For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. Sheet Music Playlist. Book. 240 pages. Published by Alfred Music Publishing

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 128 pages. Published by Hal Leonard.

Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Essential Elements Band Method. Size 9x12 inches. 64 pages. Published by Hal Leonard.

Essential Elements Book 1 - Bb Clarinet Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crotales, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1 and more. - Grade 4

SKU: CF.SPS94

Composed by Cooper Minnis. Sps. Set of Score and Parts. 1+8+8+4+1+8+8+8+2+2+2+2+2+2+2+3+3+3+2+2+2+2+3+3+3+3+2+3+1+2+2+1+2+2+24 pages. Duration 7:48. Carl Fischer Music #SPS94. Published by Carl Fischer Music (CF.SPS94).

ISBN 9781491161449. UPC: 680160920037.

On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together. This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection.  .
On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the  senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection. .

55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo. Arranged by Blake Neely, Richard Walters. World's Greatest Classical Music. Size 9x12 inches. 240 pages. Published by Hal Leonard.

SKU: SU.00220177

Composed by Maurice Ravel. Strings, Violin. CD (PDF Scores). CD Sheet Music #00220177. Published by CD Sheet Music (SU.00220177).

The complete Violin I & II parts [CD-ROM] for the 46 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 7: Ravel, Elgar and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: CHADWICK Symphonic Sketches; DELIUS Brigg Fair, In a Summer Garden, On Hearing the First Cuckoo in Spring, Summer Night on the River; D'INDY Symphony on a French Mountain Air; DUKAS Symphony in C, La Péri, Sorcerer's Apprentice; ELGAR Cockaigne Overture, Enigma Variations, Falstaff, Froissart, In the South, Introduction and Allegro, Pomp and Circumstance Marches 1-4, Serenade for Strings, Cello Concerto, Violin Concerto, Symphonies 1 & 2; GRIFFES Pleasure Dome of Kubla Khan, Poem for Flute, White Peackock; HOLST The Planets; NIELSEN Symphonies 1-5, Violin Concerto, Helios Overture, Maskarade Overture and Dance; RAVEL Alborada del gracioso, Daphnis et Chloé Suites 1 & 2, Mother Goose Suite, Pavane pour une infante défunte, Rhapsodie Espagnole, Le Tombeau de Couperin, La Valse, Valses Nobles et Sentimentales Visit for more information

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.