| Sacred Quartets for All Quartet Mixed Instruments [Sheet music] Alfred Publishing
(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For P...(+)
(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Piano/Conductor, Oboe. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite in D minor Organ Breitkopf & Härtel
Organ SKU: BR.EB-6612 Composed by Henry Purcell. Edited by Friedrich Hogn...(+)
Organ SKU: BR.EB-6612 Composed by Henry Purcell. Edited by Friedrich Hogner. Solo instruments; Softcover. Edition Breitkopf. Suite; Renaissance/early Baroque; Baroque. Score. 16 pages. Breitkopf and Haertel #EB 6612. Published by Breitkopf and Haertel (BR.EB-6612). ISBN 9790004168325. 12 x 9 inches. Die vorliegende Suite fur die Orgel ist eine freie Bearbeitung von Kompositionen, die Henry Purcell (1659-1695) - 1679 Organist an der Westminster Abbey in London, 1682 einer der Organisten an der Chapel Royal - fur das Cembalo komponiert hat. Die hier zusammengestellten Stucke wurden den Cembalokompositionen entnommen, die William Barclay Squire 1895 im Rahmen der Gesamtausgabe der Werke Purcells (London 1878-1928) herausgegeben hat. Vorangestellt wurde der Auswahl eine vom Herausgeber nach Motiven Purcells geschriebene Introduktion. Von einigen der in dieser Suite enthaltenen Satze gibt es bereits Bearbeitungen fur die Orgel. Abgesehen von der andersartigen Zusammenstellung der Satze und ihrer Einleitung durch eine Introduktion nach Motiven Purcells unterscheidet sich die vorliegende Ausgabe durch eine grossere Freiheit des Tonsatzes gegenuber dem Original. Diese hat der Herausgeber ganz bewusst gewahlt, weil er der Meinung ist, dass in diesem Fall eine enge Anlehnung an das Original dem Wesen und den Eigenarten des Instrumentes, fur das die Bearbeitung erfolgt, nicht gerecht zu werden vermag. Da bei den deutschen Orgeln die Funktion der Manuale unterschiedlich ist, moge man die angegebene Manualverteilung nicht starr, sondern sinngemass anwenden. Die Pralltriller sollen in der Regel mit der diatonischen Obersekunde beginnen; die Mordente dagegen sind stets mit der kleinen Untersekunde auszufuhren. Friedrich Hogner, Munchen, im Fruhjahr 1970. $20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Barockmusik für Kinderstreichorchester EMB (Editio Musica Budapest)
String Orchestra SKU: BT.EMBZ14570 Für Kinderstreichorchester....(+)
String Orchestra SKU: BT.EMBZ14570 Für Kinderstreichorchester. By András Soós. By László Zempléni. EMB Leggierissimo. Educational Tool. Book Only. Composed 2007. 128 pages. Editio Musica Budapest #EMBZ14570. Published by Editio Musica Budapest (BT.EMBZ14570). Hungarian-English-German-French. Following the Renaissance volume, this time it is Baroque works (more precisely, transcriptions of Baroque vocal and instrumental works) that are presented in the Leggierissimo series, extending the repertoire of junior string orchestras. Roughly half of the selection consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Pi ces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with such unusual items as Polish, German and Hungarian dancesfrom 17th- and 18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi s music book.
Nach dem Renaissance-Band erscheint die Leggierissimo-Serie nunmehr mit Barockwerken (genauer: mit Transkriptionen nach vokalen und instrumentalen Barockwerken), die das Repertoire der Kinderstreichorchestern erweitert. Etwa die Hälfte der Sammlung machen die Stücke der allgemein bekannten Werke der größten Komponisten der Epoche (H. Purcell: Dido und Aeneas, J. Ph. Rameau: Pi ces de clavecin, G. F. Händel: Wassermusik, Feuerwerksmusik, J. S. Bach: Partita B-Dur, Ouverture C-Dur) aus. Es kommen in ihr aber auch Stücke von heute weniger bekannten Komponisten (G. Böhm, J. C. F. Fischer u.a.), daneben als Besonderheit polnische, deutsche und ungarische Tänze aus dem 17. und 18.Jahrhundert aus dem Kájoni- und Vietórisz-Kodizes und aus dem Notenbuch der Eleonora Lányi vor. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-26 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-26. Published by Breitkopf and Haertel (BR.EOS-8063-26). ISBN 9790004789810. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.ED-10296 Hail! Bright Cecilia. Composed by Henry Purcell. Edited by Christopher Hogwood. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 80 pages. Duration 60'. Breitkopf and Haertel #ED 10296. Published by Breitkopf and Haertel (BR.ED-10296). ISBN 9790220101977. 7.5 x 11 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - ...(+)
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-30 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Set of parts. 40 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-30. Published by Breitkopf and Haertel (BR.EOS-8063-30). ISBN 9790004789827. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Harpsichord/piano (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-10...(+)
Harpsichord/piano (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-12 Welcome to All the Pleasures. Composed by Henry Purcell. Edited by Walter Bergmann. Choir; stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 20'. Breitkopf and Haertel #EOS 1062-12. Published by Breitkopf and Haertel (BR.EOS-1062-12). ISBN 9790004785621. 8.5 x 11.5 inches. The present ode was the first of many commissioned ,The Musical Society' for the annual celebration of St. Cecilia's Day (November 22nd). It was obviously a great success, for the ode was printed in score in 1684 and the Society had to move for the 1684 celebrations to a later hall, the Stationer's Hall. The ode of 1683 shows Purcell's ingenuity in every aspect and set a high standard for all the other composers who followed him among them Blow and Handel. The present edition has the above mentioned print of 1684 as source. Title page dedication and the first and last pages are here reprinted in facsimile. The few obvious misprints in the original have been corrected. Editiorial additions are in brackets. (Walter Bergmann) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier). $20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Te Deum and Jubilate in D major Z 232 Breitkopf & Härtel
Viola (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SK...(+)
Viola (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SKU: BR.EOS-1064-19 For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-19. Published by Breitkopf and Haertel (BR.EOS-1064-19). ISBN 9790004785706. 8.5 x 11.5 inches. St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score. The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University. (Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Te Deum and Jubilate in D major Z 232 Breitkopf & Härtel
Woodwinds (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) <...(+)
Woodwinds (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SKU: BR.EOS-1064-30 For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Set of parts. 16 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-30. Published by Breitkopf and Haertel (BR.EOS-1064-30). ISBN 9790004785720. 8.5 x 11.5 inches. St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score. The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University. (Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur. $23.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SSATB - choir: SATB - str - bc(hps)) (+)
Chorus (with soloists) and piano (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.ED-22869 Welcome to All the Pleasures. Composed by Henry Purcell. Edited by Jorg Abbing. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 20 pages. Duration 20'. Breitkopf and Haertel #ED 22869. Published by Breitkopf and Haertel (BR.ED-22869). ISBN 9790001167376. 9 x 12 inches. The present ode was the first of many commissioned ,The Musical Society' for the annual celebration of St. Cecilia's Day (November 22nd). It was obviously a great success, for the ode was printed in score in 1684 and the Society had to move for the 1684 celebrations to a later hall, the Stationer's Hall. The ode of 1683 shows Purcell's ingenuity in every aspect and set a high standard for all the other composers who followed him among them Blow and Handel. The present edition has the above mentioned print of 1684 as source. Title page dedication and the first and last pages are here reprinted in facsimile. The few obvious misprints in the original have been corrected. Editiorial additions are in brackets. (Walter Bergmann) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier). $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Te Deum and Jubilate in D major Z 232 Breitkopf & Härtel
Basso (cello/double bass) (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - ...(+)
Basso (cello/double bass) (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SKU: BR.EOS-1064-26 For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Part. 12 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-26. Published by Breitkopf and Haertel (BR.EOS-1064-26). ISBN 9790004785713. 8.5 x 11.5 inches. St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score. The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University. (Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Te Deum and Jubilate in D major Z 232 Breitkopf & Härtel
Harpsichord/piano (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc...(+)
Harpsichord/piano (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SKU: BR.EOS-1064-12 For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Part. 16 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-12. Published by Breitkopf and Haertel (BR.EOS-1064-12). ISBN 9790004785676. 8.5 x 11.5 inches. St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score. The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University. (Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Te Deum and Jubilate in D major Z 232 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2....(+)
Chorus (with soloists) and piano (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SKU: BR.ED-12749 For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; Softcover. Cantata; Renaissance/early Baroque; Baroque. Piano/Vocal Score. Z 232. 56 pages. Duration 20'. Breitkopf and Haertel #ED 12749. Published by Breitkopf and Haertel (BR.ED-12749). ISBN 9790220122354. 7.5 x 11 inches. St. Cecilias Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate. It was composed for St. Cecilias Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilias day for many years. This fame ensured that the work was printed in score. The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University. (Denis Arnold). $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Violin 1 (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-15 ...(+)
Violin 1 (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-15 Welcome to All the Pleasures. Composed by Henry Purcell. Edited by Walter Bergmann. Choir; folded. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 4 pages. Duration 20'. Breitkopf and Haertel #EOS 1062-15. Published by Breitkopf and Haertel (BR.EOS-1062-15). ISBN 9790004785638. 8.5 x 11.5 inches. The present ode was the first of many commissioned ,The Musical Society' for the annual celebration of St. Cecilia's Day (November 22nd). It was obviously a great success, for the ode was printed in score in 1684 and the Society had to move for the 1684 celebrations to a later hall, the Stationer's Hall. The ode of 1683 shows Purcell's ingenuity in every aspect and set a high standard for all the other composers who followed him among them Blow and Handel. The present edition has the above mentioned print of 1684 as source. Title page dedication and the first and last pages are here reprinted in facsimile. The few obvious misprints in the original have been corrected. Editiorial additions are in brackets. (Walter Bergmann) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Te Deum and Jubilate in D major Z 232 Breitkopf & Härtel
Violin 1 (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) (+)
Violin 1 (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SKU: BR.EOS-1064-15 For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-15. Published by Breitkopf and Haertel (BR.EOS-1064-15). ISBN 9790004785683. 8.5 x 11.5 inches. St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score. The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University. (Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Violin 2 (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-16 ...(+)
Violin 2 (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-16 Welcome to All the Pleasures. Composed by Henry Purcell. Edited by Walter Bergmann. Choir; folded. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 4 pages. Duration 20'. Breitkopf and Haertel #EOS 1062-16. Published by Breitkopf and Haertel (BR.EOS-1062-16). ISBN 9790004785645. 8.5 x 11.5 inches. The present ode was the first of many commissioned ,The Musical Society' for the annual celebration of St. Cecilia's Day (November 22nd). It was obviously a great success, for the ode was printed in score in 1684 and the Society had to move for the 1684 celebrations to a later hall, the Stationer's Hall. The ode of 1683 shows Purcell's ingenuity in every aspect and set a high standard for all the other composers who followed him among them Blow and Handel. The present edition has the above mentioned print of 1684 as source. Title page dedication and the first and last pages are here reprinted in facsimile. The few obvious misprints in the original have been corrected. Editiorial additions are in brackets. (Walter Bergmann) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Te Deum and Jubilate in D major Z 232 Breitkopf & Härtel
Violin 2 (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) (+)
Violin 2 (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps)) SKU: BR.EOS-1064-16 For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-16. Published by Breitkopf and Haertel (BR.EOS-1064-16). ISBN 9790004785690. 8.5 x 11.5 inches. St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score. The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University. (Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Viola (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-19 (+)
Viola (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-19 Welcome to All the Pleasures. Composed by Henry Purcell. Edited by Walter Bergmann. Choir; stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 4 pages. Duration 20'. Breitkopf and Haertel #EOS 1062-19. Published by Breitkopf and Haertel (BR.EOS-1062-19). ISBN 9790004785652. 8.5 x 11.5 inches. The present ode was the first of many commissioned ,The Musical Society' for the annual celebration of St. Cecilia's Day (November 22nd). It was obviously a great success, for the ode was printed in score in 1684 and the Society had to move for the 1684 celebrations to a later hall, the Stationer's Hall. The ode of 1683 shows Purcell's ingenuity in every aspect and set a high standard for all the other composers who followed him among them Blow and Handel. The present edition has the above mentioned print of 1684 as source. Title page dedication and the first and last pages are here reprinted in facsimile. The few obvious misprints in the original have been corrected. Editiorial additions are in brackets. (Walter Bergmann) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern. (Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Easy Concert Pieces, Book 2 Alto Saxophone and Piano [Sheet music + CD] - Easy Schott
Alto Saxophone; Piano Accompaniment (Alto Sax) - easy to intermediate SKU: HL...(+)
Alto Saxophone; Piano Accompaniment (Alto Sax) - easy to intermediate SKU: HL.49045907 23 Pieces from 6 Centuries Alto Saxophone and Piano. Composed by Various. Edited by Ulrich Junk. This edition: Saddle stitching. Sheet music with CD. Woodwind Solo. 23 Stucke aus 6 Jahrhunderten. Baroque, Classical, Modern, Renaissance, Romantic. Softcover with CD. 48 pages. Schott Music #ED22554. Published by Schott Music (HL.49045907). ISBN 9783795710507. UPC: 888680792671. 9.0x12.0x0.239 inches. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and arearranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c'', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Putz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata No. 2 in D major Trumpet, Orchestra Breitkopf & Härtel
Trumpet and orchestra SKU: BR.MR-1192 Composed by Henry Purcell. Edited b...(+)
Trumpet and orchestra SKU: BR.MR-1192 Composed by Henry Purcell. Edited by Edward H. Tarr. Orchestra; Softcover. Musica Rara. Sonata; Renaissance/early Baroque; Baroque. Score and parts. 22 pages. Duration 7'. Breitkopf and Haertel #MR 1192. Published by Breitkopf and Haertel (BR.MR-1192). ISBN 9790004481226. 9 x 12 inches. $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Sonata in G minor Violin and Piano Breitkopf & Härtel
Violin, piano SKU: BR.KM-2102 Composed by Henry Purcell. Edited by Felix ...(+)
Violin, piano SKU: BR.KM-2102 Composed by Henry Purcell. Edited by Felix Schroeder. Solo instruments; Softcover. Kammermusik-Bibliothek (Chamber Music Library). Sonata; Renaissance/early Baroque; Baroque. Score. 12 pages. Breitkopf and Haertel #KM 2102. Published by Breitkopf and Haertel (BR.KM-2102). ISBN 9790004500521. 9 x 12 inches. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Easy Concert Pieces, Volume 1 Schott
Book with Audio Online Alto Saxophone; Piano Accompaniment (Alto Sax) SKU: HL...(+)
Book with Audio Online Alto Saxophone; Piano Accompaniment (Alto Sax) SKU: HL.49047388 23 Pieces from 5 Centuries Alto Saxophone and Piano Book with Aud. Edited by Ulrich Junk. Woodwind Solo. Classical, Concert. Softcover Audio Online. 52 pages. Schott Music #ED22553D. Published by Schott Music (HL.49047388). ISBN 9783795729349. UPC: 196288210818. 9.0x12.0x0.157 inches. The Easy Concert Pieces series for alto saxophone and piano provides easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying audio recording add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included in the accompanying mp3 pack as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. $21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Baroque Music For Children's String Orchestra EMB (Editio Musica Budapest)
Violin 2 (Parts) SKU: HL.50606823 Violin 2 Part. Composed by Bela ...(+)
Violin 2 (Parts) SKU: HL.50606823 Violin 2 Part. Composed by Bela Bartok. EMB. Classical. Softcover. Editio Musica Budapest #Z14570VL2. Published by Editio Musica Budapest (HL.50606823). ISBN 9798350114379. UPC: 196288188230. Roughly half of this selection of transcriptions of Baroque vocal and instrumental works consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Piéces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with unusual items such as Polish, German and Hungarian dances from 17th- and18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi's music book. This volume, previously available in the Leggiero series, is now, in a new guise, part of the series Treasury for String Ensembles. Treasury for String Ensembles provides carefully selected original compositions and arrangements from the Renaissance to the twentieth century, compiled in volumes according to level of difficulty, from beginner's level to professional. Elementary (all in first position): typically for three violins and cello or children's string orchestra. Intermediate: typically for three violins and cello or string quartet or youth string orchestra. Advanced: typically for string quartet or string quintet (with double bass) or string orchestra. The volumes are published in both printed and digital form. The printed edition contains the score and one copy of each part. Further copies can be ordered for the purposes of orchestral performance. The digital edition can be viewed on screen, and the parts can also be downloaded as A4-sized PDF files. The digital edition comes free with the printed edition, using the unique code provided. $3.95 - See more - Buy online | | |
| Baroque Music For Children's String Orchestra EMB (Editio Musica Budapest)
Cello (Parts) SKU: HL.50606826 Cello Part. Composed by Bela Bartok...(+)
Cello (Parts) SKU: HL.50606826 Cello Part. Composed by Bela Bartok. EMB. Classical. Softcover. Editio Musica Budapest #Z14570VLC. Published by Editio Musica Budapest (HL.50606826). ISBN 9798350114409. UPC: 196288188261. Roughly half of this selection of transcriptions of Baroque vocal and instrumental works consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Piéces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with unusual items such as Polish, German and Hungarian dances from 17th- and18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi's music book. This volume, previously available in the Leggiero series, is now, in a new guise, part of the series Treasury for String Ensembles. Treasury for String Ensembles provides carefully selected original compositions and arrangements from the Renaissance to the twentieth century, compiled in volumes according to level of difficulty, from beginner's level to professional. Elementary (all in first position): typically for three violins and cello or children's string orchestra. Intermediate: typically for three violins and cello or string quartet or youth string orchestra. Advanced: typically for string quartet or string quintet (with double bass) or string orchestra. The volumes are published in both printed and digital form. The printed edition contains the score and one copy of each part. Further copies can be ordered for the purposes of orchestral performance. The digital edition can be viewed on screen, and the parts can also be downloaded as A4-sized PDF files. The digital edition comes free with the printed edition, using the unique code provided. $3.95 - See more - Buy online | | |
| Easy Concert Pieces Band 1 Alto Saxophone and Piano [Sheet music + CD] - Easy Schott
23 Pieces from 5 Centuries. Composed by Various. Edited by Ulrich Junk. This e...(+)
23 Pieces from 5 Centuries.
Composed by Various. Edited
by Ulrich Junk. This edition:
Saddle stitching. Sheet music
with CD. Woodwind Solo.
Baroque, Modern, Romantic,
Classical. Edition with CD.
52 pages. Schott Music
#ED22553. Published by Schott
Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Baroque Music For Children's String Orchestra EMB (Editio Musica Budapest)
Violin 1 (Parts) SKU: HL.50606822 Violin 1 Part. Composed by Bela ...(+)
Violin 1 (Parts) SKU: HL.50606822 Violin 1 Part. Composed by Bela Bartok. EMB. Classical. Softcover. Editio Musica Budapest #Z14570VL1. Published by Editio Musica Budapest (HL.50606822). ISBN 9798350114362. UPC: 196288188223. Roughly half of this selection of transcriptions of Baroque vocal and instrumental works consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Piéces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with unusual items such as Polish, German and Hungarian dances from 17th- and18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi's music book. This volume, previously available in the Leggiero series, is now, in a new guise, part of the series Treasury for String Ensembles. Treasury for String Ensembles provides carefully selected original compositions and arrangements from the Renaissance to the twentieth century, compiled in volumes according to level of difficulty, from beginner's level to professional. Elementary (all in first position): typically for three violins and cello or children's string orchestra. Intermediate: typically for three violins and cello or string quartet or youth string orchestra. Advanced: typically for string quartet or string quintet (with double bass) or string orchestra. The volumes are published in both printed and digital form. The printed edition contains the score and one copy of each part. Further copies can be ordered for the purposes of orchestral performance. The digital edition can be viewed on screen, and the parts can also be downloaded as A4-sized PDF files. The digital edition comes free with the printed edition, using the unique code provided. $3.95 - See more - Buy online | | |
| Baroque Dances For 2 Soprano Recorders, French Edition With Cd Descant (Soprano) Recorder [Sheet music + CD] - Beginner Schott
Edited by Hans Magolt and Rainer Butz. This edition: Saddle stitching. Sheet...(+)
Edited by Hans Magolt and
Rainer Butz. This edition:
Saddle stitching. Sheet music
with CD. Woodwind. Mit den
wichtigsten Tanztypen der
beruhmtesten Komponisten und
Tanzmeister der Renaissance-
und Barockzeit - von
Praetorius, Handel und Lully
bis zu Purcell, Bach und
Rameau. Softcover with CD. 32
pages. Schott Music #ED20652-
02. Published by Schott Music
$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Belwin Master Solos, Volume 1 (Saxophone) Saxophone [Sheet music] - Easy Alfred Publishing
Edited by Keith Snell. For Saxophone. Woodwind - Saxophone Method or Collection....(+)
Edited by Keith Snell. For Saxophone. Woodwind - Saxophone Method or Collection. Belwin Master Solos. Level: Easy. Book. 16 pages. Published by Alfred Publishing.
$5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Come Ye Sons Of Art (SSA) Choral 3-part SSA, Piano Novello & Co Ltd.
By Henry Purcell. For SSA, Piano Accompaniment. Sacred, Renaissance. Sheet Music...(+)
By Henry Purcell. For SSA, Piano Accompaniment. Sacred, Renaissance. Sheet Music. 28 pages. Published by Novello and Co Ltd.
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
1 Next page 31 61 |