| Fantasia Nova Concert band [Score and Parts] - Intermediate Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Suitable for community bands, high school bands, and college bands. 14 minutes duration if played as a suite; or movements 1 or 3 may be performed separately. Conductor score and set of parts. Duration 14:00. Published by Manhattan Beach Music (MH.1-59913-082-3). ISBN 9781599130828. Fantasia Nova is a suite comprising two concert marches and a slow, middle movement that derives its themes from both marches. Ragtime (composed in early September, 1978) is a new from old sort of piece. Although its tunefulness and harmonies have an old-fashioned character, its structure, development, and orchestration are unusual for a march. In the chorale section (measures 111 - 148) the band director must be very careful in balancing, for each of the elements must come through. More important is that the audience be brought up by this section -- filled with a joyous exaltation; great attention must be paid to sonority and the band must play earnestly. Ragtime stands on its own and may be performed separately. Dreams (composed in late September, 1978) is the traditional march of the two. It is very closely modeled (in structure only) to Sousa's Stars and Stripes Forever. It even includes a tricky piccolo solo, although the accompaniment has a chorale texture, almost like a school alma mater. This march has a patriotic, inspirational sound, because it was composed for the town of Irondequoit, New York -- for a Town March contest held by the town's community concert band. It did not, so far as I know, become the town's march; one can hear the name, Irondequoit, throughout the Trio, for every turn of the melody (in fact, each group of four notes) fits the accent pattern (Ih-RON-dih-kwoit) of the town's name. Parade stands on its own as a complete work and may be performed separately. Ensemble instrumentation: 1 Piccolo, 6 Flutes, 2 1st & 2nd Oboes, 1 English Horn, 1 Eb Clarinet, 3 1st Bb Clarinet, 3 2nd Bb Clarinet, 3 3rd Bb Clarinet, 1 Eb Alto Clarinet, 2 Bb Bass Clarinet, 1 Eb Contrabass Clarinet (optional), 2 1st & 2nd Bassoons, 1 Contrabassoon (optional), 1 1st Eb Alto Saxophone, 1 2nd Eb Alto Saxophone, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 1st Bb Cornets, 3 2nd Bb Cornets, 3 3rd Bb Cornets, 1 1st Horn in F, 1 2nd Horn in F, 2 3rd and 4th Horns in F, 2 1st Trombones, 2 2nd Trombones, 2 3rd Trombones, 1 Euphonium (Treble Clef), 2 Euphonium (Bass Clef), 4 Tuba, 1 String Bass, 1 Timpani (Triangle), 5 Percussion. $125.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| À vos guitares, prêts, jouez! Vol. 4 2 Guitars (duet) [Score and Parts] - Intermediate Productions OZ
Guitar duet - Intermediate SKU: DZ.DZ-4120 Composed by Various. Score and...(+)
Guitar duet - Intermediate SKU: DZ.DZ-4120 Composed by Various. Score and parts. Les Productions d'OZ #DZ 4120. Published by Les Productions d'OZ (DZ.DZ-4120). ISBN 9782898520372. This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.
You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.
The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.
Isabelle Héroux, editor, professor, Department of Music, UQAM. Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.
Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive.
Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprétation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.
Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.
Isabelle Héroux, éditrice, professeure, Département de musique, UQAM. Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Intermediate Level Trios / Mittelschwere Trios [Score and Parts] - Intermediate EMB (Editio Musica Budapest)
Flexible Ensemble - late intermediate SKU: BT.EMBZ14861 Kammermusikser...(+)
Flexible Ensemble - late intermediate SKU: BT.EMBZ14861 Kammermusikserie mit variabler Besetzung. EMB Ad Libitum. Educational Tool. Set (Score & Parts). Composed 2013. 60 pages. Editio Musica Budapest #EMBZ14861. Published by Editio Musica Budapest (BT.EMBZ14861). The volumes in this new series contain duos, trios and quartets, their degree of difficulty ranging from easy through intermediate to advanced. Every piece is a transcription or an arrangement, since in editing the volumes our primary concern was to provide a collection of valuable and interesting compositions, as freely variable as possible as regards instrumentation, for music school students and also for adults who make music for their own pleasure. The range and pitch of the parts enable the works to be performed on any required or possible combination of the given instruments. With its opportunities for a wealth of instruments the volume of trios for intermediate studentsprovides joyful playing for a great variety of instrumentalists. The broad range of movements that can be played in numerous combinations of string, wind and percussion instruments spans from a Renaissance hit (Nola: Chi la gagliarda) through a cycle assembled from dance movements (Gavotte, Menuett, Bourrée, Passepied) of J. S. Bach's suites and classical favourites (Mozart and Beethoven) to 19th-century arrangements. This volume is recommended for more experienced music students and amateur instrumental players due to the range and pitch, as well as the degree of difficulty.
Die Bände der neuen Serie beinhalten leichte, mittelschwere oder fortgeschrittene Duos, Trios und Quartette. Bei der Zusammenstellung lag das Hauptaugenmerk auf der höchstmöglichen Freiheit in der Kombinierbarkeit der Instrumente sowie darauf, dass die Kompositionen für Musikschuler und Hobbymusiker musikalisch interessant und wertvoll sind. Aus diesemGrund handelt es sich bei allen Stücken um Transkriptionen. Lage und Tonumfang der Stimmen sind so gesetzt, dass sich die Werke allen denkbaren Umständen und Anspruchen anpassen und entsprechend in jeder Kombination der angegebenen Musikinstrumentevorgetragen werden können. Instrumente: 1: Violine / Querflöte / Oboe / Vibraphon 2: Violine / Viola / Vibraphon / Klarinette 3: Violoncello / Fagott
Les différents volumes de la série Ad Libitum contiennent des transcriptions ou des adaptations d´œuvres pour trios ou quatuors de niveau facile, intermédiaire et avancé. L´étendue et le registre des parties permettent à cespièces de s´adapter à toutes les exigences et toutes les possibilités, et d´être jouées quelle que soit la combinaison d´instruments. Instrumentation : Trios I : Violon/Fl te/Htbois/Vibra • II:Violon/Alto/Cla. Si/Vibra • III: Violoncelle/Basson
I volumi della serie Ad Libitum propongono trascrizioni o arangiamenti di opere per trio e quartetto di livello facile, intermedio e avanzato. L´estensione e il registro delle parti permettono a questi brani di adattarsi a tutte le esigenze edi essere eseguiti da ogni combinazione di strumenti. Strumentazione: Trios: I: Violino/Flauto/Oboe/Vibra • II:Violino/Viola/Clar. Si/Vibr • III: Violoncello/Fagotto. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grande Symphonie Funebre et Triomphale Hol. 80 Choral, Orchestra [Score] - Intermediate Barenreiter
By Hector Berlioz (1803-1869). Edited by Hugh MacDonald. For SSTTBB choir ad lib...(+)
By Hector Berlioz (1803-1869). Edited by Hugh MacDonald. For SSTTBB choir ad lib, solo trombone, piccolo, flute, oboe, E-flat clarinet, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 4 trumpets, 2 cornets, 3 trombones, bass trombone, 2 ophicleides, timpani, percussion, strings. This edition: Clothbound, Complete edition, Urtext edition. New Berlioz Edition, Volume 19. Marche Funebre - Oraison Funebre - Apotheose (mit Chor ad lib.). Urtext der New Berlioz Edition. Level 4. Score. Language: French, Text Language: English/French/German. Hol. 80. 110 pages. Duration 30'. Published by Baerenreiter Verlag
$195.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Remembrance - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, String Bass, Suspended Cymbal, Timpani and more. - Grade 3 SKU: CF.CPS265 Composed by Dong-In Choi. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8+4+4+4+6+6+4+6+4+8+2+4+1+2+1+20 pages. Duration 5 minutes. Carl Fischer Music #CPS265. Published by Carl Fischer Music (CF.CPS265). ISBN 9781491161289. UPC: 680160919871. Remembrance was written in November 2018. In remembrance of what it took for us to be here... was the only original program note. The piece can mean different things to different people; however, it brings unity to all under the theme of remembrance. We fight for many things: love, patriotism, freedom, ideology, possession...all of which have cost tremendous sacrifice. It was the battles, the blood and sweat, and the sacrifice of those that came before us that created the world as we know it. Remembrance is a tender, melancholic reflection that silently gives thanks to every step and every sacrifice that was made to bring us what we have today. Yes, what we have may not be perfect--nor is it anywhere near complete--but with each generation's responsibility to carry the torch and never forget, hopefully we can make everything worth it. Performance Notes This tender piece is an excellent opportunity to explore nuanced phrasing. While many sections may play similar parts, often the phrasing and dynamics are marked differently across the band. Each of these discrepancies should be brought out and add to the perpetual motion of the piece. Encourage confident, yet subtle entrances and furthermore, think about the ends of notes as important as the beginning. Really bring out the hairpins in sections such as m. 29, m. 67, and m. 81 as expressive devices. Despite the piece's major key, through the various levels of dissonance and tension, both the ensemble and the audience should feel the sacrifices and tragedy that this piece celebrates. The tempo should not be much slower than the marked tempos and with the careful observation of the various tempo changes, there should be a constant momentum pushing throughout the piece, all the way past the end that leaves the audience in thought with an uplifting, pensive, and gentle clarinet chord. Remembrance was written in November 2018. “In remembrance of what it took for us to be here...†was the only original program note. The piece can mean different things to different people; however, it brings unity to all under the theme of remembrance.We fight for many things: love, patriotism, freedom, ideology, possession...all of which have cost tremendous sacrifice. It was the battles, the blood and sweat, and the sacrifice of those that came before us that created the world as we know it. Remembrance is a tender, melancholic reflection that silently gives thanks to every step and every sacrifice that was made to bring us what we have today. Yes, what we have may not be perfect—nor is it anywhere near complete—but with each generation’s responsibility to carry the torch and never forget, hopefully we can make everything worth it.Performance NotesThis tender piece is an excellent opportunity to explore nuanced phrasing. While many sections may play similar parts, often the phrasing and dynamics are marked differently across the band. Each of these discrepancies should be brought out and add to the perpetual motion of the piece. Encourage confident, yet subtle entrances and furthermore, think about the ends of notes as important as the beginning. Really bring out the hairpins in sections such as m. 29, m. 67, and m. 81 as expressive devices. Despite the piece’s major key, through the various levels of dissonance and tension, both the ensemble and the audience should feel the sacrifices and tragedy that this piece celebrates.The tempo should not be much slower than the marked tempos and with the careful observation of the various tempo changes, there should be a constant momentum pushing throughout the piece, all the way past the end that leaves the audience in thought with an uplifting, pensive, and gentle clarinet chord. $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Remembrance [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, String Bass, Suspended Cymbal, Timpani and more. - Grade 3 SKU: CF.CPS265F Composed by Dong-In Choi. Full score. 20 pages. Duration 5 minutes. Carl Fischer Music #CPS265F. Published by Carl Fischer Music (CF.CPS265F). ISBN 9781491161753. UPC: 680160920440. Remembrance was written in November 2018. In remembrance of what it took for us to be here... was the only original program note. The piece can mean different things to different people; however, it brings unity to all under the theme of remembrance. We fight for many things: love, patriotism, freedom, ideology, possession...all of which have cost tremendous sacrifice. It was the battles, the blood and sweat, and the sacrifice of those that came before us that created the world as we know it. Remembrance is a tender, melancholic reflection that silently gives thanks to every step and every sacrifice that was made to bring us what we have today. Yes, what we have may not be perfect--nor is it anywhere near complete--but with each generation's responsibility to carry the torch and never forget, hopefully we can make everything worth it. Performance Notes This tender piece is an excellent opportunity to explore nuanced phrasing. While many sections may play similar parts, often the phrasing and dynamics are marked differently across the band. Each of these discrepancies should be brought out and add to the perpetual motion of the piece. Encourage confident, yet subtle entrances and furthermore, think about the ends of notes as important as the beginning. Really bring out the hairpins in sections such as m. 29, m. 67, and m. 81 as expressive devices. Despite the piece's major key, through the various levels of dissonance and tension, both the ensemble and the audience should feel the sacrifices and tragedy that this piece celebrates. The tempo should not be much slower than the marked tempos and with the careful observation of the various tempo changes, there should be a constant momentum pushing throughout the piece, all the way past the end that leaves the audience in thought with an uplifting, pensive, and gentle clarinet chord. Remembrance was written in November 2018. “In remembrance of what it took for us to be here...†was the only original program note. The piece can mean different things to different people; however, it brings unity to all under the theme of remembrance.We fight for many things: love, patriotism, freedom, ideology, possession...all of which have cost tremendous sacrifice. It was the battles, the blood and sweat, and the sacrifice of those that came before us that created the world as we know it. Remembrance is a tender, melancholic reflection that silently gives thanks to every step and every sacrifice that was made to bring us what we have today. Yes, what we have may not be perfect—nor is it anywhere near complete—but with each generation’s responsibility to carry the torch and never forget, hopefully we can make everything worth it.Performance NotesThis tender piece is an excellent opportunity to explore nuanced phrasing. While many sections may play similar parts, often the phrasing and dynamics are marked differently across the band. Each of these discrepancies should be brought out and add to the perpetual motion of the piece. Encourage confident, yet subtle entrances and furthermore, think about the ends of notes as important as the beginning. Really bring out the hairpins in sections such as m. 29, m. 67, and m. 81 as expressive devices. Despite the piece’s major key, through the various levels of dissonance and tension, both the ensemble and the audience should feel the sacrifices and tragedy that this piece celebrates.The tempo should not be much slower than the marked tempos and with the careful observation of the various tempo changes, there should be a constant momentum pushing throughout the piece, all the way past the end that leaves the audience in thought with an uplifting, pensive, and gentle clarinet chord. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Noble Men Concert band [Score and Parts] - Intermediate Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Clarinet 1, Clarinet 2...(+)
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Cornet 1, Cornet 2, Cornet 3, Cornet 4, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo and more. - Grade 4 SKU: CF.CB121 Full Score and Parts. Composed by Henry Fillmore. Edited by Robert E. Foster. This edition: An Authentic Fillmore Edition. SWS FS. Henry Fillmore Band Series (An Authentic Fillmore Edition). Score and Set of Parts. With Standard notation. 16+4+2+8+8+8+4+4+4+4+4+4+4+6+6+6+6+2+2+2+2+4+4+4+4+4+8+1+2+24 pages. Carl Fischer Music #CB121. Published by Carl Fischer Music (CF.CB121). ISBN 9780825843785. UPC: 798408043780. 9 X 12 inches. Key: Eb major. Brilliant and invigorating, Noble Men is one of Fillmore's most delightful marches. The 1st strain is witty, and its continuation features a sparkling trumpet fanfare. The trio offers a suave tune as an effective contrast and the fortissimo repeat adds witty commentary from the high woodwinds to bring matters to a typically rousing conclusion. In this authentic edition by Robert Foster, Noble Men will be a delight to perform and enjoy. Duration: 2' 30. $100.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios - Beginner Excelcia Music Publishing
Percussion - Grade 1.5-3 SKU: XC.PB2001 25 Trios for Any Wind and Perc...(+)
Percussion - Grade 1.5-3 SKU: XC.PB2001 25 Trios for Any Wind and Percussion Instruments. Composed by Matthew R. Putnam, Robert Clayson, and Tyler Arcari. Solo & Ensemble. Adaptable Trios. Ensemble, Collection, Book. Excelcia Music Publishing #PB2001. Published by Excelcia Music Publishing (XC.PB2001). ISBN 9781644020371. UPC: 812598032772. 9 x 12 inches. Adaptable Trios contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind and percussion instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Trios follow the popular Adaptable Duets books by the same composers. Tyler Arcari, Matthew R. Putnam and Robert Clayson bring with them a wealth of educational experience as music educators to craft trios that are fun to play and musically stimulating. Adaptable Trios are sure to become an instant favorite.
Table of Contents: Alla Hornpipe Contredanse Danza de Hercules Fanfare Flamingos German Dance German Dance March Minuet Musette My Country, 'Tis of Thee Pastorale Pathetique Rondo Sailor's Song Saint Anthony Chorale Shenandoah Sunayama The Ash Grove The Imp Valse Noble Volte Wait just a Minuet Waltz. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Orient Express for Drumset and Piano Metropolis Music Publishers
Percussion SKU: IS.PC6937EM Composed by Sam Gevers. Percussion. Sam Gever...(+)
Percussion SKU: IS.PC6937EM Composed by Sam Gevers. Percussion. Sam Gevers Percussion Collection. Metropolis Music Publishers #PC6937EM. Published by Metropolis Music Publishers (IS.PC6937EM). ISBN 9790365069378. Since 2010 Sam is full time drummer in the Royal Band of the Belgian Navy. As a freelance musician he played with the Royal Flemish Philharmonic, the National Orchestra of Belgium, Symphonic Factory and many more. In these orchestras some famous conductors crossed his path: f.i. Takuo Yuasa (Jap), Jaap Van Zweden (Ned) and Pincchas Steinberg (Ger). In many performances at the Night of the Proms with Il Novecento, he accompanied world famous artists like Donna Summer, Mike Oldfield, Ike Turner and Macy Gray. As freelance drummer/percussion player he worked on several musical shows as Evita, Elisabeth, Joseph and the amazing tecnicolour dreamcoat, Oliver!, Fiddler on the roof, Cinderella, Wizard of Oz,... Performing all these plays and concerts, he came across the whole wide world. Sam teaches percussion and ensemble at the Conservatory of Mechelen, Belgium. He is founder of the trio Percussive, which is now one the leading percussion groups, touring in the Belgian theatres. Sam made a serie of short percussion videos which were broadcasted many times on national television, and which are still popular on social media. For one of these movies he was granted with 2 awards at the Corporate Video Festival. As a composer Sam wrote many educational pieces, a lot of songs for Percussive, some large compositions for percussion ensemble and 6 musicals/mass productions as King Albert 1, Marie-Antoinette, Gheelamania 2010 & 2015 and Mol-in-scene. These mass productions were visited by more then 90000 people. Sam's piece Frozen planet was the mandatory work voor the ONSK percussion ensemble contest 2016, in the highest level. $18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 10 Pieces for Marimba (2 mallets) Metropolis Music Publishers
Percussion and Piano SKU: IS.PC6998EM Composed by Sam Gevers. Percussion....(+)
Percussion and Piano SKU: IS.PC6998EM Composed by Sam Gevers. Percussion. Metropolis Music Publishers #PC6998EM. Published by Metropolis Music Publishers (IS.PC6998EM). ISBN 9790365069989. Since 2010 Sam is full time drummer in the Royal Band of the Belgian Navy. As a freelance musician he played with the Royal Flemish Philharmonic, the National Orchestra of Belgium, Symphonic Factory and many more. In these orchestras some famous conductors crossed his path: f.i. Takuo Yuasa (Jap), Jaap Van Zweden (Ned) and Pincchas Steinberg (Ger). In many performances at the Night of the Proms with Il Novecento, he accompanied world famous artists like Donna Summer, Mike Oldfield, Ike Turner and Macy Gray. As freelance drummer/percussion player he worked on several musical shows as Evita, Elisabeth, Joseph and the amazing tecnicolour dreamcoat, Oliver!, Fiddler on the roof, Cinderella, Wizard of Oz,... Performing all these plays and concerts, he came across the whole wide world. Sam teaches percussion and ensemble at the Conservatory of Mechelen, Belgium. He is founder of the trio Percussive, which is now one the leading percussion groups, touring in the Belgian theatres. Sam made a serie of short percussion videos which were broadcasted many times on national television, and which are still popular on social media. For one of these movies he was granted with 2 awards at the Corporate Video Festival. As a composer Sam wrote many educational pieces, a lot of songs for Percussive, some large compositions for percussion ensemble and 6 musicals/mass productions as King Albert 1, Marie-Antoinette, Gheelamania 2010 & 2015 and Mol-in-scene. These mass productions were visited by more then 90000 people. Sam's piece Frozen planet was the mandatory work voor the ONSK percussion ensemble contest 2016, in the highest level. $27.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios for Christmas - Beginner Excelcia Music Publishing
Percussion - Grade 1.5-3 SKU: XC.PB2101 27 Trios for any Wind and Perc...(+)
Percussion - Grade 1.5-3 SKU: XC.PB2101 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam, Robert Clayson, and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #PB2101. Published by Excelcia Music Publishing (XC.PB2101). ISBN 9781644020692. UPC: 812598038514. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Everglades (River of Grass) [Score] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500101F Mvt. 1 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00101F. Published by Theodore Presser Company (PR.16500101F). ISBN 9781491131725. UPC: 680160680252. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Change of Ideas for Percussion Set-up Metropolis Music Publishers
Percussion SKU: IS.PC7013EM Composed by Sam Gevers. Percussion. Sam Gever...(+)
Percussion SKU: IS.PC7013EM Composed by Sam Gevers. Percussion. Sam Gevers Percussion Collection. Metropolis Music Publishers #PC7013EM. Published by Metropolis Music Publishers (IS.PC7013EM). ISBN 9790365070138. Since 2010 Sam is full time drummer in the Royal Band of the Belgian Navy. As a freelance musician he played with the Royal Flemish Philharmonic, the National Orchestra of Belgium, Symphonic Factory and many more. In these orchestras some famous conductors crossed his path: f.i. Takuo Yuasa (Jap), Jaap Van Zweden (Ned) and Pincchas Steinberg (Ger). In many performances at the Night of the Proms with Il Novecento, he accompanied world famous artists like Donna Summer, Mike Oldfield, Ike Turner and Macy Gray. As freelance drummer/percussion player he worked on several musical shows as Evita, Elisabeth, Joseph and the amazing tecnicolour dreamcoat, Oliver!, Fiddler on the roof, Cinderella, Wizard of Oz,... Performing all these plays and concerts, he came across the whole wide world. Sam teaches percussion and ensemble at the Conservatory of Mechelen, Belgium. He is founder of the trio Percussive, which is now one the leading percussion groups, touring in the Belgian theatres. Sam made a serie of short percussion videos which were broadcasted many times on national television, and which are still popular on social media. For one of these movies he was granted with 2 awards at the Corporate Video Festival. As a composer Sam wrote many educational pieces, a lot of songs for Percussive, some large compositions for percussion ensemble and 6 musicals/mass productions as King Albert 1, Marie-Antoinette, Gheelamania 2010 & 2015 and Mol-in-scene. These mass productions were visited by more then 90000 people. Sam's piece Frozen planet was the mandatory work voor the ONSK percussion ensemble contest 2016, in the highest level. $21.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| African Suite for Percussion Set-up Metropolis Music Publishers
Percussion SKU: IS.PC6936EM Composed by Sam Gevers. Percussion. Sam Gever...(+)
Percussion SKU: IS.PC6936EM Composed by Sam Gevers. Percussion. Sam Gevers Percussion Collection. Metropolis Music Publishers #PC6936EM. Published by Metropolis Music Publishers (IS.PC6936EM). ISBN 9790365069361. Since 2010 Sam is full time drummer in the Royal Band of the Belgian Navy. As a freelance musician he played with the Royal Flemish Philharmonic, the National Orchestra of Belgium, Symphonic Factory and many more. In these orchestras some famous conductors crossed his path: f.i. Takuo Yuasa (Jap), Jaap Van Zweden (Ned) and Pincchas Steinberg (Ger). In many performances at the Night of the Proms with Il Novecento, he accompanied world famous artists like Donna Summer, Mike Oldfield, Ike Turner and Macy Gray. As freelance drummer/percussion player he worked on several musical shows as Evita, Elisabeth, Joseph and the amazing tecnicolour dreamcoat, Oliver!, Fiddler on the roof, Cinderella, Wizard of Oz,... Performing all these plays and concerts, he came across the whole wide world. Sam teaches percussion and ensemble at the Conservatory of Mechelen, Belgium. He is founder of the trio Percussive, which is now one the leading percussion groups, touring in the Belgian theatres. Sam made a serie of short percussion videos which were broadcasted many times on national television, and which are still popular on social media. For one of these movies he was granted with 2 awards at the Corporate Video Festival. As a composer Sam wrote many educational pieces, a lot of songs for Percussive, some large compositions for percussion ensemble and 6 musicals/mass productions as King Albert 1, Marie-Antoinette, Gheelamania 2010 & 2015 and Mol-in-scene. These mass productions were visited by more then 90000 people. Sam's piece Frozen planet was the mandatory work voor the ONSK percussion ensemble contest 2016, in the highest level. $23.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Acadia [Score] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500103F Mvt. 3 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 60 pages. Theodore Presser Company #165-00103F. Published by Theodore Presser Company (PR.16500103F). ISBN 9781491131763. UPC: 680160680290. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Great Smoky Mountains [Score] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500102F Mvt. 2 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00102F. Published by Theodore Presser Company (PR.16500102F). ISBN 9781491131749. UPC: 680160680276. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Adaptable Trios for Christmas - Beginner Excelcia Music Publishing
Horn in F - Grade 1.5-3 SKU: XC.WB2106 27 Trios for any Wind and Percu...(+)
Horn in F - Grade 1.5-3 SKU: XC.WB2106 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #WB2106. Published by Excelcia Music Publishing (XC.WB2106). ISBN 9781644020753. UPC: 812598038484. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios for Christmas - Beginner Excelcia Music Publishing
Alto/Bari Sax - Grade 1.5-3 SKU: XC.WB2104 27 Trios for any Wind and P...(+)
Alto/Bari Sax - Grade 1.5-3 SKU: XC.WB2104 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #WB2104. Published by Excelcia Music Publishing (XC.WB2104). ISBN 9781644020739. UPC: 812598038460. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios for Christmas - Beginner Excelcia Music Publishing
Bb Instruments - Grade 1.5-3 SKU: XC.WB2103 27 Trios for any Wind and ...(+)
Bb Instruments - Grade 1.5-3 SKU: XC.WB2103 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #WB2103. Published by Excelcia Music Publishing (XC.WB2103). ISBN 9781644020722. UPC: 812598038453. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios for Christmas Oboe - Beginner Excelcia Music Publishing
Oboe - Grade 1.5-3 SKU: XC.WB2102 27 Trios for any Wind and Percussion...(+)
Oboe - Grade 1.5-3 SKU: XC.WB2102 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #WB2102. Published by Excelcia Music Publishing (XC.WB2102). ISBN 9781644020715. UPC: 812598038446. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios for Christmas Flute - Beginner Excelcia Music Publishing
Flute - Grade 1.5-3 SKU: XC.WB2101 27 Trios for any Wind and Percussio...(+)
Flute - Grade 1.5-3 SKU: XC.WB2101 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #WB2101. Published by Excelcia Music Publishing (XC.WB2101). ISBN 9781644020708. UPC: 812598038439. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Adaptable Trios for Christmas - Beginner Excelcia Music Publishing
Tbn/Bsn/Euph - Grade 1.5-3 SKU: XC.WB2107 27 Trios for any Wind and Pe...(+)
Tbn/Bsn/Euph - Grade 1.5-3 SKU: XC.WB2107 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #WB2107. Published by Excelcia Music Publishing (XC.WB2107). ISBN 9781644020760. UPC: 812598038491. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios for Christmas - Beginner Excelcia Music Publishing
Tuba - Grade 1.5-3 SKU: XC.WB2108 27 Trios for any Wind and Percussion...(+)
Tuba - Grade 1.5-3 SKU: XC.WB2108 27 Trios for any Wind and Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #WB2108. Published by Excelcia Music Publishing (XC.WB2108). ISBN 9781644020777. UPC: 812598038507. 9 x 12 inches. Adaptable Trios for Christmas contains 27 newly arranged trios written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of three wind instruments and/or percussion, the possible combinations are endless! Play these trios as traditional three instrument chamber works, or expand your instrumentation to include the entire ensemble, including percussion. Tyler and Matthew use their experience as music educators to craft trios that are fun to play, and musically stimulating. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Das Will Ich Wissen(keybd Theory) 2 - Beginner Schott
Keyboard - very easy SKU: HL.49015508 Musikalisches Grundwissen rund u...(+)
Keyboard - very easy SKU: HL.49015508 Musikalisches Grundwissen rund um das Keyboard. Composed by Ilse Lintzen and Maria Swoboda. Arranged by Ilse Lintzen. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Textbook. 68 pages. Schott Music #ED 8588. Published by Schott Music (HL.49015508). ISBN 9783795754310. German. Praktische Einfuhrung in die Musiklehre fur Keyboard-Anfanger. Systematischer Aufbau. Notenschreiben, Notenlesen, Infos zum Instrument, viele spielerische Ubungsaufgaben, Akkordtabellen, musikalische Ratsel. Hervorragend als Aufgabenheft geeignet. Das ideale Erganzungsheft zu allen Keyboardschulen. Grundwissen - spielerisch vermittelt. $19.99 - See more - Buy online | | |
| Adaptable Quartets for Percussion - Easy Excelcia Music Publishing
Percussion - early intermediate SKU: XC.PB2002 21 Quartets for Any Win...(+)
Percussion - early intermediate SKU: XC.PB2002 21 Quartets for Any Wind & Percussion Instruments. Composed by Various. Arranged by Matthew R. Putnam, Robert Clayson, and Tyler Arcari. Concert and Contest. Adaptable Ensemble Series. Solo and Ensemble. Ensemble, Collection, Book. Excelcia Music Publishing #PB2002. Published by Excelcia Music Publishing (XC.PB2002). ISBN 9781644020524. 9 x 12 inches. Adaptable Quartets contains 21 newly-composed or arranged quartets that can be flexibly used with any combination of wind and percussion instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Adaptable Quartets contains 21 newly-composed or arranged quartets that can be flexibly used with any combination of wind and percussion instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Quartets follow the popular Adaptable Duets and Adaptable Trios books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft quartets that are fun to play and musically stimulating. Adaptable Quartets are sure to become an instant favorite.
Table of Contents Biographies, Abide with me, Agincourt Carol, The Barber of Seville, Be Thou My Vision, Capstone March, Chorale - From Jupiter, Country Gardens, Curse of Tortuga, Dawn of the Century March, Fortune Favors the Bold, Gesu Bambino, Go Tell it on the Mountain, Greensleeves, Home on the Range, In the Hall of the Mountain King, Les Toreadors, Scimitar!, Sea Shanty, Song Without Words, The Emperor Waltz, When Johnny Comes Marching Home. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios - Beginner Excelcia Music Publishing
Trombone, Euphonium, Bassoon - Grade 1.5-3 SKU: XC.WB2007 25 Trios for...(+)
Trombone, Euphonium, Bassoon - Grade 1.5-3 SKU: XC.WB2007 25 Trios for Any Wind and Percussion Instruments. Composed by Matthew R. Putnam and Tyler Arcari. Solo & Ensemble. Adaptable Trios. Ensemble, Collection, Book. Excelcia Music Publishing #WB2007. Published by Excelcia Music Publishing (XC.WB2007). ISBN 9781644020340. UPC: 812598032840. 9 x 12 inches. Adaptable Trios contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Trios follow the popular Adaptable Duets books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft trios that are fun to play and musically stimulating. Adaptable Trios are sure to become an instant favorite.
Table of Contents: Alla Hornpipe Contredanse Danza de Hercules Fanfare Flamingos German Dance German Dance March Minuet Musette My Country, 'Tis of Thee Pastorale Pathetique Rondo Sailor's Song Saint Anthony Chorale Shenandoah Sunayama The Ash Grove The Imp Valse Noble Volte Wait just a Minuet Waltz. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios Flute - Beginner Excelcia Music Publishing
Flute - Grade 1.5-3 SKU: XC.WB2001 25 Trios for Any Wind and Percussio...(+)
Flute - Grade 1.5-3 SKU: XC.WB2001 25 Trios for Any Wind and Percussion Instruments. Composed by Matthew R. Putnam and Tyler Arcari. Solo & Ensemble. Adaptable Trios. Ensemble, Collection, Book. Excelcia Music Publishing #WB2001. Published by Excelcia Music Publishing (XC.WB2001). ISBN 9781644020289. UPC: 812598032789. 9 x 12 inches. Adaptable Trios contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Trios follow the popular Adaptable Duets books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft trios that are fun to play and musically stimulating. Adaptable Trios are sure to become an instant favorite.
Table of Contents: Alla Hornpipe Contredanse Danza de Hercules Fanfare Flamingos German Dance German Dance March Minuet Musette My Country, 'Tis of Thee Pastorale Pathetique Rondo Sailor's Song Saint Anthony Chorale Shenandoah Sunayama The Ash Grove The Imp Valse Noble Volte Wait just a Minuet Waltz. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios Oboe - Beginner Excelcia Music Publishing
Oboe - Grade 1.5-3 SKU: XC.WB2002 25 Trios for Any Wind and Percussion...(+)
Oboe - Grade 1.5-3 SKU: XC.WB2002 25 Trios for Any Wind and Percussion Instruments. Composed by Matthew R. Putnam and Tyler Arcari. Solo & Ensemble. Adaptable Trios. Ensemble, Collection, Book. Excelcia Music Publishing #WB2002. Published by Excelcia Music Publishing (XC.WB2002). ISBN 9781644020296. UPC: 812598032796. 9 x 12 inches. Adaptable Trios contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Trios follow the popular Adaptable Duets books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft trios that are fun to play and musically stimulating. Adaptable Trios are sure to become an instant favorite.
Table of Contents: Alla Hornpipe Contredanse Danza de Hercules Fanfare Flamingos German Dance German Dance March Minuet Musette My Country, 'Tis of Thee Pastorale Pathetique Rondo Sailor's Song Saint Anthony Chorale Shenandoah Sunayama The Ash Grove The Imp Valse Noble Volte Wait just a Minuet Waltz. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios - Beginner Excelcia Music Publishing
Clarinet, Trumpet, Bass Clarinet, Baritone (T.C) - Grade 1.5-3 SKU: XC.WB2003...(+)
Clarinet, Trumpet, Bass Clarinet, Baritone (T.C) - Grade 1.5-3 SKU: XC.WB2003 25 Trios for Any Wind and Percussion Instruments. Composed by Matthew R. Putnam and Tyler Arcari. Solo & Ensemble. Adaptable Trios. Ensemble, Collection, Book. Excelcia Music Publishing #WB2003. Published by Excelcia Music Publishing (XC.WB2003). ISBN 9781644020302. UPC: 812598032802. 9 x 12 inches. Adaptable Trios contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Trios follow the popular Adaptable Duets books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft trios that are fun to play and musically stimulating. Adaptable Trios are sure to become an instant favorite.
Table of Contents: Alla Hornpipe Contredanse Danza de Hercules Fanfare Flamingos German Dance German Dance March Minuet Musette My Country, 'Tis of Thee Pastorale Pathetique Rondo Sailor's Song Saint Anthony Chorale Shenandoah Sunayama The Ash Grove The Imp Valse Noble Volte Wait just a Minuet Waltz. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adaptable Trios - Beginner Excelcia Music Publishing
Alto Saxophone, Baritone Saxophone - Grade 1.5-3 SKU: XC.WB2004 25 Tri...(+)
Alto Saxophone, Baritone Saxophone - Grade 1.5-3 SKU: XC.WB2004 25 Trios for Any Wind and Percussion Instruments. Composed by Matthew R. Putnam and Tyler Arcari. Solo & Ensemble. Adaptable Trios. Ensemble, Collection, Book. Excelcia Music Publishing #WB2004. Published by Excelcia Music Publishing (XC.WB2004). ISBN 9781644020319. UPC: 812598032819. 9 x 12 inches. Adaptable Trios contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Trios follow the popular Adaptable Duets books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft trios that are fun to play and musically stimulating. Adaptable Trios are sure to become an instant favorite.
Table of Contents: Alla Hornpipe Contredanse Danza de Hercules Fanfare Flamingos German Dance German Dance March Minuet Musette My Country, 'Tis of Thee Pastorale Pathetique Rondo Sailor's Song Saint Anthony Chorale Shenandoah Sunayama The Ash Grove The Imp Valse Noble Volte Wait just a Minuet Waltz. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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