| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
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| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
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| Camille Saint-Saens : Violoncello Concerto No. 1 in a Minor, Op. 33 Cello, Piano [Reduction] G. Henle
Piano Reduction. By Camille Saint-Saens. Edited by P. Jost. Violoncello. Pages: ...(+)
Piano Reduction. By Camille Saint-Saens. Edited by P. Jost. Violoncello. Pages: Score = IV and 28 * Vc Part = 11. Urtext edition (Paper-bound). Published by G. Henle.
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| Saint-Saens - Concerto No 1 Op 33 A Min Cello/Piano Cello, Piano G. Henle
Cello, Piano SKU: HU.HN711 Composed by Camille Saint-Saens. Edited by Peter Jos...(+)
Cello, Piano
SKU: HU.HN711
Composed by Camille Saint-Saens. Edited by Peter Jost. Strings, Repertoire, Solos. Cello Concerto No. 1 in A minor Op. 33. Softcover Book. 58 pages. G. Henle #HN711. Published by G. Henle (HU.HN711).
12.2 x 9.2 x 0.2 inches.
This urtext edition has been marked up by David Geringas and supplied with a detailed preface by the editor, Peter Jost. Johannes Umbreit has revised the composer's highly playable piano reduction to suit the needs of today's performers.
$48.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto No. 1, Op. 33 for Cello and Orchestra Cello, Piano [Reduction] Durand
Piano Reduction. By Camille Saint-Saens. (Cello). Editions Durand. Size 9x12 in...(+)
Piano Reduction. By Camille Saint-Saens. (Cello). Editions Durand. Size 9x12 inches. 26 pages. Published by Durand.
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| Concerto For Cello And Orchestra No. 1 A Minor Op. 33 Study Score With Cd Cello, Orchestra [Sheet music + CD] Eulenburg
By Camille Saint-Saëns and Camille Saint-Sa. Eulenberg Audio plus Score. Book...(+)
By Camille Saint-Saëns and Camille Saint-Sa. Eulenberg Audio plus Score. Book with CD. 80 pages. Eulenburg (Schott Music) #EAS168. Published by Eulenburg (Schott Music)
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| Cello Power Book 2 Carl Fischer
Chamber Music Cello SKU: CF.BF129 Cello Warm-ups in Thumb Position...(+)
Chamber Music Cello SKU: CF.BF129 Cello Warm-ups in Thumb Position. Composed by Alfredo Piatti, Antonin Dvorak, David Popper, Edward Elgar, F. Grutzmacher, Franz Joseph Haydn, Georg Goltermann, Jean Breval, Libby Freidman, Luigi Boccherini, Marion Feldman, and Pietro Antonio Locatelli. Edited by Marion Feldman. Score and part(s). With Standard notation. 40 pages. Carl Fischer Music #BF129. Published by Carl Fischer Music (CF.BF129). ISBN 9781491153321. UPC: 680160910823. Cello Power is a series of books designed to be used to expand the cello student’s facilityand knowledge of the instrument. The books are structured to focus on the advancedmaterials that appear in our cello literature. Most important are the exercises and myfurther recommendations on how to work on them. The process is first to digest thefundamental of each and thereby to enable one to build a solid technique in preparationfor the difficult passagework ahead. An example are the double-stop excerpts, which arebroken down into two-string bow patterns to aid in intonation and to clarify the spacingfor the left hand.Books 1 and 2 are planned to fill the gap left vacant by lack of materials covering, ina progressive order, the transition from the introduction of the thumb position into astudent’s studies and the work on the much more difficult application of this informationinto studies by Popper, Grützmacher and Piatti. Of course, then there are the ensuingrepertoire demands of the concertos of Dvořák and Saint-Saëns and such like.Book 3 is aimed at developing a sure and secure technique and facility in the lower areaof the cello. This includes material to help make the fifth, sixth and seventh positions lessawkward for the student. The goal is to aid in the ability of the student to become moreable to apply this technical comfort to the attainment of a more nuanced and emotionallyfulfilling musical performance on the cello. Cello Power is a series of five books designed to be used to expandthe cello student’s facility and knowledge of the instrument. Thebooks are structured to focus on the advanced materials thatappear in our cello literature. Most important are the exercisesand my further recommendations on how to work on them. Theprocess is first to digest the fundamental of each, and therebyto enable one to build a solid technique in preparation for thedifficult passagework ahead. An example are the double-stopexcerpts, which are broken down into two-string bow patterns toaid in intonation and to clarify the spacing for the left hand.Books 1 and 2 are planned to fill the gap left vacant by lack ofmaterials covering, in a progressive order, the transition from theintroduction of the thumb position into a student’s studies and thework on the much more difficult application of this informationinto studies by Popper, Grützmacher and Piatti. Of course, thenthere are the ensuing repertoire demands of concerti by Dvořák,Saint-Saëns and such like.Book 3 is aimed at developing a sure and secure technique andfacility in the neck area of the cello. This includes materials to helpmake the fifth, sixth and seventh position less awkward for thestudent. The goal is to aid in the ability of the student to becomemore able to apply this technical comfort to the attainment of amore nuanced and emotionally fulfilling musical performance onthe cello. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$566.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite in D-minor Op. 16 for Cello and Orchestra Cello Schott
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduct...(+)
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduction. Composed by Camille Saint-Saens. Edited by Maria Kliegel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1862. Op. 16bis. 36 pages. Schott Music #CB229. Published by Schott Music (HL.49018922). ISBN 9790001174527. UPC: 841886015913. 9.25x12.0x0.163 inches. When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saens created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second concerto, two sonatas, the 'Swan' from 'The Carnival of the Animals' as well as a 'Suite with Piano Accompaniment' Op. 16. Premiered on 27 April 1866 and probably written shortly before, the work is based on the composer's study of tradition, especially of the form of the Baroque suite, integrated in a Romantic tonal language. Many years later (1919) the composer also presented a version with orchestral instead of piano accompaniment, and for this version he replaced movements 3 and 5 and changed the ending of the fourth movement. The present edition contains the text of the orchestral version: The five-movement suite begins with a prelude reminiscent of Bach which is followed by a pleasant serenade, a stylized gavotte and a sentimental romance before a passionate tarantella puts a virtuoso end to the piece. The enthusiastic, melodic 'Suite' is a valuable addition to the cello repertoire, suitable for both tuition and concert purposes. $28.99 - See more - Buy online | | |
| Cello Concerto, Op. 33 Viola [Sheet music] Alfred Publishing
Saint-Saens, Camille (1835 - 1921), transcribed. For Viola. String - Viola and P...(+)
Saint-Saens, Camille (1835 - 1921), transcribed. For Viola. String - Viola and Piano. Kalmus Edition. Masterwork. Book. 44 pages. Published by Alfred Publishing.
$11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Camille Saint-Saens : Concerto No. 1 in A minor, Opus 33 Cello IMC (International Music Co.)
(Commentary and Preparatory Exercises). Composed by Camille Saint-Saens (183...(+)
(Commentary and Preparatory
Exercises). Composed by
Camille Saint-Saens (1835-
1921). Edited by Daniel
Morganstern. For cello and
optional 2nd cello. Parts.
Published by International
Music Company
$15.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Camille Saint-Saens: Concerto No. 1 in A minor, Opus 33
Cello, Piano [Sheet music] - Advanced IMC (International Music Co.)
Composed by Camille Saint-Saens (1835-1921), edited by Leonard Rose. Instrumenta...(+)
Composed by Camille Saint-Saens (1835-1921), edited by Leonard Rose. Instrumental solo book for cello and piano accompaniment. With bowings, fingerings and piano accompaniment. Composed 1872. 33 pages. Published by International Music Co.
(3)$14.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Camille Saint-Saens: Cello Concerto No.1 Cello, Piano Peters
By Camille Saint-Saens. Edited by Weber(Urtext). For violoncello, piano. Op.33(a...(+)
By Camille Saint-Saens. Edited by Weber(Urtext). For violoncello, piano. Op.33(a). Published by C.F. Peters.
$23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cello Concerto No. 1, Op. 33 Cello, Piano [Sheet music] Alfred Publishing
By Camille Saint-Saens. For Cello. String - Cello and Piano. Kalmus Edition. Mas...(+)
By Camille Saint-Saens. For Cello. String - Cello and Piano. Kalmus Edition. Masterwork. Book. 40 pages. Published by Alfred Publishing.
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto No. 1 in A minor, Op. 33 Cello, Orchestra [Study Score / Miniature] Eulenburg
For Cello and Orchestra. By Camille Saint-Saens. (Study Score). Schott. 71 page...(+)
For Cello and Orchestra. By Camille Saint-Saens. (Study Score). Schott. 71 pages. Published by Eulenburg Germany (Schott).
$17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto No. 1, Op. 33 Cello, Piano [Reduction] Carl Fischer
By Camille Saint-Saens. Arranged by Joseph Malkin. For Cello and Piano. Publishe...(+)
By Camille Saint-Saens. Arranged by Joseph Malkin. For Cello and Piano. Published by Carl Fischer.
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto N 1 Op 33, Pour Violoncelle Et Orchestra Orchestra Durand
Cello and Orchestra SKU: HL.50565215 Orchestral Score. Composed by...(+)
Cello and Orchestra SKU: HL.50565215 Orchestral Score. Composed by Camille Saint-Saë and ns. MGB. Solo & Concerto. Score Only. Composed 2001. Editions Durand #DF1746. Published by Editions Durand (HL.50565215). $37.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Violoncello Concerto in D minor Breitkopf & Härtel
Violin 1 (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-15 ...(+)
Violin 1 (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-15 Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The first definitive author's version - In Cooperation with G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Breitkopf and Haertel #OB 15100-15. Published by Breitkopf and Haertel (BR.OB-15100-15). ISBN 9790004339640. 10 x 12.5 inches. In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)
The first definitive author's version -. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in D minor Breitkopf & Härtel
Violoncello (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-23(+)
Violoncello (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-23 Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The first definitive author's version - In Cooperation with G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Breitkopf and Haertel #OB 15100-23. Published by Breitkopf and Haertel (BR.OB-15100-23). ISBN 9790004339671. 10 x 12.5 inches. In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)
The first definitive author's version -. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in D minor Breitkopf & Härtel
Woodwinds (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-30 ...(+)
Woodwinds (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-30 Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Folder. Orchester-Bibliothek (Orchestral Library). The first definitive author's version - In Cooperation with G. Henle Verlag. Solo concerto; Romantic. Set of parts. 144 pages. Breitkopf and Haertel #OB 15100-30. Published by Breitkopf and Haertel (BR.OB-15100-30). ISBN 9790004339695. 10 x 12.5 inches. In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)
The first definitive author's version -. $101.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in D minor Breitkopf & Härtel
Violin 2 (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-16 ...(+)
Violin 2 (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-16 Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The first definitive author's version - In Cooperation with G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Breitkopf and Haertel #OB 15100-16. Published by Breitkopf and Haertel (BR.OB-15100-16). ISBN 9790004339657. 10 x 12.5 inches. In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)
The first definitive author's version -. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in D minor Breitkopf & Härtel
Viola (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-19 ...(+)
Viola (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-19 Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The first definitive author's version - In Cooperation with G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Breitkopf and Haertel #OB 15100-19. Published by Breitkopf and Haertel (BR.OB-15100-19). ISBN 9790004339664. 10 x 12.5 inches. In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)
The first definitive author's version -. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in D minor Breitkopf & Härtel
Double bass (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-27(+)
Double bass (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15100-27 Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The first definitive author's version - In Cooperation with G. Henle Verlag. Solo concerto; Romantic. Part. 8 pages. Breitkopf and Haertel #OB 15100-27. Published by Breitkopf and Haertel (BR.OB-15100-27). ISBN 9790004339688. 10 x 12.5 inches. In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)
The first definitive author's version -. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in D minor Breitkopf & Härtel
Cello and orchestra (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15...(+)
Cello and orchestra (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15120 Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. Breitkopf and Haertel #PB 15120. Published by Breitkopf and Haertel (BR.PB-15120). ISBN 9790004212233. 6.5 x 9 inches. In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)
The first definitive author's version. $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for recorder, 2 violins, viol and harpsichord - Overture for recorder, 2 violins, viol and harpsichord - Canon in unisson for 2 recorders, cello or rather viola da gamba and harpsichord. Anne Fuzeau Productions
Recorder, Violin, Viola, Cello, Viola da gamba, Continuo SKU: FZ.5013 ...(+)
Recorder, Violin, Viola, Cello, Viola da gamba, Continuo SKU: FZ.5013 C.1731 - c.1741 - c.1737. Composed by Christoph Graupner. Edited by Suzi Mohlmeier, Frederique Thouvenot. This edition: Facsimile. Collection Dominantes. Chamber Music. Score. Published by Anne Fuzeau Productions - France (FZ.5013). ISBN 9790230650137. 24.00 x 33.00 cm inches. This facsimile of the manuscript by Christoph Graupner is part of our Dominantes collection. Concerto for recorder, 2 violins, viol and harpsichord (c. 1731). Overture for recorder, 2 violins, viol and harpsichord (c. 1741). Canon in unisson for 2 recorders, cello or rather viola da gamba and harpsichord (c. 1737). Presentation of Susi Mohlmeier and Frederique Thouvenot: biographical details - sources - Comprehension of the score (articulation, dynamics, rhythm, terminology, embellishments, ornamentation, general notation, continuo bass) - suggestions. Graupner's complete works for recorder. Manuscripts autographs of Graupner preserved at the Hessische Landes-und Hochschulbibliothek of Darmstadt. Concerto: 2 recorders, 2 violins, viola, continuo. Overture: recorder, 2 violins, viola, continuo. Canon: 2 recorders, cello or viola da gamba. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Hessische Landes und Hochschulbibliothek of Darmstadt (Germany). Anne Fuzeau Classique propose period copies of classical music scores. $36.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cello Concerto No. 1 in a, Op. 33 (Original) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/2.2.0.0,timp,str ,cello solo) SKU: TM.00610SET Composed by Charl...(+)
(2.2.2.2/2.2.0.0,timp,str,cello solo) SKU: TM.00610SET Composed by Charles-Camille Saint-Saens. Edited by Rose. Set Type: D. Set of parts. Published by Lucks Music Library (TM.00610SET). Transposed: Cl 1&2, Tpt 1&2. Original Hn 1&2 in F; original Cl 1&2 in A. Solo/pf. Cello/Bass. $110.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Concerto No. 1 in a, Op. 33 (Original) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/2.2.0.0,timp,str ,cello solo) SKU: TM.00610SC Composed by Charle...(+)
(2.2.2.2/2.2.0.0,timp,str,cello solo) SKU: TM.00610SC Composed by Charles-Camille Saint-Saens. Edited by Rose. Score. Published by Lucks Music Library (TM.00610SC). Transposed: Cl 1&2, Tpt 1&2. Original Hn 1&2 in F; original Cl 1&2 in A. Solo/pf. Cello/Bass. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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