SKU: GI.WJMS1189
UPC: 785147030966. English. Text by Robert Lowry.
This well-known hymn, born in a time of crisis, is still relevant in our times. For SATB and piano, this arrangement is suitable for church, school, and community choirs.
SKU: BC.139591
Words by Robert Hargreaves & Stanley J. Damerell.
SKU: HF.FH-2149
ISBN 9790203421498. 9 x 12 inches.
1. Fantasia (F. C. d. Milano); 2. Bicinium (Orlando di Lasso); 3. Bourree (G. L. Fuhrmann); 4. Drei Stucke (Gerog Friedrich Handel); 5. Guettino (Charles Ludwig Dietter); 6. Allegretto (F. J. Garnier); 7. Presto (Joseph Haydn); 8. Bagatelle (Ludwig van Beethoven); 9. Charakterstuck (Felix Mendelssohn Bartholdy); 10. Erster Verlust (Robert Schumann); 11. The little Shepherd (Claude Debussy); 12. Allegro affettuoso (Ludwig van Beethoven).
SKU: BT.DHP-1135383-401
ISBN 9789043140720. 9x12 inches. German.
BLÄSERKLASSE GLOBUS führt junge Musiker vom Proberaum in die weite Welt: Durch alle fünf Kontinente geht es von Amerika über Europa nach Japan und nach Afrika und schließlich zu den Kängurus nach Australien. Als Souvenirs nehmen die Reisenden Eindrücke von den Klangwelten in den verschiedenen Regionen mit. Vertraute Anhaltspunkte sind bekannte Melodien, die hier und da durchklingen, wie zum Beispiel das bekannte Lied von der Brücke in Avignon. Ebenfalls werden, unter anderem mit einem Variationensatz, einer Suite und einem Medley, diverse Gattungen gestreift. Die Stücke bringen nicht nur viel Abwechslung ins Spiel, sondern sie sind auch soarrangiert, dass sie genau auf die Lernfortschritte in Band 1 und 2 von Essential Elements, der kompletten Methode für den Musikunterricht in Schulen und Blasorchestern, Bezug nehmen. Die entsprechenden Kapitel in Essential Elements sind im Inhaltsverzeichnis der Partitur angegeben. Aber auch unabhängig von Essential Elements bieten die im ansteigenden Schwierigkeitsgrad angeordneten Arrangements abwechslungsreiches Spielmaterial für Bläserklassen und Jugendblasorchester. Sind die Stücke im Unterricht erst einmal einstudiert, kann ein buntes, szenisch ausgestaltetes Konzert unter dem Motto Weltreise“ vorbereitet werden. So gehen Spielspaß, Lernerfolg, Erfolgserlebnis und daraus resultierende Motivation Hand in Hand! Sehr nützlich für das Kennenlernen und Einstudieren der Arrangements in BLÄSERKLASSE GLOBUS ist die separat erhältliche CD mit vollständigen Orchesteraufnahmen aller Stücke (Bestellnummer DHR 13-860-3).
SKU: GI.G-2550
SKU: KJ.SO76F
3Christmas Reflections is an arrangement of three Christmas carols. The first carol, The Friendly Beasts, is a traditional English carol. It is based on an old belief that farm animals receive the gift of speech at midnight on Christmas eve. The second carol is a traditional carol from Austria. As Lately We Watched is a description of the nativity scene as observed by shepherds guarding their flocks. The third carol in the arrangement, O Come Little Children, was written by German composer, J. A. P. Schulz (1747-1800). Schulz studied music in Berlin and was a prolific composer of sacred vocal music. He also composed operettas, instrumental works, and various piano pieces. The carol is an invitation for all people, especially children, to visit the nativity.
SKU: HL.49014731
ISBN 9790220130311.
SKU: HL.49014461
ISBN 9790220129681. English.
SKU: CA.4012994
Language: German.
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.
SKU: LM.26714
ISBN 9790230967143.
DUVERNOY J.B. : Etude - BACH Johann Sebastian : Prelude - BERTINI Henri : Etude - BARTOK Bela : Danse paysanne - HAENDEL Georg Friedrich : Allemande - HAENDEL Georg Friedrich : Sarabande - ALLERME Sophie : If I must do it - CLEMENTI Muzio : Etude - SCHUBERT Franz : Marche militaire - FREY Martin : Etude - MOZART Wolfgang Amadeus : Marche turque - BERTINI Henri : Etude - SCHUMANN Robert : Reverie - KUHLAU Friedrich : Sur un theme de Rossini - BACH Johann Sebastian : Prelude - WALLER Fats : The Joint is jumpin' - BERTINI Henri : Etude - CHOPIN Frederic : Valse - BACH Johann Sebastian : Invention - DEBUSSY Claude : The little shepherd - BERTINI Henri : Etude - MENDELSSOHN Felix : Feuille d'album - CHOPIN Frederic : Prelude - BACH Johann Sebastian : Prelude - BRAHMS Johannes : Danse hongroise - CZERNY Karl : Etude - BEETHOVEN Ludwig van : Rondo - BERTINI Henri : Etude - FRANCK Cesar : Danse lente - BERTINI Henri : Etude - SCARLATTI Domenico : Capriccio - BERTINI Henri : Etude - BACH Johann Sebastian : Prelude.
SKU: BR.CHB-5234-02
ISBN 9790004411537. 7.5 x 10.5 inches. German.
Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).
SKU: CA.4012902
ISBN 9790007187828. Language: German/English.
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