| Retrospective Piano solo Ricordi
Piano (Piano) SKU: HL.50586611 Piano compositions 1963-2009. Compo...(+)
Piano (Piano) SKU: HL.50586611 Piano compositions 1963-2009. Composed by Saul Cosentino. Ricordi Germany. Book Only. Composed 2011. Ricordi Berlin #SY2799. Published by Ricordi Berlin (HL.50586611). Piano compositions by Saul Cosentino from the years 1963 to 2009. He became famous as composer and pianist of the Tango Nuevo era. However, his pieces illustrate many other musical aspects and very effective modern romantic piano music.
De Argentijnse componist en pianist Saul Cosentino wordt beschouwd als een van de beste componisten en uitvoerders van de moderne tango. RetroSpective bevat 14 composities voor piano die hij schreef van 1963-2009.
Klavierkompositionen aus den Jahren 1963 bis 2009 des argentinischen Tango-Komponisten und Pianisten Saul Cosentino, der als einer der besten Komponisten und Interpreten des modernen Tango gilt. Die wirkungsvollen, mittelschweren Stucke in diesem Buch zeigen jedoch noch viel mehr Facetten.
Il volume raccoglie le composizioni pianistiche di Saul Cosentino che vanno dal 1963 al 2009. Cosentino ha acquisito fama come compositore e pianista dell'epoca Tango Nuevo. I suoi pezzi presentano anche altre caratteristiche musicali: musica pianistica moderno-romantica di grande efficacia, difficolta media. $19.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Animals -- Retrospective Guitar TAB Songbook Guitar notes and tablatures Alfred Publishing
(Guitar TAB). For Guitar. This edition: Authentic Guitar TAB Edition. Artist/Per...(+)
(Guitar TAB). For Guitar. This edition: Authentic Guitar TAB Edition. Artist/Personality; Book; Guitar Personality; Guitar TAB. Guitar Songbook. Rock. 96 pages. Published by Alfred Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Felix Mendelssohn: Songs without Words (Complete)
Piano solo [Sheet music] Alfred Publishing
By Felix Mendelssohn. Edited by Maurice Hinson. For Piano. Piano Collection. Mas...(+)
By Felix Mendelssohn. Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Book. 192 pages. Published by Alfred Publishing.
(4)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Retrospection-Six Pieces For Organ Organ Music Sales
Organ - intermediate-advanced SKU: HL.14027157 Composed by Ernest Tomlins...(+)
Organ - intermediate-advanced SKU: HL.14027157 Composed by Ernest Tomlinson, Gordon Jacob, Harold Darke, Sir William Henry Harris, and York Bowen. Music Sales America. Post-1900. Book [Softcover]. 44 pages. Music Sales #NOV010182. Published by Music Sales (HL.14027157). ISBN 9780853602637. 8.25x11.75x0.17 inches. The pieces contained in this collection were all written during the 1950's. The composers are Harold Darke, William Harris, Gordon Jacob, York Bowen and Ernest Tomlinson. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Voyage for Orchestra Orchestra [Study Score / Miniature] Theodore Presser Co.
(Cycle of Five Pieces - Study Score). By William Schuman (1910-1992). Orchestra....(+)
(Cycle of Five Pieces - Study Score). By William Schuman (1910-1992). Orchestra. For Flute I, Flute II, Flute III, Piccolo, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Trumpet in C III, Tenor I, Tenor II, . First performance: Eastman Philharmonic, Gustav Meier conducting, on October 29, 1972. Full score (study). Standard notation. 111 pages. Duration 25 minutes. Published by Theodore Presser Company
$12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Brass Recital For Brass Sextet - Full Score [Score] Hal Leonard
(score). Ensemble Collection. Size 9x12 inches. 88 pages. Published by Hal Leona...(+)
(score). Ensemble Collection. Size 9x12 inches. 88 pages. Published by Hal Leonard.
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital For Brass Sextet - 5th Part (Baritone B.C.) Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital For Brass Sextet - Ad Lib (3rd & 4th B Flat Cornets (Trumpet)) Trumpet Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$6.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital For Brass Sextet - 5th Part (Baritone T.C.) Hal Leonard | | |
| Brass Recital For Brass Sextet - 4th Part (1st Trombone) Trombone Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Haydn-Studien: Veroffentlichungen des Joseph Haydn-Instituts - Koln: Band X, Heft 3-4, Juli 2013 G. Henle
SKU: HL.51482040 Haydn Studies: Retrospection & Innovation in Late Jos...(+)
SKU: HL.51482040 Haydn Studies: Retrospection & Innovation in Late Joseph Haydn - Vol. X, Book 3/4 (July 2013). Composed by Franz Joseph Haydn. Edited by Armin Raab, Arnold Jacobshagen, Solke Schloen, and Wolfram Steinbeck. Periodicals. Paperbound. Henle Complete Edition. German Edition. Periodical (paperbound). 244 pages. G. Henle #HN2040. Published by G. Henle (HL.51482040). ISBN 9790201820408. UPC: 884088959357. 6.5x9.5 inches. Published in conjunction with the Joseph Haydn Institute in Cologne. Text in German. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$135.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| William Schuman : Voyage Piano solo [Solo Part] Theodore Presser Co. | | |
| Brass Recital For Brass Sextet - 6th Part (E Flat Or BB Flat Tuba) Tuba Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital For Brass Sextet - 2nd B Flat Cornet (Trumpet) Trumpet Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital for Brass Sextet or Brass Choir Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital For Brass Sextet - 3rd Part (F Horn) French horn Hal Leonard Ensemble Collection. Size
9x12 inches. 13 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| King of Kings Organ - Intermediate/advanced GIA Publications
(Organ Music of Black Composers, Past and Present, Volume I). By Various. Organ....(+)
(Organ Music of Black Composers, Past and Present, Volume I). By Various. Organ. Sacred. 64 pages
$28.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Short Organ Works Organ ClarNan Editions
By Florence Beatrice Price. Edited by Calvert Johnson. Organ. For organ. Organ p...(+)
By Florence Beatrice Price. Edited by Calvert Johnson. Organ. For organ. Organ pieces. Music Of Florence Beatrice Price, Volume 2. Organ pieces. Late Romantic. Easy - Difficult. Sheet music. 79 pages
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital For Brass Sextet - Ad Lib (2nd And 3rd Trombones) Trombone Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brass Recital For Brass Sextet - Ad Lib (2nd & 3rd F Horns) French Horn Hal Leonard Ensemble Collection. Size
9x12 inches. 16 pages.
Published by Hal Leonard.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| LCM Piano Handbook 2013-2017 Grade 6 Piano solo London College Of Music
Piano - Grade 6 SKU: BT.LL257 Exam Material. Book Only. 56 pages. London ...(+)
Piano - Grade 6 SKU: BT.LL257 Exam Material. Book Only. 56 pages. London College Music #LL257. Published by London College Music (BT.LL257). English. This publication is part of a progressive series of handbooks, primarily intended for candidates considering taking LCM examinations in Piano. However, given each handbook's wide content of musical repertoire andassociatededucational material, the series provides a solid foundation of musical education for any Piano student, of any age, whether they are intending to take an exam or not. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Chapel Hour Series - Volume 1 Organ Hal Leonard | | |
| Felix Mendelssohn: Songs Without Words
Piano solo [Sheet music] - Advanced Schirmer
Composed by Felix Mendelssohn, edited by Constantin Von Sternberg. For piano. Sc...(+)
Composed by Felix Mendelssohn, edited by Constantin Von Sternberg. For piano. Schirmer Library, volume 58. Format: piano solo book. With fingerings, introductory text and thematic index. Romantic period. 150 pages. 9x12 inches. Published by Schirmer.
(10)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Sextet Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2 SKU: PR.11442131S Composed by Peter Schickele. Full score. Duration 26 minutes. Theodore Presser Company #114-42131S. Published by Theodore Presser Company (PR.11442131S). UPC: 680160681006. A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend - my brother, who plays viola, was an is an inveterate chamber music player - and members of parents' generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra's concert mistress, and others) but also people from various other walks of life. Although I don't play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.) Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980's, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it's hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done. The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going. I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten. A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend – my brother, who plays viola, was an is an inveterate chamber music player – and members of parents’ generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra’s concert mistress, and others) but also people from various other walks of life. Although I don’t play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.)Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980’s, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it’s hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done.The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going.I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fingerstyle Guitar From Scratch Guitar notes and tablatures [Sheet music] - Beginner Skeptical Guitarist Publications
By Bruce Emery. For Guitar. Arpeggios and Travis-Style patterns to accompany the...(+)
By Bruce Emery. For Guitar. Arpeggios and Travis-Style patterns to accompany the voice. Level: beginning. Coil-bound book. 145 pages. Published by Skeptical Guitarist Publications.
(3)$16.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Sextet Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2 SKU: PR.114421310 Composed by Peter Schickele. Set of Score and Parts. 74+21+20+22+19+21+19 pages. Duration 26 minutes. Theodore Presser Company #114-42131. Published by Theodore Presser Company (PR.114421310). UPC: 680160680993. A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend - my brother, who plays viola, was an is an inveterate chamber music player - and members of parents' generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra's concert mistress, and others) but also people from various other walks of life. Although I don't play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.) Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980's, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it's hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done. The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going. I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten. A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend – my brother, who plays viola, was an is an inveterate chamber music player – and members of parents’ generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra’s concert mistress, and others) but also people from various other walks of life. Although I don’t play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.)Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980’s, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it’s hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done.The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going.I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten. $250.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 5 String Quartet: 2 violins, viola, cello Fennica Gehrman
String quartet SKU: FG.55011-689-4 Composed by Seppo Pohjola. Score and p...(+)
String quartet SKU: FG.55011-689-4 Composed by Seppo Pohjola. Score and parts. Fennica Gehrman #55011-689-4. Published by Fennica Gehrman (FG.55011-689-4). ISBN 9790550116894. Seppo Pohjola (b. 1965) composed his fifth string quartet, lasting about 20 minutes, in February-March 2018. He was inspired to write it by a visit to the Vincent van Gogh Museum in Amsterdam the previous year, where he was greatly impressed by the vast, comprehensive retrospective and especially the horrifyingly honest self-portraits. The soft opening tones bear an instruction alluding to Schonberg's Verklarte Nacht string sextet: the quiet music must be richly shaded. The notes in the canon-like part writing almost always change at different moments in each instrument, with a longer or shorter delay. The independent lines weave tightly together. The only dynamic is forte for minutes on end in the powerful closing section. Duration c. 20 minutes. Score (A4) and parts (B4). $48.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Reihe Vol. 8, Retrospective (Ge Universal Edition
SKU: PR.UE026108 Composed by Herbert Eimert. With Standard notation. Univ...(+)
SKU: PR.UE026108 Composed by Herbert Eimert. With Standard notation. Universal Edition #UE026108. Published by Universal Edition (PR.UE026108). UPC: 803452006718. $26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet No. 2 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114406980 Vista...(+)
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114406980 Vistas. Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 42 + 112 pages. Duration 25 minutes. Theodore Presser Company #114-40698. Published by Theodore Presser Company (PR.114406980). UPC: 680160010806. Shulamit Ran’s second string quartet, subtitled “Vistas,†occupies a large canvas that is cast in a traditional fourmovement mold, where the outer movements present, explore, and later return to the work’s principal musical materials, surrounding a slow movement and scherzo-type third movement with a trio. In addition to tempo-based titles, the individual movements have subtitles that are evocative of each movement’s character, as follows: I. Concentric: from the inside out II. Stasis III. Flashes IV. Vistas. My second string quartet, “Vistasâ€, is a work cast in a traditional four-movement formal mold, with the outer movements, presenting and later returning to the work’s principal musical materials, surrounding a slow movement and a scherzo-type third movement.While the four movements’ “proper†names -- Maestoso con forza, Lento, Scherzo impetuoso, and Introduzione; Maestoso e grande – give some indication of the general character of the individual movements, I have also subtitled, less formally, each movement as follows: 1) Concentric: from the inside out 2) Stasis 3) Flashes 4) Vista. The images evoked by these titles tell one, I think, a bit more about the inner workings of the quartet.In the first movement, a prominently presented opening pitch (E) reveals itself, as the movement unfolds, to be a center of gravity from which ever-growing cycles of activity gradually evolve. While various important themes come into being as the movement progresses, their impact on the listener has, I believe, a great deal to do with their juxtaposition and relationship to the initial central point of gravity.Stasis is, as the name implies, a movement where activity seems, at times, almost suspended. Being also, as Webster’s Dictionary reminds us, “a state of static balance and equilibrium among opposing tendencies or forces,†it develops various materials, including ones from the first movement, without bringing them to points of resolution.Flashes is short and very fast, evoking in my mind the quick shimmer of fireflies, a “sudden burst of lightâ€, but also a “brief timeâ€. Perhaps, even, a “smileâ€?Finally, the last movement, Vista, is not only “a view or outlookâ€, but also “a comprehensive mental view of a series of remembered or anticipated events.â€Â After a brief recall of the opening of the second movement, this movement brings back all the important themes of the first movement in their original order. But just as going back can never really mean going back in time, the movement is much more than recapitulatory. By cutting through previously transitory passages and presenting the main ideas in a fashion more direct yet more evolved, it also sheds new light on earlier events, offering a retrospective, synoptic view of the first movement as it brings to culmination the work as a whole. “Vistas†was commissioned by C. Geraldine Freund for the Taneyev String Quartet of what was then Leningrad. It was the first commission given in this country to a Soviet chamber ensemble since the 1985 cultural exchange accord between the Soviet Union and the United States. $285.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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