(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Edited by Amy Appleby. For Piano Solo. America's All-Time Favorite. Romantic. Level: Intermediate. Sheet Music. 320 pages. Published by Music Sales

For Piano Solo (with Chord Symbols). Romantic, Baroque, Classical. Sheet Music. 160 pages. Published by Wise Publications.

For piano and voice. Format: easy piano solo book (simplified piano arrangements). With standard piano notation, chord names, fingerings, vocal melody and vocal text. Baroque, classical period, romantic period and wedding. 88 pages. 9x12 inches.

The Big Book of Classics for Easy Piano for easy piano. This edition: Paperback. Collection. Classical. Easy. Book. Text Language: English. 132 pages. Published by Santorella Publications

(The World's Great Classical Music) For solo piano. Format: piano solo book. With introductory text and composer biographies. Classical period, romantic period, impressionistic and baroque. 240 pages. 9x12 inches. Published by Hal Leonard.

By Stephen Duro (Arranger). For Piano Solo (with Chord Symbols). Romantic, Classical. Sheet Music. 48 pages. Published by Wise Publications.

From Vespers (All-Night Vigil). Composed by Sergei Rachmaninoff (1873-1943). Arranged by Brian Beck. Concert Band; Masterworks; Part(s); Score. Young Symphonic. Form: Transcription. 20th Century; Masterwork Arrangement; Romantic. 126 pages. Published by Alfred Music (AP.44998).

Arranged by Pam Wedgwood. For Piano. Book; Piano Collection; Piano Supplemental; Solo. Faber Edition. Classical; Radio. Early Intermediate; Intermediate; Late Intermediate. Published by Faber Music

Guitar - Advanced

SKU: DZ.DZ-4262

Composed by Bryan Johanson and Jesse McCann. Method Book. Les Productions d'OZ #DZ 4262. Published by Les Productions d'OZ (DZ.DZ-4262).

ISBN 9782898521799.

In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.
- William Kanengiser

Dans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.
- William Kanengiser.