By Hoagy Carmichael. Easy Piano Composer Collection. Size 9x12 inches. 64 pages. Published by Hal Leonard

31 Chansons Classiques. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 120 pages. Published by Hal Leonard.

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 72 pages. Published by Hal Leonard.

Choral (ShowTrax CD)

SKU: HL.304817

From Rocketman. Composed by Bernie Taupin and Elton John. Arranged by Ed Lojeski. Pop Choral Series. Movies, Pop, Show Choir. CD. Duration 220 seconds. Published by Hal Leonard (HL.304817).

UPC: 888680970703. 5.0x5.0x0.152 inches.

As if they never left the 1970s, Elton John (and longtime lyricist Bernie Taupin) geared up to write an immensely catchy, disco-infused track to accompany 2019's rave-reviewed biopic Rocketman, sharing vocals with his silver screen double Taron Egerton. Relentlessly cheery and groovy, this arrangement is proof that Elton's virtuosity can be incorporated into something accessible to all!

Composed by Various. Super Easy Songbook. Softcover. 120 pages. Published by Hal Leonard (HL.199558).

Composed by Various. Easy Piano Songbook. Softcover. 96 pages. Published by Hal Leonard

Band Bass Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Percussion 5, Piccolo, String Bass and more.

SKU: PR.165000970

For Band. Composed by Dan Welcher. Folder. Premiered by the University of Texas Symphony Band, Scott S. Hanna, conductor, at Butler School of Music, UT/Austin, Austin, Texas. Contemporary. Set of Score and Parts. With Standard notation. Composed 14-Sep. 40 pages. Duration 7 minutes. Theodore Presser Company #165-00097. Published by Theodore Presser Company (PR.165000970).

ISBN 9781491100462. UPC: 680160626717. 9x12 inches.

Commissioned by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..
One of the joys of life for me is riding my 21-speed bicycle.  As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need.  The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake.  When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly.  I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting” (with a ratchet) as the terrain changes.  So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward.  There’s a joyous little tune in our heads as we begin our ride.  As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride.  Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time).  Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill.  (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, ahead”, “Steady and committed…the climb begins!”, “Straining against the grade”, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery).  When at last the summit of the second hill is reached (“Flying, Over the Top”), we coast at last down the other side at breakneck speed.  The initial joyous melody returns, but now in a spread-out coasting pulse.  At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna.  The piece is dedicated to him (and to all bicycle enthusiasts).

For Saxophone. Composed by Various. Arranged by Robert De Smet. Music Sales America. Classical Period, Folk and Broadway. Saxophone solo book (no accompaniment, softcover). 96 pages. Music Sales #AM33705. Published by Music Sales