SKU: FJ.B1711
UPC: 241444379974. English.
Commissioned to commemorate the 75th anniversary of Pearl Harbor, In Infamy is a reaction to the emotional arc of President Roosevelt's Pearl Harbor address. A foreboding opening gives way to an intense call to action. A moving setting of America closes the work on a hopeful note. Perfect for patriotic programs and as a salute to a day that will forever live in infamy.
About FJH Young Band
Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5
SKU: SU.80400550
SATB Chorus, a cappellaDuration: 2:30 Dedication: Composed for Pearl Shangkuan and Calvin College Alumni ChoirPremiered by: Calvin College Alumni Choir, Pearl Shangkuan, conductorCopyright 2008 Text author: Canticle of Simeon (Luke 2:29-31) Published by: Paulus Publications (SP502) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: FJ.B1711S
English.
SKU: BA.BA11397
ISBN 9790006568598. 39.7 x 21 cm inches. Text Language: English. Text: Bergling, Tim / James, Etta / Woods, Pearl / Kirkland, Leroy / Pournouri, Ash.
“Oh, sometimes I get a good feeling, yeahGet a feeling that I never, never, never, never had before …â€In its original form, “Levels†is more of an instrumental number featuring a short passage from a song by soul-singer Etta James. The energy of this exhilarating electro-pop piece with the inimitable Avicii sound is an ear-catching delight and brings audiences to their feet: a good time is guaranteed!The editor:Hans Vainikainen (b. 1976) hails from a new generation of conductors in the Swedish choral tradition. His conducting repertoire covers a wide range of genres and eras, from Mahler’s Eighth Symphony to the Swedish DJ Avicii. In 2005 he won the Swedish Conductors’ Prize, and two years later he was appointed artistic director of the Katarina kyrka, the home of Katarinakörerna, one of Sweden’s largest choral societies.Hans Vainikainen heads Stockholm’s Katarinakörerna with more than 500 singers in various combinations. Their programmes cover both sacred and secular music. In his search for suitable arrangements, his eye fell on one the world’s best-known pop artists, Tim Bergling, known professionally as Avicii. He then arranged three of Avicii’s best songs for classical choirs, intending them to be encore pieces.“Hey Brotherâ€, “Levels†and “Without you†are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono, they artfully intertwine from one passage to the next. However, for all their sophistication the arrangements remain manageable and easy to learn, displaying the typical groove of each Avicii song within a multi-layered texture.
SKU: TM.03389SET
Voice line in score (Chant). Key of f.
SKU: TM.05129SC
Includes Bimba Dagli Occhi; Vogliatemi bene; Viene la sera. Starts 3 measures before rehearsal #108 and goes through end of Act I.
SKU: TM.03391SC
Chs=chant. Key of c.
SKU: TM.02215SET
Key of e. Vs. pg 74-79. Santuzza's Aria. Typeset 2018.
SKU: GI.G-8695
UPC: 785147869504. English. Text Source: Henry F. Lyte, 1793–1847, alt., based on Psalm 103.
Lary Visser’s take on lauda anima offers a wide spectrum of musical contrasts, from a spectacular introduction to a quiet interlude between verses 2 and 3. The sophisticated reharmonization of verses 3 and 4 alone are enough to keep this arrangement at your disposal!
SKU: TM.03983SC
Different instrumentation and orchestration than the original in a minor version (#02215). Does not have recit.
SKU: TM.03983SET
SKU: HL.14042107
ISBN 9788759825709. International (more than one language).
The initial and prevailing theme is from the song Det Fagreste Trae with lyrics by Ursula Andkjaer Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain, recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun.
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