| Heartbreak Trail [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani, Tom-tom and more. - Grade 2 SKU: CF.YPS241F Composed by David Bobrowitz. Full score. 17 pages. Carl Fischer Music #YPS241F. Published by Carl Fischer Music (CF.YPS241F). ISBN 9781491159668. UPC: 680160918256. PROGRAM NOTES Heartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek. Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom. PERFORMANCE NOTES The opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly.  PROGRAM NOTESHeartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek.Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom.PERFORMANCE NOTESThe opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Heartbreak Trail - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani, Tom-tom and more. - Grade 2 SKU: CF.YPS241 Composed by David Bobrowitz. Set of Score and Parts. 17+4+4+2+4+4+2+2+3+2+2+2+4+4+4+4+3+3+3+2+3+2+1+3+3 pages. Duration 2 minutes, 53 seconds. Carl Fischer Music #YPS241. Published by Carl Fischer Music (CF.YPS241). ISBN 9781491159651. UPC: 680160918249. PROGRAM NOTES Heartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek. Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom. PERFORMANCE NOTES The opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly.  PROGRAM NOTESHeartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek.Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom.PERFORMANCE NOTESThe opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Metamorphosen Piano solo Boosey and Hawkes
Transcription for Piano. Composed by Richard Strauss (1864-1949). BH Piano. C...(+)
Transcription for Piano.
Composed by Richard Strauss
(1864-1949). BH Piano.
Classical. Softcover. 32
pages. Boosey and Hawkes
#M060136849. Published by
Boosey and Hawkes
$44.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Letters Breitkopf & Härtel
SKU: BR.BV-424 Complete Letters in 35 Volumes and Supplements. Com...(+)
SKU: BR.BV-424 Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Martin Durrer. Linen. Buchverlag Breitkopf & Hartel (Music Books). 1872: more than one letter a day Romantic period. Book. 752 pages. Breitkopf and Haertel #BV 424. Published by Breitkopf and Haertel (BR.BV-424). ISBN 9783765104244. 5.5 x 8.5 inches. German. In the life of Richard Wagner, the year 1872 was marked by decisive events such as the family's relocation to Bayreuth - the master's new home and workplace - and the laying of the cornerstone of the Festspielhaus, which was staged to stunning effect. Next to consolidating the new festival enterprise, Wagner continued to work on the third act of Gotterdammerung, authored several theoretical writings on music, and pressed ahead with the publication plans for his autobiography Mein Leben. The composer's many activities are reflected in the uncommonly large number of 401 transmitted letters and telegrams which Martin Durrer meticulously edited for this volume of the Wagner Correspondence.
1872: more than one letter a day. $112.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Complete Letters Breitkopf & Härtel
SKU: BR.BV-414 Complete Letters in 35 Volumes and Supplements. Com...(+)
SKU: BR.BV-414 Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Andreas Mielke. Linen. Buchverlag Breitkopf & Hartel (Music Books). Still no Meistersinger year Romantic period. Complete Works. 760 pages. Breitkopf and Haertel #BV 414. Published by Breitkopf and Haertel (BR.BV-414). ISBN 9783765104145. 5.5 x 8.5 inches. German. According to Wagners plan, 1862 was to have been the Meistersinger year. Although the libretto was completed in January, its musical setting dragged on and was ultimately postponed. Among the reasons for this were his relocation to the town of Biebrich am Rhein, his crushing financial concerns, the constant flow of summer visitors from near and far, his temporary invalidity of several weeks following a dog bite...All of this can be read in detail in the letters which also include Wagners artistic successes of that year: In Frankfurt, he conducted his Lohengrin for the very first time (twelve years after the first performance!); he introduced the Meistersinger Overture in Leipzig and organized concerts with scenes from his operas in Vienna. Of far-reaching biographical import are his complete amnesty he was once again allowed to return to his native Saxony as well as his further distancing and ultimately final separation from his wife Minna.
Still no Meistersinger year. $106.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Dixit Dominus SSA Choral 3-part SSA Shawnee Press
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawne...(+)
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Acadian Dreams Flute and Piano Theodore Presser Co.
Composed by Adrienne Albert. Set of Score and Parts. 12 4 pages. Duration 6 mi...(+)
Composed by Adrienne Albert.
Set of Score and Parts. 12 4
pages. Duration 6 minutes.
Theodore Presser Company #114-
42266. Published by Theodore
Presser Company
$18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A New Tune A Day For Drums: Book One Drums [Sheet music + CD] Boston Music
Drum Kit SKU: BT.MUSAM11429 A New Tune A Day. Tuition. Book with CD. Bost...(+)
Drum Kit SKU: BT.MUSAM11429 A New Tune A Day. Tuition. Book with CD. Boston Music #MUSAM11429. Published by Boston Music (BT.MUSAM11429). ISBN 9781846090325. English. Since if first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionised music-making in the classroom and the home. Now, for the first time, C Paul Herfurth’soriginalbooks have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace, and keen attention todetail,but with a host of innovations: the inclusion of an audio CD with actual performances and backing tracks will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the studenttoachieve the perfect technique and tone. The book contains: Advice on equipmentInstructions for an effective technique and a comfortable postureExplanatory section on reading drum notationEasy-to-follow lessonsonclear, uncluttered pagesAudio CD with a virtuoso performance, backing tracks and audio examplesCompatible with A New Tune A Day for Electric Guitar and A New Tune A Day for Bass GuitarTests to check progressandcomprehensionUseful pull-out library of drum grooves. An all-round drummer Chris Baker played jazz in his early years in the English Midlands, before relocating to Los Angeles to study under some of the legends ofmoderndrumming: Steve Houghton (Woody Herman), Ralph Humphries (Frank Zappa) and Joe Porcaro (Frank Sinatra). Chris has toured internationally and records with a wide range of important ensembles. He continues todevelopheadhandsfeet, a successful teaching practice. Chris currently divides his time between London and the Midlands. About A New Tune A Day Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata in La Maggiore 2 Guitars (duet) Universal Edition
Chamber Music 2 Guitars SKU: PR.UE034492 Fur Zwei Gitarren. Compos...(+)
Chamber Music 2 Guitars SKU: PR.UE034492 Fur Zwei Gitarren. Composed by Giovanni Marella. Edited by Olaf van Gonnissen. New Karl Scheit Guitar Edition. Set of performance scores. With Standard notation. Universal Edition #UE034492. Published by Universal Edition (PR.UE034492). ISBN 9783702471439. UPC: 803452068549. The editors of the New Karl Scheit Guitar Edition, guitarists all, have unearthed a rare gem in Marella's Sonata. Having made his mark as an accomplished violinist in the 18th century scene of Paris and Dublin, Marella relocated to London to continue his career, becoming also a teacher of guitar and composer of study volumes for that instrument. The Sonata in La Maggiore is taken from a second volume of pieces dating from 1762, and consists of three movements - Andantino, Largo, and Menuetto a theme and five variations). For intermediate to advanced performers. $21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Horn and Orchestra Carl Fischer
Chamber Music Horn, Piano SKU: CF.CY3490 Composed by Samuel Jones. Set of...(+)
Chamber Music Horn, Piano SKU: CF.CY3490 Composed by Samuel Jones. Set of Score and Parts. With Standard notation. 35+14+14 pages. Carl Fischer Music #CY3490. Published by Carl Fischer Music (CF.CY3490). ISBN 9780825890277. UPC: 798408090272. Soon after relocating to the Seattle area, Jones was named Composer in Residence of the Seattle Symphony by its director, Gerard Schwarz. This special working relationship would continue until 2011, when both stepped down. During his tenure, Jones wrote several major works for Seattle soloists, including three concerti for lower brass. The Horn Concerto, written for John Cerminaro, received its premiere on February 14, 2008. The score is available for sale; performance materials are on rental, and we are pleased to make the piano reduction now available. For advanced performers. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Offertoire "Il est ne, le divin Enfant" Organ [Score] Crescendo Music Publications
Organ SKU: C4.9790-902250436 Composed by Marcel Dupre. Edited by Daniel M...(+)
Organ SKU: C4.9790-902250436 Composed by Marcel Dupre. Edited by Daniel Mitterdorfer and Harold Fabrikant. Score. Crescendo Music Publications #9790-902250436. Published by Crescendo Music Publications (C4.9790-902250436). ISBN 9790902250436. The origins of Marcel Dupre's Offertoire Il est ne, le divin Enfant lie in a gift from father to daughter. Marguerite (1909-63), a very capable pianist, married in 1948 and moved with her husband to Chevire-le-Rouge, near Angers. The church there had, according to Marguerite, a poor organ and no organist. She agreed to undertake the role, and in anticipation of playing for the Midnight Mass of Christmas in that same year, she asked her father to write a short offertoire in the style of Daquin. Marcel Dupre kindly arranged to have a small organ relocated from their residence in Meudon and the registration instructions in the score match the specification of this instrument. Our edition includes the specification of the Louis Bonn organ as well as minor editorial commentary.
We are grateful for permission granted from Marcel Dupre's descendents for permission to make this work available to the general public. $8.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Emigrating Flute Quartet: 4 flutes Zimmermann
FdQ Jahresgabe 2016. Composed by Juan Maeia Solare. Score and part(s). With ...(+)
FdQ Jahresgabe 2016. Composed
by Juan Maeia Solare. Score
and part(s). With Standard
notation. 56 pages.
Zimmermann #ZZM 36230.
Published by Zimmermann
$23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Song We Sing (William Averitt and Robert Bode) GIA Publications
SKU: GI.G-1133 GIA ChoralWorks Series. Composed by Cameron LaBarr ...(+)
SKU: GI.G-1133 GIA ChoralWorks Series. Composed by Cameron LaBarr & Missouri State University Chorale. GIA ChoralWorks. Music Education. Choral score. GIA Publications #1133. Published by GIA Publications (GI.G-1133). UPC: 785147813323. The Song We Sing was commissioned by the Arts Chorale of Winchester (Virginia) to honor founding artistic director Michael Main and his husband, accompanist Richard McPherson upon their retirement from the ensemble after 19 years. Scored for SATB chorus and piano four-hands, the score sets three new poems by Robert Bode, himself a well-known choral conductor as well as a poet. Track Listing: Let's Move to the Sea The Song We Sing Morning Dance “Let’s Move to the Sea†(#1) references Michael’s and Richard’s plan to relocate from Virginia to the seaside resort of Rehoboth Beach, Delaware. The music is marked “Brightly†and is highly rhythmic and dancelike. Robert Bode’s poem is in three verses, and the music follows this layout, with three clearly related sections. The poem “The Song We Sing†(#2) is a quiet, and rather profound, meditation on the underlying meaning of choral singing—the deeper sense of what it means to sing together. It underscores the fact that choirs often create a feeling of community where individuals are accepted for themselves without prejudice as they come together to make music. Like the first movement, “Morning Dance†(#3) is rhythmic and playful. The poem is organized into four verses, each followed by a refrain. The music, similarly, is written in four sections that are based on closely-related musical materials, each followed by a refrain of almost identical music. Everything culminates in the poem’s ecstatic final line, “Lift your arms to the sun, and dance!†The Missouri State University Chorale is the flagship choral ensemble at Missouri State University. Made up of a diverse group of singers from a variety of backgrounds, this renowned ensemble performs at an incredibly high level and enjoys an international reputation. The MSU Chorale has performed regularly at conferences of the American Choral Directors Association, Missouri Music Educators Association, the National Association for Music Education, and has toured throughout North America, Europe, Asia, and Africa. Cameron F. LaBarr is director of choral studies at Missouri State University, where he leads a comprehensive choral program including eight choirs and a graduate program in choral conducting. He holds a Bachelor of Music from Missouri State University and earned a Master of Music and Doctor of Musical Arts from the University of North Texas. Additionally, Dr. LaBarr has completed further study in choral music and conducting with Simon Carrington and Alice Parker. Dr. LaBarr has worked as a guest conductor, clinician, and adjudicator across North America, Europe, Africa and Asia, recently at the China International Chorus Festival, the Bali International Choir Festival, and the Limerick Sings International Choral Festival (Ireland). $12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be Not Afraid Choral SATB SATB [Octavo] Beckenhorst Press | | |
| Elburg Fantasy Marching band [Score and Parts] - Intermediate De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135396-020. Published by De Haske Publications (BT.DHP-1135396-020). 9x12 inches. English-Dutch. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents.Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre.
Deze muzikale fantasie vertelt de geschiedenis van de Nederlandse vestingstad Elburg. Het werk begint met een middeleeuws sfeerbeeld vanuit het Agnietenklooster, het nonnenklooster dat in de eerste helft van de 15e eeuw werd gebouwd. We horen de kloosterklok samen met een opwaarts motief, dat ook later in het werk terugkomt. Vervolgens komt de rest van Elburg aan bod, inclusief de vesting - van waaruit de klokken van de Grote of Sint-Nicolaaskerk weergalmen. Dan klinken bij de Vischpoort de vrolijke geluiden van een dansgroep die daar een 16e-eeuwse Franse volksdans (branle des chevaux) uitvoert. Ook horen we oude karren over de kinderkopjes van de stad denderen. Dehandel maakt deze Hanzestad tot een levendige plaats. Het zich steeds herhalende opwaartse motief uit de inleiding krijgt hier een nadrukkelijker karakter en verbeeldt de handelsgeest van de stedelingen.Dan volgt het langzame middendeel, waarin de klok wordt teruggedraaid naar de tijd dat Elburg nog direct aan de Zuiderzee lag en te kampen had met overstromingen. Na de tweede Sint-Marcellusvloed (1362) en de watervloed van 1367 werd besloten dat de stad verplaatst zou worden. We horen het thema van de branle des chevaux in mineur, gevolgd door een doodsklok, die de verdronken inwoners van de voormalige stad herdenkt. Terug in onze eigen tijd verklankt een langzaam, expressief thema in barokke stijl de verstilde plekken in de stad, zoals het Feithenhof en het Weduwenhofje. Dan keert de levendigheid terug met motieven uit de inleiding, gevolgd door een aansprekend thema waarin het Elburg van nu met zijn vele toeristen doorklinkt. Plotseling is er dan nog even een echo uit het verleden: de dramatiek van de overstromingen en oorlogen die de stad ooit teisterden. Hieruit vloeit het grootse slotthema voort: de branle des chevaux is voor de laatste keer te horen vanuit het perspectief van de historische binnenstad. $203.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Kottarainen Choral SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey. Edited
by Lawrence Kaptein. Octavo.
Alliance Music Publications
#AMP 1072. Published by
Alliance Music Publications
$2.10 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Elburg Fantasy Marching band [Score] - Intermediate De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2013. 52 pages. De Haske Publications #DHP 1135396-120. Published by De Haske Publications (BT.DHP-1135396-120). 9x12 inches. English-Dutch. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents.Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre.
Deze muzikale fantasie vertelt de geschiedenis van de Nederlandse vestingstad Elburg. Het werk begint met een middeleeuws sfeerbeeld vanuit het Agnietenklooster, het nonnenklooster dat in de eerste helft van de 15e eeuw werd gebouwd. We horen de kloosterklok samen met een opwaarts motief, dat ook later in het werk terugkomt. Vervolgens komt de rest van Elburg aan bod, inclusief de vesting - van waaruit de klokken van de Grote of Sint-Nicolaaskerk weergalmen. Dan klinken bij de Vischpoort de vrolijke geluiden van een dansgroep die daar een 16e-eeuwse Franse volksdans (branle des chevaux) uitvoert. Ook horen we oude karren over de kinderkopjes van de stad denderen. Dehandel maakt deze Hanzestad tot een levendige plaats. Het zich steeds herhalende opwaartse motief uit de inleiding krijgt hier een nadrukkelijker karakter en verbeeldt de handelsgeest van de stedelingen.Dan volgt het langzame middendeel, waarin de klok wordt teruggedraaid naar de tijd dat Elburg nog direct aan de Zuiderzee lag en te kampen had met overstromingen. Na de tweede Sint-Marcellusvloed (1362) en de watervloed van 1367 werd besloten dat de stad verplaatst zou worden. We horen het thema van de branle des chevaux in mineur, gevolgd door een doodsklok, die de verdronken inwoners van de voormalige stad herdenkt. Terug in onze eigen tijd verklankt een langzaam, expressief thema in barokke stijl de verstilde plekken in de stad, zoals het Feithenhof en het Weduwenhofje. Dan keert de levendigheid terug met motieven uit de inleiding, gevolgd door een aansprekend thema waarin het Elburg van nu met zijn vele toeristen doorklinkt. Plotseling is er dan nog even een echo uit het verleden: de dramatiek van de overstromingen en oorlogen die de stad ooit teisterden. Hieruit vloeit het grootse slotthema voort: de branle des chevaux is voor de laatste keer te horen vanuit het perspectief van de historische binnenstad. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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Interieur III. Composed by Helmut Lachenmann. World premiere: Nuremberg (Ars ...(+)
Interieur III. Composed by
Helmut Lachenmann. World
premiere: Nuremberg (Ars
nova), June 4, 1970.
Breitkopf and Haertel #EB
9395. Published by Breitkopf
and Haertel
$46.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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