By William Walton (1902-1983). Arranged by David Lloyd-Jones. For Full orchestra. Scores. William Walton Edition. Walton Edition. Full score. 256 pages

(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/double bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag

By William Walton (1902-1983). Arranged by James Brooks Kuykendall. For Orchestra. Reference Material. William Walton Edition. Full score. 320 pages. Published by Oxford University Press

Violin and Orchestra

SKU: HL.14016896

Composed by Alfred Janson. Music Sales America. Classical. Score. Composed 2002. 86 pages. Edition Wilhelm Hansen #WH29619. Published by Edition Wilhelm Hansen (HL.14016896).

ISBN 9788759886236.

Orchestra (3.2.2.2/4.2.3.1,timp,perc,hp,str)

SKU: TM.07533SC

Composed by Nikolay Andreyevich Rimsky-Korsakov. Score. Lucks Music Library #A5829. Published by Lucks Music Library (TM.07533SC).

2nd movement (originally 3rd until 1947).

By Edvard Grieg (1843-1907). Arranged by Christina Hans. Orchestra. Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Form: Prelude. Masterwork Arrangement; Romantic. Grade 3. 124 pages. Published by Alfred Music Publishing

By Marc-Antoine Charpentier. Arranged by Vernon Leidig. Music by Marc-Antoine Charpentier / arr. Vernon Leidig. For Full Orchestra. Full Orchestra. Full Orchestra. Level: 2 (grade 2). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

By Johann Sebastian Bach (1685-1750). Arranged by Elizabeth Start. Orchestra. Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Fugue; Prelude. Baroque; Masterwork Arrangement. Grade 3.5. 124 pages. Published by Belwin Publishing

By Ralph Vaughan Williams. For Viola and Piano. Published by Oxford University Press.

Orchestra (Score) - Grade 4

SKU: HL.14030004

Composed by Jean Sibelius. Music Sales America. Classical. Score. Composed 2002. 38 pages. Edition Wilhelm Hansen #WH30963. Published by Edition Wilhelm Hansen (HL.14030004).

ISBN 9788759818053. 11.75x16.5x0.35 inches.

Prelude to the Tempest Op.109 No.1 comes from an hour-long score of incidental music for orchestra by Danish composer, Jean Sibelius. In 1925 Sibelius was commissioned by the Danish Royal Theatre to create incidental music for Shakespeare's The Tempest. The resulting 34 miniatures represent Sibelius at his most modernistic and it is both rousing and powerful yet elsewhere light, gentle and airy, fully reflecting the breadth and depth of Shakespeare's characters.

By Johann Sebastian Bach. Arranged by John Leavitt. (Score and Parts). Music for String Orchestra. Published by Hal Leonard.

By Johann Sebastian Bach. Arranged by John Leavitt. Music for String Orchestra. Published by Hal Leonard.

Treble Recorder and Harpsichord (or Piano) - Intermediate-Advanced

SKU: FP.FLD03

Composed by David Lord. Sheet Music and Books. This rare foray into recorder composition by David Lord, a noted record producer and composer, is a work of real melodic charm. Each movement is introduced by the solo recorder, with the theme then developed by the piano accompaniment. Suitable for the in. Classical. Collection. Forsyths Publications #FLD03. Published by Forsyths Publications (FP.FLD03).

ISBN 9790570504039.

Miniature Suite was written for David Munrow in 1969, receiving its first performance with harpsichordist Christopher Hogwood in London's Purcell Room that year. The material of each of its five movements is drawn from the recorder's solo introduction. Following the enthusiasm of recorder virtuosi John Turner it was revised in 2011, and the revised version was first performed by John Turner and Ian Thompson in Casterton Church on April 3rd 2011. The works has been recorded by the same artists for the Prima Facie label (Recorder Fireworks PFCD0010).

David Lord was born in Oxford in 1944 and studied under Richard Rodney Bennett at the Royal Academy of Music. As a young composer he received many commissions, including works for Julian Bream, Janet Baker, George Malcolm, Imogen Holst, the London Symphony and Northern Sinfonia Orchestras and the Bath, Cheltenham and Aldeburgh Festivals. More recent years have seen him active as a record producer (XTC, Peter Gabriel, Echo and the Bunnymen, the Korgis, Tears for Fears, Jean Michel Jarre) and writer/arranger for film and TV (Cracker, Inspector Rebus etc).