SKU: YM.GTL01096480

ISBN 9784636964806.

CD maching score of rock heroine LiSA, who was appointed as a main vocalist of the Rock Band Group Girls Dead Monster in the TV animation program Angel Beats! in Sprint, 2010. After her debut as a slolo singer in Spring, 2011 with mini CD, she has sung many title songs for Japanese animation like Fate/ZeroSword Art Online and Underachiever in Magic High School; 8 pages for photographes and her messages to each song requested for this book.
Ben Shu Pei He LiSADe Yao Gun Ying Xiong Zhuan Ji Fa Xing . LiSAZai 2010Nian Chun Ji De Dian Shi Dong Hua Tian Shi De Xin Tiao Zhong De Yao Gun Le Dui Girls Dead MonsterBan Yan Zhu Chang De Jiao Se . 2011Nian Chun Fa Xing Mi Ni Zhuan Ji ,Yi Dan Ren Ge Shou Shen Fen Chu Dao . Yan Chang Guo Hen Duo Ri Ben Dong Man De Zhu Ti Ge ,Bi Ru Ming Yun Zhi Ye Qian Chuan , Dao Jian Shen Yu Yi Ji Mo Fa Ke Gao Xiao De Lie Deng Sheng . Ben Shu Ling Bao Han 8Ye De Ge Ren Xie Zhen Ji Zhuan Fang . Fen Si Bi Ru .

1. Catch the Moment; 2. Thrill, Risk, Heartless; 3. oath sign; 4. ASH; 5. Rally Go Round; 6. Hello Good Day; 7. No More Time Machine; 8. Hi FiVE!; 9. Cosmic Jet Coaster; 10. Brave Freak Out; 11. ROCK-mode '18; 12. Mr. Launcher; 13. Believe in ourselves; 14. best day, best way.

SKU: M7.KCM-1

ISBN 9790900004604. German. Daniel Wiesen.

Seit 2008 ist 'Dein Song' (ZDF/ KiKA) der einzige Songwriter-Wettbewerb im deutschen TV. Die Sendung motiviert Kinder und Jugendliche zum kreativen Schaffen. Hier wird der Liebe zur Musik, der persönlichen Kreativität und den eigenen Ideen freien Lauf gelassen. 'Dein Song 2013- Die Noten' richtet sich an fortgeschrittene Klavier- und Gitarrenspieler wie auch an alle angehenden Nachwuchskomponisten.

SKU: HL.49035479

SKU: UT.CH-248

ISBN 9790215324183. 9 x 12 inches.

The considerable and important musical production by Nicolò Paganini for violin and guitar is now increased to a small but significant degree with the publication of the Sei piccoli Valtz (the title is not the composer’s). They are brief but very pleasing pieces, in which it is easy to perceive the spirit with which the great Genoese musician wrote his short compositions.
These are autograph compositions, where the instrumental indication (violin) is present only at the sixth. They could be considered almost ‘musical jottings’ found in two manuscript collections of music for guitar, the Ghiribizzi and the 37 Sonate, but which have never been transcribed and completed before now. Their musical structure is simple, as is found in this kind of composition, and is organised mostly in bipartite form, except for the Valtz n. 6 which it is tripartite (with the Minore and the Da Capo al Fine).
It is most likely to be the violin part of compositions for violin and guitar, given the musical characteristics of the six pieces, similar to other music by Paganini such as the Sei Cantabili e Valtz dedicated to Camillo Sivori.
It must not then be ruled out, given the numbering allocated by the composer to the first five Valtz, that they might even be the evidence of a ‘project’ which was perhaps never completed, or else finished and lost, of which in fact only these few pages remain.

SKU: UT.CH-335

ISBN 9790215326538. 9 x 12 inches.

The Trois airs variés for violin and piano belong to the small nucleus of compositions for this scoring which, in the Catalogo tematico, also includes the Cantabile in D major (M.S.109), the only original manuscript piece for violin and piano recently published in a critical edition, and the Quattro Notturni a quartetto (M.S.15). This ‘triptych’, whose authorship is unknown, is familiar thanks to the nineteenth-century editions Ricordi, Pacini and Hofmeister, the only evidence of the piece which is placed in the Catalogo tematico at n. 3 of the uncertain works (Section V, pp. 346-347), that is, those works whose authorship remains in doubt due to the lack of objectively valid documents. This placing does not categorically exclude the originality of the piece, at least as regards the violin part, and that Gustavo Carulli ‘completed’ them later by adding the piano part. Given that to date there is no evidence to deny Paganini’s authorship of the piece, we rely on the editorial tradition documented by the three publications mentioned above and, of course, on the style of the composition.
Regarding the instrumental aspect, the technical peculiarity is given by the exclusive use of the 4th string which must be transposed one tone above, in all three airs, including the variations. Concerning the piano part composed by Gustavo Carulli, it can only be said that it is simple and functional, aimed at highlighting the violin part, nothing more. Since the piano part is not original, the guitar has been thought of as the ideal instrument (as indeed is proved by Paganini’s considerable musical production for this scoring) to support the violin part and which is better suited to these small but pleasant pieces. In the transposition for guitar, however, the aim has been to include Gustavo Carulli’s musical lesson, where it is convincing, in other cases, however, the preference has been to find different solutions, while trying to remain within Paganini’s ‘style’ also as regards writing for the guitar. The present edition therefore seeks to be a plausible alternative to the previous editions, also in order to make these delightful but forgotten pieces more usable.