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| Chicago: The Chicago Fake Book
Fake Book [Fake Book] - Intermediate
Hal Leonard
(C Edition) Performed by Chicago. For C instrument. Format: fakebook. With leads...(+)
(C Edition) Performed by Chicago. For C instrument. Format: fakebook. With leadsheet notation (includes melody line and chords) and lyrics. Pop rock and soft rock. Series: Hal Leonard Fake Books. 232 pages. 9x12 inches. Published by Hal Leonard.
(2)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Campfire Songbook
Melody line, Lyrics and Chords [Sheet music]
Mel Bay
By Jerry Silverman. For Vocal. Songbook. Folk. Level: Beginning. Book. Size 8.75...(+)
By Jerry Silverman. For Vocal. Songbook. Folk. Level: Beginning. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.
$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Blues Fake Book
Fake Book [Fake Book]
Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| A Brief History of Creation
Peters
Choir Sacred Childrens Choir & Piano Reduction SKU: PE.EP72785A For Ch...(+)
Choir Sacred Childrens Choir & Piano Reduction SKU: PE.EP72785A For Children's Voices and Orchestra. Composed by Jonathan Dove. Choral Works (inc. Oratorios). Edition Peters. Book. 92 pages. Duration 00:45:00. Edition Peters #98-EP72785A. Published by Edition Peters (PE.EP72785A). ISBN 9790577011349. 210 x 297mm inches. English. From the composer: How did it all begin? And what happened next? I found myself pondering these questions in an art gallery in Bremen, in a James Turrell installation that carved through three storeys of the gallery. Looking down from the top floor through great circles of colour-changing light to the distant sparkling points in a dark ellipse on the ground floor, I felt that I was looking back in time to the origins of the universe – and I started to hear children’s voices in my mind’s ear, accompanied by twinkling metal percussion. It occurred to me that the beginning of our world was a good story to be sung by children, especially the unique Hallé Children’s Choir, and accompanied by the magnificent Hallé Orchestra. Haydn’s Creation immediately comes to mind as a precedent, but that is a setting and elaboration of the Book of Genesis. I thought we should tell the modern version of our story, and be as scientifically accurate as possible. That’s easier said than done! For a start, it’s hard to find a modern account of creation that is anything like as compact as the one in Genesis. I talked about it with my regular collaborator, Alasdair Middleton. Neither of us could remember being taught anything about the Big Bang or Evolution at school, although I had certainly spent many happy hours making papier-mâché dinosaurs. So the first thing we had to do was a lot of research – reading books for grown-ups, books for children, looking at charts and diagrams and watching films. There was a wonderful moment, reading Adam Rutherford’s The Origin of Life, when I had the glorious feeling I understood everything – but that quickly evaporated as soon as I put the book down. Scientific ideas seem to date very quickly, so this account of the beginning of our world is necessarily provisional. It&rs. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The ABCs of My Feelings and Music
GIA Publications
SKU: GI.G-10153 Composed by Scott N. Edgar and Stephanie Edgar. Social Em...(+)
SKU: GI.G-10153 Composed by Scott N. Edgar and Stephanie Edgar. Social Emotional Learning. Music Education. 32 pages. GIA Publications #10153. Published by GIA Publications (GI.G-10153). ISBN 9781622774623. Illustrated by Nancy Sosna Bohm  Music and art can help us feel and express deep emotions. We can be happy or sad, but that is only the beginning. This beautiful book explores the powerful link between art, music, and emotion, and is ideal for deepening Social Emotional Learning (SEL) and building a fuller emotional vocabulary. Built on the principles of SEL, each page of The ABCs of My Feelings and Music offers an emotion word in a piece of colorful artwork, one for each letter of the alphabet. Below each illustration are three classical music suggestions to listen to while observing the art. Use the provided questions and a link to playlists to help unpack what children are seeing and feeling. The questions can also jumpstart meaningful discussions about how art and music can affect and help us express our emotions. This book is for children as well as teachers, parents, social workers, counselors, music therapists—anyone who works with children and understands the power of art and music. We hope this book helps you and your children/students expand their emotional vocabulary, have meaningful discussions about emotions, and think more deeply about how music and art makes us feel! Scott N. Edgar is Associate Professor of Music, Music Education Chair, and Director of Bands at Lake Forest College (Lake Forest, Illinois). Dr. Edgar is the author of Music Education and Social Emotional Learning: The Heart of Teaching Music and is an internationally sought-after clinician on Social Emotional Learning. Stephanie Edgar is an active choral singer, performing with the Jacksonville Symphony Orchestra Chorus (Jacksonville, Florida), the University Musical Society Choral Union (Ann Arbor, Michigan), and the Chicago-based Peregrine Vocal Ensemble. Stephanie works as Coordinator of the Center for Academic Success at Lake Forest College in Illinois. Nancy Sosna Bohm is a retired academic librarian and lifelong artist with experience in a variety of media, styles, and subjects. Listen to the music on Spotify: In an effort to increase the diversity of musical examples in The ABCs of My Feelings and Music, Karen Howard has created an additional playlist to use with the artwork! Click here for a free PDF of the song titles and emotion words included on Karen's playlist. In an effort to increase the diversity of musical examples in The ABCs of My Feelings and Music, Franklin Willis has created an additional playlist to use with the artwork! Click here for a free PDF of the song titles and emotion words included on Franklin's playlist. $18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Lamb
Boosey and Hawkes
(SSAATTBB choir) SKU: HL.48024952 SATB Divisi a cappella. Composed...(+)
(SSAATTBB choir) SKU: HL.48024952 SATB Divisi a cappella. Composed by Becky McGlade. Boosey & Hawkes Sacred Choral. Octavo. Boosey & Hawkes #M060137235. Published by Boosey & Hawkes (HL.48024952). ISBN 9781784545987. UPC: 840126947243. 6.75x10.5 inches. I was introduced to William Blake's poem The Lamb many years ago through John Tavener's famous setting and, when commissioned by York Minster to write a carol for their 2019 nine lessons and carols services, the idea of writing my own setting of this beautiful poem was hard to resist. For me, the biblical symbol of the lamb represents one of the most profound theological mysteries. That divine omnipotence as represented by the symbolic lamb speaks volumes of the humility and self-sacrificing nature of God; complexity illustrated in simplicity. The poet has seen within the vulnerability of the lamb, the profundity of God's self-sacrifice. I looked to convey the innocence of the lamb through the gentle opening of the piece with its simple melody and harmony. The harmonies gradually intensify as the questions of the text continue, and there is a stronger feel to the second verse as those questions begin to be answered and it is revealed that the Creator God is Himself the Lamb. A feeling of space should prevail, without the tempo dragging. The commas in bars 29, 33, 46, 51 and 52 imply there should be room to breathe, but not a whole quaver's worth of breath if possible. $4.95 - See more - Buy online | | | |
| Enigma
Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.144405160(+)
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.144405160 The Question Is Complex, and Life Is Short. Composed by Robert Martin. Set of Score and Parts. With Standard notation. Composed 1979. 44+8+8+8+8+16 pages. Duration 9 minutes, 15 seconds. Theodore Presser Company #144-40516. Published by Theodore Presser Company (PR.144405160). UPC: 680160667826. 9 x 12 inches. In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.). $46.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Enigma
Violin and Piano [Score]
Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Composed by Robert Martin. Full score. With Standard notation. 44 pages. Duration 9 minutes, 15 seconds. Theodore Presser Company #144-40516S. Published by Theodore Presser Company (PR.14440516S). UPC: 680160667864. 9 x 12 inches. In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.). $32.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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