SKU: GI.G-8278G
English. Text Source: Ref.: Liam Lawton, vv.: Psalm 138:1–2a, 4–5, 6–7ab, The Revised Grail Psalms Text by Liam Lawton.
SKU: HL.1243151
ISBN 9781705198773. UPC: 196288151623. 9.0x12.0 inches.
Get ready for adventurous travels on the keyboard with this great new collection of ten favorite themes from the Indiana Jones series of films. Each theme is transcribed for intermediate to advanced piano solo, and has been approved by John Williams!
SKU: HL.4008696
UPC: 196288190523.
“May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds.†– Edward Abbey Notes from the Road was commissioned to Franco Cesarini by the music Federation of the Canton of Thurgau, Switzerland, as compulsorypiece for the second category of the Canton Festival in 2023. The piece is written in the typical form of an Italian overture, with the sequence of veloce-lento-veloce tempi. Reflections on life and the street as its metaphor were the driving elements in composing this piece. The way represents a symbol characteristic to many cultures, so much so that the verb “to walk†or the word “path†indicate a way of being in life and of fulfilling oneself. “Making one's way†means affirming oneself; “Having a way†indicates one's own and personal approach. The road is the most beautiful metaphor of life: there is a departure, a destination, and in the middle lies a path that is sometimes winding, with challenges to overcome and directions to take. An introspective piece, an invitation to each of us to reflect on our own “pathâ€.
SKU: HL.49043938
ISBN 9790220133923. 9.25x12.0x0.494 inches.
The 3rd String Quartet was originally composed in 1982-3 to a commission from The Adelaide Festival, and premiered by The Petra Quartet in 1983. Subsequent to this quartet, I have composed two more; No. 4 in 1986 and No. 5 in 2002.The offer to re-publish this work, led me to begin by a process of amendment, but ended in the composition of a virtually new quartet! Only parts of the original quartet have been retained. I also chose to 'frame' (in my case this means an inspirational focus and filter), the quartet in a new way too.In Flight Music keeps the 4-movement format of the original quartet, but is now directly linked to a life-long interest in flight. The first two movements are concerned with aspects of humans in flight, whilst the last two deal with insects and birds respectively.Since all my music is these days preceded by visualisations in the form of drawings, wherever possible, this quartet might be performed with the four drawings, one for each movement, back-projected behind the players.Digital copies of these drawings may be obtained from Schott Music.Edward Cowie.Maurens. France. August, 2010.
SKU: AP.48121
UPC: 038081554778. English.
All Aboard! as a steam engine is about to embark on a journey along the Yukon Express Railway. Travelers will be in for a perilous trip, but also be treated to some of the most scenic views in all of North America. (2:20) This title is available in MakeMusic Cloud.
SKU: PR.411411690
UPC: 680160686032.
The four name arias in HARRIET TUBMAN: When I crossed that Line To Freedom, portray stages in the title character's transformation from slave to freedom-fighter. First, as a child, she introduces herself as Araminta, who is often called, Minty. Her naive prattlings establish a dramatic contrast between childhood's contentment and the harsh realities of slave existence. My name is Harriet, now. Don't call me Minty any more, declares the teenaged heroine. Having survived a series of abusive masters and a debilitating injury, she asserts her rites of womanhood through the shedding of her childhood moniker. The grown Harriet Tubman reintroduces herself as a free woman, recounting the harrowing tale of escape from slavery. Confronted by bittersweet poignancy at having crossed the line to freedom without family to welcome her, she is inspired towards a new goal: returning home to rescue loved ones. In the final aria, Tubman, a seasoned conductor on the Underground Railroad, embraces the folkloric title given to her by escapees and aspiring runaways. I am 'Moses, the Liberator,' she proclaims. Her transformation is complete.The four “name†arias in HARRIET TUBMAN: When I crossed thatLine To Freedom, portray stages in the title character's transformationfrom slave to freedom-fighter.First, as a child, she introduces herself as “Araminta,†who is oftencalled, “Minty.†Her naïve prattlings establish a dramatic contrastbetween childhood's contentment and the harsh realities of slaveexistence.“My name is Harriet, now. Don't call me Minty any more,†declares theteenaged heroine. Having survived a series of abusive masters and adebilitating injury, she asserts her rites of womanhood through theshedding of her childhood moniker.The grown Harriet Tubman reintroduces herself as a free woman,recounting the harrowing tale of escape from slavery. Confronted bybittersweet poignancy at having crossed the line to freedom withoutfamily to welcome her, she is inspired towards a new goal: returninghome to rescue loved ones.In the final aria, Tubman, a seasoned conductor on the UndergroundRailroad, embraces the folkloric title given to her by escapees andaspiring runaways. “I am 'Moses, the Liberator,'†she proclaims. Hertransformation is complete.
SKU: HL.50563274
UPC: 073999363548. 9.75x12.5x0.016 inches.
SKU: FL.FX072801
Instruments: 4 Euphoniums/Saxhorns B.C.; Difficuly Level: Grade 2.
SKU: SU.19010070
Five Songs for Voic and Piano Contents: Here the Frailest Leaves, O You Whom I Often and Silently Come, We Two Boys, Sometimes With One I Love, Among the Multitude, Composed: 1980 Published by: Heart Earth Music.
SKU: GH.CVI-3648
Kokonaisvaltaisen aanenkayton tekniikka (Complete Vocal Technique, CVT) on uraauurtava innovatiivinen lahestymistapa lalunopetukseen, josta on apua kaikille ihmisaanesta kiinnostuneille, niin aloittelijoille kuin kokeneille ammattilaisillekin. Mnetelman tekniikoita voidaan kayttaa kaikissa laulutyyleissa.Kirja perustuu tuoreeseen ja jatkuvasti paivettyyn laulutekniikan tutkimukseen. CVT:ta suosittelevat laulajat, laulunopettajat, nayttelijat, puheterapeutit ja laakarit eri puolilla maailmaa. Cathrine Sadolin on maailman johtavia lauluaanen tutkijoita. Han on perehtynyt laulamisen eri tyyleihin 25 vuoden ajan ja itsekin ammattilaulajana kehittanyt innovatiivista lahestymistapaansa myos omien kokemustensa kautta. Han vierailee saannollisesti luennoitsijana aanenkayton kansainvalisissa konferensseissa. Han on erikoistunut laluaanen ongelmien ratkaisuun, vasyneen aanen kuntoutukseen ja laulutekniikan opetukseen kaikissa eri musiikin tyylilajeissa. Han on tyoskennellyt niin teattereissa, oopperoissa kuin levy-yhtioissakin aanikouluttajana ja tuottajana. Han on itse esiintynyt eri puolilla Eurooppaa klassisen, folk- ja rockmusiikin laulajana ja tehnyt useita levyva. Vuonna 2002 Cathrine perusti kolmivuotisen laulu- ja laulunopettajakurssin, joka on tarkoitettu jatkokoulutukseksi laulamisen ammattilaisille. Vuonna 2005 han perusti Koopenhaminaan Complete Vocal Institute (CVI) -oppilaitoksen. Nykyaan CVI:lla on haaraosastoja eri maissa, ja se on Euroopan suurin laulamisen ammattilaisten ja puoliammattilaisten koulutuslaitos.
SKU: ST.Y224
ISBN 9790220221552.
Scenes from Welsh life and landscape are a frequent source of inspiration for the music of Rhian Samuel, and, in Dovey Junction, the joyful atmosphere of families en route to the Welsh seaside via the little west-coast railway line is the cue for a crackling scherzo for brass quintet. A snappy rondo theme insists on dressing up in a different texture each time it returns. In between, pithy staccato phrases for trumpets are the setting for more cantabile figures from horn and trombone, and a brief and bluesy episode for muted solo trumpet suggests lazy days on the beach, or grown-up nostalgia for holidays long past. But the energy and sense of expectation remain unstoppable from the first bar to the last, and all five instruments sweep the music into a furious coda that ends the work in riotous high spirits. Dovey Junction was written for performance by Borealis Brass (Alaska) at the UNESCO World Forum on Music, Los Angeles, USA in October 20005, at the invitation of the Fondazione Adkins Chiti: Donne in Musica, (Rome).
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