Harp (organ), 2 recorders, 2 violins, viola, basso continuo

SKU: CA.5529413

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Viola. Single Part, Viola. Composed 1736. HWV 294 (Op. 4, Nr. 6). 4 pages. Duration 12 minutes. Carus Verlag #CV 55.294/13. Published by Carus Verlag (CA.5529413).

ISBN 9790007227135. Key: B flat major. Language: all languages.

Handel composed the Concerto for Harp, two recorders, strings and basso continuo for the premiere of his ode Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). He later performed it himself as an organ concerto. The fine sonorous effects (use of mutes, pizzicato, recorders), which last but not least made the work famous, are also shown in the version for organ to the best advantage. For the first time the new edition is based solely on the autograph score which, according to the latest findings, renders the only reliable source. In addition, the basso continuo part presents the figuration of the first edition, which is of interest for historical performance practice. Score and part available separately - see item CA.5529400.

Harp (organ), 2 recorders, 2 violins, viola, basso continuo

SKU: CA.5529414

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Violoncello/double bass. Single Part, Cello/Double Bass. Composed 1736. HWV 294 (Op. 4, Nr. 6). 4 pages. Duration 12 minutes. Carus Verlag #CV 55.294/14. Published by Carus Verlag (CA.5529414).

ISBN 9790007227142. Key: B flat major. Language: all languages.

Handel composed the Concerto for Harp, two recorders, strings and basso continuo for the premiere of his ode Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). He later performed it himself as an organ concerto. The fine sonorous effects (use of mutes, pizzicato, recorders), which last but not least made the work famous, are also shown in the version for organ to the best advantage. For the first time the new edition is based solely on the autograph score which, according to the latest findings, renders the only reliable source. In addition, the basso continuo part presents the figuration of the first edition, which is of interest for historical performance practice. Score and part available separately - see item CA.5529400.

Harp (organ), 2 recorders, 2 violins, viola, basso continuo

SKU: CA.5529448

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Harp. Single Part, Harp. Composed 1736. HWV 294 (Op. 4, Nr. 6). 12 pages. Duration 12 minutes. Carus Verlag #CV 55.294/48. Published by Carus Verlag (CA.5529448).

ISBN 9790007227166. Key: B flat major. Language: all languages.

Handel composed the Concerto for Harp, two recorders, strings and basso continuo for the premiere of his ode Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). He later performed it himself as an organ concerto. The fine sonorous effects (use of mutes, pizzicato, recorders), which last but not least made the work famous, are also shown in the version for organ to the best advantage. For the first time the new edition is based solely on the autograph score which, according to the latest findings, renders the only reliable source. In addition, the basso continuo part presents the figuration of the first edition, which is of interest for historical performance practice. Score and part available separately - see item CA.5529400.

Harp (organ), 2 recorders, 2 violins, viola, basso continuo

SKU: CA.5529419

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Set of Orchestra Parts. Composed 1736. HWV 294 (Op. 4, Nr. 6). Duration 12 minutes. Carus Verlag #CV 55.294/19. Published by Carus Verlag (CA.5529419).

ISBN 9790007227159. Key: B flat major. Language: all languages.

Handel composed the Concerto for Harp, two recorders, strings and basso continuo for the premiere of his ode Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). He later performed it himself as an organ concerto. The fine sonorous effects (use of mutes, pizzicato, recorders), which last but not least made the work famous, are also shown in the version for organ to the best advantage. For the first time the new edition is based solely on the autograph score which, according to the latest findings, renders the only reliable source. In addition, the basso continuo part presents the figuration of the first edition, which is of interest for historical performance practice. Score and parts available separately - see item CA.5529400.