| Waltz for Winds Woodwind Quintet [Set of Parts] - Intermediate Grand Mesa Music
By Reed. For woodwind quintet (flute, oboe, clarinet, horn, bassoon). Grade 3. S...(+)
By Reed. For woodwind quintet (flute, oboe, clarinet, horn, bassoon). Grade 3. Set of parts
$12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone SKU: PR.114419980 Composed by Stacy Garrop. Sws. Set of Score and Parts. 32+16+16+16+16+16 pages. Duration 16 minutes. Theodore Presser Company #114-41998. Published by Theodore Presser Company (PR.114419980). UPC: 680160681723. 9 x 12 inches. The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone SKU: PR.11441998S Composed by Stacy Garrop. Sws. Full score. 32 pages. Duration 16 minutes. Theodore Presser Company #114-41998S. Published by Theodore Presser Company (PR.11441998S). UPC: 680160681730. 9 x 12 inches. The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G. $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Matepe for Reed Quintet - Intermediate Chester
Bass Clarinet, Bassoon, Clarinet, Oboe, Soprano Saxophone (Score & Parts) - Grad...(+)
Bass Clarinet, Bassoon, Clarinet, Oboe, Soprano Saxophone (Score & Parts) - Grade 3 SKU: HL.259448 Score and Parts Oboe, Clarinet, Soprano Saxophone, Bass Clarinet. Composed by Kevin Volans. Music Sales America. Classical. Softcover. Composed 2017. Chester Music #CH82786. Published by Chester Music (HL.259448). ISBN 9781783057610. UPC: 888680953133. 9x12 inches. English. This version of Kevin Volans' Matepe was commissioned by CALEFAX Reed Quintet, Amsterdam, The Netherlands.
The world premiere took place on 11 October 2014 at De Doelen, Jurriaanse Zaal, Rotterdam, given by CALEFAX Reed Quintet. $45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Dance of the Sprites Woodwind Quintet [Set of Parts] - Intermediate Grand Mesa Music
By Reed. For Woodwind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon). Level: Gra...(+)
By Reed. For Woodwind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon). Level: Grade 3. Set of parts. Published by Grand Mesa Music.
$14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata Piano solo Theodore Presser Co.
Chamber Music Bassoon, Piano SKU: PR.114423350 Composed by Amanda Harberg...(+)
Chamber Music Bassoon, Piano SKU: PR.114423350 Composed by Amanda Harberg. Set of Score and Parts. 32+12 pages. Duration 16 minutes. Theodore Presser Company #114-42335. Published by Theodore Presser Company (PR.114423350). ISBN 9781491135112. UPC: 680160686339. This stunning addition to the bassoon repertory features dramatic outer movements framing a slow and plaintive aria. Harberg’s program notes put the drama and its crying-out high notes in the context of writing in 2021: “The composition was deeply influenced by disruptive forces unfolding around us. While this unrest made writing difficult at times and brought me to uncomfortable places within myself, the process was also full of unexpected discoveries and musical solutions I never would have found in less troubled times.â€. Connections are all around us. I first met bassoonist Adrian Morejon while writing my Suite for Wind Quintet for the Dorian Wind Quintet in 2017. He and I quickly became fast friends and decided to collaborate on a new piece. Over the next two years, Adrian assembled a phenomenal group of 28 bassoonists from around the world to be co-commissioners. Adrian and I premiered the resulting sonata at the International Double Reed Society’s 2021 Virtual Symposium.The SONATA was composed between January and June 2021. In composing it, my goal was to offer bassoonists a substantial work that would show off the instrument’s remarkable strengths including its athletic agility, gorgeous singing qualities, and enormous range. While I generally avoid being programmatic, this composition was deeply influenced by the disruptive forces unfolding around us. While this unrest made writing difficult at times and often brought me to uncomfortable places within myself, the process was also full of unexpected discoveries and musical solutions I never would have found in less troubled times.I am deeply grateful to Adrian for our collaboration, and to everyone in the consortium for making the SONATA possible. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 100 Classic Melodies for Flute Flute [Book] - Easy Kevin Mayhew
Arranged by Amanda Oosthuizen. For flute. Flute. Classic. Beginning-Intermediate...(+)
Arranged by Amanda Oosthuizen. For flute. Flute. Classic. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music for Three Treble Instruments, Collection No. 3 Wedding & Classical Favorites [Set of Parts] Last Resort Music Publishing
(Mix and Match Trios for Three Treble Instruments including Violins, Violas, Flu...(+)
(Mix and Match Trios for Three Treble Instruments including Violins, Violas, Flutes, Oboes, Clarinet, English Horn and French Horn). Arranged by Daniel Kelley. Flute Trio, Clarinet Trio, Violin Trio, String Trio, Woodwind Trio, 2 Violins & Viola, Double Reed Trio. For Flute, Oboe, Clarinet, Violin, Viola, Alto Flute, English Horn, French Horn (mixed trio). A wonderful collection of trios arranged for three treble instruments with mixed or flexible instrumentation including works by Brahms, Boccherini, Mozart, Pachelbel, Purcell and more!. Classical. Intermediate/Advanced. Set of parts. Published by Last Resort Music Publishing
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| An American Liturgy |trombone|trumpet|percussion| GIA Publications
By C. Alexander Peloquin. For Instruments: Brass quintet (3 trumpets, 2 trombone...(+)
By C. Alexander Peloquin. For Instruments: Brass quintet (3 trumpets, 2 trombones), tambourine, timpani, bass (instruments optional). Chamber Music Sacred. Published by GIA Publications.
$4.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Joy of Freedom Euphonium and Piano Grade 3 3:55 - Intermediate Hal Leonard
Euphonium; Piano Accompaniment (Euphonium And Piano) - Grade 3 SKU: HL.400857...(+)
Euphonium; Piano Accompaniment (Euphonium And Piano) - Grade 3 SKU: HL.4008571 Euphonium and Piano Grade 3, 3:55. Composed by Nicco Alam and Nico Samitz. Symphonic Dimensions. Classical. Softcover. 22 pages. Duration 235 seconds. Hal Leonard #SDP20823. Published by Hal Leonard (HL.4008571). ISBN 9798350110722. UPC: 196288180081. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himselfplays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a widerepertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'. $19.99 - See more - Buy online | | |
| Jarba, Mare Jarba Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700). ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk. In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.). In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Joy of Freedom - Intermediate Hal Leonard
Piano Accompaniment; Trumpet (trumpet & piano) - Grade 3 SKU: HL.4008570 ...(+)
Piano Accompaniment; Trumpet (trumpet & piano) - Grade 3 SKU: HL.4008570 Trumpet and Piano Grade 3, 3:55. Composed by Nico Samitz. Symphonic Dimensions. Classical. Softcover. Duration 235 seconds. Hal Leonard #SDP19323. Published by Hal Leonard (HL.4008570). ISBN 9798350110715. UPC: 196288180074. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composedThe Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'. $19.99 - See more - Buy online | | |
| Joy of Freedom Trombone and Piano - Intermediate Hal Leonard
Piano Accompaniment; Trombone (Trombone) - Grade 3 SKU: HL.4008607 Tro...(+)
Piano Accompaniment; Trombone (Trombone) - Grade 3 SKU: HL.4008607 Trombone and Piano. Composed by Nico Samitz. Symphonic Dimensions. Classical. Softcover. Duration 235 seconds. Hal Leonard #SDP209-23. Published by Hal Leonard (HL.4008607). ISBN 9798350112566. UPC: 196288183174. This set also includes a Bb Trombone TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himselfplays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a widerepertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'. $21.99 - See more - Buy online | | |
| Joy of Freedom Clarinet and Piano - Intermediate Hal Leonard
Clarinet; Piano Accompaniment (Clarinet/Piano) - Grade 3 SKU: HL.4008609 ...(+)
Clarinet; Piano Accompaniment (Clarinet/Piano) - Grade 3 SKU: HL.4008609 Clarinet and Piano. Composed by Nico Samitz. Symphonic Dimensions. Classical. Softcover. Duration 235 seconds. Hal Leonard #SDP211-23. Published by Hal Leonard (HL.4008609). ISBN 9798350112580. UPC: 196288183198. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composedThe Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'. $21.99 - See more - Buy online | | |
| Joy of Freedom - Intermediate Hal Leonard
Euphonium; Piano Accompaniment (Euphonium And Piano) - Grade 3 SKU: HL.400860...(+)
Euphonium; Piano Accompaniment (Euphonium And Piano) - Grade 3 SKU: HL.4008606 Euphonium and Piano. Composed by Nico Samitz. Symphonic Dimensions. Classical. Softcover. Hal Leonard #SDP208-23. Published by Hal Leonard (HL.4008606). ISBN 9798350112559. UPC: 196288183167. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himselfplays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a widerepertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'. $21.99 - See more - Buy online | | |
| Joy of Freedom Flute and Piano - Intermediate Hal Leonard
Flute; Piano Accompaniment (Flute/Piano) - Grade 3 SKU: HL.4008608 Flu...(+)
Flute; Piano Accompaniment (Flute/Piano) - Grade 3 SKU: HL.4008608 Flute and Piano. Composed by Nico Samitz. Symphonic Dimensions. Classical. Softcover. Duration 235 seconds. Hal Leonard #SDP210-23. Published by Hal Leonard (HL.4008608). ISBN 9798350112573. UPC: 196288183181. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composedThe Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'. $21.99 - See more - Buy online | | |
| Joy of Freedom Alto Saxophone and Piano - Intermediate Hal Leonard
Alto Saxophone; Piano Accompaniment (Alto Sax) - Grade 3 SKU: HL.4008610 ...(+)
Alto Saxophone; Piano Accompaniment (Alto Sax) - Grade 3 SKU: HL.4008610 E-Flat Alto Saxophone and Piano. Composed by Nico Samitz. Symphonic Dimensions. Classical. Softcover. Duration 235 seconds. Hal Leonard #SDP212-23. Published by Hal Leonard (HL.4008610). ISBN 9798350112597. UPC: 196288183204. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composedThe Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'. $21.99 - See more - Buy online | | |
| O Mensch, Bewein' Dein' Sunde Gross Saxophone Quartet: 4 saxophones [Score and Parts] - Intermediate/advanced C. Alan Publications
(Chorale-Prelude). Composed by P. Grainger. Arranged by Percy Aldridge Grainger....(+)
(Chorale-Prelude). Composed by P. Grainger. Arranged by Percy Aldridge Grainger. For concert band (Grainger's Elastic Instrumentation - playable by any number of instrument combinations and ensembles, such as brass quartet/quintet/sextet, woodwind quartet/quintet, saxophone quartet, brass choir, and double reed choir. Piccolo, Flute 1/2/3, Oboe 1/2/3). Band Music. Grade 4. Score and parts. Duration 5:45. Published by C. Alan Publications
$85.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Mix 2 Piano solo ABRSM Publishing | | |
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