SKU: ST.B934
ISBN 9780852499344.
This, the ninth of a series of books begun in 1983, contains Brian Wren's 36 most recent hymns (2009 to 2012). It is nicely presented and laid out in a user-friendly way. The hymns are divided into five thematic sections: Jesus from Cradle to Cross; Easter Hymns; Church and Mission; Praise; and Metrical Psalms. This last section, rooted in (though not bound by) the Old Testament, is often influenced by Isaac Watts and will be of more use to some than others; it concludes with a tremendous rendering of Psalm 8; a paean of praise which all will love, set to a stirring tune. Each section is prefaced with a single page introduction listing the contents and, in some instances, giving an interesting insight into Brian Wren's theology and thinking which provides food for contemplation. Each hymn is printed in words format with all the necessary information for inclusion in an order of worship. Every hymn is also printed with full score music for accompaniment interlined with the words. The book is slightly larger than A5, and there are various useful indexes. The tunes range from ancient to modern, some very familiar, including Candler (better known as Ye Banks and Braes). A number are of a metre where alternative tunes are available. Those tunes which are new vary in ease of use; some will be readily picked up, others would prove challenging for occasional use in a small congregation but could be used as music group items. These are hymns which need to be read as a whole and require thought. The words are chosen with care and notable as much for those not used as those included e.g.: 'Christ, untameably alive,/ breathe your life upon us - / Compass, Governor and Guide, / with us and beyond us,/ Sky and Sunlight, / spreading Vine./ Spring of Living Water,/ Truth and Wisdom, Way and Word,/ here, and then hereafter.' These hymns will be useful in worship as either sung or read pieces, and will also prove an invaluable resource for private devotion.
Robert Canham, Reform
SKU: HL.35032293
ISBN 9781540028921. UPC: 888680751203. 8.5x11.0x0.135 inches. Joseph M. Martin/Brad Nix/Jeff Reeves/John R. Paradowski/Glenn and Susan Eernisse/Lynn Shaw Bailey.
Sing and Celebrate 8! provides everything you need for developing younger elementary choirs in your church! Designed for grades K-3, Sing and Celebrate 8! contains a variety of general and seasonal songs for use throughout the church year. Packed with lesson plans, teaching resources, and rehearsal planning ideas, this collection gives you all the tools necessary for building a successful, engaging choir program - in one value-packed Book with digital download access! Digital downloads include accompaniment and performance tracks, reproducible singers' pages, supplemental teaching resources, and colorful PDF song charts for projection options! Songs, both familiar and new, along with fun, creative teaching plans will nurture the musical and spiritual growth of your singers to last a lifetime. Songs include: Ev'ry Creature Praise the Lord! (General), Jesus Loves Me/Jesus Loves the Little Children (General), A Beautiful Psalm (General), We Thank You, God (Thanksgiving), Come and Light This Candle (Advent), There Was No Room (Christmas), Come and Sing with the Angels (Christmas), Hosanna We Sing (Palm Sunday), Haven't You Heard? (Easter), Love Is... (Mother's Day/Father's Day/Family). Also available in the Sing and Celebrate! series: Sing and Celebrate! (35028238), Sing and Celebrate 2! (35028755), Sing and Celebrate 3! (35029219), Sing and Celebrate 4! (35029809), Sing and Celebrate 5! (35030476), Sing and Celebrate 6! (35031059), Sing and Celebrate 7! (35031739).
SKU: GI.G-4511
Translation: The Grail. Scripture: Psalm 8.
SATB part is optional.
SKU: CF.CM9570
ISBN 9781491153581. UPC: 680160911080. 6.75 x 10.5 inches. Key: Bb major. Latin. Psalms 47 from the Bible.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47A was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:A (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47Â was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now.In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:Â (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world.Rise up and claim the power of JOY!
SKU: HL.1414394
UPC: 196288197027. 6.75x10.5x0.019 inches. Psalm 103.
A stunning work that delivers refreshing innovative sounds into the sanctuary! As the name implies, this jubilant paean of praise is based on pentatonic scale patterns. Handbells brilliantly add to the anthem's texture, creating drama and interest.
SKU: HL.291053
UPC: 888680925550. 5.0x5.0x0.19 inches. Psalm 27:8-12.
This new addition to the composer's settings from The Psalter evolves organically with artistic melodic lines and exquisite harmonic colors. The promise of God's faithfulness to provide for us takes center stage in this scripture passage. The words lead the way and the music follows, rising and falling with evocative word painting and a wide dynamic range. Explore the choral potential of your group with this distinctive octavo. Score and Parts (fl 1-2/picc, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tba/btbn, perc 1-2, timp, hp, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: CA.2901600
ISBN 9790007102173.
SKU: HL.14015558
9.0x12.0x0.052 inches.
SKU: HL.35027254
UPC: 884088492908. 5.0x5.0x0.154 inches. Gospel Music by Lee Dengler Words and Music by Joseph M. Martin.
Uses: General, concert Scriptures: Isaiah 7:14; Matthew 1:8-25 A fantastic acclamation of praise filled with rhythmic drive and festive spirit. This call to celebrative worship can be a theme song for your choir as it affirms its ministry through the gift of music. The mixed-meter joy of the opening theme gives way to a more lyric middle section before returning to the commanding sweep of the opening theme. Score & Parts for Flt 1&2, Oboe, Clt 1&2, Bassoon, Horn 1&2, Tpt 1, Tpt 2&3, Tbone 1&2, Bass Tbone/Tuba, Timp, Perc 1&2, Harp, Violin 1, Violin 2, Viola, Cello, Double Bass.
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