| Peter Maxwell Davies: Naxos Quartet No. 4 - Children's Games (Score) String Quartet: 2 violins, viola, cello [Score] Chester
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Mus...(+)
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Score. Composed 2006. 24 pages. Chester Music #CH68629. Published by Chester Music (HL.14008374). ISBN 9781846096150. UPC: 884088435202. 8.25x11.75x0.105 inches. The Full Score for Peter Maxwell Davies' fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace, Oslo, Norway, as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004, with the intention of producing something lighter and much less fierce than its predecessor, an unpremeditated and spontaneous reaction to the illegal invasion of Iraq. I returned to the well-known Brueghel picture of children's games (1560, now in Vienna), which had been the inspiration for my sixth Strathclyde Concerto, for flute and orchestra. These illustrations liberated my musical imagination, but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of the work. Suffice it to say that there is vigorous play - leap-frog, bind the devil with a cord, truss, wrestling - alongside quieter pastimes - masks, guess whom I shall choose, courting, odds and evens. The single movement juxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture, taking liberties which would never be present in, for instance, Brunelleschi architectural drawings, so here, with a constant sequence of transformation processes, I have distorted the neat, precise implications of modal progression, expressed in the unison opening phrase (from F to B through A sharp/B flat), so that the ear is led, en route, into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that I was reading into, and behind the games, adult motives and implications, concerning aggression and war, with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B progression underlying the whole construction derives from a passage in the development of the first movement of Mahler's Third Symphony, and the opening of Schoenberg's Second String Quartet. However, unlike in these models, here a real - if temporary - sense of resolution occurs at the close of the quartet: as when the curtain falls on the reconciled Count and Countess in 'Figaro' one wonders how long the F/B truce will hold, and games break out again. The quartet is dedicated to Giuseppe Rebecchini, Roman architect, and friend since the nineteen-fifties. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The first sonatas for violin and bass Opus 1 - 1716 and 1739 [Score] Anne Fuzeau Productions
Violin, Continuo SKU: FZ.790 Composed by Francesco Saverio Geminiani. Edi...(+)
Violin, Continuo SKU: FZ.790 Composed by Francesco Saverio Geminiani. Edited by Nicolas Fromageot. This edition: Facsimile. Collection Dominantes. Chamber Music. Score. Published by Anne Fuzeau Productions - France (FZ.790). ISBN 9790230607902. 24.00 x 33.00 cm inches. This facsimile of an original by Francesco Saverio Geminiani is part of our Dominantes collection. Edition de 1739, Londres, 1739. Edition de 1716, Londres, 1716. This second edition was revised by the composer, and his ornamentation has been completed and explained. The original 1716 edition is reproduced as an appendix. Presentation by Nicolas Fromageot : Bibliography of opus I Differences between the editions (1716, 1739) Figuring of the continuo bass Hints on performance Notation. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Second organ book Organ [Score] Anne Fuzeau Productions
Organ solo SKU: FZ.5010 Composed by Nicolas-Antoine Lebegue. Edited by Ph...(+)
Organ solo SKU: FZ.5010 Composed by Nicolas-Antoine Lebegue. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5010). ISBN 9790230650106. 23.50 x 31.50 cm inches. This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, P. Baillon, c. 1678. The copy reproduced here was used in the organ loft of Troyes cathedral. It may have belonged to the Siret family. We have added the Troyes fauxbourdons for the Magnificat. Preface by: Jean Saint-Arroman: the copy from the Biblioheque Municipale de Troyes. Philippe Lescat: the organs of Lebegue. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Troyes (France). Anne Fuzeau Classique propose period copies of classical music scores. $57.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| French and Italian cantatas. Book IV [Score] Anne Fuzeau Productions
Voice, instrument(s) and continuo SKU: FZ.5670 Composed by Jean-Baptiste....(+)
Voice, instrument(s) and continuo SKU: FZ.5670 Composed by Jean-Baptiste. dit Baptistin Stuck. Edited by Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5670). ISBN 9790230656702. 24.00 x 32.00 cm inches. This facsimile of an original by Jean-Baptiste Stuck is part of our French classical music collection. Edition : Paris, C. Ballard, 1714. The copy reproduced here contains interesting handwritten annotations concerning the instrumentation. Preface by Jean Saint-Arroman: the recitatives of J. B Stuck. Other details on the formation: Soprano and continuo. Soprano, violins, bass viol, continuo. Soprano, violins, flute, bass viol, continuo. Haute-contre, violins, trumpets, oboe, continuo. Soprano, alto, 2 violin parts, continuo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores. $50.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Missa "Pater noster" Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-3145-02 Urtext. Composed by Giovanni...(+)
Chorus a cappella SKU: BR.CHB-3145-02 Urtext. Composed by Giovanni Pierl da Palestrina. Edited by Rudolf Ewerhart. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Renaissance/early Baroque. Choral score. 28 pages. Breitkopf and Haertel #ChB 3145-02. Published by Breitkopf and Haertel (BR.CHB-3145-02). ISBN 9790004403501. 7.5 x 10.5 inches. Palestrina's Missa Paternoster is one of the masses by this composer that were published neither during his lifetime nor after his death. The work has come down to us in one single manuscript source from the collections of the Cappella Sistina in Rome, a copy transcribed by D. Brancadore in 1618.The mass is written on motifs from the ancient plainchant Pater noster melody from the mass liturgy, which underlays the movements in an admirable multiplicity of melodic forms. New counterpoints are repeatedly intertwined with the themes of the title melody over the course of the mass. Certain idiosyncrasies in the voice-leading and the austere sonorities that recall the late Netherlandish tradition give rise to the hypothesis that this is a relatively early work of Palestrina.Several decades ago, the Missa Paternoster was published by Breitkopf & Hartel in a performance edition prepared by Hermann Bauerle. The present edition is based on the copy of the work printed in the Choirbook 68 (Cappella Sistina) of the Biblioteca Vaticana in Rome. The poor condition of the source made it necessary to compare it with Haberl's Complete Edition as weil, after which two errors have to be corrected. Our edition cannot pretend to offer a definitive reading of the accidentals, since they are difficult to distinguish in the original. The work was transposed, as this seemed more appropriate to present-day choral practice. Finally, the note values were reduced by a half and the closing notes reproduced uniforrnly as longae. Palestrina's Missa ,,Pater noster occupies a distinguished position next to its better known, four-part fellow works. lt deserves this rank thanks to its dignified and broadly sweeping themes, the archaic loftiness of its sound, and the wealth of motivic work contained within it. We sincerely hope that this new edition will stimulate choirs to turn their attention once again to this rarely sung mass by the great Roman master.Rudolf Ewerhart,January 1962, Munster (Westf.). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa "Iste confessor" Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-3142-02 Urtext. Composed by Giovanni...(+)
Chorus a cappella SKU: BR.CHB-3142-02 Urtext. Composed by Giovanni Pierl da Palestrina. Edited by Rudolf Ewerhart. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Renaissance/early Baroque. Choral score. 20 pages. Breitkopf and Haertel #ChB 3142-02. Published by Breitkopf and Haertel (BR.CHB-3142-02). ISBN 9790004403471. 7.5 x 10.5 inches. Palestrina's Missa Iste confessor is contained in the Missarum liber quintus, the composer's fifth book of masses which was first printed in Rome in 1590 and reprinted the following year in Venice. Palestrina dedicated this book of masses to the art-loving Duke Wilhelm V of Bavaria, the lord and patron of his famous contemporary Orlando di Lasso.The thematic substance of the mass is based on the old, eponymous hymn melody from the Commune Confessorum. The various parts of the hymn not only constitute the melodic framework for the principal themes of the different movements, but are also heard in melodic and rhythmic variations at a great number of places within the movements.The Missa Iste corifessor had been published several decades ago by Breitkopf & Hartel in a practical edition prepared by Hermann Bauerle. Our edition is based on the print of 1590, a copy of which was consulted at the Bayerische Staatsbibliothek in Munich. For today's choral practice, it seemed preferable to transpose the mass, which was originally in the eighth church mode. The note values were reduced by a half and, departing from the original, the closing notes are reproduced uniformly as longae.The Missa Iste confessor has long ranked as one of the most widely admired masses of the Roman master. The compact dimensions, the simplicity and suaveness of the melodic lines, the model vocal declamation all constitute assets which elevate this mass to an exemplary level and reveal the hand of the great master in spite of its brevity.Rudolf Ewerhart, May 1961 Munster/Westfalen. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 9 in E minor Op. 95 Breitkopf & Härtel
Viola (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-5198-19<...(+)
Viola (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-5198-19 From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). revised new edition of score and orchestral parts Symphony; Romantic. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5198-19. Published by Breitkopf and Haertel (BR.OB-5198-19). ISBN 9790004330494. 10 x 12.5 inches. Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.
Revised new edition of score and orchestral parts. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 9 in E minor Op. 95 Breitkopf & Härtel
Double bass (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-51...(+)
Double bass (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-5198-27 From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). revised new edition of score and orchestral parts Symphony; Romantic. Part. 12 pages. Duration 45'. Breitkopf and Haertel #OB 5198-27. Published by Breitkopf and Haertel (BR.OB-5198-27). ISBN 9790004330517. 10 x 12.5 inches. Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.
Revised new edition of score and orchestral parts. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 9 in E minor Op. 95 Breitkopf & Härtel
Violoncello (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-51...(+)
Violoncello (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-5198-23 From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). revised new edition of score and orchestral parts Symphony; Romantic. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5198-23. Published by Breitkopf and Haertel (BR.OB-5198-23). ISBN 9790004330500. 10 x 12.5 inches. Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.
Revised new edition of score and orchestral parts. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 9 in E minor Op. 95 Breitkopf & Härtel
Woodwinds (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-5198...(+)
Woodwinds (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str) SKU: BR.OB-5198-30 From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). revised new edition of score and orchestral parts Symphony; Romantic. Set of parts. 230 pages. Duration 45'. Breitkopf and Haertel #OB 5198-30. Published by Breitkopf and Haertel (BR.OB-5198-30). ISBN 9790004330524. 10 x 12.5 inches. Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.
Revised new edition of score and orchestral parts. $184.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5712 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. Duration 25'. Breitkopf and Haertel #PB 5712. Published by Breitkopf and Haertel (BR.PB-5712). ISBN 9790004216491. 6.5 x 9 inches. Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach. $24.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Breitkopf & Härtel
Viola (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-19 U...(+)
Viola (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-19 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 12 pages. Duration 25'. Breitkopf and Haertel #OB 5645-19. Published by Breitkopf and Haertel (BR.OB-5645-19). ISBN 9790004344743. 10 x 12.5 inches. Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Breitkopf & Härtel
Violin 2 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-16 <...(+)
Violin 2 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-16 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 12 pages. Duration 25'. Breitkopf and Haertel #OB 5645-16. Published by Breitkopf and Haertel (BR.OB-5645-16). ISBN 9790004344736. 10 x 12.5 inches. Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Breitkopf & Härtel
Study score (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5712-07(+)
Study score (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5712-07 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. 112 pages. Duration 25'. Breitkopf and Haertel #PB 5712-07. Published by Breitkopf and Haertel (BR.PB-5712-07). ISBN 9790004216491. 6.5 x 9 inches. Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach. $24.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| O salutaris Hostia and Tantum ergo [Score] Crescendo Music Publications
SATTBB choir, organ SKU: C4.9790-902250504 Composed by George Henschel. E...(+)
SATTBB choir, organ SKU: C4.9790-902250504 Composed by George Henschel. Edited by Daniel Mitterdorfer and Harold Fabrikant. Score. Crescendo Music Publications #9790-902250504. Published by Crescendo Music Publications (C4.9790-902250504). ISBN 9790902250504. Henschel's O salutaris Hostia was originally issued as an appendix to his Missa ad octo voces inaequales, Op. 65 originally published in 1920 by the London firm of Bayley & Ferguson. This was not the work's first outing, however. In 1918, Bailey & Ferguson published a setting of this mass in English (Communion Service: Mass in C, for Eight Voices a Cappella, Op. 65), where it was also published as an appendix. The only difference between the 1918 and 1920 editions is the bass underlay in bars 9-10; we have reproduced the later version here.
The Tantum ergo was written in 1923 as a stand-alone work and first published by the London firm of Augener Ltd in that same year; the manuscript is housed in the British Library. $7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Breitkopf & Härtel
Violoncello (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-23(+)
Violoncello (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-23 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 5645-23. Published by Breitkopf and Haertel (BR.OB-5645-23). ISBN 9790004344873. 10 x 12.5 inches. Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Breitkopf & Härtel
Violin 1 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-15 <...(+)
Violin 1 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-15 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 12 pages. Duration 25'. Breitkopf and Haertel #OB 5645-15. Published by Breitkopf and Haertel (BR.OB-5645-15). ISBN 9790004344729. 10 x 12.5 inches. Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Breitkopf & Härtel
Woodwinds (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-30 ...(+)
Woodwinds (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5645-30 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Set of parts. 96 pages. Duration 25'. Breitkopf and Haertel #OB 5645-30. Published by Breitkopf and Haertel (BR.OB-5645-30). ISBN 9790004344767. 10 x 12.5 inches. Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach. $96.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| English Thirteenth-Century Polyphony Stainer and Bell
SKU: ST.EC57 Composed by Various. Library Volumes. Facsimile Edition by W...(+)
SKU: ST.EC57 Composed by Various. Library Volumes. Facsimile Edition by William J. Summers and Peter M. Lefferts. First published in 2016. Pages: 340. Format: Hardback. Dimensions (mm): 425 x 305 x 26. Weight: 3.416kg. Facsimile Score. Stainer & Bell Ltd. #EC57. Published by Stainer & Bell Ltd. (ST.EC57). ISBN 9790220224058. The third facsimile collection to be published by Early English Church Music, Volume 57 attests to the quality and depth of the polyphonic traditions during the long reigns of Henry III and his son Edward I, when the music of English high culture achieved a technical autonomy from the common international Anglo-French repertoire of the period. Assembling within the covers of one publication a set of facsimiles of the extant remains of native origin, it comprises images of more than sixty sources of thirteenth-century polyphony, including the Reading rota, the conductus-rondellus Flos regalis, and the Worcester fragments, here reunited from three codices. The large page layout adopted enables almost all the manuscripts to be reproduced at full size for direct comparison of different sources, layouts and dimensions. $294.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Garritan World Instruments Alfred Publishing
SKU: AP.13-GPOWDLR Virtual Software Instruments. Books and DVDs; O...(+)
SKU: AP.13-GPOWDLR Virtual Software Instruments. Books and DVDs; Other Resources; Resources; Virtual Instrument Software. Garritan Virtual Instrument Software. DVD;Software. Alfred Music #13-GPOWDLR. Published by Alfred Music (AP.13-GPOWDLR). UPC: 739167200618. English. Travel the world with Garritan sounds. Garritan World Instruments is a unique, comprehensive sound library featuring more than 350 instruments from around the world. Includes a large variety of wind, percussion, and string instruments from India, Japan, Africa, China, the Middle East, Latin America, Australia, and other regions. Create various sections and groupings from traditional Chinese orchestras to Gamelan ensembles, from Taiko groups to Bollywood bands, and more. It is a great tool for all types of music composers and producers including orchestra, film, and game audio. The Garritan World Instruments sampled sound library is powered by the high-performance ARIA PlayerTM. Supports Mac and PC, works as a standalone program or as a plugin, and easily integrates with most notation software and DAW/sequencers. $149.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chinese Folk Dance Suite Soprano Saxophone and Piano [Score and Parts] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen Yi. Edited by Chen Yi. Arranged by Wong Tak Chiu. Sws. Score and parts. 44 pages. Duration 20 minutes. Theodore Presser Company #114-41929. Published by Theodore Presser Company (PR.114419290). ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches. Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chinese Folk Dance Suite Violin and Piano Theodore Presser Co.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280). ISBN 9781491132357. UPC: 680160676125. Inspired by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano. Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,†and the Chaozhou tune “Lion Playing Ball.â€II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. $26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.ED-10296 Hail! Bright Cecilia. Composed by Henry Purcell. Edited by Christopher Hogwood. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 80 pages. Duration 60'. Breitkopf and Haertel #ED 10296. Published by Breitkopf and Haertel (BR.ED-10296). ISBN 9790220101977. 7.5 x 11 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-26 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-26. Published by Breitkopf and Haertel (BR.EOS-8063-26). ISBN 9790004789810. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - ...(+)
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-30 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Set of parts. 40 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-30. Published by Breitkopf and Haertel (BR.EOS-8063-30). ISBN 9790004789827. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Marionettes: Overture Concert band [Score and Parts] LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 2.2.0.0: Timp: Perc(3): Str (9-8-7-6-5 in set) ...(+)
Concert Band; Orchestra 2.2.2.2: 2.2.0.0: Timp: Perc(3): Str (9-8-7-6-5 in set) SKU: AP.36-A677002 Composed by Hilding Rosenberg. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A677002. Published by LudwigMasters Publications (AP.36-A677002). UPC: 659359999260. English. Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith. His teachers included Hermann Scherchen and Wilhelm Stenhammar. Beginning to compose larger works around the age of 30, he wrote eight symphonies, a variety of music for string quartet, and a number of theatrical pieces including opera. Working with producer Per Lindberg in the 1920s, he was asked to compose incidental music to a play by Spanish author Jacinto Benaventes. The Marionettes successfully premiered in 1926. Rosenberg later used material from the work to fashion an opera. He also reconstructed it into a Dance Suite for the concert hall and this Overture in 1937. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Perc(3): Str (9-8-7-6-5 in set). Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $60.00 - See more - Buy online | | |
| Marionettes: Overture Concert band [Score] LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 2.2.0.0: Timp: Perc(3): Str (9-8-7-6-5 in set) ...(+)
Concert Band; Orchestra 2.2.2.2: 2.2.0.0: Timp: Perc(3): Str (9-8-7-6-5 in set) SKU: AP.36-A677001 Composed by Hilding Rosenberg. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A677001. Published by LudwigMasters Publications (AP.36-A677001). ISBN 9798892704144. UPC: 659359682001. English. Hilding Rosenberg (1892-1985) has been described as the first Swedish modernist composer. Influenced by Sibelius in his early years, he later absorbed the work of Stravinsky, Schoenberg, and Hindemith. His teachers included Hermann Scherchen and Wilhelm Stenhammar. Beginning to compose larger works around the age of 30, he wrote eight symphonies, a variety of music for string quartet, and a number of theatrical pieces including opera. Working with producer Per Lindberg in the 1920s, he was asked to compose incidental music to a play by Spanish author Jacinto Benaventes. The Marionettes successfully premiered in 1926. Rosenberg later used material from the work to fashion an opera. He also reconstructed it into a Dance Suite for the concert hall and this Overture in 1937. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Perc(3): Str (9-8-7-6-5 in set). Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $10.00 - See more - Buy online | | |
| Tristan and Isolde WWV 90 Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SMezTTTTBarBarB - choir: TTBB - 3(p...(+)
Chorus (with soloists) and orchestra (solos: SMezTTTTBarBarB - choir: TTBB - 3(picc).2.cor ang.2.B-clar.3 - 4.3.3.1 - timp.perc(2) - hp - str / stage music: cor ang.6hn.3trp.3tbne) SKU: BR.CHB-138-02 Music Drama in 3 Acts. Composed by Richard Wagner. Choir; stapled. Chor-Bibliothek (Choral Library). Richard Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 u. Opera; Music theatre; Romantic. Choral score. 8 pages. Breitkopf and Haertel #ChB 138-02. Published by Breitkopf and Haertel (BR.CHB-138-02). ISBN 9790004400791. 6 x 8.5 inches. Translations: engl. (H. und F. Comer), french (A. Ernst/P. Bruck) Place: Tristan's ship, King Mark's castle in Cornwall, Tristan's castle Characters: Tristan (tenor) - King Mark (bass) - Isolde (soprano) - Kurwenal (baritone) - Melot (tenor) - Brangane (mezzo-soprano) - Shephard (tenor) - Mate (baritone) - Voice of a young sailor (tenor)In 1856 pressing financial obligations forced Wagner to interrupt the composition of the Ring to work on Tristan und Isolde. He initially planned a work that was modest in its production and performance demands. The project was also given priority not least because of the prospect of the royalties which he would then receive. He once again turned to Breitkopf & Hartel for the performance material: 'Tristan und Isolde' is scheduled to be given its first performance at the end of this year. I still hope that it will take place in Karlsruhe under my guidance. Due to the celebrity that I have now acquired, I assume that a new and easily performable work of mine should be able to spread very quickly across the German stages in its first winter season. Wagner was wrong. although the publisher had spent a great deal of time and money in producing preliminary material, Wagner wrote to Breitkopf & Hartel from Munich in November 1864: The squalor of Germany's opera singers and the vile condition of its opera houses have so far dissuaded me from allowing a performance of 'Tristan und Isolde'. What I needed was an impassioned young monarch to restore my courage. Next spring you will hear about the work's premiere in Munich, and you will then hopefully become more confident about this publication.
Richard Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 under the direction of Hans von Bulow. $4.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Trio, Op. 19 No. 1 for two flutes and bassoon Clifton Edition
Two Flutes & Bassoon SKU: ST.C523 Composed by Francois Devienne. Wind & b...(+)
Two Flutes & Bassoon SKU: ST.C523 Composed by Francois Devienne. Wind & brass music. Clifton Edition #C523. Published by Clifton Edition (ST.C523). ISBN 9790570815234. For Flute, Flute or Violin and Cello or Bassoon. Score and Parts included.
François Devienne was born in Joinville in 1759 and died in Paris in 1803. He was a flautist, bassoonist, composer and teacher. He arrived in Paris in 1779 and soon became a chamber musician to the Cardinal de Rohan. He made solo appearances playing his own concerti and was employed as an orchestral bassoonist. He eventually transferred his allegiance to the Band of the Paris National Guard (who paid better!) and to their Free School of Music where he became a teacher and administrator. He wrote comic operas and in 1794 published a method for the one-key flute. This includes useful duets and gives insights into late 18th century articulation. He became Professor of Flute at the Paris Conservatoire when it opened in 1795. Devienne was also a prolific composer of chamber music, producing 25 quartets, 46 trios, 147 duos and 67 sonatas.
The Trio, Opus 19 is sometimes referred to as Opus 60 and the publication date is around 1787. A one movement work, the Trio Op. 19 No. 1 features two melody lines with a supporting cello or bassoon part, characteristic of Devienne’s composition technique. The variation form of the last movement is also a device associated with Devienne, who helped to raise the standard of music written for wind instruments. The source is a copy of the earlier publication, used with the permission of the Syndics of Cambridge University Library. The music was typeset by C.M.M. and F.H. Nex and replaces PP564 and includes both score and set of three parts.
Former Spartan Press Cat. No.: PP564.
$16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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