| Bass Guitar Songs for Kids Bass guitar - Beginner Hal Leonard
By Various. Bass. Children. Softcover. Duration 180 seconds. Published by Hal ...(+)
By Various. Bass. Children.
Softcover. Duration 180
seconds. Published by Hal
Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Red Hot Chili Peppers - Unlimited Love Bass guitar Hal Leonard
By The Red Hot Chili Peppers. Bass Recorded Versions Persona. Rock. Softcover....(+)
By The Red Hot Chili Peppers.
Bass Recorded Versions
Persona. Rock. Softcover.
Duration 240 seconds.
Published by Hal Leonard
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| All About That Bass Bass guitar Hal Leonard
(Bass Guitar) SKU: HL.14078573 Bosworth. General Merchandise. Duration 24...(+)
(Bass Guitar) SKU: HL.14078573 Bosworth. General Merchandise. Duration 240 seconds. Hal Leonard #BOE7820. Published by Hal Leonard (HL.14078573). $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Song without Words Op.109 Bass Clarinet, Piano [Score and Parts] Alea Publishing
Composed by Felix Bartholdy Mendelssohn (1809-1847). Score and part. Duration 5 ...(+)
Composed by Felix Bartholdy Mendelssohn (1809-1847). Score and part. Duration 5 minutes, 30 seconds. Published by Alea Publishing (A7.ALEA1148).
$10.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| POD® Express Bass Line 6
SKU: HL.1364412 Effects. Guitar Pedal. Duration 160 seconds. Line 6 #99-0...(+)
SKU: HL.1364412 Effects. Guitar Pedal. Duration 160 seconds. Line 6 #99-060-3100. Published by Line 6 (HL.1364412). UPC: 614252340236. 6.5x7.5x3.0 inches. POD® Express Bass is an ultra-portable bass amp and effects processor that enables bassists to take their tones wherever they choose. Simple controls make it easy to use, while models derived from the award-winning HX® family of processors ensure exceptional sounc quality and authentic feel. POD® Express Bass gives bassists seven amps, seven cabs, and 17 distortion, compression, synth, modulation, and delay effects – including a looper – and it may be powered by three AA batteries (included) or an optional 9-volt power supply. Additional features include stereo outputs, tap tempo, a tuner, a noise gate, a headphone output, and a USB-C audio interface with re-amping capabilities. Add an optional expression pedal for volume control, or up to two footswitches to select presets or turn effects on and off. • Ultra-portable design lets bassists take it anywhere • Familiar controls make it easy to quickly dial in tones • HX-quality models for exceptional sound and feel • 7 amps, 7 cabs, and 17 effects, including a looper • Powered by 3 AA batteries or an optional 9-volt power supply • Stereo Main outputs and stereo headphone output • USB-C audio interface for recording, monitoring, re-amping • Connect an optional expression pedal or 2 external footswitches. $179.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tout Simplement Double bass, Piano (duet) - Beginner FLEX Editions
Chamber Music & Piano Accompaniment 1 Double Bass 1 Piano - Grade 1 SKU: FL.F...(+)
Chamber Music & Piano Accompaniment 1 Double Bass 1 Piano - Grade 1 SKU: FL.FX073776 Composed by Jean-Michel Adagas. Original Composition. Classical, Educational. Score and Set of Parts. 3 (score); 1 (parts) pages. Duration 2 minutes, 10 seconds. FLEX Editions #FX073776. Published by FLEX Editions (FL.FX073776). A piece to be played from 1 year of double bass practice ; Instruments: 1 Double Bass 1 Piano; Difficuly Level: Grade 1. $8.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hold On Choral SATB BriLee Music
Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 ...(+)
Composed by Traditional
Spiritual. Arranged by Dan
Davison. Sws. Octavo. 16
pages. Duration 2 minutes, 50
seconds. BriLee Music
#BL1155. Published by BriLee
Music
$2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Gefällt Mir! - Book 5 Piano solo Bosworth & Co.
The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! b...(+)
The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! by Hans-Günter Heumann features demonstration tracks with recorded Piano, Bass and Drums, as well as backing with the Piano part taken out, allowing you to play along. **Please note: The CD included with this title can only be played through an MP3 compatible program.**
$14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Future of Tomorrow - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS245 Composed by Benjamin Yeo. Folio. Cps. Set of Score and Parts. 8+2+8+8+2+4+4+4+4+2+4+4+4+4+6+6+4+4+8+2+2+1+4+1+2+24 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CPS245. Published by Carl Fischer Music (CF.CPS245). ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1-4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo. $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 101 Hit Songs Tuba Hal Leonard
For Tuba. By Various. Instrumental Folio. Pop. Softcover. 160 pages. Duration ...(+)
For Tuba. By Various.
Instrumental Folio. Pop.
Softcover. 160 pages. Duration
175 seconds. Published by Hal
Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tumbleweed Concert band [Score and Parts] - Intermediate Carl Fischer
Fanfare and Fantasy. Composed by Tyler Arcari. Score and part(s). With St...(+)
Fanfare and Fantasy. Composed by Tyler Arcari. Score and part(s). With Standard notation. 32 322 pages. Duration 4 minutes, 6 seconds. Carl Fischer #CPS0185. Published by Carl Fischer (CF.CPS185).
$95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Will Lift My Eyes Choral 3-part TTB/TBB [Octavo] Carl Fischer
Composed by Victor C Johnson. Octavo. 12 pages. Duration 3 minutes, 14 seconds. ...(+)
Composed by Victor C Johnson. Octavo. 12 pages. Duration 3 minutes, 14 seconds. Carl Fischer #CM09450. Published by Carl Fischer (CF.CM9450).
$2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sunrise on South Padre - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Clave...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Claves, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum and more. - Grade 2 SKU: CF.YPS248 Composed by Aaron McMichael. Yps. Set of Score and Parts. 16+4+4+4+2+2+10+4+2+4+4+4+3+3+2+3+1+6+3+4+2+24 pages. Duration 3 minutes, 24 seconds. Carl Fischer Music #YPS248. Published by Carl Fischer Music (CF.YPS248). ISBN 9781491161319. UPC: 680160919901. This original work for developing bands was composed in January of 2019 when the composer ran a 10K from Port Isabel to Louis Backyard on South Padre Island at the break of day. This composition starts off slowly as the sun rises, alternating between 3/4 and 4/4 time. Students will have multiple opportunities to practice time signature changes, different ostinato rhythms, and dynamic levels as the race unfolds. When young ensembles strive for their best sound and balance, the music truly shines. The metronome markings and articulations, like the steady pounding of a runner's feet, are important to play correctly. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sunrise on South Padre - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Clave...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Claves, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum and more. - Grade 2 SKU: CF.YPS248F Composed by Aaron McMichael. Yps. Full score. 24 pages. Duration 3 minutes, 24 seconds. Carl Fischer Music #YPS248F. Published by Carl Fischer Music (CF.YPS248F). ISBN 9781491161876. UPC: 680160920556. This original work for developing bands was composed in January of 2019 when the composer ran a 10K from Port Isabel to Louis Backyard on South Padre Island at the break of day. This composition starts off slowly as the sun rises, alternating between 3/4 and 4/4 time. Students will have multiple opportunities to practice time signature changes, different ostinato rhythms, and dynamic levels as the race unfolds. When young ensembles strive for their best sound and balance, the music truly shines. The metronome markings and articulations, like the steady pounding of a runner's feet, are important to play correctly. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shout for Joy, All the Earth! Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 3.5 SKU: CF.CPS201F Composed by Peter Terry. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 32 pages. Duration 4 minutes, 46 seconds. Carl Fischer Music #CPS201F. Published by Carl Fischer Music (CF.CPS201F). UPC: 680160905775. 9 x 12 inches. Shout for Joy All the Earth! is a bold fantasia for the advancing concert band based on the composer's choral work of the same name. This work celebrates being alive and captures moments of intense joy and relaxed contemplation. The overall mood of this piece emphasizes the feeling that when we are overcome by joy we feel as if all of nature is celebrating with us. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shout for Joy, All the Earth! Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 3.5 SKU: CF.CPS201 Composed by Peter Terry. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 12+12+6+12+12+12+4+4+6+6+6+6+8+8+8+4+4+6+6+6+4+8+4+3+6+8+32 pages. Duration 4 minutes, 46 seconds. Carl Fischer Music #CPS201. Published by Carl Fischer Music (CF.CPS201). UPC: 680160905072. 9 x 12 inches. Shout for Joy All the Earth! is a bold fantasia for the advancing concert band based on the composer's choral work of the same name. This work celebrates being alive and captures moments of intense joy and relaxed contemplation. The overall mood of this piece emphasizes the feeling that when we are overcome by joy we feel as if all of nature is celebrating with us. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Legend of Taum Sauk Concert band [Score and Parts] - Easy Carl Fischer
Composed by Larry Clark. Score and part(s). With Standard notation. 24 162 pag...(+)
Composed by Larry Clark. Score and part(s). With Standard notation. 24 162 pages. Duration 4 minutes, 52 seconds. Carl Fischer #YPS0180. Published by Carl Fischer (CF.YPS180).
$75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alexander's Ragtime Band Concert band [Score and Parts] Carl Fischer
Composed by Irving Berlin. Arranged by Jerry Nowak. For concert band (piccolo, f...(+)
Composed by Irving Berlin. Arranged by Jerry Nowak. For concert band (piccolo, flute 1, flute 2, oboe, clarinet 1 in Bb, clarinet 2 in Bb, clarinet 3 in Bb, bass clarinet in Bb, bassoon, alto saxophone 1 in Eb, alto saxophone 2 in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, trumpet). Symphonic Performance Series. Score and parts. Duration 3 minutes, 22 seconds. Published by Carl Fischer
$110.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shazam - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.032-3824-01 Composed by L. Barton. Jazz Ensemble. Audio r...(+)
Grade 3 SKU: CL.032-3824-01 Composed by L. Barton. Jazz Ensemble. Audio recording available separately (item CL.991-2009-01). Extra full score. Composed 2009. Duration 2 minutes, 37 seconds. C.L. Barnhouse #032-3824-01. Published by C.L. Barnhouse (CL.032-3824-01). A high energy rock chart loaded with appeal! Trumpets are featured throughout but there’s plenty for everyone else to do. Includes an easy written out bass solo. Utilizing repetitive rhythms and fingerings that lay well on the instrument, the difficulty level of this piece is easily attainable by younger, less experienced groups and with less than perfect instrumentation. Easy changes and written out solos will encourage developing soloists, yet will also showcase mature players. Appeal, accessibility, and modest ranges make this chart an excellent concert or contest selection and an all-around winner for your jazz ensemble! $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Conqueror Concert band [Score and Parts] - Intermediate/advanced Carl Fischer
March. Composed by Carl Teike. Edited by Van B. Ragsdale. Score and part(...(+)
March. Composed by Carl Teike. Edited by Van B. Ragsdale. Score and part(s). With Standard notation. 24 328 pages. Duration 3 minutes, 19 seconds. Carl Fischer #SPS0068. Published by Carl Fischer (CF.SPS68).
$125.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Basses On A Rampage Concert band - Intermediate C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4201-75 March. Composed by Huff...(+)
Concert band - Grade 3 SKU: CL.012-4201-75 March. Composed by Huffine. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR378). Oversized, spiral-bound score. Composed 2013. Duration 2 minutes, 39 seconds. Opus III Wind Orchestra Publications #012-4201-75. Published by Opus III Wind Orchestra Publications (CL.012-4201-75). The title certainly tells the story of this delightful march! The lower voices of your band finally have a chance to show off with a march of their own! A wonderful way to showcase the low brass and low woodwinds. It's bass-clef fun from start to finish! About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatina For Flute And Bassoon Flute Leduc, Alphonse
Flute SKU: HL.48182140 Composed by Pierre Gabaye. Leduc. Classical. Softc...(+)
Flute SKU: HL.48182140 Composed by Pierre Gabaye. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL23092. Published by Alphonse Leduc (HL.48182140). UPC: 888680835033. 9.0x12.0x0.1 inches. Successful French composer, Pierre Gabaye (1930-2000) studied at the Paris Conservatoire where he won the 1956 Prix de Rome. His competence is proved by his Sonatina for Flute and Bassoon. Gabaye's compositional style has been described as following the French neo-classical tradition, such as the music of Poulenc. Sonatina for Flute and Bassoon exemplifies the composer's light-hearted music. A typical performance of the duet lasts about 10 minutes and 40 seconds and comprises three movements. For all advanced flautists and bassoonists seeking alternative ensemble performance repertoire, Gabaye's Sonatina for Flute and Bassoon is ideal.. $37.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| En Route Pour L'Aventure - Easy FLEX Editions
Chamber Music, Duet Clarinet Duet and Percussions: 1 Bb Clarinet 1 Bass Clarinet...(+)
Chamber Music, Duet Clarinet Duet and Percussions: 1 Bb Clarinet 1 Bass Clarinet 1 Bongo / Snare Drum 1 Cymbal - Grade 2 SKU: FL.FX073513 Composed by Jean-Michel Maury. Original Composition. Classical, Educational. Score and Set of Parts. Duration 1 minute, 20 seconds. FLEX Editions #FX073513. Published by FLEX Editions (FL.FX073513). Instruments:Clarinet Duet and Percussions: 1 Bb Clarinet 1 Bass Clarinet 1 Bongo / Snare Drum 1 Cymbal; Difficuly Level: Grade 2. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Making the Band Hal Leonard
Singer Edition 20-Pak (full color) Choral (singer 20 pak) SKU: HL.123456 ...(+)
Singer Edition 20-Pak (full color) Choral (singer 20 pak) SKU: HL.123456 Express Musical for Young Voices. Arranged by Roger Emerson. Music Express Books. Elementary, Musicals. Duration 1500 seconds. Published by Hal Leonard (HL.123456). ISBN 9781480363083. UPC: 884088958350. 8.5x11.0x0.824 inches. An Express Musical for Young Voices. “Move that car! We're ready to begin. A garage is a place to make music in. With keyboard, drums, guitar and bass; add a singer and we're all in place!†Explore the instruments of a rock band and start your own garage band. This unique musical revue features fresh new arrangements for unison voices with optional harmony that are accessible and appropriate for upper elementary and middle school singers. Use the program dialog for performance options; connect to the standards with teaching objectives for each song; and extend learning with online video interviews featuring John Jacobson and the studio musicians who recorded the songs in musical revue. “Here we go; the band is complete. We got the singer and we got the beat! Let's twist and shout and harmonize, too. We're ready to play a tune for you.†Songs include: We Got the Beat, Twist and Shout, Stand By Me, Your Song, Livin' on a Prayer, Making the Band. 25 Minutes. Suggested for grades 4-8. $39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Morning Star Concert band [Score] Carl Fischer
(For Symphonic Band - Full Score). By David Maslanka. Concert Band. For Flute I,...(+)
(For Symphonic Band - Full Score). By David Maslanka. Concert Band. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Horn I, Horn II, Hor. Carl Fischer Classic Band Editions. Full Score. Standard notation. 78 pages. Duration 8 minutes, 30 seconds. Published by Carl Fischer
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tu Vois Le Mal Partout - Intermediate FLEX Editions
Chorale d'Enfants & Instruments, Autres Ensembles, Chorale Children's Choir (2 G...(+)
Chorale d'Enfants & Instruments, Autres Ensembles, Chorale Children's Choir (2 Groups) 1 Flute 1 Bb Clarinet 1 Bass Clarinet 1 Bb Trumpet 1 Trombone 1 Piano 1 Double Bass 1 Xylophone 1 Drum Set - Grade 3 SKU: FL.FX072871 Composed by Jean-Michel Maury. Original Composition. Classical, Educational. Score and Set of Parts. Duration 3 minutes, 5 seconds. FLEX Editions #FX072871. Published by FLEX Editions (FL.FX072871). A demanding song taking the form of an exchange between two groups of children, to stage absolutely. For children between 10 and 14 years-old. ; Instruments: Children's Choir (2 Groups) 1 Flute 1 Bb Clarinet 1 Bass Clarinet 1 Bb Trumpet 1 Trombone 1 Piano 1 Double Bass 1 Xylophone 1 Drum Set; Difficuly Level: Grade 3. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Glagolitic Mass Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III mu...(+)
Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III muta in Piccolo-Flote), 2 Ob+EnglHn, 3clar(clar III muta in Bass-clar), 3bsn(bassoonott III muta in Kontra-bassoonott), 4Hn, 4Trp, 3tbn, Tb, 3timp, Tri, Tr-Kl, Be-Hang, Tam, Glsp, Gl, Cel, 2 harp, Org, Str) SKU: BA.BA06863 September 1927 Version. Composed by Leos Janacek. Edited by Jirà Zahrádka. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek. Series B, Volume 5-II. September 1927 Version. Complete edition, Score. 179 pages. Duration 41 minutes, 13 seconds. Baerenreiter Verlag #BA06863_00. Published by Baerenreiter Verlag (BA.BA06863). ISBN 9790260105317. 34.2 x 27 cm inches. Text Language: Church Slavic. “The Glagolitic Massâ€, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.
This new critical edition presents two different versions of the work in two separate volumes (B/5-I, BA 6862 und B/5-II, BA 6863): the “September 1927†version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek’s death by Universal Edition Wien in 1930. Known as the “final authorised version“, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janacek’s regular copyist Václav Sedlacek.
The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The “September 1927†version can be seen more as a supplement and appears without text commentary.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$289.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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