SKU: YM.GTP01094419

ISBN 9784636944198.

10 brilliant arrangements of Rachmaninoff's piano concertos, vocalise and Paganini variation.
10Shou Jing Cai De La He Ma Ni Nuo Fu Gang Qin Xie Zou Qu , Lian Sheng Qu He Pa Ge Ni Ni Bian Zou Qu .

1-3. 3 Movements from Piano Concerto No.2; 4. Theme from Piano Concerto No.3; 5. Vocalise; 6. Highlight from Paganini Rhapsody; 7. 18th Variation from Paganini Rhapsody; 8. 3rd Movement from Symphony No.2; 9. Prelude Op.3/2; 10. 2nd Movement from Piano Concerto No.2, arranged for 2 pianos.

SKU: AP.36-52710045

ISBN 9781621567264. UPC: 830056000453. English.

Our bestseller for over ten years! Everything the working violinist needs to play a wedding prelude and service, without being technically taxing.

SKU: SU.80101399

Triptych in honorem Gustav Willscher (2017) is dedicated to Andreas Willscher in celebration of the writing of his Troppauer Musiklexicon. Gustav Willscher (born 1882 in Meltsch bei Troppau/Sudentenschleisen and died 1937 in Vienna) was in his time a very successful poet, writer, and composer. In addition to his musical talents (he played several instruments, among others the piano and guitar), he also created a collection of drawings. He was the grandfather of composer and organist Andreas Willscher. The outer movements, Silesian Prelude and Troppauer Postlude, refer to his cultural heritage, and each quote a musical theme by Gustav Willscher. The second movement, Minuet, refers obliquely to Vienna, the city in which Willscher died. Instrumentation: Organ Duration: 10' Composed: 2017 Published by: Zimbel Press.

SKU: HL.14022412

ISBN 9788759858646. English-Danish.

MUSICAL GRAFITTI(II)In Musical Grafitti(II), virtuoso drawings for amplified piano, large ensemble and tape with cosmic sounds, von den herrn Asberion Ska-tune (1983-84), Schaathun is particularly concerned about investigating the relationship between various kinds of compositional techniques and their actual influence on the sound image, and therebye on the musical language. Thus is Musical Grafitti about different settings of the same musical gesture, which are presented in the initializing Formula. At the same time Formula serves as a model for the progression of the entire piece on various levels.The computer-program SCHAATON, written especially for this work by Swedish composer Bo Rydberg, governs the relative intervallic relationship in the first extensive piano exposition. In this part of the piece, the computer establishes the chordal focal points of the work, thus rather paradoxically making itself redundant.The brief tape interpolations and the long ending consist of cosmic noise recorded by a satelite. This noise symbolizes the outermost edge of the musical continuum Schaathun is seeking to describe: from white noise to music characterized by an advanced syntax. To compose is to control a defined continuum of sound. In this piece the control is represended by the Formula.The piece may also be read as a big prelude to Luciano Berios points on the curve to find... At one point Schaathun's curve crosses Berios curve, and the contours become directly involved in Berio's instrumentation before passing through and the soloist disappears into the coloured noise into which the piece fades away.(+ Fransk versjon NMI).

SKU: HL.48185643

Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this volume is the sixth of the 7 tomes. It focuses on Claude Debussy's pieces and features an analysis of 'The afternoon of a Faun', some Prelude and Images and parts of 'The Sea' and 'Paleas and Melisandre'. This treatise depicts the full theory behind Messiaen?s compositions and how he composed the music, including his conception of rhythms, his incorporation of bird songs and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes..