For F Horn or Eb Horn Instruments - Grade 2.5. Arranged by James Curnow, Paul Curnow. Curnow Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 56 pages. Published by Curnow Music.

Horn

SKU: HL.49015238

Composed by Michael Hoeltzel. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 92 pages. Schott Music #ED 6912. Published by Schott Music (HL.49015238).

ISBN 9790001073042. 9.0x12.0x0.266 inches. German.

In diesem Lehrwerk wird der erklarende Text bewusst in den Vordergrund geruckt. Schuler und Lehrer werden umfassend uber didaktisch-methodische, musikalische und technische Fragen informiert. Die Ubungsstucke und Lieder - jeweils fur Horn in B und F beginnend im kleinsten Tonumfang mit systematischer Einfuhrung der Ventile - sollen den Spass am Hornblasen fordern. Theoretische Abhandlungen uber Ansatz, Atmung etc. sind an den Schluss gestellt, damit die praktischen Anleitungen fur den Anfanger nicht unterbrochen werden. Musikalische Grundkenntnisse werden aus zweierlei Grunden vorausgesetzt: Zum einen erweist es sich haufig, dass Hornschuler bereits in der musikalischen Fruherziehung das Notenlesen gelernt haben und zum anderen, dass bei vielen Horn das zweite Instrument ist, das sie spielen wollen. Im 2. Band findet sich geeignetes Unterrichtsmaterial sowie entsprechende Literatur, womit der gerade den Anfangsschwierigkeiten entwachsene Hornschuler seine Technik auf lockere und spielerische Weise stetig vervollkommnen kann. In allen 12 Tonarten gibt es leichtere und schwierigere Ubungen, die Lehrer und Schuler dem jeweiligen Ausbildungsstand entsprechend auswahlen konnen.

16 Duets for F Horn or Eb Horn. Arranged by James Curnow. Curnow Play-Along Book. Play Along. Softcover. 36 pages. Published by Curnow Music.

Piano Accompaniment for French Horn. Curnow Play-Along Book. Play Along. Size 9x12 inches. 26 pages. Published by Curnow Music.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS105

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+8+2+5+5+2+5+8 pages. Duration 1 minute, 46 seconds. Carl Fischer Music #FAS105. Published by Carl Fischer Music (CF.FAS105).

ISBN 9781491151365. UPC: 680160908868. 9 x 12 inches. Key: B minor.

Composer Bud Woodruff continues to present compositions that students will love to perform and will learn from playing. The title, Dorian's Barn has a unique double meaning in that it is dedicated to a man named Dorian and it is in the Dorian mode. The addition of the word 'barn' in the title also adds to the music a fun country backwoods aesthetic.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.
I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.
I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

F/Eb Horn - Grade 1-2. Arranged by James Curnow. Curnow Play-Along Book. Play Along. BOOK W/CD. 28 pages. Published by Curnow Music.

Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For F horn solo. Includes horn solo book and accompaniment CD. With standard notation. Movies. 28 pages. 9x12 inches. Published by Warner Brothers.