SKU: HL.50486971

ISBN 9781423474982. UPC: 884088393700. 10.5x14.0x0.225 inches.

Selected from the Gayaneh Ballet, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very Slavic Ukranian Gopak (Hopak) to the Armenian Dance of the Maidens and the Kurdish Mountaineers' Dance. They vary in instrumental color and tension from festive and party-like, through sultry and romantic, to tense and almost angry. These may be performed in any combination - a single stand-alone dance movement, a contrasting pair, or all three in a complete set. A culturally rich and unique experience for players and audience alike. Dur: 7:45 (Grade 5).

SKU: UT.GCE-20

ISBN 9790215328259. 9 x 12 inches.

Given that appendices have since been included in other volumes, it now seems appropriate to compile an appendix for Volume 1A in the form of a separate publication, Volume 1C of the series. Even with a whole volume available, however, it is impossible to include all known arrangements. Such a publication would be of disproportionate size: it would require about 600 pages, due largely to the two complete or near-complete sets of concerto arrangements. The present volume thus includes only selections from these sets of concerto arrangements and also only a selection from Edward Finch’s complete set of arrangements in the form of transverse-flute sonatas. The smaller sets of arrangements—either as solo sonatas or as trio sonatas—are included in their entirety.
The available arrangements fall into three distinct categories: solo sonatas, trio sonatas, and concertos. There are fourteen arrangements by Edward Finch for transverse flute with figured bass; they are found in the so-called Armstrong-Finch manuscript and comprise a full set of twelve plus two duplicate versions. Four of these arrangements are included in the present volume. Three more arrangements for transverse flute or recorder with figured bass are found in anthologies of sonatas for these instruments published in the 1720s; they are all of them edited here. Geminiani’s Sonatas VII-XII were transformed into trio sonatas by Francesco Barsanti and published in this format in 1727. These arrangements are included here in complete form as well. A near-complete set of concerto arrangements—Sonata XI is missing—was composed by Charles Avison and a complete set by Gerhard Christoph Raupach, both sets composed probably in the 1730s. From each of these two sets, two examples were selected for inclusion in the present volume. They are supplemented by single concerto arrangements by William Hayes (after Sonata IV) and Johan Helmich Roman (after Sonata VI), composed at all probability in the 1730s as well. None of these concerto arrangements was published in the eighteenth century.

SKU: FH.WS1

ISBN 978-1-55440-550-3.

Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.
Eb Saxophone:

Rhythmic Repertoire:
What Is Beauty but a Breath? - Thomas Greaves, arr. Kathleen Wood
Great Scott - Lennie Niehaus
Cielito Lindo - Quirino Mendoza y Cortes
Horseshoe Shuffle - Beverley Calland
Here Comes the Parade! - Nova Pon
Theme and Variations - Aleksandr Glazunov, arr. Mark Mrozinski
Galloping Across the Prairies - Sean Clarke
Lyrical Repertoire:
Ave Verum Corpus, K 618 - Wolfgang Amadeus Mozart, arr. Jason Gray
Moonglow - Pam Wedgwood
Calm as the Night (Still wie die Nacht), op. 326, no. 27 - Carl Bohm, arr. Christine Donkin
Gymnopedie No. 2 - Erik Satie, arr. Jason Noble

Bb Saxophone:

Rhythmic Repertoire:
The Sidewalks of New York - Charles B. Lawlor, arr. Forrest Kinney
Sweet Betsy from Pike - American folk song, arr. Christine Donkin
Minuet in D minor, BWV Anh. 132 - attr. Johann Sebastian Bach, arr. Jason Noble
Lyrical Repertoire:
A Joyous Tune - Sigurd Rascher
Londonderry Air - Irish folk song, arr. Forrest Kinney
Good News! (Nouvelle agreable!) - 18th-century French carol, arr. Akiko and Forrest Kinney.

SKU: WD.080689593871

UPC: 080689593871.

More Songs for Praise and Worship 4 is a best-selling selection from the Songs for Praise and Worship series that represents the very best praise and worship songs that the body of Christ is singing throughout much of the world. Awash in the inspiration of the Holy Spirit, the transforming power of modern worship is reaching across traditional boundaries to joyfully proclaim God's glory. More Songs for Praise and Worship 4 delivers a timeless message of faith with a dynamic collection complete with 51 of the latest praise and worship songs selected to energize your worship programming. Congregation-friendly songs are sensibly arranged at the moderately difficult level, and include chords for guitar and piano accompaniment. The Piano/Guitar/Vocal Edition from More Songs for Praise & Worship 4 is ideal to use for Bible study groups, cell groups, and other small group worship settings, enabling the vocalist and instrumentalist to sing the same songs and arrangements used in Sunday services. The heavy-duty 9x 12 spiral-bound book includes all 51 songs with an easy piano arrangement featuring the melody in the right hand with lyrics and guitar chord symbols included.

SKU: WD.080689577871

UPC: 080689577871.

More Songs for Praise and Worship 4 is a best-selling selection from the Songs for Praise and Worship series that represents the very best praise and worship songs that the body of Christ is singing throughout much of the world. Awash in the inspiration of the Holy Spirit, the transforming power of modern worship is reaching across traditional boundaries to joyfully proclaim God's glory. More Songs for Praise and Worship 4 delivers a timeless message of faith with a dynamic collection complete with 51 of the latest praise and worship songs selected to energize your worship programming. Congregation-friendly songs are sensibly arranged at the moderately difficult level, and include chords for guitar and piano accompaniment. The Piano/Guitar/Vocal Edition from More Songs for Praise & Worship 4 is ideal to use for Bible study groups, cell groups, and other small group worship settings, enabling the vocalist and instrumentalist to sing the same songs and arrangements used in Sunday services. The heavy-duty 9x 12 spiral-bound book includes all 51 songs with an easy piano arrangement featuring the melody in the right hand with lyrics and guitar chord symbols included.

SKU: YM.GTC01101111

ISBN 9784636107838.

Includes five Japanese pop songs from the 1980s with catchy lyrics, melodies, and harmonies, arranged into a single 20-minute concert program. The arrangements are adaptable for both male and female two-part choirs.

SKU: HL.400103

ISBN 9781596156463. UPC: 884088161101. 9.0x12.0x0.098 inches.

Performed by Janet Grice, bassoon Accompaniment: Harriet Wingreen, piano This collection of classic pieces, scored for solo bassoon with piano accompaniment, covers a huge span of time and musical styles, from Bach (Bourrée I and II) to Dukas's Sorcerer's Apprentice. Includes selections from Carmen, L'Elisir d'amore, Pictures at an Exhibition, and many, many more! Includes the printed solo part and audio recordings of complete performances presented in split-channel format, with the piano accompaniment on the left channel and bassoon soloist on the right channel. This affords the player the ability to easily dial in or out the reference solo part. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.