SKU: HL.3710364
UPC: 697643110571. 18.0x18.0x0.048 inches.
Series Description: PST 8 cymbals are crafted from the legendary 2002 bronze, refined through traditional hand hammering and perfected with the unique handmade Reflector finish. These hallmarks of Swiss workmanship make these cymbals pure Paiste instruments, yet they are as attractively priced as the other successful Paiste Sound Technology series. Alloy: CuSn8 Bronze, also known as “2002 Bronze†Size: 18-inches Weight: medium thin Volume: medium low to medium loud Stick Sound: washy Intensity: lively Sustain: medium long Bell Character: integrated Sound Character: Bright, full. Medium range, fairly clean mix. Responsive feel. Lively, full crash sound for multi-purpose playing in various styles.
SKU: HL.3710365
UPC: 697643110588. 20.0x20.0x0.094 inches.
Series Description: PST 8 cymbals are crafted from the legendary 2002 bronze, refined through traditional hand hammering and perfected with the unique handmade Reflector finish. These hallmarks of Swiss workmanship make these cymbals pure Paiste instruments, yet they are as attractively priced as the other successful Paiste Sound Technology series. Alloy: CuSn8 Bronze, also known as “2002 Bronze†Size: 20-inches Weight: medium Volume: medium to fairly loud Stick Sound: pronounced, balanced Intensity: fairly lively Sustain: medium long Bell Character: separated Sound character: Bright, full and warm. Medium range, clean mix. Balanced feel. Clear ping with clean, shimmering wash. A versatile ride cymbal for a wide musical range.
SKU: BT.AMP-313-070
ISBN 9789043146678. 9x12 inches. English-German-French-Dutch.
Reflections was composed for the Japanese Trombone Quartet Zipang. The composer was so impressed by the quality of the quartet’s ensemble playing, blend and balance that he wanted to write a piece that would exploit these factors to the full. So the work is almost ‘conversational’, with the four players assuming equal roles and separately moving the musical argument forward. Reflections is na Tokyo Tryptich het tweede werk dat in opdracht van het Japanse trombonekwartet Zipang geschreven werd. Ge nspireerd door het uitgebalanceerde samenspel van de muzikanten, schreef Philip Sparke een werkwaarbij hij de nadruk legt op dit talent. Het werk is een dialoog tussen de volstrekt gelijkwaardige stemmen, een muzikaal debat waarin elk van de vier spelers zijn of haar mening mag geven.Reflections ist nach Tokyo Tryptich das zweite Werk, das vom japanischen Posaunenquartett Zipang in Auftrag gegeben wurde. Begeistert vom ausgewogenen Zusammenspiel dieser Musiker, schrieb Philip Sparke ein Stück, das diese Fähigkeit besonders hervorheben sollte. So ist Reflections fast ein Dialog zwischen gleichberechtigten Stimmen, die in der musikalischen Debatte alle ihre eigene Meinung“ beisteuern dürfen. Reflections est, après Tokyo Tryptich, la deuxième oeuvre composée pour le Quatuor de Trombones Zipang, un ensemble professionnel constitué des plus éminents trombonistes du Japon. Impressionné par l‘interaction équilibrée entre ces musiciens, Philip Sparke écrivit cette pièce mettant en avant cette incroyable capacité. Reflections est un dialogue ouvert voix égales, où chacun exprime sa propre opinion. Reflections, è dopo Tokyo Tryptich il secondo brano commissionato a Philip Sparke dal Quartetto di Tromboni Zipang. Impressionato dalle qualit del quartetto, Sparke ha composto un brano che lo valorizzasse ulteriormente.
SKU: HL.44012759
UPC: 888680610456. 10.75x14.0x0.142 inches. English-German-French-Dutch.
Reflections on an Old Japanese Folk Song is based on the tune Suiryo-Bushi, which comes from the shamisen tradition and opens with two contrasting statements of the melody followed by several variations each in an own style based uponthe same tune, or sometimes only fragments of it. In one of the variants, the pentatonic scale is used. The final section is in the form of a scherzo, which eventually forms the accompaniment to a final presentation of the folk tune.Reflections on an Old Japanese Folk Song is gebaseerd op het liedje Suiryo-Bushi, dat afkomstig is uit de shamisen-traditie en opent met twee contrasterende statements van de betreffende melodie, gevolgd door verschillende variatieshierop, in diverse stijlen, steeds gebaseerd op hetzelfde liedje of fragmenten eruit. In een van de variaties wordt de pentatonische toonladder gebruikt. Het slotgedeelte begint met een scherzo, dat uiteindelijk de begeleiding vormt van een laatsteuiteenzetting van het volksliedje.Das Stuck Reflections on an Old Japanese Folk Song basiert auf der Melodie des Volksliedes Suiryo-Bushi, das in der Tradition des japanischen Saiteninstruments Schamisen steht. Es beginnt mit zwei gegensatzlichen Darstellungen derMelodie, gefolgt von verschiedenen Variationen: jede in einem eigenen Stil, aber alle auf der gleichen Melodie oder auf Fragmenten der Melodie beruhend. In einer Variation wird auch die pentatonische Tonleiter verwendet. Im Scherzo, demSchlussteil des Stuckes, erklingt das Volkslied schliesslich zum letzten Mal.Reflections on an Old Japanese Folk Song est base sur la melodie Suiryo-Bushi, qui est issue de la tradition de shamisen. L'oeuvre commence par deux versions differentes de la melodie, suivies par plusieurs variations sur le theme enentier ou en partie, chacune dans son propre style. La section finale est dans la forme d'un scherzo, qui prend le role d'accompagnement a la fin, lors de la derniere presentation du theme folklorique.Reflections on an Old Japanese Folk Song, basata su un motivo di Suiryo-Bushi, originariamente concepito per shamisen, strumento a corde tipico della tradizione musicale giapponese. La struttura del brano e del tutto peculiare, basata sulladalla reiterazione melodica di un tema o frammenti di esso, con l'inserimento di brevi variazioni. In una delle varianti, e usata la scala pentatonica. La sezione finale e nella forma dello scherzo.
SKU: CL.011-4111-01
Reflections of Asia captures the feel of the Orient with its pentatonic themes. The oriental flavor is reflected in the percussion writing and use of common percussion toys. The main theme is presented in all voices of the band so everyone gets an opportunity to play this charming melody. This composition offers many teachable moments with its variety of articulations and dynamics. Reflections of Asia is an excellent opportunity to expand the cultural horizons of any young band; a truly impressive work.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CF.C1233
ISBN 9781491162316. UPC: 680160921065.
First written for string orchestra and later arranged for concert band, Water Reflections by Yukikko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.First written for string orchestra and later arranged for concert band, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.First written for string orchestra, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.
SKU: CL.012-4451-75
Reflections From the Wall commemorates the 50th anniversary of the end of the Vietnam War, and is inspired by the men and women who served our country during this conflict. The basis of the music is an emotional representation of the composer's visit to the Vietnam War Memorial and to the power of this spectacular monument. Opening with a simple depiction of a cloud-covered morning which broadens into a dramatic and powerful reflection from the wall as the sun breaks through the clouds. Emotion, reflection and a sincere thanks to those who served are the driving musical elements of this powerful piece. This composition will be received warmly and gratefully by all audiences.
SKU: HL.360490
ISBN 9781705124673. UPC: 840126949018. 6.0x9.0x0.47 inches.
Tesfa Wondemagegnehu writes, “The compendium you hold in your hands represents the glimmering of the North Star. All thought-leaders and outstanding practitioners of our time, these authors have provided myriad ways to navigate through the messy, deafening, and sometimes terrifying chaos around us.†Choral Reflections offers inspiration, ideas, and insights for conductor-teachers at any stage. The goal for Choral Reflections is to provide a platform for a new and more representative cross-section of American choral conductor-teachers to share their reflections, beliefs, values, and visions for the choral art. The thirty contributors are: Hilary Apfelstadt, Anton Armstrong, Geoffrey Boers, Edith A. Copley, Rollo A. Dilworth, Jason Max Ferdinand, Lynne Gackle, Janet Galvan, Lynnel Joy Jenkins, Craig Hella Johnson, Ann Howard Jones, Henry H. Leck, Iris S. Levine, Fernando Malvar-Ruiz, Kevin McBeth, Marcela Molina, Gary Packwood, Rosephanye Powell, Amanda Quist, Doreen Rao, Jeffery B. Redding, Eugene Rogers, Diana V. Saez, Pearl Shangkuan, Tom Shelton, Sandra Snow, Andre J. Thomas, Betsy Cook Weber, Brad Wells, and Jace Kaholokula Saplan.
SKU: CL.012-4451-01
Reflections From the Wall commemorates the 40th anniversary of the end of the Vietnam War, and is inspired by the men and women who served our country during this conflict. The basis of the music is an emotional representation of the composer's visit to the Vietnam War Memorial and to the power of this spectacular monument. Opening with a simple depiction of a cloud-covered morning which broadens into a dramatic and powerful reflection from the wall as the sun breaks through the clouds. Emotion, reflection and a sincere thanks to those who served are the driving musical elements of this powerful piece. This composition will be received warmly and gratefully by all audiences.
SKU: GI.G-8657
ISBN 9781622770649.
Edited and Photographed by Michael Stillwater  Waldron Island Reflections offers images and words from Shining Night, the award-winning documentary film about the life and music of Morten Lauridsen. Morten Lauridsen, among the leading American composers of the late 20th and early 21st centuries, draws his inspiration from the serenity of nature. In his summer residence on remote Waldron Island in the San Juan Archipelago many of his greatest works are composed. For anyone who appreciates nature as inspiration for creativity, Waldron Island Reflections provides a glimpse into a unique Pacific Northwest haven where timeless words are given a musical voice through Lauridsen’s sublime artistry. About the music of Morten Lauridsen: In 2007 Morten Lauridsen received the National Medal of Arts, the highest artistic award in the United States, from the President in a White House ceremony “for his composition of radiant choral works combining musical beauty, power, and spiritual depth.†He is Distinguished Professor of Composition at the USC Thornton School of Music, Los Angeles. www.mortenlauridsen.net/ “For those of us who need great music to live and feel more fully, these works speak clearly to the soul and illuminate our greater hope.â€â€“ St. Louis Post-Dispatch “This is celestial and spine-tingling stuff. Contemporary choral music really doesn’t come any better than this.†– Daily Express  Michael Stillwater is a filmmaker and music educator whose award-winning documentary, Shining Night: A Portrait of Composer Morten Lauridsen, was deemed “a heartening rarity†by Terry Teachout, Wall Street Journal. www.shiningnightfilm.net.
SKU: PR.496000970
ISBN 9781491121412. UPC: 680160627684.
Leshnoff has worked closely with violinist Charles Wetherbee (1st violinist with the Carpe Diem String Quartet) on several projects. Wetherbee was soloist for the premiere of Leshnoff's Violin Concerto No. 1 and the Double Concerto for Violin and Viola, as well as in Distant Reflections. In this brief work, solo violin, piano (with percussive chords), and string ensemble are enhanced by an off-stage string quartet. Tension builds slowly to a memorable climactic moment, before subsiding again to stillness. Distant Reflections was recorded by Wetherbee and the Baltimore Chamber Orchestra (Markand Thakar, conducting) on the Naxos American Classics label.
SKU: HL.49018422
ISBN 9790220132391. UPC: 884088614515. 8.25x11.75x0.232 inches.
Maxwell Davies' 'Das Rauschende der Farbe' (The Sound of Colour) is a reflection on the life and work of the German artist Paula Modersohn-Becker who died aged 31 in 1907. Maxwell Davies first got to know the artist's work whilst on a school exchange in Hamburg in 1951 and the composer has since written that Modersohn-Becker's work has influenced the way that he views the relationship between art and the landscape in which it is produced. This is a particularly significant statement for a composer whose music is often a response to the land and seascape of his adopted home in the Orkney Isles. Commissioned by the Bremer Philharmoniker and first performed by them in 2007, the 30 minute orchestral work in three movements is one of the key works by Maxwell Davies in recent years.
SKU: FT.FM873
ISBN 9790570487721. 21 x 30 cm inches.
Reflection for flute and piano is a contemplative and moody duet between the two instruments, which are of equal importance to the piece. As the title might suggest, it was written with themes of self-reflection, introspection and contemplation in mind. The listener is presented two different sides of this internal process via two opposing themes - with contrasting modal colours - successively presented and alternating in an extended binary form. The first represents a calmer, more sombre and hopeful version of this idea, whereas the second offers a realisation of anxiety and agitation. Taking inspiration from the often diametric and contradictory nature of one's thought processes, these ideas alternate, gradually intertwining and borrowing aspects from one another, until a chaotic flurry of anxious energy brings the rising tension to a fierce conclusion. In the aftermath of this climax, a dark and twisted version of the initial tranquillity presents itself as the inevitable union of these two patterns of thought. Thankfully (for the listener!) this instability breaks apart, so that the conclusion to the abstract debate can reach a quietly confident resolution, signified by the recapitulation of the initial theme.
SKU: CL.CTS-7941-00
Reflections is a musical portrayal of the people and moments in our lives which shape and change us. Musical elements from various sources are woven into a rich tapestry of sounds and colors that show the full expressive range of the band. Perfect for contest and festivals! Reflections by Robert Langenfeld, was commissioned by a consortium (alumni/friends/family/UCM Bands/ CTS Pubs) for Dr. Russell Coleman in celebration of his 90th birthday and his service as director of bands at the University of Central Missouri (CMSU) for 32 years. Langenfeld was given guidelines for the composition which included a clarinet soli (Coleman is a clarinetist), excerpts from Dance Prelude (commissioned by Dr. Coleman and the UCM Phi Mu Alpha chapter, written by Claude T. Smith for the CMSU (UCM) Band in 1978), the UCM Alma Mater and the UCM fight song, Go Mules. This work was premiered on June 17, 2018 by the Warrensburg Community Band, under guest conductor, Dr. Anthony Pursell, at the 2018 Missouri Bandmasters Association Summer Convention at Tan-Tar-A in Osage Beach, MO. Dr. Russell Coleman has been the conductor for the Warrensburg Community Band since 1985.
SKU: HH.HH307-FSC
ISBN 9790708092568.
On Reflection is a companion piece to the earlier sextet The Miraculous Mandolin(2007), for a similar combination of instruments. But it is somewhat more introspective, as implied by the title, which also refers to the technical processes employed. The first section sets up a contrast between busy linear material and ‘frozen’ chordal passages, both emanating from a single source. The first part of the final section largely develops the quick character, but the piece ends with a chorale like reworking of the chords. At the centre is a slow section, which perhaps reflects the title most aptly.
SKU: FG.55011-526-2
ISBN 9790550115262.
The poetry of Emily Dickinson has been one of the sources of inspiration for Kai Nieminen (1953-). Piano trio Reflecting Landscapes was inspired by Dickinson's poem A bird came down a walk, a same poem that also gave name to a piece for viola and piano by Toru Takemitsu. Takemitsu being one composer that Nieminen helds in high esteem. Especially calm, meditative athmosphere at the beginning of the piano trio has much that reminds listener from Nieminen's Japanese collegue. The tolling chruch bell -like motives reminds the composer from the death of his father, that occurred at the time of the composition of the piece. Later in the piece, bird song -like motives emerge, like birds in the calm summer night somewhere in the north. The piece was commissioned by Trio la Rue and they gave the first performance at Saaksmaki Soi -festival 6th July 2011. The poetry of Emily Dickinson has been one of the sources of inspiration for Kai Nieminen (1953-). Piano trio Reflecting Landscapes was inspired by Dickinson's poem A bird came down a walk, a same poem that also gave name to a piece for viola and piano by Toru Takemitsu. Takemitsu being one composer that Nieminen helds in high esteem. Especially calm, meditative athmosphere at the beginning of the piano trio has much that reminds listener from Nieminen's Japanese collegue. The tolling chruch bell -like motives reminds the composer from the death of his father, that occurred at the time of the composition of the piece. Later in the piece, bird song -like motives emerge, like birds in the calm summer night somewhere in the north. The piece was commissioned by Trio la Rue and they gave the first performance at Saaksmaki Soi -festival 6th July 2011.
SKU: CF.SPS88
ISBN 9781491156469. UPC: 680160915002. 9 x 12 inches.
About the Work Diamond Reflections was composed to commemorate the 75th anniversary of the U.S. Air Force Heritage of America Band at Langley Air Force Base, Virginia. The work progresses from a somber, militaristic intro to a jovial symphonic ending, exploring various ensemble colors along the way. The U.S. Air Force Song is suggested throughout the work by the use of an ascending (and later, descending) minor-third interval, a play on the lyrics Off We Go. The Air Force Hymn, Lord, Guard & Guide, makes a more obvious appearance, namely the trumpet solo at m. 46 and the horn soli at m. 123. .About the WorkDiamond Reflections was composed to commemorate the 75th anniversary of the U.S. Air Force Heritage of America Band at Langley Air Force Base, Virginia. The work progresses from a somber, militaristic intro to a jovial symphonic ending, exploring various ensemble colors along the way. The U.S. Air Force Song is suggested throughout the work by the use of an ascending (and later, descending) minor-third interval, a play on the lyrics Off We Go. The Air Force Hymn, Lord, Guard & Guide, makes a more obvious appearance, namely the trumpet solo at m. 46 and the horn soli at m. 123. .
SKU: GI.G-109722
ISBN 9781574632187. UPC: 884088793777.
Jacob Druckman's Reflection on the Nature of Water has become one of the standard 4-mallet marimba solos in the contemporary marimba literature. This master class, written by the person it was composed for, Dan Druckman, the composer's son - Associate Principal Percussionist of the New York Philharmonic - provides a unique insight into the complexities of this monumental work. This analysis of Reflections includes: · Exploration of the sonic, timbral, and expressive possibilities of the marimba in a unique way · A hands-on, specific, nuts and bolts approach to understanding and performing the piece · Applications of mallet choices, strokes, articulation, and phrasing-to have as wide a sonic palette as possible · Correction of mistakes in the score (mostly accidentals or rhythmic errors).
SKU: PR.114424080
ISBN 9781491137376. UPC: 680160690091.
The sparkling verve and freshness of BLOOMING REFLECTIONS are as strikingly delightful as the imagery evoked by the work’s title. While Nishimura’s imagination leads performers and listeners through a world of metaphorical beauty, her craft gives saxophonists the special opportunity to sound as a dazzling ensemble while playing music that is happily idiomatic to perform. BLOOMING REFLECTIONS is a 7-minute work in three connected movements, perfect for any recital.
SKU: CF.SPS88F
ISBN 9781491156476. UPC: 680160915019. 9 x 12 inches.
SKU: CL.CTS-7941-01
SKU: CF.C1233F
ISBN 9781491162323. UPC: 680160921072.
First written for string orchestra and later arranged for concert band, Water Reflections by Yukikko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.First written for string orchestra, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and rich textures. Lush interplay between winds and strings is enhanced with stately percussion, timpani, and optional harp. The gentle opening melody leads to a faster, joyful middle section that eventually returns to the original lyrical theme.
SKU: FT.FM629
ISBN 9790570485284.
This piece was composed for the Assisi Performing Arts Festival woodwind quintet. It's made up of five movements, each reflecting a different aspect of the beautiful and mystical town of Assisi, Italy. Movement one, 'Sunrise', begins as the sun's light extends over walls and the many churches that adorn the mountainside. Movement 2 is entitled 'Tourists' and reflects the hustle and bustle of incoming visitors to the shops and chapels with imitations of car horns and the pandemonium of the crowds. The third movement is 'Monasteries'. As the orders of monks and nuns are called to Vespers, you can hear their voices from monasteries, chapels and churches throughout Assisi. A beautiful cacophony of sacred music rises above the town! The 4th movement is titled 'Rocca Maggiore' after the lookout post atop a great hill that looks out over the top of the city and across the valley. The hike up to this post is steep, but at the top you are rewarded with not only a spectacular view, but the songs of birds soaring over the town. The 5th and final movement is 'Sunset and Dinner with Family and Friends'. This movement symbolizes the end of the day as all the tourists are gone and the families and friends in Assisi sit down together for their delicious evening meals. Wine, incredible food and conversation close out the day as the sun sets behind the mountain. This piece was written as a tribute to one of the most spiritual and beautiful places in the world...Assisi, Italy.
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