SKU: CL.012-4107-75
Look no further for the perfect opening to your holiday concert. Using the old English carol as the focus of the work, Rob Romeyn has crafted a festive and upbeat holiday opener using musical fragments from popular carols creating a musical buffet of holiday cheer. The fun, swingin' middle section of Up On The Housetop provides a great contrast to the joyful beginning and ending of the piece, all while being very playable. Let the holiday season begin!
SKU: BE.BEL-1079
SKU: MA.EMR-23107
From Lyric Pieces Opus 12.
SKU: BE.BEL-1078
SKU: NR.96107
SKU: GI.G-1076
North Texas Wind Symphony Eugene Corporon, conductor Featuring the Barcelona Clarinet Players Innovation, fusion, interdisciplinary nature, and pedagogy are some of the concepts that best describe the creative line of the Barcelona Clarinet Players (BCP). The group, formed in 2010, has performed at the main music halls in Spain such as Palau de la Música de Valencia, Auditori de Barcelona, and in such countries as Austria, Belgium, France, Mexico, and the United States. This collaboration with Eugene Corporon and the North Texas Wind Symphony, featuring repertoire from primarily Spanish composers, is remarkable and refreshing! Contents:    1. The Musketeers (2018) | Oscar Navarro (b. 1981) • Lone Star Wind Orchestra    2. Kelarnit (2017) | José Rafael Pascual Vilaplana (b. 1971) • North Texas Wind Symphony    3. Pas de Quatre (2018) | Luis Serrano Alarcón (b. 1972) • Lone Star Wind Orchestra    4. Concertino Opus 145 (2018) | Salvador Brotons (b. 1959) • North Texas Wind Symphony    5. Blueprints (2018) | Jesús Santandreu (b. 1970) • North Texas Wind Symphony .
SKU: BA.BA10431
ISBN 9790260107786. 30 x 23 cm inches. Text Language: Czech, English, German. Preface: Vejvodová, Veronika.
Dvorák’s song cycle Gypsy Songs op. 55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA01454
ISBN 9790006410781. 27 x 19 cm inches. Text: Ludwig Derleth.
Der Partitur liegt ein Instrumentalstimmensatz bei
SKU: BA.BA25144
ISBN 9790006575107. 29.7 x 21 cm inches. Text Language: Latin.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.
SKU: HL.14022975
ISBN 9788759850831. International (more than one language).
Carl Nielsen is perhaps the best known Danish composer and this volume contains a collection of Five Pieces For Piano from Opus 3. There is an interesting range of feeling and sentiment in these intimate miniatures.
SKU: BA.BA09584-79
ISBN 9790260107854. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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