By Clara W. McMaster / arr. Ripplinger. Arranged by Donald H. Ripplinger. For SATB choir, Narrator. Medium. Octavo. Duration 3:00. Published by Jackman Music Corporation

Marching Band - Grade 3

SKU: AP.47042

As Recorded by Walk the Moon. By Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, Ryan Rabin, Sean Waugman, and Walk the Moon. By Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, Ryan Rabin, and Sean Waugman [Walk the Moon]. Arranged by Victor Lopez. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Pop. Score and Part(s). 112 pages. Alfred Music #00-47042. Published by Alfred Music (AP.47042).

UPC: 038081541365. English.

This catchy tune from the band Walk the Moon was climbing the charts in 2018. Arranger Victor López captures the unique style and groove with this stellar arrangement.

Soprano, Mezzo-Soprano, Tenor, Baritone Voice, SATB, Orchestra

SKU: HL.14021023

Job (Vocal Score). Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Vocal Score. Composed 1999. 136 pages. Chester Music #CH61453. Published by Chester Music (HL.14021023).

ISBN 9780711969292. UPC: 884088439910. 9.0x12.0x0.375 inches.

A substantial work for four soli, SATB chorus and orchestra, using text from the translation of Stephen Mitchell's The Book Of Job. Like Vaughan Williams in his Job: A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on find parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job. Commissioned by the University of British Colombia, it was first performed in May 1997 by Valdine Anderson (soprano), Linda Maguire (mezzo soprano), Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Vocal score with piano reduction of the orchestral score. Duration c. 70mins.

Soprano, Mezzo-Soprano, Tenor, Baritone Voice, SATB, Orchestra

SKU: HL.14021022

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Studyscore. Composed 2000. 212 pages. Chester Music #CH61601. Published by Chester Music (HL.14021022).

ISBN 9780711982888.

This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson (soprano), Linda Maguire (mezzo soprano), Paul Moore (tenor) and Kevin McMillan (baritone), with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job: A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job.

SKU: GI.G-8462

Composed by James Abbington. Edited by James Abbington. African American Church Music Series. Sacred. Book. 824 pages. GIA Publications #8462. Published by GIA Publications (GI.G-8462).

ISBN 9781622771004. English.

The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.

Celtic, Squareback saddle stitch. Fingerpicking Guitar. Book and online audio. Mel Bay Publications, Inc #30847M. Published by Mel Bay Publications, Inc

Choral; Violin (ShowTrax CD)

SKU: HL.218269

From Pete's Dragon. By Lindsey Stirling. Arranged by Ed Lojeski. Disney Choral. Movies, Pop. CD. Duration 220 seconds. Published by Hal Leonard (HL.218269).

UPC: 888680668396. 5.0x5.0x0.15 inches.

From the live action remake of Pete's Dragon, this exuberant song by violinist Lindsey Stirling featuring Andrew McMahon in the Wilderness portrays the playful sense of youthful adventure in a song that choirs will enjoy performing. The included violin part is slightly simplified for a student or community player.

Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more.

SKU: CF.FPS167F

Composed by Aaron McMichael. Full score. 8 pages. Carl Fischer Music #FPS167F. Published by Carl Fischer Music (CF.FPS167F).

ISBN 9781491163931. UPC: 680160922727.

When the moon appears orange or yellow, it simply means that the observer is looking at it through more layers of the atmosphere. Similar to the way in which the sun will look orange or red on the horizon, when the moon is low in the sky, the light from it will have to pass through more of the blue-absorbing atmosphere to reach the viewer's eye. By this time, only yellow, orange and red light will remain unabsorbed. A yellow moon is commonly called a Harvest Moon. However, the phrase is more a reference to its earlier rising time during the fall, which often provides more light after sunset during the harvest season. The optical illusion of an increased moon size or proximity that often accompanies this yellow color is called the moon illusion.This piece is set in 4/4 time in concert Bb. I set the piece to have many lyrical moments. It is very important that your band pays attention to the tempo, shaping of phrases and the ritardandos.

SKU: GI.G-317174

Composed by John Williamson and Kenneth Neidig. Music Education. 112 pages. GIA Publications #317174. Published by GIA Publications (GI.G-317174).

ISBN 9781574630930. UPC: 884088216153.

This book provides one huge room where everyone can gather to ask questions on the art of rehearsing and listen to answers from people who know. In his foreword, Frederick Fennell says, If you are a conductor, or are in training to be one, or are confused about how it's going, this book is all about you and me. It includes chapters by Frank Battisti, Eugene Corporon, James Croft, Donald R. Hunsberger, Jerry F. Junkin, Craig Kirchhoff, Allan McMurray, H. Robert Reynolds, James Smith, John Whitwell, and John E. Williamson. Click here for a YouTube video on Rehearsing The Band.

Performed by Dervish. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 40 pages. Published by Hal Leonard.

Orchestra Violin 1, Violin 2 or Viola and Cello - Grade 3

SKU: AP.36-52702427

Composed by Catherine McMichael. Performance Music Ensemble; String Quartet. Latham Music. Christmas; Winter. Score and Part(s). Latham Music Enterprises #36-52702427. Published by Latham Music Enterprises (AP.36-52702427).

ISBN 9781628760309. UPC: 679360736364. English.

This set of English carols is very readable and will add holiday joy to any occasion. Includes: Good King Wenceslas; Coventry Carol; God Rest Ye Merry, Gentlemen; What Child is This; Ding Dong Merrily on High; Love Came Down at Christmas/The First Noel and Deck the Halls.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Piano Trio - Grade 2

SKU: AP.36-52783002

Composed by Catherine McMichael. Performance Music Ensemble; Piano Trio; Trio. Latham Music. Christmas; Winter. Score and Part(s). Latham Music Enterprises #36-52783002. Published by Latham Music Enterprises (AP.36-52783002).

ISBN 9781628761092. UPC: 746241295927. English.

This collection contains some of the best-known Christmas carols including Jingle Bells, Silent Night, Carol of the Bells, Angels We Have Heard on High and more. Selections are arranged at the intermediate level for piano trio (violin, cello, and piano).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.