SKU: BA.BVK02300

12 volumes and a CD-ROM. Composed by Felix Bartholdy Mendelssohn. Edited by Alexander Staub, Anja Morgenstern, Benedikt Leßmann, C Koop, Helmut Loos, Ingrid Jach, Juliane Baumgart-Streibert, Juliette Appold, Kadja Grönke, Lucian Schiwietz, Susanne Tomkovic, Thomas Kauba, Wilhelm Seidel, and Wolfgang Seifert. Linen. Felix Mendelssohn Bartholdy. Samtliche Briefe in 12 Banden. Book, CD-ROM. 9651 pages. Baerenreiter Verlag #BVK02300_00. Published by Baerenreiter Verlag (BA.BVK02300).

ISBN 9783761823002. 23.7 x 16.5 cm inches. Text language: German. Preface: Seidel, Wilhelm / Loos, Helmut.

Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture

As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.

The correspondence begins in 1816 and ends in 1847 with the composer's death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.

This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch.

The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.

The edition of the complete letters
This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown.

Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.

This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.

The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector's item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.

The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.
(The 12 volumes as well as the CD-ROM can only be purchased complete).

- German text only


The Editors
Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe.

Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.

SKU: BA.BVK02303

August 1832 to July 1834. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Juliane Baumgart-Streibert, Uta Wald, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. With Language: German. Baerenreiter Verlag #BVK02303_00. Published by Baerenreiter Verlag (BA.BVK02303).

ISBN 9783761823033. 23.5 x 16 cm inches. Preface: Helmut Loos.

Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture

As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.

The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.

This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch.

The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.

The edition of the complete letters
This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown.

Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.

This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.

The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.

The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.
(The 12 volumes as well as the CD-ROM can only be purchased complete).

- German text only


The Editors
Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe.

Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.

For the Pianoforte in Ten Grades: Grade V. By A. Loeschhorn; B. Wolff; C. Doering; Camille Saint-Saens; Carl Czerny; Felix Mendelssohn; Francois Hunten; George Frideric Handel; Johann Sebastian Bach; Ludwig Schytte; Robert Schumann; Stephen Heller; V. Hollaender; Zilcher. Edited by W.S.B. Mathews. Solo piano. For Piano Solo. Student Book. 35 pages. Published by Theodore Presser Company.

By One Direction. By Carl Falk, Rami Yacoub, and Savan Kotecha. Arranged by Robert Longfield. For Concert Band (Score and Parts). Discovery Concert Band. Grade 1.5. Published by Hal Leonard

SKU: BA.BVK02306

February 1838 to September 1839. Composed by Felix Bartholdy Mendelssohn. Edited by Alexander Staub, Helmut Loos, Kadja Grönke, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. With Language: German. Baerenreiter Verlag #BVK02306_00. Published by Baerenreiter Verlag (BA.BVK02306).

ISBN 9783761823064. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm.

Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture

As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.

The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.

This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch.

The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.

The edition of the complete letters
This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown.

Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.

This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.

The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.

The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.
(The 12 volumes as well as the CD-ROM can only be purchased complete).

- German text only


The Editors
Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe.

Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.

Violin and Piano - easy

SKU: BT.EMBZ6311

By Lenkei Gabriella. EMB Music for Beginners. Educational Tool. Book Only. Composed 1970. 52 pages. Editio Musica Budapest #EMBZ6311. Published by Editio Musica Budapest (BT.EMBZ6311).

English-German-Hungarian.

The volumes of the series 'Music for Beginners' cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the voluumes have been published in this series for the first time.

Oboe and piano - Easy

SKU: FT.FM485

Composed by Carl August Nielsen. Arranged by Robert Rainford. Oboe and Piano. Score and part. Forton Music #FM485. Published by Forton Music (FT.FM485).

ISBN 9790570483846.

This volume is designed to give younger oboe players access to the music of this most intruiging composer, and was inspired by his Fantasy Pieces Op. 2. They are drawn from his piano pieces, and songs, and aim to give a flavour of the Fantasy Pieces with less of the technical difficulties.

Flute/recorder and orchestra

SKU: BR.MR-1827B

Set of parts. Composed by Carl Philipp Emanuel Bach. Edited by David Lasocki. Arranged by Robert Paul Block. Orchestra; Softcover. Musica Rara. Solo concerto; Early classical. Score and parts. 96 pages. Breitkopf and Haertel #MR 1827b. Published by Breitkopf and Haertel (BR.MR-1827B).

ISBN 9790004484135. 9 x 12 inches.

Harp; Methods and Music for Children

SKU: UT.MAG-268

Composed by Johann Sebastian Bach. Arranged by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 268. Published by Ut Orpheus (UT.MAG-268).

ISBN 9790215326798. 9 x 12 inches.

The study of Johann Sebastian Bach’s compositions on the harp has a long history. The first who understood its importance for educational purposes was Robert Nicolas Charles Bochsa, who inserted some fugues of Bach and Haendel in his monumental method for the harp op. 60, accompanied by detailed fingerings. However, it was from the beginning of the 20th Century that the great harp teachers began to work extensively on Bach’s repertoire. Among the most illustrious examples we can mention Henriette Renié, who published two volumes of transcriptions, one containing ten preludes and one ten short pieces, Alfred Kastner who worked on the Two–part Inventions, Marcel Grandjany with his famous studies based on partitas and sonatas for solo violin, or Annie Louis David, who published two important volumes of preludes and fugues taken from The Well-Tempered Clavier, not to mention all those who transcribed just a single piece for concert purpose.
As is known, the Notebook for Anna Magdalena (Notenbüchlein für Anna Magdalena Bach), consists of two small manuscript volumes, the first compiled in Köthen in 1722 and the second in Leipzig three years later. The first contains only compositions by Johann Sebastian, while the second also includes pieces by other authors such as Couperin, Hasse and Carl Philipp Emanuel Bach.
The idea of ​​collecting in a volume some of the simplest compositions contained in the Notebook was born mainly from the desire to introduce even the youngest students to Bach’s music, in an easy and progressive way, so as to start as soon as possible at make them familiar with polyphonic writing and the use of embellishments, introduced here in a simplified version.

SKU: BA.BVK02302

July 1830 to July 1832. Composed by Felix Bartholdy Mendelssohn. Edited by Anja Morgenstern, Helmut Loos, Uta Wald, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. Baerenreiter Verlag #BVK02302_00. Published by Baerenreiter Verlag (BA.BVK02302).

ISBN 9783761823026. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm.

Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture

As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.

The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.

This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch.

The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.

The edition of the complete letters
This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown.

Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.

This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.

The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.

The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.
(The 12 volumes as well as the CD-ROM can only be purchased complete).

- German text only


The Editors
Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe.

Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.

(2D1.2.2.2/2.2.0.0,timp,perc,str)

SKU: TM.02702SC

Composed by Robert Schumann. Edited by Carl Reinecke. Score. Published by Lucks Music Library (TM.02702SC).

Orch. by Reinecke trumpets are ad lib.

Piano

SKU: BT.BWH003563

Classical. Book Only. Bosworth & Co. #BWH003563. Published by Bosworth & Co. (BT.BWH003563).

ISBN 9781849381963.

Light Classical and Romantic pieces for Piano, edited by Dorothy Bradley.

Viola - Intermediate

SKU: FH.VA5

Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA5. Published by The Frederick Harris Music Company (FH.VA5).

ISBN 978-1-55440-567-1.

This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.
Concertos and Concertinos:
Concerto in C Minor, op. 12, no. 3 - Seitz, Friedrich
- First Movement
Concerto in G Major, TWV 51:G9 - Telemann, Georg Philipp
- Third Movement
- Fourth Movement
Concerto in D Minor, op. 3, no. 6, RV 356 - Vivaldi, Antonio arr. Christine Donkin
- Third Movement
Sonatas and Sonatinas:
Sonata in E flat Major - Dittersdorf, Carl Ditters von
Sonata - Cerha, Friedrich
- First Movement
- Second Movement
Sonata in G Major, op. 2, no. 6 - Flackton, William arr. Harold Birston
- Second Movement
- Third Movement
Concert Repertoire:
Langsam, op. 102, no. 2 - Schumann, Robert
La Provencale - Marais, Marin arr. May Mukle
Arioso - Bach, Johann Sebastian arr. Mark Mrozinski
Tambourin - d'Hervelois, Louis de Caix arr. Paul Doktor
Gypsy Pavan - Mozetich, Marjan
Space Dance - Mozetich, Marjan
Nocturne, op. 186, no. 2 - Kalliwoda, Johann Wenzel
Cradle Song - Bridge, Frank.

By Robert Robinson, Carl G. Glaser, John Wyeth, Fred Bock, Charles Wesley. Arranged by Fred Bock. (SATB). Fred Bock Publications. Sacred. Size 7x10.5 inches. Published by Fred Bock Music Company.