| Liszt - 3 Etudes De Concert Piano solo G. Henle
Composed by Franz Liszt. Edited by Rena C. Mueller. Piano Solo, Piano and Keyboa...(+)
Composed by Franz Liszt. Edited by Rena C. Mueller. Piano Solo, Piano and Keyboard, Repertoire, Solos. Three Concert Etudes. Classical, Romantic. Softcover Book. 44 pages. G. Henle #HN481. Published by G. Henle
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| Three Little Motets after St. John-of-the-Cross, Op. 268 Choral SATB Paraclete Press
SATB choir, a cappella - Medium Difficult SKU: PL.0510 Composed by Peter ...(+)
SATB choir, a cappella - Medium Difficult SKU: PL.0510 Composed by Peter Pindar Stearns. Cathedral. Choral, General, Lent. Octavo. Paraclete Press #0510. Published by Paraclete Press (PL.0510). * texts from Sayings of Light and Love by this beloved saint * tender simple settings that can be sung separately or as a group within a service *contrapuntal and harmonic interest to bring out climactic words in the texts * use of Domine in the middle of each motet ties the work together * O Sweetest Love of God, so little known, they who have found its veins are at rest. (text of third motet). $2.10 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Double Play Violin [Score] Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contraba...(+)
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more. SKU: PR.416411770 For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770). UPC: 680160091508. I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting. $26.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Easy Book, Volume 3 (C version) C Instruments [Fake Book] Sher Music Company
For C instruments. A Short History of Jazz. Jazz, Swing. Fake book. 200 pages. P...(+)
For C instruments. A Short History of Jazz. Jazz, Swing. Fake book. 200 pages. Published by Sher Music Company.
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| John Dowland: Lute Songs of John Dowland
Lute [Sheet music] Dover Publications
(The Original First and Second Books including Dowland's Original Lute Tablature...(+)
(The Original First and Second Books including Dowland's Original Lute Tablature) Transcribed by David Nadal, composed by John Dowland (1563-1626). Guitar/vocal songbook for guitar and voice. With standard guitar notation, lute tablature and lyrics. Series: Choral/Vocal. 128 pages. Published by Dover Publications.
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| Jazz Dream Theodore Presser Co.
Chamber Music Flute(s) SKU: PR.144407290 Composed by Ali Ryerson. Perform...(+)
Chamber Music Flute(s) SKU: PR.144407290 Composed by Ali Ryerson. Performance Score. 4 pages. Duration 4 minutes. Theodore Presser Company #144-40729. Published by Theodore Presser Company (PR.144407290). ISBN 9781491135150. UPC: 680160687008. Jazz luminary Ali Ryerson traces a unique and personal artistic path in this solo work. With an engaging form reminiscent of jazz charts (a dreamy introduction, a catchy, swinging head, and improvisatory-feeling 12-bar choruses), Ryerson’s music pays deeply-felt homage to Charlie Parker and other jazz greats, while maintaining an organic connection to the lineage of unaccompanied woodwind music in the classical tradition. Classical players will gain insight into jazz harmony, rhythm, and expression as they learn this knockout recital piece, while Ryerson fans in the jazz world gain an image of her musical mind in this fully-notated composition. Jazz Dream, a jazz-inspired solo flute piece, was commissioned by Claudia Anderson for her Glass Ceilings project. Claudia once told me that playing jazz flute has been one of her musical ambitions. I daresay her performance of JD could very well break a glass ceiling of her own!Moved by the events of 2020, composing Jazz Dream became my way of honoring my musical heroes from the Black community, namely the jazz musicians who created this music and truly broke glass ceilings. As jazz shares its origins with the blues, both genres having originated in the African-American community, I decided on a 12-bar blues form as the framework for the piece.The opening theme gently draws us into a dream-like state, with a melody in slow motion and lines that linger. When the REM cycle kicks into gear, there’s an abrupt rhythmic shift that leads straight into a swingin’ blues. Idiomatic jazz rhythms abound, with blue notes galore – the tension notes that virtually define the sound of both the blues and jazz (i.e. the flatted third, fifth, and seventh notes of a scale in place of the expected major intervals).After several groovin’ choruses of a 12-bar blues in B(, often played as if the soloist is improvising, the blues modulates to the key of E(, and as a tribute to the great Charlie Parker (AKA Bird), I harmonically suggest the more complex set of bebop changes that Parker introduced in his composition, Blues for Alice. Often referred to as Bird Changes or Bird Blues, instead of the basic I - IV – V chord progression commonly used in the blues, Parker used a series of sequential ii-V progressions (and secondary ii-V progressions). With the addition of some tritone substitutions, a chromatically descending bass line deftly replaces the original I-IV-V root movement. This is the harmonic background I was hearing as I wrote this particular chorus.After my 12-bar nod to Bird’s changes, the introductory dream theme returns, now in tempo and with a straight-ahead swing feel. Variations on this theme follow, again to be played as if improvising, with the soloist once again bringing their own personality into the performance. This section builds to a climax, the music pauses, then modulates to C, with a return to the original blues theme. The energy and groove increase through the final flourish, where a blues line ends on the idiomatic flatted fifth. $9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wolfgang Amadeus Mozart: Violin Concerto In A Major, K. 219
Violin and Piano [Set of Parts] Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mah...(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mahling. K. 219. Set of performance parts (includes separate pull-out violin part) for violin and piano. Urtext of the New Mozart Edition. With solo part, piano reduction and introductory text. A Major. 69 pages. Published by Baerenreiter-Ausgaben (German import).
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