (5:25). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Lyric Pieces Op. 4 Potenza Music
Solo tuba SKU: P2.90077 Composed by Michael Kibbe. Solo music. Published ...(+)
Solo tuba SKU: P2.90077 Composed by Michael Kibbe. Solo music. Published by Potenza Music (P2.90077). Surely the tuba can play more than oom-pah bass lines in a march! These three brief pieces show the instrument to be more expressive and agile than are generally supposed. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In Dulci Jubilo Carl Fischer
Choral Piano, Trumpet, SATB chorus SKU: CF.CM9789 Composed by German Caro...(+)
Choral Piano, Trumpet, SATB chorus SKU: CF.CM9789 Composed by German Carol. Arranged by Mark Burrows. Duration 2 minutes, 57 seconds. Carl Fischer Music #CM9789. Published by Carl Fischer Music (CF.CM9789). ISBN 9781491164600. UPC: 680160923519. Key: F major. Latin, English. Traditional. In Dulci Jubilo is a traditional Christmas Carol with a text that dates back to the Middle Ages. One unique aspect is the use of both Latin and German lyrics. In this setting alternative English lyrics serve in place of the German. Below is the pronunciation guide and translation for the Latin lyrics that are woven throughout. In dulci jubilo                 een     DOOL-chee      YOO-bee-lohIn sweet jubilation In praesepio;een     preh-SHE-pee-ohin a manger;Matris in gremio,MAH-trees       een     GREH-mee-ohIn his mother’s lap, Alpha es et O!AHL-fah    ehs  eht      OHYou are the Alpha and Omega! O Jesu parvule,oh       YEH-soo           PAHR-voo-lehO tiny Jesus,O puer optime;oh       POO-ehr          OHP-tee-mehO O princeps gloriae.oh       PREEN-chehps             GLOH-ree-ehO Prince of Glory. Trahe me post te.TRAH-heh        meh    pohst  tehDraw me to you. O patris caritas!oh       PAH-treehs      KAH-ree-tahsO love of the Father! O Nati lenitas!oh       NAH-tee          LEH-nee-tahsO gentleness! Per nostra crimina:pehr    NOH-strah       KREE-mee-nahby our crimes Coelorum gaudia,cheh-LOH-room            GOW-dee-ahThe joys of heaven, Qualis gloria!KWA-lees        GLOH-ree-ahWhat kind of glory! Ubi sunt gaudia,OO-bee            soont  GOW-dee-ahWhere are the joys,Nova cantica;NOH-vah          KAHN-tee-kahNew songs;In Regis curia.een     REH-jees          KOO-ree-ahIn the King’s court.  . $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Eyesight Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070). ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons. To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless.. This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Oompah Suite Tuba-Euphonium Press | | |
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