SKU: BT.CMP-0713-03-140
SKU: HL.49008985
ISBN 9790001086455. UPC: 073999217476. 9.0x12.0x0.022 inches.
SKU: BR.CHB-5234-02
ISBN 9790004411537. 7.5 x 10.5 inches. German.
Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).
SKU: HL.49046789
UPC: 842819111849.
SKU: HL.50571985
SKU: YM.GPP01096234
ISBN 9784636962345.
Please enjoy 25 arrangements based on famous classical pieces on only white keys. Jin Yong Bai Jian Dan Zou 25Shou Zhu Ming Gu Dian Zai Bian Pei Le Qu . 1. Pachelbel: Canon in D; 2. J. S. Bach: Jesu, Joy of Man's Desiring; 3. Mozart: Turkish March; 4. Beethoven: Fur Elise; 5. Beethoven: Piano Sonata Moonlight; 6. Beethoven: Piano Sonata Pathetique; 7. Chopin: Nocturne No.2 Op.9/2; 8. Chopin: Etude No.3 Tristesse; 9. Chopin; Grand Waltz Brillant; 10. Chopin: Prelude No.15 Raindrop; 11. Schumann: Traumerei; 12. Liszt: La campanella; 13. Liszt: Liebestraum; 14. Verdi: Triumphal March from Aida; 15. Smetana: The Moldau; 16. J. S. Bach-Gounod: Ave Maria; 17. J. Strauss, Jr.: The Blue Danube; 18. Tchaikovsky: Waltz of the Flowers from The Nutcracker; 19. Tchaikovsky: Scene from Swan Lake; 20. Elgar: Salut d'Amour; 21. Elgar: Pomp and Circumstance; 22. Debussy: The Girl with the Flaxen Hair; 23. satie: Gymnopedie No.1; 24. Satie: Je te veux; 25. Holst: Jupiter from The Planets Op.32 1. Pa He Bei Er : DDa Diao Qia Nong ; 2. Ba He : Ye Su , Shi Ren Qi Dai De Xi Yue ; 3. Mo Zha Te : Tu Er Qi Jin Xing Qu ; 4. Bei Duo Fen : Zhi Ai Li Si ; 5. Bei Duo Fen : Gang Qin Zou Ming Qu Yue Guang ; 6. Bei Duo Fen : Gang Qin Zou Ming Qu Bei Chuang ; 7. Xiao Bang : Ye Qu No.2 Op.9/2; 8. Xiao Bang : Lian Xi Qu No.3 Chi Bie Qu ; 9. Xiao Bang : Hua Li Da Yuan Wu Qu ; 10. Xiao Bang :Qian Zou Qu No.15 Yu Di ; 11. Shu Man : Meng Huan Qu i; 12. Li Si Te : Zhong ; 13. Li Si Te : Ai Zhi Meng ; 14. Wei Er Di : Kai Xuan Jin Xing Qu Xuan Zi Ge Ju A Yi Da ; 15. Si Mei Ta Na :Wo Er Ta Wa He ; 16. Ba He : Sheng Mu Song ; 17. Si Te Lao Si : Lan Se Duo Nao He ; 18. Chai Ke Fu Si Ji : Hua Zhi Yuan Wu Qu Xuan Zi Hu Tao Jia Zi ; 19. Chai Ke Fu Si Ji : Chang Jing Chu Zi Tian E Hu ; 20. Ai Er Jia : Ai De Li Zan ; 21. Ai Er Jia : Wei Feng Tang Tang ; 22. De Biao Xi : Ya Ma Se Tou Fa De Shao Nu ; 23. Sa Di : Luo Ti Zhi Wu No.1; 24. Sa Di : Wo Xu Yao Ni ; 25. Huo Er Si Te : Mu Xing Xuan Zi Xing Xing Zu Qu Op.32.
SKU: BT.DHP-0900177-070
International.
SKU: TM.05896SC
No score.
SKU: BA.BA11061
ISBN 9790006559039. 32.5 x 25.5 cm inches. Language: German. Text: Johann Christian von Zedlitz.
“Ungewisses Licht†is an a cappella choral work by Manfred Trojahn.In it, the composer incorporates text fragments from a poem by Joseph Christian von Zedlitz once set to music by Robert Schumann.The piece lets us hear finely fanned out, rubbing surfaces, gently brought to an inner swaying by changing seconds - this is how the Esslinger Zeitung describes the sound character of the piece.
SKU: CA.313820
ISBN 9790007152673. Key: F major. Language: Latin.
SKU: BT.DHP-1063947-010
9x12 inches. English-German-French-Dutch.
The Banquet of Light is an easily accessible piece which takes itsinspiration from ?light? both in terms of it representing good news andjoy together with scenes inspired by light, such as a sunset over water,fireworks lighting up the sky and sunlight as it streams through a thickforest. Banquet of Light will bring a ray of light to any concert. De componist werd voor deze concertmars ge nspireerd door het woord ‘licht’, dat staat voor het goede. Ook een bron van inspiratie vormde het gegeven ‘licht’ op zich: het schijnen van de zon op het water, het licht van vuurwerk enzonlicht door de bomen. The Banquet of Light begint briljant, waarna krachtige passages door trombones en trompetten volgen - deze thematiek wordt overgenomen door houtblazers. De melodie van het trio is gebaseerd op de notene, a, b en d. Na een aantal herhalingen komt de fanfare van het begin terug en leidt naar een stralend slot.Das brillante und leicht zugängliche Eröffnungsstück weckt verschiedenste Assoziationen zum Thema Licht“. Nach der Fanfare ähnlichen Einleitung folgen Passagen in den Posaunen und Trompeten und deren Variationen in den Holzbläsern, die schließlich in einem strahlenden Finale enden. Lassen Sie sich inspirieren und entdecken Sie in The Banquet of Light ein Feuerwerk aus Sonnenlicht und purer Freude! Takamasa Sakai s’est laissé inspiré la fois par la lumière comme source de joie et de bien-être, et par une déclinaison de scènes de lumière : les reflets de la lumière sur l’eau, les jeux de lumière d’un feu d’artifice, la lumière du soleil qui filtre travers les arbres et les illuminations des parcs thèmes.The Banquet of Light s’ouvre dans une atmosphère éclatante. Les trombones et les trompettes exposent une ligne puissante, reprise par les bois sous la forme d’une variation. La mélodie du trio développe un motif répété, basé sur les notes Mi, La, Si et Ré avant de se fondre dans la fanfare initiale qui clôt l’œuvre dans un brillant élan de lumière.
SKU: KN.09166S
UPC: 082279591663.
This tuneful, highly-rhythmic piece in G major portraying a classic fox hunt features excellent material for students who are just becoming familiar with the 6/8 time signature. Duration 1:20. Available in SmartMusic.
SKU: BA.BVK02307
ISBN 9783761823071. 23.5 x 16 cm inches. Preface: Helmut Loos.
Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European cultureAs one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt. The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.The edition of the complete lettersThis scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.(The 12 volumes as well as the CD-ROM can only be purchased complete).- German text onlyThe EditorsHelmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
SKU: CA.5008900
ISBN 9790007092351.
Rheinberger's string quartets combine rich sonority and the art of variation, following in the footsteps of Schumann and Mendelssohn, with Rheinberger's feeling for form, melodic beauty and contrapuntal mastery; his attitude to the musical movements of his time is suggested in his first String Quartet, now published in a scholarly edition, through such things as the quotation, probably to be understood ironically, from the Prelude to Wagner's Tristan in the last movement.
SKU: BR.EB-8032
ISBN 9790004174357. 9 x 12 inches.
In the last year of his life, Felix Mendelssohn Bartholdy (1809-1847) composed the six charming Children's Pieces, op. 72 (EB 8317). In contrast to the collections of children's pieces (by Schumann or Reger, for example), these have remained relatively unknown. Admittedly, however, they here and there demand technical and musical accomplishments that are beyond those to be expexted of beginners and belong to an intermediate stage of instruction. In the present edition, minor re-arrangements and cuts (in op. 72 no. 6) are intended to make the music more accessible to a child's understanding. The Songs without Words presented here are musically more demanding. From the total of 48 pieces, I have selected three slow compositions in which simple, beautiful melodie lines are supported by chorale-like piano textures. True performance of these pieces requires clean polyphonic chord playing and a cultivated pedal technique. The selection of pieces in this edition will, it is hoped, stimulate renewed interest in the piano music of Mendelssohn, which is so neglected today. Heinz Walter, Salzburg, Spring 1979A Selection from 6 Children's Pieces (Op. 72) and Songs without Words.
SKU: LM.P1360
ISBN 9790230920957.
SKU: BT.1413-07-020-MS
This song was written by David Foster, who has also penned many previous hits which have been performed and recorded by such artists as Céline Dion, Lionel Richie, Madonna and Michael Bublé. Because We Believe owes its fame to the performance by Andrea Bocelli during the closing ceremony of the Winter Olympics held in Torino during 2006. Finish any concert with this great anthem and your audience will leave with a great feeling of well-being! Andrea Bocelli en Marco Borsato hadden elkaar al meerdere malen ontmoet toen ze het plan opvatten om samen eens iets op te nemen. Begin 2006 zongen ze in Bocelli’s studio in Italië het prachtige duet Because We Believe in.Het nummer werd geschreven door David Foster, die al eerder verantwoordelijk was voor successen van andere wereldsterren, zoals Céline Dion, Lionel Richie, Madonna en Michael Bublé. Because We Believe dankt zijn bekendheidaan de solo-uitvoering door Andrea Bocelli tijdens de sluitingsceremonie van de Olympische Winterspelen in Turijn op 26 februari 2006. In verschillende Europese landen voerde dit nummer wekenlang de hitlijsten aan.Because We Believe stammt aus der Feder von David Foster, der schon Hits für Weltstars wie Céline Dion, Lionel Richie, Madonna und Michael Bublé geschrieben hat. Nachdem Andrea Bocelli den Titel während der Abschlussfeier der Olympischen Winterspiele in Toronto 2006 vorgetragen hatte, kletterte er an die Spitze der Hitparaden vieler Länder. Wim Stalman schuf eine authentische Bearbeitung für Brass Band des wunderschönen Liedes. Le nom de David Foster est associé de nombreux artistes internationaux, notamment Céline Dion, Lionel Richie, Madonna et Michael Bublé, pour qui il a composé de grands succès. Sa chanson Because We Believe a séduit le monde entier gr ce la magnifique interprétation d’Andrea Boccelli lors de la cérémonie de clôture des Jeux Olympiques de Turin en février 2006. Because We Believe s’est classé numéro un des ventes dans la plupart des pays européens pendant plusieurs semaines. L’arrangement pour Orchestre de Fanfare est signé Wim Stalman.
SKU: HL.49001235
ISBN 9790001013390. German.
SKU: BT.HU-3302-700
German.
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