| Singer's Library of Musical Theatre, Volume 2 Mezzo-Soprano voice [Sheet music + CD] Alfred Publishing
(Mezzo Soprano/Alto Voice). Edited by Lisa DeSpain. For Voice (Alto voice (Mezzo...(+)
(Mezzo Soprano/Alto Voice). Edited by Lisa DeSpain. For Voice (Alto voice (Mezzo)). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 224 pages
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Un siecle de chansons francaises 1919-1929 [Score] Beuscher
For voice, guitar or piano. Fakebook. Album. Pop / Jazz. Score. Published by Pau...(+)
For voice, guitar or piano. Fakebook. Album. Pop / Jazz. Score. Published by Paul Beuscher
$54.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Bread and Games Marching band [Score] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. S...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. Score Only. 20 pages. Gobelin Music Publications #GOB 000803-120. Published by Gobelin Music Publications (BT.GOB-000803-120). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bread and Games Concert band [Score] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by Willia...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by William Vean. Score Only. 36 pages. Gobelin Music Publications #GOB 000756-140. Published by Gobelin Music Publications (BT.GOB-000756-140). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Brass ensemble [Score] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Score Only. 32 pages. Gobelin Music Publications #GOB 000804-130. Published by Gobelin Music Publications (BT.GOB-000804-130). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Concert band [Score and Parts] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-010 Composed by Willia...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-010 Composed by William Vean. Set (Score & Parts). 116 pages. Gobelin Music Publications #GOB 000756-010. Published by Gobelin Music Publications (BT.GOB-000756-010). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Brass ensemble [Score and Parts] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2 SKU: BT.GOB-000804-030 Composed by William Vean. Set (Score & Parts). 62 pages. Gobelin Music Publications #GOB 000804-030. Published by Gobelin Music Publications (BT.GOB-000804-030). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Marching band [Score and Parts] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-020 Composed by William Vean. S...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000803-020 Composed by William Vean. Set (Score & Parts). 98 pages. Gobelin Music Publications #GOB 000803-020. Published by Gobelin Music Publications (BT.GOB-000803-020). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $110.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Airs d'operas comiques Mezzo-Soprano voice, Piano [Score] Lemoine, Henry
Composed by Michel Verschaeve. For mezzo-soprano voice and piano (with mezzo sop...(+)
Composed by Michel Verschaeve. For mezzo-soprano voice and piano (with mezzo soprano voice duets). Michel Verschaeve. Classical. Score. 91 pages. Published by Editions Henry Lemoine
$46.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 10 Ans De Succes 1990-2000 - Volume 2 [Score] Beuscher | | |
| The Real Tab Book - Vol. 1 Melody line, Lyrics and Chords [Fake Book] Hal Leonard
(Guitar). By Various. Fake Book. Softcover. Guitar tablature. 518 pages. Publish...(+)
(Guitar). By Various. Fake Book. Softcover. Guitar tablature. 518 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Un siecle de chansons francaises 1979-1989 Piano, Vocal and Guitar [Score] Lemoine, Henry
For voice, guitar or piano. Album. Pop / Jazz. Score. Published by Editions Henr...(+)
For voice, guitar or piano. Album. Pop / Jazz. Score. Published by Editions Henry Lemoine
$54.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Pardon, j'ai pas bien compris Choral 2-part SA [Octavo] Walton Music
Composed by Ivo Antognini (1963-). School. Walton. Music Education. Octavo. 16 p...(+)
Composed by Ivo Antognini (1963-). School. Walton. Music Education. Octavo. 16 pages. Published by Walton Music (GI.WW1631).
$2.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singer's Library of Musical Theatre, Vol. 2 Voice solo [Sheet music] Alfred Publishing
For Voice. (Mezzo Soprano/Alto Voice). Vocal Collection. Broadway. Book. 224 pa...(+)
For Voice. (Mezzo Soprano/Alto Voice). Vocal Collection. Broadway. Book. 224 pages. Published by Alfred Publishing.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gian Carlo Menotti: The Consul - Vocal Score Piano, Voice [Vocal Score] - Intermediate Schirmer
Composed by Gian Carlo Menotti (1911-). Vocal score for 12 solo voices and piano...(+)
Composed by Gian Carlo Menotti (1911-). Vocal score for 12 solo voices and piano accompaniment. With vocal score notation, piano accompaniment and staging notes. 294 pages. Published by G. Schirmer, Inc.
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Incubus Guitar notes and tablatures [Sheet music + CD] - Easy Hal Leonard
Guitar Play-Along Volume 40. Performed by Incubus. Guitar Play-Along. Book & CD ...(+)
Guitar Play-Along Volume 40. Performed by Incubus. Guitar Play-Along. Book & CD Package. With notes and tablature. Size 9x12 inches. 56 pages. Published by Hal Leonard.
$17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Celtic Harp Solos Harp [Sheet music] - Easy Mel Bay
By Star Edwards. For Harp (Folk/Celtic). Solos. Celtic/Irish. Level: Beginning. ...(+)
By Star Edwards. For Harp (Folk/Celtic). Solos. Celtic/Irish. Level: Beginning. Book. Size 8.5x11. 40 pages. Published by Mel Bay Publications, Inc.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| BAP für Gitarre Edition Melodia
Guitar, lyrics SKU: M7.GRG-103178100 Alle Texte und Griffe von der ers...(+)
Guitar, lyrics SKU: M7.GRG-103178100 Alle Texte und Griffe von der ersten bis zur Live LP. Edited by Klaus Heuser and Peter Bursch. This edition: Klebebindung. Sheet music. Songbook. 144 pages. Edition Melodia #GRG 103178100. Published by Edition Melodia (M7.GRG-103178100). ISBN 9783872521545. German Kölsch. Texte und Griffe von 40 Hits mit zahlreichen Fotos und aufklappbarer Kapodaster-Tabelle. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Joy Of Music Piano Piano solo [Score] - Intermediate/advanced Schott
Edited by Robert Schafer and Wilhelm Ohmen. Piano. Copyright 2020 Schott Music G...(+)
Edited by Robert Schafer and Wilhelm Ohmen. Piano. Copyright 2020 Schott Music GmbH and Co. KG, Mainz. Classical. Score. Schott Music #ED23307. Published by Schott Music
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Comedy Songs Of George and Ira Gershwin Piano, Vocal and Guitar [Sheet music] - Intermediate Alfred Publishing
George Gershwin and Ira Gershwin. For piano, voice, and guitar (chords only). Th...(+)
George Gershwin and Ira Gershwin. For piano, voice, and guitar (chords only). This edition: Piano/Vocal/Chords. Personality Book. Broadway. Book. 116 pages. Published by Alfred Publishing.
(2)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Anthologie de l'Opera francais XIXe siecle: Soprano leger / lyrique leger, Volume II Soprano voice [Sheet music] Prima Voce Editions
(Anthology of 19th Century French Opera). By Various. For Light/Light Lyric Sopr...(+)
(Anthology of 19th Century French Opera). By Various. For Light/Light Lyric Soprano Voice. Opera. Collection
$28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
Next page 1 31 61 61 61 |