SKU: FL.FX074471
Instruments:Flute Quintet: 1 Piccolo 4 Flutes; Difficuly Level: Grade 2; Duration: 3 mn 20 s; Musical Style: Classical; Category: Arrangement; Composer: Jean-Philippe RAMEAU; Arranger: Eric VIRETON.
SKU: HL.48184045
Jean-Philippe Rameau: 4 Pieces extraits de 'Pygmalion' (Harpsichord solo).
SKU: BA.BA09193
ISBN 9790006561421. 29.8 x 21.2 cm inches. Preface: Bouissou, Sylvie / Dratwicki, Benoît / Dubruque, Julien.
Volume 3 for soprano contains the first half of the large-scale arias and ariettas that Rameau composed for lyric soprano (the 18th-century equivalent of today’s lyric coloratura soprano) in his prologues and divertissements. Each number is accompanied by a keyboard reduction and is introduced by a brief account of the dramatic situation as well as an English translation of the vocal text.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48024686
ISBN 9781540058768. UPC: 888680952938.
Jacques Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).
SKU: FL.FX074474
Instruments:Wind Quintet: 1 Flute 1 Oboe 1 Bb Clarinet 1 F Horn 1 Bassoon; Difficuly Level: Grade 2; Duration: 3 mn 20 s; Musical Style: Classical; Category: Arrangement; Composer: Jean-Philippe RAMEAU; Arranger: Eric VIRETON.
SKU: BA.BA08889
ISBN 9790006575213. 33 x 24 cm inches. Text Language: French. Louis de Cahusac.
This collection of the instrumental numbers from Zoroastre, a Tragdie in five acts includes the movements and dances of all the original versions, i.e. those of January and February 1756 (found in the Opera Omnia Rameau volume IV.26, BA08867-01) as well as those of 1749. Orchestras can compile a suite to meet precisely their own needs. For this purpose, the index includes a separate overview sorted by key. The performance material of the Symphonies is available on hire reflecting the high standard of Opera Omnia.
SKU: KN.09516S
UPC: 822795095166.
This well known piano piece by Jean-Philippe Rameau is tastefully arranged here in the key of E minor and is playable exclusively in 1st position. Serving as a wonderful introduction to Baroque ornamentation with many instances of the short trill appearing in the violin parts, this lively French dance will be great fun for all. Duration 1:20.
SKU: BA.BA08862-90
ISBN 9790006558223. 27 x 19 cm inches. Text Language: French. Preface: Kocevar, Ã?rik. Text: Charles Colle.
The heroic pastoral Daphnis et Egle was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version--which is actually more complete in its musical form, in particular with its overture and two ariettas--but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.
SKU: FL.FX074473
Instruments:String Quintet: 2 Violins 1 Viola 1 Cello 1 Double Bass; Difficuly Level: Grade 2; Duration: 3 mn 20 s; Musical Style: Classical; Category: Arrangement; Composer: Jean-Philippe RAMEAU; Arranger: Eric VIRETON.
SKU: HL.48024688
ISBN 9781540058782. UPC: 888680952952.
SKU: AP.35906
UPC: 038081414720. English.
Telemann's Bourrée fits perfectly with Rameau's Rondino to form a lovely medley. Each movement can also stand on its own. Plenty of teaching opportunities for your beginning orchestra.
SKU: FL.FX074470
Instruments:Clarinet Quintet: 4 Bb Clarinets 1 Bass Clarinet; Difficuly Level: Grade 2; Duration: 3 mn 20 s; Musical Style: Classical; Category: Arrangement; Composer: Jean-Philippe RAMEAU; Arranger: Eric VIRETON.
SKU: HL.48182390
UPC: 888680830205. 9.75x12.5 inches.
Jean-Philippe Rameau: Sarabande et Menuet (Classiques No.13) (Guitar solo).
SKU: BA.BA08868-90
ISBN 9790006569663. 27 x 19 cm inches. Text Language: French. Preface: Denis Herlin. Text: Charles-Antoine Le Clerc de la Bruere.
Dardanusis Rameau's thirdTragedie lyriquecomposed for Paris afterHippolyte et AricieandCastor et Pollux. With its multi-facetted music it represents quite a high point of this genre. Its performance history is remarkable in that within only five years two clearly different versions were being performed.The new critical edition by Denis Herlin for the first time offers the possibility to reconstruct the version of May 1744 in addition to the version of 1739. Also, the Appendices include the complete performance material of the version of April 1744, many parts of which could not be heard since. Last but not least the changes of the successful re-staging of 1760 are presented.
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