SKU: BT.DHP-1165709-401

ISBN 9789043150231.

Jon Lord’s Sarabande was composed during 1975 and released as a solo album the following year. This new revised edition of the composer’s 2010 concert version represents the first appearance of the work in print in anyform. Lord intended it for his own use in live performance, as a companion to his celebrated Concerto for Group and Orchestra. It is a brilliant showpiece for the combined forces of rock band and orchestra, takinginspiration from the keyboard suites of J.S. Bach. This new full score is edited by Jon Lord’s long-time musical collaborator, the conductor Paul Mann, and makes use of many previously unavailable sources including themanuscriptscores of the original version and a copy of the score corrected in consultation with the composer following the 2010 premiere. It can therefore be said to represent as closely as possible Jon Lord’s final thoughts onthe work.

Jon Lords Sarabande werd gecomponeerd in 1975 en het jaar daarop uitgebracht als soloalbum. Deze nieuwe, herziene uitgave van de concertversie die de componist zelf in 2010 vervaardigde, is de eerste editie op papier dieooit van het werk is verschenen. Lord gebruikte de basisversie zelf bij live optredens, wanneer hij het werk uitvoerde naast zijn gevierde Concerto for Group and Orchestra. Het is een geweldig stuk voor een combinatie vanrockband en orkest, ge nspireerd op de klavecimbelsuites van Johann Sebastian Bach. Deze nieuwe partituur is bewerkt door dirigent Paul Mann, met wie de componist op muzikaal gebied al jaren samenwerkt. Er zijn veelvoorheenontoegankelijke bronnen voor gebruikt, waaronder de handgeschreven partituren van de originele versie en een partituur die na de première in 2010 is verbeterd in overleg met de componist. Daarom kan worden gesteld datdeze bewerking de laatste gedachten van Jon Lord over dit werk zo nauwkeurig mogelijk weergeeft.

Partitur und Klavierauszug der Sarabande können käuflich erworben werden.
Das Einzelstimmen-Set ist ausschließlich Leihmaterial.
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Jon Lords Sarabande entstand 1975 und wurde im darauffolgenden Jahr alsSoloalbum veröffentlicht. Die überarbeitete Ausgabe der Konzertversion des Komponisten aus dem Jahr 2010 erscheint hiermit zum ersten Mal in gedruckter Form. Lord hattediese Version für seine eigenen Live-Auftritte gedacht, alseine Art Ergänzung zu seinem berühmten Concerto for Group and Orchestra. Das Werk ist ein brillantes Paradebeispiel für die vereinte Kraft von Rockband und Orchester und wurde von denSuiten J. S. Bachs inspiriert. Dieseneue Ausgabe der Partitur wurde von Paul Mann, Jon Lords langjährigem musikalischem Freund, herausgegeben. Sie basiert auf zahlreichen bisher nicht zugänglichen Quellen wie dem Manuskript der Originalversion undeiner Kopie der inAbsprache mit dem Komponisten korrigierten Partitur nach der Aufführung im Jahr 2010. Es werden somit Jon Lords letzte Gedanken zu diesem Werk so genau wie möglich dargestellt.

Sarabande de Jon Lord fut composé en 1975 et sorti comme disque solo l’année d’après. Cette nouvelle édition révisée, basée sur la version de concert du compositeur de 2010, est la toute première version publiée de l’œuvre.Lord l’avait conçue pour accompagner son Concerto for Group and Orchestra lors d’interprétations en direct. Un morceau virtuose qui combine les forces de groupe de rock et d’orchestre, inspiré par les suites pour clavier deJean-Sébastien Bach. Cette nouvelle édition complète est éditée par le chef d’orchestre Paul Mann, collaborateur musical de Jon Lord depuis longtemps. Elle se repose sur de nombreuses sources qui étaient indisponiblesauparavant,comme le manuscrit de la version originale, ainsi qu’une copie de la partition corrigée en consultation avec le compositeur après la première de 2010. Par conséquent, cette édition est sans doute une représentationaussi précise que possible des dernières réflexions de Jon Lord sur cette œuvre.

SKU: HL.300603

UPC: 888680962517. 5.0x5.0x0.145 inches.

A Paul Simon original, Simon & Garfunkel repurposed and rereleased this stoic track to wrap up the groundbreaking 1966 album Sounds of Silence. Dealing with a heavy theme, Emerson brilliantly collects the powerful text and cements the feelings of enduring oneness within the collective forum of a choir.

SKU: CA.3112712

ISBN 9790007048877. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

SKU: CA.3112713

ISBN 9790007048884. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

SKU: CA.3112719

ISBN 9790007136703. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and parts available separately - see item CA.3112700.

SKU: PR.114417880

ISBN 9781491131664. UPC: 680160637089. 9x12 inches.

Commissioned by the Santa Rosa Symphony for Paul Silverthorne, principal violist of the London Symphony, the character of this grand three-movement work may best be described in the composer’s own words: “If I had to describe the character of each instrument in the orchestra, I would consider the viola to be the voice of wisdom, moderation, and prudence. However I find there is much flair and brilliance hidden beneath the surface. In my viola concerto I aimed to explore these contrasts: beauty and sweetness; agitation and angst; brilliance and virtuosity.”.

SKU: WD.080689572173

UPC: 080689572173.

TRANSFORMED, new from Word Music & Church Resources, features Modern Worship
Songs informed and inspired by great hymns of the church. These aren’t hymns that have simply been revamped or reimagined within unique arrangements. Rather, they are new songs incorporating portions of a well known hymn or that have their roots and foundation in a hymn. “Blended Worship” (the term we use to describe a church that combines
the use of both worship songs and hymns as a worship style, a strategic formatting decision intended to bring together the old and the new) has now been adopted by the songwriting community as more and more songwriters are creating inspired and anointed new songs of worship which, at their core, were birthed by a hymn.

Hymns such as It Is Well with My Soul, I Need Thee Every Hour, Amazing Grace, Nothing but the Blood…all of these and more lend themselves to the creation of deeply moving, powerfully-impacting modern worship hymns for today’s contemporary evangelical church; new modern worship hymns bringing together the best of the past with the brightest of the future. Transformed, they become songs like It Is Well (Bethel), Broken Vessels (Amazing Grace) (Hillsong), Come Thou Fount, Come Thou King (Gateway)...10 new songs with a rich heritage, deep roots, and a fresh anointing…all brilliantly adapted for choir, orchestra and congregation by arrangers David Wise and Tim Paul. Immerse your congregation in moments of profound, heartfelt worship as they join with your choir in singing these new, next generation hymns.

SKU: C4.9790902260367

ISBN 9790902260367. 8.27 x 11.7 inches.

To mark the 150th anniversary of the founding of Trinity College, University of Melbourne, the College's former Director of Music Michael Leighton Jones has created a spellbindingly beautiful work of art. Using the Gregorian office hymn O lux beata Trinitas as the bones of his work, around which Leighton Jones has brilliantly set the words of British-Australian poet Katherine Firth. The work was first performed in its original version (solo sextet SSATBarB; SATB semi chorus, SATB chorus and organ) at the commemorative Evensong held in St Paul's Cathedral, Melbourne on 22 May, 2022.

SKU: AY.FRD05

ISBN 9790302114406.

The product available here for purchase is the solo flute part and piano reduction for John La Montaine's Concerto for Flute. Premiered on April 12, 1981 by Keith Bryan and the National Gallery Orchestra, John La Montaine's Concerto for Flute and Orchestra is best summed up in this review from Paul Hume at The Washington Post: The world premiere of a flute concerto by John La Montaine was the centerpiece. La Montaine clearly had a great time writing the concerto, since he filled it with wit and open, songful beauty. The formal design is neatly broken up into imaginative divisions. There are some exotic touches for woodblocks, and bass clarinet, but the heart of the work lies in the brilliance of the writing for the soloist. The cadenza in the final movement is impressively introduced and beautifully concluded..