| Polyhymnia Choral 3-part Carus Verlag
3-part canon for voices with piano SKU: CA.3319900 A collection of Son...(+)
3-part canon for voices with piano SKU: CA.3319900 A collection of Songs for Voice and Keyboard. Composed by Carl Philipp Emanuel Bach. Edited by Christoph Wolff. Lieder; Stuttgart Editions (Urtext): Stuttgart Bach Edition - Bach vocal. Stuttgart Urtext Edition: Bach vocal. Lieder. Full score. Carus Verlag #CV 33.199/00. Published by Carus Verlag (CA.3319900). ISBN 9790007188641. Language: German. Carl Philipp Emanuel Bach is rightly regarded as the most important composer of the German art song before Schubert. He set new standards in the interplay of cantabile melodies and expressive piano accompaniment. He was also in personal contact with the great poets of his time - including Gleim, Kleist and Lessing - and shared their interest in the close relationship between literary and musical poesy. In his late years Bach planned a comprehensive selection of his songs, but the project was not completed. This edition follows the original manuscript of his Polyhymnia collection. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Polyeleion; Stufenpsalm Carus Verlag
SKU: CA.4017830 Composed by Peter Ilyich Tchaikovsky. Edited by Thomas Ko...(+)
SKU: CA.4017830 Composed by Peter Ilyich Tchaikovsky. Edited by Thomas Kohlhase. German title: Polyeleion + Stufenpsalm. Sacred vocal music. Full score. 8 pages. Carus Verlag #CV 40.178/30. Published by Carus Verlag (CA.4017830). ISBN 9790007104122. Score available separately - see item CA.4017800. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| El Palimino Noble Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Clari...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Maracas, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5 SKU: CF.CPS88F Composed by Joseph Compello. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 40 pages. Carl Fischer Music #CPS88F. Published by Carl Fischer Music (CF.CPS88F). ISBN 9780825870439. UPC: 798408070434. 9X12 inches. Key: G minor. El Palomino Noble is written in the Spanish march style known as the Paso Doble. Its standard characterics include a brisk tempo, interplay between melodies and soaring countermelodies, as well as the use of varying modes (particularly the Phrygian mode), all giving the music an unmistakable Spanish signature. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Philemon und Baucis Edition HH
Solo voices, orchestra SKU: HH.HH409-FSC Composed by Franz Joseph Haydn. ...(+)
Solo voices, orchestra SKU: HH.HH409-FSC Composed by Franz Joseph Haydn. Edited by Trevor Pinnock. Opera. Marionette Opera. Opera. Full score. Edition HH Music Publishers #HH409-FSC. Published by Edition HH Music Publishers (HH.HH409-FSC). ISBN 9790708092001. Haydn's delightful puppet opera Philemon und Baucis, based on a mythical tale from Ovid, was written for a visit to Esterháza by the Empress Maria Theresa in 1773. The present version, created for Christopher Leith's Little Angel Theatre production at the 2003 Haydn Festival in Eisenstadt, is now available in this new practical performing edition and will attract both amateur and professional opera groups alike. $78.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Philemon und Baucis Edition HH
Solo voices, orchestra SKU: HH.HH409-VOC Composed by Franz Joseph Haydn. ...(+)
Solo voices, orchestra SKU: HH.HH409-VOC Composed by Franz Joseph Haydn. Edited by Trevor Pinnock. Opera. Marionette Opera. Opera. Vocal score, keyboard reduction. Edition HH Music Publishers #HH409-VOC. Published by Edition HH Music Publishers (HH.HH409-VOC). ISBN 9790708092018. Haydn's delightful puppet opera Philemon und Baucis, based on a mythical tale from Ovid, was written for a visit to Esterháza by the Empress Maria Theresa in 1773. The present version, created for Christopher Leith's Little Angel Theatre production at the 2003 Haydn Festival in Eisenstadt, is now available in this new practical performing edition and will attract both amateur and professional opera groups alike. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002705 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.027/05. Published by Carus Verlag (CA.1002705). ISBN 9790007181338. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002711 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 1. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/11. Published by Carus Verlag (CA.1002711). ISBN 9790007189327. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002709 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. 1x 10.027/31 trombone 1, 1x 10.027/32 2 trombones, 1x 10.027/33 trombone 3, 1x 10.027/34 trombone 4. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/09. Published by Carus Verlag (CA.1002709). ISBN 9790007189310. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Carus Verlag
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002905 Ch...(+)
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002905 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Praise and thanks. Full score. 8 pages. Duration 5 minutes. Carus Verlag #CV 10.029/05. Published by Carus Verlag (CA.1002905). ISBN 9790007181369. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. The six-part polyphonic choral setting of the German Gloria (the first and fourth verses are underlaid) is divided, following Italian models, by tutti sections in triple meter. Instruments join the tutti sections ad libitum, strengthening the vocal parts. Score available separately - see item CA.1002900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002849 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred concertos, Sacred vocal music, Advent. Single Part, Organ. 4 pages. Duration 4 minutes. Carus Verlag #CV 10.028/49. Published by Carus Verlag (CA.1002849). ISBN 9790007189389. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and part available separately - see item CA.1002800. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002719 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/19. Published by Carus Verlag (CA.1002719). ISBN 9790007181413. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700. $65.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002714 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 4. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/14. Published by Carus Verlag (CA.1002714). ISBN 9790007189358. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002715 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, basso continuo. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/15. Published by Carus Verlag (CA.1002715). ISBN 9790007189365. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002800 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Full score. 12 pages. Duration 4 minutes. Carus Verlag #CV 10.028/00. Published by Carus Verlag (CA.1002800). ISBN 9790007171735. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002706 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/06. Published by Carus Verlag (CA.1002706). ISBN 9790007181345. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Carus Verlag
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002919 Ch...(+)
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002919 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Complete orchestral parts. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 5 minutes. Carus Verlag #CV 10.029/19. Published by Carus Verlag (CA.1002919). ISBN 9790007189396. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. The six-part polyphonic choral setting of the German Gloria (the first and fourth verses are underlaid) is divided, following Italian models, by tutti sections in triple meter. Instruments join the tutti sections ad libitum, strengthening the vocal parts. Score and parts available separately - see item CA.1002900. $37.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002805 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Choral Score. 8 pages. Duration 4 minutes. Carus Verlag #CV 10.028/05. Published by Carus Verlag (CA.1002805). ISBN 9790007181352. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002819 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Separate instruments. Sacred concertos, Sacred vocal music, Advent. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 10.028/19. Published by Carus Verlag (CA.1002819). ISBN 9790007181420. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and parts available separately - see item CA.1002800. $44.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002712 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 2. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/12. Published by Carus Verlag (CA.1002712). ISBN 9790007189334. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002749 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Organ. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.027/49. Published by Carus Verlag (CA.1002749). ISBN 9790007189372. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Carus Verlag
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002900 Ch...(+)
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002900 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Praise and thanks. Full score. 12 pages. Duration 5 minutes. Carus Verlag #CV 10.029/00. Published by Carus Verlag (CA.1002900). ISBN 9790007171742. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. The six-part polyphonic choral setting of the German Gloria (the first and fourth verses are underlaid) is divided, following Italian models, by tutti sections in triple meter. Instruments join the tutti sections ad libitum, strengthening the vocal parts. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Vom Himmel Hoch (From Heav'n on High) (Full Score and Instrumental Parts) - Intermediate Walton Music
Full Score and Instrumental parts, full score, violin 1, violin 2, viola, cello,...(+)
Full Score and Instrumental parts, full score, violin 1, violin 2, viola, cello, bass - Intermediate SKU: GI.WJMS1022A Composed by Michael Praetorius. Arranged by Margaret Boudreaux. Christmas, Christmas. Jo-Michael Scheibe Choral Series. Sacred. Full score. 24 pages. Walton Music #WJMS1022A. Published by Walton Music (GI.WJMS1022A). English, German. Text Source: Polyhymnia Caduceatrix et Panegyrica (1619). Instrumental parts for WJMS1022 Vom Himmel Hoch include two violin, viola, cello and/or bass. See preview images for notes on instrumentation variations. $17.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002713 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 3. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/13. Published by Carus Verlag (CA.1002713). ISBN 9790007189341. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002700 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Full score. 24 pages. Duration 8 minutes. Carus Verlag #CV 10.027/00. Published by Carus Verlag (CA.1002700). ISBN 9790007171728. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Carus Verlag
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002949 Ch...(+)
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002949 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Organ. 4 pages. Duration 5 minutes. Carus Verlag #CV 10.029/49. Published by Carus Verlag (CA.1002949). ISBN 9790007181437. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. The six-part polyphonic choral setting of the German Gloria (the first and fourth verses are underlaid) is divided, following Italian models, by tutti sections in triple meter. Instruments join the tutti sections ad libitum, strengthening the vocal parts. Score and part available separately - see item CA.1002900. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My soul, now bless thy Maker (Nun lob, mein Seel, den Herren) Carus Verlag
Solo Voices/Choir SAB, Bc, ad lib: 3 Instr SKU: CA.103400 A 2 & a 3 in...(+)
Solo Voices/Choir SAB, Bc, ad lib: 3 Instr SKU: CA.103400 A 2 & a 3 in quartam. Chorale concerto. Composed by Michael Praetorius. Edited by Uwe Wolf. Sacred vocal music, Psalms, German. Sacred vocal music, Psalms, German. Full score. Composed 1619. Duration 3 minutes. Carus Verlag #CV 01.034/00. Published by Carus Verlag (CA.103400). ISBN 9790007188825. Language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. Even in the small-scale form of the chorale arrangement for two to three voices and basso continuo, Praetorius gives hints of the range of sound textures he is to use: the alternation between contrapuntal and homophonic styles of setting, duple and triple meter, and different dynamic. Nun lob, mein Seel, den Herren is available on the CD Praetorius: Gloria sei dir gesungen. Choralkonzerte (Carus 83.482). $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| PHILEMON ET BAUCIS: Entr'acte et Danse des Bacchantes Soli, Mixted choir and accompaniment Lucks Music Library
(2D1.2.2.2/4.2.3.0,timp,p erc,hp,str) SKU: TM.05654SET Composed by Charle...(+)
(2D1.2.2.2/4.2.3.0,timp,perc,hp,str) SKU: TM.05654SET Composed by Charles Francois Gounod. Set Type: D. Set of parts. Lucks Music Library #A3197. Published by Lucks Music Library (TM.05654SET). Berceuse, Mi-A-Ou, Le Jardin De Dolly, Kitty Valse Tendresse, Le Pas Espagnol. Orch. by Rabaud. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rhapsody Cello, Piano [Reduction] Schott
(Cello and Piano Reduction). Composed by Mikis Theodorakis (1925-). For Cello, P...(+)
(Cello and Piano Reduction). Composed by Mikis Theodorakis (1925-). For Cello, Piano Accompaniment. String. Softcover. Schott Music #CB262. Published by Schott Music
$38.00 - See more - Buy online | | |
| Accompaniments for Anthology of Spanish Song - High Voice High voice [Accompaniment CD] Hal Leonard
High Voice. Composed by Various. Edited by Maria DiPalma, Richard Walters. Vocal...(+)
High Voice. Composed by Various. Edited by Maria DiPalma, Richard Walters. Vocal Collection. Classical, Spanish. CD. 8 pages. Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Second Set of Madrigals (Made to order) Choral SATB Stainer and Bell
SATB choir SKU: ST.EM26 Composed by Francis Pilkington. Edited by Edmund ...(+)
SATB choir SKU: ST.EM26 Composed by Francis Pilkington. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Note: Print on demand. Spiral-bound A4. Madrigals. Choral Score. Stainer & Bell Ltd. #EM26. Published by Stainer & Bell Ltd. (ST.EM26). ISBN 9790220212598. CONTENTS Care for thy soul (SSATB) Chaste Daphne fled (SST (or A) B) Chaste Syrinx fled (SSA (or T) TB) Come shepherds' weeds (SSA (or T) TB) Coy Daphne fled (SST (or A) B) Crowned with flowers (SSAAB) Cruel Pabrilla (SSAT (or A) TB) Dear shepherdess (SSAATB) Drown not with tears (SSATB) Fancy for the Viols (SSAATB and Viol Sextet) Go, you skipping kids and fawns (SSATB) If she neglect me (SSA (or T) B) Maenalas in an evening (SSAB) O gracious God (SSATB) O praise the Lord (SSATTB) O softly-singing lute (SSAATB) Palaemon and his Sylvia (SSTB) Sovereign of my delight (SST) Stay, heart, run not so fast (SST) Surcrease, you faithful shepherdess (SSATB/Viol quintet/Lute) Wake, sleepy Thyrsis (SST) Weep, sad Urania (SS and string accompt.) Ye bubbling springs (SST) Yond hilltops Phoebus kissed (SST) You gentle Nymphs (SSA (or T) B) Your fond preferments (SST). $94.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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