By David Gillingham. Percussion Ensemble. For Percussion Ensemble (Percussion 1 (4 bass drums), Percussion 2 (4 bass drums, crotales, claves), Percussion 3 (hi-hat, large tam-tam, 2 log drums), Percussion 4 (large tam-tam, lion's roar, chimes, brake drum, bongos, suspended cymbal), Percussion 5 (4.3-octave marimba, tambo). Medium. Score and parts. Duration 6:00. Published by C. Alan Publications

Piano

SKU: AY.PN3058PM

Composed by Gloria Rodriguez. Keyboards - Piano. Sheet music. Duration 4'. Periferia Publishing #PN3058PM. Published by Periferia Publishing (AY.PN3058PM).

ISBN 9790543573789.

According to the distinguished musicologist Juan Bautista Varela, the Galician Treboada is a musical term out of the songbook, as its sense is merely musical. From a lexicographical point of view it means thunderstorm, storm, squall, etc. It is almost an onomatopoeic sense, due to the great noise that the bass drums, fundamental elements of the Treboada, make. The Treboada is played always on the eves of celebrations or feasts and it is played by three or five bass drums, one or two Galician bagpipes and a drum.
The dispersion area of the Treboada is much reduced, according to the poet and essayist Eliseo Alonso Rodriguez, it comprises the parishes of Forcadela and Estas, both of them belong to the town of Tomino. Xose Hernique Rodriguez Portela, from Tomino, says that they also play it on the feast of the Virgin of St. Mary of Tomino eve (Virgen del Alivio de Santa Maria de Tomino). I owe him the idea of this piece, because Xose Henrique described to me how the bass drums sound in the distance, early in the morning, like great roars along with blank bullets that are shot every time a particular house donates money for the feast and they gradually approach the house until it trembles. He sang the melody I wrote and he confessed he had heard it not long ago in the rehearsal of a popular folk group where there was only a percussionist and a Galician bagpipe player, as with the drums it is difficult to appreciate the bagpipe. I also mix the Treboada with an Alborada, because in Galicia almost all the churches have loudspeakers that play this melody at around nine o'clock in the morning, the same time that the Treboada of Tomino starts playing. Gloria Rodriguez Gil.

30 Transcriptions of Popular Songs. By Various. Drum Book. Softcover. 88 pages. Published by Hal Leonard

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1-3, Bass Trombone 4, Piano, Bass, Drums) - advanced

SKU: M7.SMP-1232

Swing. Composed by Bill Holman. Sheet music. Score and parts. Handelsware #SMP 1232. Published by Handelsware (M7.SMP-1232).

Bill Holman's music never disappoints, and 'Introduction to an Ending' is no exception! Originally written for and recorded on the Charlie Barnet Big Band 1967 album, this straight-ahead blues tune features the saxophone section with a long, wonderful soli that grows for over 70 bars before ripping into the solo section. There is solo space for alto saxophone, trumpet, trombone, piano, and drums. Filled with energy and excitement, the shout chorus comes roaring in to take the tune out with a bang. This is a great addition to any program! 5-4-4-3.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Doc Severinsen Trumpet (Solo), Trumpet 1-4, Trombone 1-2, Bass Trombone 3, Bass Trombone 4 (opt.), Piano, Bass, Drums) - difficult

SKU: M7.SMP-958

Jazz Waltz. Composed by Billy Strayhorn and Carl Hilding Severinsen. Arranged by Bill Holman. Sheet music. Score and parts. Handelsware #SMP 958. Published by Handelsware (M7.SMP-958).

English.

As recorded on Tonight Show Band, Vol. 2 (Amherst), this chart won a Grammy for best big band arrangement. Holman took this great standard, put it in 3-4, and wrote scintillating counter lines that weave their way through the whole arrangement. Solo space for trumpet, and roaring ensemble passages make this chart something that should be in every big band library in the world. 5-5-4-3.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-5, Trombone 1-4, Bass Trombone 5, Piano, Guitar, Bass, Drums) - advanced

SKU: M7.SMP-653

Medium Swing. Composed by Stanley Newcomb Kenton and Victor Schertzinger. Arranged by Bill Holman. Sheet music. Medium Swing. Score and parts. Handelsware #SMP 653. Published by Handelsware (M7.SMP-653).

English.

This is one of those superb Holman charts written for Stan Kenton in the early '50's that just swings like crazy. It starts off very soft and easy, with clever linear writing. It then roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the chart to a great shout section before returning to the soft opening for a moment. Finishes easy and nice. A great chart! 5-5-5-4.

Big band (Alto Sax 1, opt. Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1-3, Bass Trombone 4, Piano, Bass, Drums) - advanced

SKU: M7.SMP-1187

Swing. Composed by Louis Yule Brown and Maynard Ferguson. Arranged by Willie Maiden. Sheet music. Score and parts. Handelsware #SMP 1187. Published by Handelsware (M7.SMP-1187).

As recorded by the Maynard Ferguson Orchestra on New Sounds of Maynard Ferguson, This Willie Maiden arrangement takes a great tune and puts it in an up-tempo swing setting. The chart has a bop-like melody performed as a duet by the alto saxophone and trumpet at the beginning, and then moves into the ensemble. There is a solo for alto saxophone, followed by a roaring shout chorus. There is some high trumpet work (a la Maynard), with optional lower notes included. As always, Willie gives us another incredible arrangement sure to be loved by all audiences! 5-4-4-3.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1-3, Bass Trombone 4, Piano, Guitar, Bass, Drums) - advanced

SKU: M7.SMP-1245

Swing. Composed by Bob Curnow. Sheet music. Score and parts. Handelsware #SMP 1245. Published by Handelsware (M7.SMP-1245).

Sierra Music is excited to provide another original from Bob Curnow! 'The Secret of the Blues' is a fresh, new look at the blues with interesting altered changes, dynamics that move from the softest to the strongest possible, and an attitude that will get any audience fired up. This sultry, swinging, screaming blues arrangement is perfect for featuring many soloists (there is space for alto saxophone, tenor saxophone, trumpet, and piano) before the ensemble shines in a dynamic-building, roaring section prior to returning to the melody. The highest trumpet note is a written E. This chart is a must-have! 5-4-4-4.

Big band (Alto Sax 1, opt. Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1, Trombone 2, opt. Trombone 3, opt. Bass Trombone 4, Piano, Bass, Drums) - intermediate

SKU: M7.SMP-1194

Swing. Arranged by Willie Maiden. Sheet music. Score and parts. Handelsware #SMP 1194. Published by Handelsware (M7.SMP-1194).

English.

Short, sweet and swingin'! Willie Maiden's arrangement of I'll Be Seeing You packs a whopper in a tiny box, making this chart perfect as an encoure closer for any set. As recorded by Maynard Ferguson and his orchestra on the album Dancing Sessions, Willie's arrangement makes great use of the trombone section as they carry the melody upfront before passing it around to the rest of the band. There is some space for a short trumpet solo before the band comes roaring in at the end to take it out with a punch! This chart should be in every band's library! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1-4, Piano, Guitar, Bass, Drums) - difficult

SKU: M7.SMP-388

Swing. Composed by Count Basie and Oliver Nelson. Sheet music. Up-Tempo Swing. Score and parts. Handelsware #SMP 388. Published by Handelsware (M7.SMP-388).

English.

As recorded on the brilliant CD Afrique, by the Count Basie Orchestra, and also (in another form) by the Buddy Rich Band on the CD Swingin' New Big Band. This chart is an up-tempo swing tune which just roars from beginning to end. Solos for piano (a la Basie), trumpet and tenor saxophone. a flagwaver ... the perfect opening number ... as the original liner notes stated. 5-4-4-3.

Big band (Alto Sax 1, opt. Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, opt. Trombone 3, opt. Trombone 4, Piano, Bass, Drums) - intermediate to advanced

SKU: M7.SMP-402

Swing. Composed by Bill Holman and Maynard Ferguson. Sheet music. Swing. Score and parts. Handelsware #SMP 402. Published by Handelsware (M7.SMP-402).

English.

Bill Holman titled this one after the signs which used to be in the old-time dance halls around the country. Written in the '50's for Maynard's Birdland Dream Band, this chart is a laid back, swinging tune, with a roaring ensemble section near the end. Blowing space for trombone and tenor.5-4-4-3.

Performed by Charles Mingus. Arranged by Sy Johnson. Charles Mingus Big Band Jazz. Size 9x12 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.