SKU: M7.SCHV-305
ISBN 9783931862329. German.
Das Märchen 'Der gestiefelte Kater' stammt aus dem Kulturgut unseres Landes. Es ist für die Kindergarten- und Vorschulzeit wunderbar geeignet, denn es enthält viele märchentypische Personen (König, Prinzessin, drei Brüder, Zauberer) und Handlungsteile (z. B. die Verwandlungen des Zauberers). Die Handlung bietet gute darstellerische Möglichkeiten mit unterschiedlich intensiven Rollen (als Chorsänger - innerhalb einer Gruppe - Einzelrolle), sodass jedes Kind seinen Fähigkeiten entsprechend agieren kann. Kostüme und Bühnenbild sind ohne allzu hohen Aufwand herstellbar. Und es darf gelacht werden - die spielerische Umsetzung des Märchens bereitet den Kindern einen Riesenspaß! Spieldauer: 30 Minuten Zu diesem Musical finden Sie: pfiffige Lieder und kindgerechte Sprechtexte Dialoge in Reimform kurze Erzählertexte einfache Instrumentalbegleitungen hilfreiche Regieanweisungen kreative Vorschläge für einfache Kostüme und Requisiten eine Audio-CD mit den Liedern.
SKU: M7.PPV-20046508
ISBN 9783941531765. German.
Filmbusiness beleuchtet die andere Seite der glamourösen Filmwelt: Das Business. Denn Filme entstehen nicht aus Träumen allein. Hinter der Leinwand ist eine ganze Branche damit beschäftigt, Milliardenumsätze zu verdienen. Wie finanziert sich ein Film? Was kostet ein Film? Wie wird ein Film ausgewertet? Wer verdient was? Wer wird Produzent oder Agent? Wer macht ein Vermögen? Wer verliert es? Antworten auf diese und alle anderen Fragen liefert Patrick Jacobshagen gemeinsam mit führenden Vertretern der Branche. In 32 persönlichen Stellungnahmen berichten Produzenten, Verleiher, Intendanten, Marketingexperten und viele andere, wie sie ihr Geld verdienen. Mit Witz und Sachverstand bietet dieses Buch erstmalig einen vollständigen Überblick von den Finanzierungsmöglichkeiten über die Kalkulation der Produktionskosten bis hin zur Auswertung des fertigen Films. Filmbusiness ist damit das unverzichtbare Handbuch für Produzenten, Regisseure, Agenten, Schauspieler, Kinoverleiher und alle, die in der Branche Geld verdienen wollen. In diesem Buch kommen zu Wort: Martin Bachmann (Sony Pictures), Christine Berg (Deutscher Filmförderfonds), Guido Evers (Odeon Film), Kirsten Niehuus (Medienboard Berlin-Brandenburg), Dagmar Reim (RBB), Bettina Reitz (Bayrischer Rundfunk), Jan Rickers (Kinowelt), Hans Seger (Premiere), Peter Schulze (Fox), Barbara Thielen (RTL), Carl Woebcken (Studio Babelsberg), Gero Worstbrock (Constantin Film) uvm.
SKU: HL.44002747
UPC: 073999027471. 8.25x11.75x0.196 inches.
Ross Roy is de naam van de monumentale villa in Brisbane (Australie) waar in 1945 het St. Peters Lutheran College is gesticht. In opdracht van het collegeorkest componeerde Jacob de Haan dit gevarieerde concertwerk vol metaforen.De structuur en discipline van de school horen we in de met toonherhaling gepaard gaande ritmische beweging in basregister en slagwerk. Het volgende, martiale thema staat symbool voor het doorlopen van de klassen. Een schertsende,humoristische versie van het hoofdthema ontbreekt niet: op school moet immers ook tijd zijn voor vrolijkheid. Het karakteristieke slotthema mondt uit in een feestelijke apotheose.Ross Roy ist der Name einer monumentalen Villa in Brisbane, Australien, in der 1945 das St. Peter Lutheran College gegrundet wurde. Im Auftrag dieses Schulorchesters komponierte Jacob de Haan dieses Konzertwerk, das voll von Metaphern ist. Die Struktur und Disziplin dieser Schule horen wir in der mit Tonwiederholungen gepaarten rhythmischen Bewegung des Bassregisters und des Schlagwerks. Das folgende martialische Thema steht als Symbol fur das Durchlaufen der Klassen bis zum Ende der Schulzeit. Eine scherzhafte, humoristische Version des Hauptthemas darf nicht fehlen, denn in der Schule muss auch Zeit fur kleine Spasse und Lachen sein! Das charakteristische Schlussthemamundet in einem festlichen Hohepunkt. Commissionato dalla St. Peter's Wind Symphony Orchestra di Brisbane, e dedicato alla monumentale villa tardo-ottocentesca dove il collegio dell'orchestra ha avuto la sua storica sede. Metafora degli anni della formazione, e caratterizzato da un finale in stile ouverture, come se gli anni della scuola rappresentassero una sorta di ouverture al resto della vita.
SKU: BA.BA08794-82
ISBN 9790006529124. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.44002746
UPC: 073999027464. 6.75x10.5x0.458 inches.
SKU: HL.49047079
ISBN 9783795730437. UPC: 196288115106.
At the international LISTENING/HEARING symposium in autumn 2021 in Bonn, international experts discussed the elementary sense of hearing and the cultural technique of listening. Philosophy meets cognitive research, soundscape ecology meets musicology, architectural theory meets media analysis, history meets sociology. And everything on the sound art, which absorbs, processes and externalizes scientific findings and often throws back new questions. With contributions by Sam Auinger, Barry Blesser, Gernot Bohme, Jonathan Clarke, Stefan Evers, Edwin van der Heide, Anne Holzmuller Sandra Muller, Sven Oliver Muller, Bernhard Leitner, Gordon Monahan, Helga de la Motte-Haber, Jonas Obleser, Andreas Oldorp, Jens Gerrit Papenburg, Lucia Ronchetti, Hartmut Rosa, Linda-Ruth Salter, Holger Schulze, Maia Urstad and Jonathan Sterne.
SKU: BR.EB-10702
In Cooperation with G. Henle Verlag
ISBN 9790201807027. 9.5 x 12.5 inches.
Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.with parts for horn in F and Eb major.
SKU: BR.EB-10704
ISBN 9790201807041. 9.5 x 12 inches.
Prank or Color Code? Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.In Cooperation with G. Henle Verlag.
SKU: CA.4049980
ISBN 9790007070762. Language: Latin.
Score available separately - see item CA.4049900.
SKU: BA.BA08794-86
ISBN 9790006543700. 32.5 x 25.5 cm inches.
SKU: CA.4005212
ISBN 9790007059170. Key: C major. Language: Latin.
Dixit et Magnificat comprises the earliest vesper sections of all the vesper services and vesper psalm settings that Mozart wrote. Like the later complete vesper services, it was one of the works of church art commissioned for prestige purposes as was the custom at all well-known courts in Europe during the eighteenth century. Score and part available separately - see item CA.4005200.
SKU: CA.4060049
ISBN 9790007245122. Key: B flat major. Language: Latin.
With the Missa Sancti Nicolai and the Missa Sancti Joannis de Deo, his last to missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works. This so called Little Organ Solo Mass has never been accused of being unsuitable for church use despite the text stratification in the Gloria and Credo. Inspite of the unusual brevity of the Gloria (31 bars), the text setting still shows musical differentation. The strength of the composition lies in its expressive ability to force the listener under its spell with magic power. The full score contains at the same time the organ part. Score and part available separately - see item CA.4060000.
SKU: CA.4005219
ISBN 9790007137687. Key: C major. Language: Latin.
Dixit et Magnificat comprises the earliest vesper sections of all the vesper services and vesper psalm settings that Mozart wrote. Like the later complete vesper services, it was one of the works of church art commissioned for prestige purposes as was the custom at all well-known courts in Europe during the eighteenth century. Score and parts available separately - see item CA.4005200.
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