SKU: HL.49033183
ISBN 9790001134538.
Tagtaglich gibt es viele Anlasse sich zu bedanken - in der Familie, bei Freunden, in der Firma, im Verein, in der Schule und bei vielen anderen Gelegenheiten. Wie viel schoner ist es, wenn man ein Dankeschon mit Musik sagen kann. Aber wo findet man die Noten und die richtigen Stucke fur die jeweilige Gelegenheit? Dieser Band bietet eine grosse Auswahl an popularen und traditionellen Musikstucken in gut klingenden und leicht spielbaren Arrangements von Wolfgang Wierzyk.
SKU: HL.50600595
German.
Jeder, der gerade erste Schritte auf dem Klavier unternimmt, wird sich freuen, wenn er auch mal wirklich schone Melodien spielen darf. Franco Concinas Bearbeitungen beschranken den Notentext auf das Notigste und schaffen es doch, den Zauber der Originalstucke so weit wie nur moglich zu erhalten. Unter dem Namen Klassik versammeln sich 16 einfache Bearbeitungen von Werken des 18. und 19. Jahrhunderts, darunter einige der popularsten Melodien uberhaupt aus jener Zeit. Vom Kunstlied uber Klavier- bis hin zu Orchesterwerken ist alles vertreten.Die Arrangements sind ideal geeignet als erstes Vorspielrepertoire fur Anfanger.
SKU: HL.49032719
ISBN 9783795753856. German.
Dieses neue Unterrichtswerk wendet sich an alle, die das Musizieren auf modernen Keyboards lernen wollen, sei es im Unterricht oder im Selbststudium. Anfanger jeder Altersstufe und ohne musikalische Vorkenntnisse, aber auch Blaser, Gitarristen und Sanger, die uber das Tasteninstrument einen Einstieg in Harmonielehre und Komposition suchen, finden hier in kompakten Unterrichtseinheiten mit popularen Songs und nutzlichen Tipps einen sicheren Weg zum Erfolg. Das Werk ist fur Einzelunterricht und in ganz besonderer Weise auch fur den gemischten Gruppenunterricht mit Tasteninstrumeten geeignet. Zum Einhoren, Mitspielen und als motivierende Lernhilfe liegen Audio-Aufnahmen der Stucke zum Download vor (Code im Heft).
SKU: BU.EBR-A064
ISBN 9790560151472. 8.58 x 12.48 inches.
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.La partition ici présentée est une transcription pianistique du deuxième mouvement de la suite n°3 de Jean-Sébastien Bach, une des pages les plus justement célèbres du compositeur allemand. Écrite à l’origine pour un effectif instrumental constitué de cordes seules et d’un continuo joué au clavecin, cet Aria doit sans doute sa popularité à son caractère grandiose, sa puissance expressive et la beauté immuable de son discours musical. La ligne mélodique, très flexible, est soutenue par le rythme régulier de la basse qui alterne les sauts d’octaves ascendants et descendants. Les enchevêtrements contrapuntiques, situés vers le milieu de la deuxième partie de l’Aria, constituent le sommet expressif de la pièce qui se termine comme elle a commencé, dans un climat d’une grande sérénité.
SKU: HL.49046262
ISBN 9783795716660. UPC: 888680954178. 9.0x12.0x0.067 inches. German - English - French.
Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century. Apart from his Violin Method, it is, above all, his concertinos that are an absolute must for the development of any violin pupil, especially his famous Concertino in G major Op. 11 (Schott SE 1001) as well as his Concertino in D major Op. 15 which both enjoy great popularity. Composed “in the style of Antonio Vivaldiâ€, the work has, without doubt, been one of the most frequently played works in student violin literature for decades. It is the perfect educational link to Vivaldi's somewhat more difficult “student concertosâ€. The completely baroque-style movements appeal to every pupil. The fast outer movements contain rewarding, always seemingly violinistic runs and idiomatic figurations. The appeal of the slow middle movement lies in its simple, yet tonally demanding Siciliano theme. The works requires knowledge of the 2nd and 3rd positions and is here presented in a new modern edition. Bowing, articulation and fingerings are based on today's experience of interpreting Vivaldi's music, providing creative space and possibilities for personal ideas in modern violin lessons. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty,from 1 (easy) to 5 (difficult), for instrumental lessons. For more information see www.schott-student-edition.com.
SKU: HL.49011073
ISBN 9790001123853. UPC: 073999614947. 9.0x12.0x0.105 inches.
Ivan Muller was born in Reval, Russia (now Tallinin, Estonia) on December 3, 1786, and died in Buckeburg (Germany) in 1854. In 1808-09 he performed widely as a clarinet virtuoso in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new 'clarinette omnitonique' in B flat which he had invented. That system of keys used in Germany to this day is based on Mullers invention. As a composer Muller was an exponent of the early Romantic style and wrote numerous concertos for his chosen instrument as well as this Serenade for Clarinet and Piano (or Harp or Guitar). The editor Dieter Klocker writes: ''These rather beautiful and accessible Romantic miniatures enjoyed great popularity in their day and I assume that even today they will meet with the approval of professional and amateur players alike.''.
SKU: HL.49011203
ISBN 9790220117084. UPC: 073999739343. 9.0x12.0x0.075 inches.
With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.
SKU: CY.CC3091
ISBN 9790530110683. 8.5 x 11 in inches.
* The Rochut/Bordogni Etudes for Trombone have enjoyed immense popularity over the years. * If you play the Trombone, or any brass instrument for that matter, you most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. * David Ritt has composed Volume I of 1-30 of the 60 Melodious Etudes from Book I as duets for Alto Trombone and Tenor Trombone. * Etude numbers 31-60 from Book I will also be available as Volume II. * Performed as duets (both parts on the same page) they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing as well as improving intonation, rhythm, style and getting to know the Alto Trombone. * Book I Volume I for Alto and Tenor Trombone includes Etudes 1-30, from the vocalises from Book I of the Rochut etudes and are contained in a handsome coil-bound book of 89 pages or available as a download or even both. * Beautifully engraved, these accompaniments are perfectly suited for advanced performers. * This edition includes both the Alto and Tenor parts together on the same page for easy reading.
SKU: SP.TS571
ISBN 9781585607570.
The popularity of coloring books for the adult and young adult, while relatively recent, has become one of the faster growing recreational activities for artists of all skill levels. It took the innovation of the publisher you've known for many years, however, to marry the visual arts with music in this never before seen original concept and series, exclusively available from Santorella Publications.Experience the high quality you've come to expect from Santorella Publications in The Colors of Music, with over 60 musical instruments depicted with intricate background patterns. Each image is printed on heavy stock on only one side of the page to avoid bleed-through. Printed in the larger 9 x 12 size, with Santorella's lay-flat binding, the book is designed to last for years, while each page is perforated for easy removal and coloring. Every illustration, while a work of art on its own, will become a one-of-a-kind original piece with your personal touch; a work of art truly suitable for framing.The foreword from, The Colors of Music.From the dawn of time, coloring has been one of the most basic forms of self-expression and is often the first creative process which many of us experience. Taking an existing image or pattern and making it our own is a uniquely personal experience. We decide which creative implements to use, perhaps crayons, pencils, or markers, and which colors to apply. As we color, we find we are in control of the entire process, limited only by our imagination, and when we are done, we have an artistic embodiment of our own personality, as unique and individual as each of us is to the other. It makes no difference if we are relatively skilled or unskilled; we express what is in our heart and mind each and every time we set pencil to paper. As we become more experienced and skilled, we acquire the power through technique and style to more freely express what is so clear in our imagination. In time, our creations become freely expressed works of art.The same can be said of music. The musician chooses their instrument, then takes an existing pattern of melody and chords and adds unique colors to them to make that piece of music uniquely their own. As musicians, we practice to become more experienced in order to acquire the skills to more freely add our own brand of expression and style to the music.Both of these art forms have creativity at their core. They allow the artist or musician, both young and old, to freely express feelings within while providing a sense of joy, tranquility, and meditative focus.The Colors of Music literally reminds us that art and music are on the same page. This trend-setting series, by Santorella Publications, will provide both the artist and musician with yet another creative channel for self-expression and individualism.Amateur and professional alike will also appreciate the opportunity for some much-needed downtime from the hard work of practicing, or simply the rigors of everyday life, while still being able to enjoy the art form they love. After all, creating art and music is supposed to be fun.
SKU: HL.49027657
ISBN 9790220100130.
SKU: BR.EB-6761
ISBN 9790004169629. 9 x 12 inches.
This series of easy piano pieces for teaching purposes presents pupils in the early and early-middle stages with a careful selection from well-known and less-known compositions by important masters. The individual volumes are deliberately kept small in extent, since it is more stimulating for children if the literature used for instruction is changed frequently. Of all Grieg's piano music, it is the Lyric Pieces (EB 8832) that enjoy the greatest popularity. These character pieces, which are very varied in their difficulty and their length, preoccupied the composer throughout his creative life. The easiest pieces from the first three books (op. 12, 38 and 43) have been chosen for the present volume. In the musical sense, however, they are by no means light-weight. Only someone who has made the art of playing expressively in the Romantic style his own with the help of Schumann's Scenes from childhood (EB 8436) will be able to interpret this poetry filled with the soul of nordic peoples appropriately. Interpretative indications have been partly added to; fingerings and the distribution of the music between the hands have, as far as possible, been adapted to smaller hands. Sensitive use of the pedal and a tempo rubato imbued with the sense of the music are prerequisites. Heinz Walter, Salzburg, Summer 1977.
SKU: BT.DHP-1033401-400
ISBN 9789043118514. English.
The huge surge in the popularity of ethnic music has resulted in a great demand for tuition in instruments such as the djembe. This tutor book is suitable for use from the very first day of djembe playing. The method teaches beginners the basics of playing, together with information on the cultural background, exercises, practising tips and rhythm arrangements. As the easy-to-learn notation has been specially written for Djembe it is not necessary to be able to read music and the CD included presents all the basic exercises and rhythm arrangements in the book.
SKU: HL.49019221
ISBN 9790001180672. UPC: 841886018136. 9.0x12.0x0.092 inches.
Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Rooted entirely in the romantic spirit of their time with regard to style, they are relatively short pieces of medium difficulty. It is not least due to its melodic and harmonic catchiness that the rather easy Reverie in G minor Op. 92/2 enjoys great popularity both in lessons and in concerts. The expression marking 'Allegro appassionato' refers to the fundamental character of the piece which demands, in particular, an expressive vibrato rich in modulation.
SKU: HL.49013789
UPC: 073999452464. 9.0x12.0x0.063 inches.
For descant recorder, strings and basso continuo. For descant recorder, strings and basso continuo. With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.
SKU: CA.5006205
ISBN 9790007079307. Key: F minor. Language: Latin.
Of Josef Rheinberger's eighteen masses, five are for unaccompanied voices, four with accompaniment by a small instrumental ensemble and nine with organ. Among the last group the leicht ausfuhrbare (easy to perform) works take a special place: Considered by their composer as purely utility music, they achieved great popularity during his lifetime and soon became part of the standard repertory of small church choirs. Score available separately - see item CA.5006200.
SKU: HL.49018409
ISBN 9790001175654. UPC: 841886016361. 9.25x12.0x0.045 inches.
A 'Last Night of the Proms' without this march - unthinkable! 'Pomp and Circumstance Military March No. 1' with its middle section, the hymn-like 'Land of Hope and Glory' by Edward Elgar (1857-1934), belongs to the finale of the London music event like the Radetzky March usually played as last piece to the New Year's Concert of the Vienna Philharmonic Orchestra. The fame and popularity of the other four military marches composed by Elgar between 1901 and 1907 fade in comparison to this secret national anthem of Great Britain (although strongly rivalled by 'Rule, Britannia!'). It is, indeed, an equally rousing and catchy piece of music, and the catchy tune in the middle has just become a classical 'hit'. Thanks to the present edition, all those who do not have a large symphony orchestra at home can now play this rousing march by themselves.
SKU: BT.0518-99-400-DHI
ISBN 9789043103404. English-German-French-Dutch.
The recent rise in popularity of Latin music has prompted us to bring you this exciting play-along book. It contains ten well-known melodies all with the characteristic Spanish and South American feel. This book comes with a backing CD to ensure truly exotic performances. Amor, Besame Mucho, La Playa en Quando, Quando, Quando. Naast deze bekende titels bevat Romantic Latin zes andere romantische melodieën in easy listening latin-stijl. De cd bevat van alle stukken een voorbeeldversieen een begeleidingstrack.Die bekannten zehn Titel in Romantic Latin gehen leicht ins Ohr und eignen sich für Aufführungen wie auch für den Unterricht. Auf die vollständige Demo-Aufnahme folgt ein Play-Along-Track, auf dem nur die Begleitung zu hören ist. Romantic Latin contient dix pièces, mélodieuses et faciles, aux rythmes balancés. Historia de un Amor, Solamente una Vez, Besame Mucho, La Playa et tous les autres morceaux de ce recueil vous sont présentés deux fois : dans leur instrumentation complète et en version avec accompagnement seul pour vous permettre de jouer en solo ! Romantic Latin contiene 10 pezzi melodici facili, ritmici e ballabili. Historia de un Amor, Solamente una Vez, Besame Mucho, La Playa e tutti gli altri titoli di questa raccolta sono registrati sul CD in due versioni: una prima con l’interpretazione completa, e una seconda col solo accompagnamento che vi permetter di lanciarvi nei vostri solo.
SKU: GI.G-018040
What has made this Mass rise to the top in popularity in parishes across the English-speaking world? Its adaptability. From parishes with keyboard and/or guitar and cantor to cathedrals with a large SATB choir and multiple instruments (organ, brass quartet, timpani, handbells), Mass of Wisdom has proven itself as a “Mass for the masses.†Its step-wise melodic patterns make it easy to learn without sounding musically trite in any way. Music directors agree that the through-composed Gloria is one of the most finely crafted of all the new musical settings of the prayer. That fine crafting extends to all components of this Mass, especially the acclamations sung during the Eucharistic Prayer. The multi-layered Hosannas in the Sanctus will delight the members of the choir as well as the singing assembly. This is a Mass setting that simply soars. It is a perfect setting for Ordinary Time, but music directors tell us that the Christmas and Easter seasons are made more glorious and joyful when this setting is sung, especially when the additional instrumentation is added. Dioceses and parishes that employed Mass of Wisdom as the first setting during the implementation of the new translation have found themselves returning to it time and time again. It truly has become part of the “Catholic musical DNA†across the United States and beyond.
SKU: GI.G-10368
ISBN 9781622776276.
This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell   The Wind Music Research Quarterly: Mitteilungsblatt der IGEB   (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor   Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis   The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner   Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist†Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)  Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa.
SKU: KN.TJK2306
12 x 9 inches.
Given the widespread popularity and accessibility of Jeff Jarvis’ infectious funk charts for big band, you’ll love this easy original. A solid introduction sets up the tuneful melody. The driving funk groove is coupled with a rich chord progression to give this chart plenty of audience appeal.
SKU: HL.49041207
ISBN 9790220116964. 9.0x12.0x0.008 inches.
SKU: HL.49001911
ISBN 9790220100024. UPC: 073999695748. 9.0x12.0x0.075 inches.
SKU: SP.TS572
ISBN 9781585607587.
The next book in this exciting series has arrived! The popularity of coloring books for the middle school aged to adult artist, while relatively recent, has become one of the faster growing recreational activities for artists of all skill levels. It took the innovation of the publisher you've known for many years, however, to marry the visual arts with music in this never seen before original concept and series, exclusively available from Santorella Publications. Experience the high quality you've come to expect from Santorella Publications in More Colors of Music, with over 60 musical instruments from around the world depicted with intricate background patterns. Each image is printed on heavy stock on only one side of the page to avoid bleed-through. Printed in the larger 9 x 12 size, with Santorella s lay-flat binding, the book is designed to last for years, while each page is perforated for easy removal and coloring. Every illustration, while a work of art on its own, will become a one-of-a-kind original piece with your personal touch; a work of art truly suitable for framing. The foreword from, More Colors of Music. The Colors of Music began the journey. Artist and musicians experienced a new level of meditative creativity with over 60 familiar musical instruments to color and make their own. More Colors of Music continues this journey with over 60 additional images dedicated to instruments from around the world. This collection of unusual instruments, both past and present offers an additional cultural context, reminding us how art and music not only enable us to share cultural similarities, but also explore our differences in a way which makes the world a little smaller. From the dawn of time, coloring has been one of the most basic forms of self-expression and is often the first creative process which many of us experience. Taking an existing image or pattern and making it our own is a uniquely personal experience. We decide which creative implements to use, perhaps crayons, pencils, or markers, and which colors to apply. As we color, we find we are in control of the entire process, limited only by our imagination, and when we are done, we have an artistic embodiment of our own personality, as unique and individual as each of us is to the other. It makes no difference if we are relatively skilled or unskilled; we express what is in our heart and mind each and every time we set pencil to paper. As we become more experienced and skilled, we acquire the power through technique and style to more freely express what is so clear in our imagination. In time, our creations become freely expressed works of art. Both art and music have creativity at their core. They allow the artist or musician, both young and old, to freely express feelings within while providing a sense of joy, tranquility, and meditative focus. The Colors of Music and More Colors of Music literally remind us that art and music are on the same page. This highly sought-after series, by Santorella Publications, will provide both the artist and musician with yet another creative channel for self-expression and individualism, as well as the opportunity for some much-needed downtown from the hard work of practicing and the rigors of everyday life. Experience the fun and satisfaction of The Colors of Music and More Colors of Music for yourself, and turn each page to discover the endless possibilities and opportunities for creativity and relaxation, as you nurture and cultivate your inner spirit, while feeding your soul with peace, tranquility, color, and harmony. The journey continues, so have some fun!
SKU: BT.EMBZ934
English-German-Hungarian.
'This is one of Bartók's most famous series of piano pieces, whose fame is probably greater than either its popularity with pianists, or the frequency with which it occurs on concert programmes. When it was written in 1908, it triggered sensation and scandal in musical circles. The series as a whole is not a true cyclic composition that can only be played in its entirety with movements in the original order. Rather, it is a more loosely-ordered collection, although some of the pieces belong together. However, the varied succession of tempos and characters and general succession from technically easy to more difficult could also be a reason for the volume's ordering.'(HCD32524 Bartók New Series Vol. 24, István G. Németh).
SKU: KN.TJK2306FS
SKU: HL.49011191
ISBN 9790220116957. UPC: 073999741643. 9.0x12.0x0.066 inches.
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