SKU: WD.080689640179
UPC: 080689640179.
Word Music & Church Resources presents a new Easter Praise & Worship musical reminding us of what a powerful God we serve, what a wonderful Savior is ours, and what the glorious resurrection of our Risen Lord means in the hearts and minds of believers everywhere! Then He Rose, arranged and orchestrated by Cliff Duren, features songs of proclamation, commitment, unbridled praise, and reverent worship, while reflecting on the sorrow and passion of the betrayal of Christ, His crucifixion, and celebrating the power and glory of the Risen King’s ultimate victory over death, hell and the grave! This overwhelming, heartfelt portrayal of Christ’s sacrifice, contrasted by the triumph and power of His rising, offers up an Easter Worship Service your choir and congregation will not soon forget. Then He Rose is teeming with countless, special moments leading your congregation into personal, intimate encounters with the Savior.
SKU: HL.48025020
ISBN 9781784546250.
Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Mily Alexayevich Balakirev and Leopold von Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. These new editions of the Cello Sonatas 1 & 2 have been broadcast and recorded, whilst new editions of her Symphony and hitherto unpublished Piano Concerto have recently been issued. Kashperova's Romantic empathy with nature and childhood may be keenly observed in her chamber music and songs. The six-movement piano suite In the Midst of Nature (1910) in no exception in the way it uses evocations of nature to express nostalgia for her childhood in the peaceful and remote Russian countryside. In the Midst of Nature also resents an artfully graded progression, indicating that Kashperova probably shared this music with her many pupils: the early movements are within the range of the talented young player whilst the latter movements require the technique and interpretative maturity of a conservatoire student, the whole work being admirably suited to the professional recital.
SKU: CF.YPS220
ISBN 9781491156582. UPC: 680160915125. 9 x 12 inches.
SKU: AP.46579
UPC: 038081531540. English.
Jay Althouse revisits a little-known gem by George Gershwin from nearly 100 years ago: a winsome melody winds over a terrain of jazz chords before melting into lush choral harmony. Flexible tempos and expressive phrases lend themselves well to poignant, heartfelt singing.
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: PE.DHC80117
ISBN 9780983353645. UPC: 644718011721. English.
In the second book from the 'Ukulele at School series, you will learn to play melodies as well as some of the basics of reading music. Revisit the songs learned in the first book and learn new ways to play them. Plus, you and your classmates will be able to play both the new and old versions together as duets! Units go further in-depth on tuning the 'ukulele, plucking, and learning the notes on each string. To enhance your learning experience, tune into the free, correlating audio tracks and lesson plans at www.UkuleleAtSchool.com! Stanford University music professor, Steve Sano, and six-time GRAMMY Award-winner Daniel Ho, draw upon decades of experience as performers and instructors to bring you 'Ukulele at School, a unique and empowering method that makes learning fun and easy! First impressions last a lifetime. This introductory program is designed to instill a love of music in students, provide a solid musical foundation, and invigorate schools with the ideal classroom instrument . . . the 'ukulele! The EASIEST way to read music on the 'ukulele! This book, together with 'Ukulele at School, Book 1 provides a basic music curriculum for a full school year! Lessons that are thoughtfully paced and logically presented create a rewarding experience.
SKU: SU.50009410
Tenor Voice & Piano Duration: 8' Composed: 2004 Published by: Seesaw Music.
SKU: HL.14015618
Doris McLaren and Edward Hughes. A Nativity play for young children with narration by the donkey of Bethlehem. The action of the play opens in the present day and on the appearance of Neddy it switches back to the first Christmas Eve. For the final tableau and the finale it reverts back to the present day. The unison songs include 'Clippety Clop', 'Star Light, Star Bright' and 'Christ Is Born For You'. 20 MINS.
SKU: HL.49045989
The work interprets in a sensitive way the effect Pope Frances, who was elected in March 2013, has on people. Based on three Argentine folk songs, the mass with its powerful and quiet parts arouses feelings of exaltation. The awakening and the joy caused by Pope Francis since his election is represented in the 'Gloria'. A varied, yet reverent work which spreads this tribute to a great man all over the world.
SKU: PR.165001000
ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches.
Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title.This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.
SKU: HL.49045986
SKU: BT.DHP-1115176-010
9x12 inches.
God Rest Ye Merry Gentlemen appeared in print for the first time in William Sandys Christmas Carols Ancient and Modern in 1833, although it was believed to have been written many years earlier. Today, God Rest Ye Merry,Gentlemen is one of the most loved and popular English Christmas songs of all time. Italian composer and arranger Lorenzo Bocci fell in love with the delightful melody and created an arrangement that will be perfect at any Christmas concert orevent.Over de vraag of dit kerstlied uit de vijftiende of de achttiende eeuw stamt, zijn de geleerden het niet eens. Wel treffen we het voor het eerst in gedrukte vorm aan in het jaar 1833, in het gezangenboek Christmas Carols Ancient and Modern vanWilliam Sandy. Hoe dan ook, dit lied behoort al vele eeuwen tot de geliefdste kerstklassiekers van het Engelstalige gebied. Ook de Italiaan Lorenzo Bocci liet zich betoveren door de prachtige oude melodie en maakte ereen sfeervolle bewerking van voorblaasorkest.God Rest Ye Merry, Gentlemen zählt seit seiner Entstehung im 19. Jahrhundert zu den weltweit beliebtesten Weihnachtsliedern. Der Italiener Lorenzo Bocci lie� sich vom Zauber der alten Weise gefangen nehmen und verfasste eine stimmungsvolleBearbeitung für Blasorchester.La source exacte de cet hymne chrétien anglais est incertaine, cependant, il apparaît dans une anthologie publiée par William Sandy en 1833, Christmas Carols Ancient and Modern (Chants de Noël anciens et modernes). Incontestablement, lasérénité et la douceur de God Rest Ye Merry Gentlemen ont largement dépassé les frontiéres anglaises. Litalien Lorenzo Bocci sest laissé gagner par la magie de cet ancien cantique et nous en propose un chaleureux arrangement pour orchestredharmonie.La fonte esatta di questo inno cristiano inglese é incerta, anche se appare in unantologia pubblicata da William Sandy nel 1833 intitolata Christmas Carols Ancient and Modern. La serenit e la dolcezza di God Rest Ye Merry hannooltrepassato i confini inglesi. Lorenzo Bocci si é lasciato conquistare da questo antico canto e ci propone un caloroso arrangiamento per banda.
SKU: HL.48025132
UPC: 196288091417. 7.25x10.25 inches.
A setting of pastoral verses of Polonsky dating from the last two decades of the composer's life, after her withdrawal from musical life following the Russian Revolution. Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. The pencil manuscript of Evening & Night was discovered in the Russian National Museum of Music, Moscow. Although separate and self-contained it appears that the composer thought of the two songs as a pair. The work has been edited for performance by Graham Griffiths as part of the Kashperova Edition.
SKU: HL.35032525
ISBN 9781540040145. UPC: 888680896850. 8.5x11 inches.
Written to commemorate the Passion of Christ, this cantata is a moving tribute to His life and ministry. Composed for maximum flexibility and scored for SA(T)B voices, the optional cued notes make it possible for the cantata to grow with your choir. Smaller choirs will enjoy the rich textures and larger ensembles will be able to engage their full resources. For churches that desire an instrumental component, a very modest consort instrumentation creates a reverent accompaniment. The narration contains scriptures and prayers to convey the graceful theme of Christ's sacrificial love. Ending with the crucifixion, A Gathering of Grace will set the stage for Easter morning. Songs include: Prelude of Shadows; In the Stillness of This Moment; Ask of Me; Palm Branches; A Light in the Upper Room; Jesus, in Gethsemane; The Day the Cross Held Up the Sky; A Green Hill Far Away; Recessional. Score and Parts (fl, cl, hn, perc, pno, hp, vn, vc) available as a Printed Edition and as a digital download.
SKU: HL.48187259
UPC: 888680825836. 9.0x12.0x0.181 inches.
Reynaldo Hahn's Les Feuilles Blessees is a collection of 11 songs for Voice with Piano accompaniment.<li>1.Dans le Ciel <li>2.Encor sur le Pave <li>3.Quand reviendra l'Automne <li>4.Belle Lune d'Argent <li>5.Quand je viendrai m'asseoir <li>6.Eau printaniere <li>7.Donc vous allez <li>8.Compagne de l'Ether <li>9.Pendant que je medite <li>10.Roses en Bracelet <li>11.Aux Rayons du Couchant.
SKU: HL.35032527
ISBN 9781540040169. UPC: 888680896874. 5x5 inches.
SKU: PR.16500100F
ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.
SKU: ML.013313060-S
As a young man, Andrew Pearce had fond memories of playing cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'The Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.Andrew Pearce heeft goede herinneringen aan zijn jeugd bij de lokale Brass Band waar hij zijn eerste positieve muzikale ervaringen had. Na zijn compositie 'The Maestro' voor Philip Cobb besloot hij een meer warm en gedragen stuk voor hem te schrijven wat een homage is geworden aan het orkest van Het Leger des Heils waar hij vroeger in speelde. Interlude is perfect voor een bedreven solocornet, melodieus, reflecterend en elegisch met veel expressie.
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