|
| 3e Symphonie en ut mineur, op. 78 - Advanced
Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Concerto For Flute And Orchestra
Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more. SKU: PR.41641515L Composed by Behzad Ranjbaran. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Large Score. With Standard notation. Composed 2013. Duration 28 minutes. Theodore Presser Company #416-41515L. Published by Theodore Presser Company (PR.41641515L). UPC: 680160621750. The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice. In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions. In writing my flute concerto, I aimed not only to highlight the modern flautist's ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages. Two prominent characters permeate the first movement of my concerto. They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively. The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra. Apart from these two characters there are moments of mystery, comedy and the grotesque, among others. In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors. The solo flute is left out in an agitated middle section that references the first movement. In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp. The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute. Some of the materials from the earlier movements are presented again with joyous character. The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.
The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy. $160.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Duos for Trumpet and Baritone (or Trombone) (Baritone / Trombone / Trumpet)
Trumpet, Trombone (duet) - Easy
EMB (Editio Musica Budapest)
for Beginners. EMB. Size 9.25x12.25 inches. 80 pages. Published by Editio Musica...(+)
for Beginners. EMB. Size 9.25x12.25 inches. 80 pages. Published by Editio Musica Budapest.
$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| My First Barrett/Niemann
Oboe - Easy
Carl Fischer
By Barrett/Niemann.
Arranged by Daniel
Schmidt. oboe. Published
by Carl Fischer.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Duettino from 'Don Giovanni' (score only) [Score] - Easy
G and M Brand Music Publishers
Soloist(s) with Concert Band (Duet: Bb Clarinet or Bb Cornet, Bassoon, or Euphon...(+)
Soloist(s) with Concert Band (Duet: Bb Clarinet or Bb Cornet, Bassoon, or Euphonium, Flute 1-2, Oboe, Bb Clarinet 1-3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1-2, Bb Tenor Saxophone, Eb Baritone Saxophone, Cornet 1-2, Trumpet 1-2, Horn in F 1-2, Trombone 1-2, Euphonium, Bb Euphoniu) - grade 2.5 SKU: CN.S11087 Clarinet & Bassoon Feature. Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score only. Duration 3:00. Published by G & M Brand Music Publishers (CN.S11087). In this arrangement, the duettists can be either Clarinet and Bassoon or Cornet and Euphonium. The Cornet parts in the band are optional; in the version for Clarinet and Bassoon they should play only at the conductor's discretion, and according to good balance. The timpani part must at all times be played with a light touch. Here too the conductor should exercise discretion. $10.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Duettino from 'Don Giovanni' (score & parts) [Score and Parts] - Easy
G and M Brand Music Publishers
Soloist(s) with Concert Band (Duet: Bb Clarinet or Bb Cornet, Bassoon, or Euphon...(+)
Soloist(s) with Concert Band (Duet: Bb Clarinet or Bb Cornet, Bassoon, or Euphonium, Flute 1-2, Oboe, Bb Clarinet 1-3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1-2, Bb Tenor Saxophone, Eb Baritone Saxophone, Cornet 1-2, Trumpet 1-2, Horn in F 1-2, Trombone 1-2, Euphonium, Bb Euphoniu) - grade 2.5 SKU: CN.R10087 Clarinet & Bassoon Feature. Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score & parts. Duration 3:00. Published by G & M Brand Music Publishers (CN.R10087). In this arrangement, the duettists can be either Clarinet and Bassoon or Cornet and Euphonium. The Cornet parts in the band are optional; in the version for Clarinet and Bassoon they should play only at the conductor's discretion, and according to good balance. The timpani part must at all times be played with a light touch. Here too the conductor should exercise discretion. $50.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Concerto For Flute And Orchestra
Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more. SKU: PR.416415150 Composed by Behzad Ranjbaran. Spiral. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Study Score. With Standard notation. Composed 2013. 126+126 pages. Duration 28 minutes. Theodore Presser Company #416-41515. Published by Theodore Presser Company (PR.416415150). ISBN 9781598069020. UPC: 680160621743. 9 x 12 inches. Inspired by the alluring, human-like sound of the Ney (a Persian bamboo flute), Ranjbaran aims not only to highlight the modern flutist’s ability to play agile and brilliant passages, but also to emulate the delicate sound of the Ney, particularly in extended solo passages. The three-movement 27-minute concerto was commissioned by the Philadelphia Orchestra for its principal flutist Jeffrey Khaner. The piano reduction (published separately) was designed by the composer to be practical in recital performances. CONCERTO for Flute and Orchestra has been recorded for Naxos by Érik Gratton with the Nashville Symphony conducted by Giancarlo Guerrero.
The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Angel of the North
Concert band [Score] - Easy
G and M Brand Music Publishers
Concert band (Flute 1-2, Oboe, Bb Clarinet 1-3, Bb Bass Clarinet, Bassoon, Alto ...(+)
Concert band (Flute 1-2, Oboe, Bb Clarinet 1-3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1-2, Bb Tenor Saxophone, Eb Baritone Saxophone, Trumpet 1-2, Horn in F 1-2, Horn in Eb 1-2, Trombone 1-2, Euphonium, Baritone TC, Tuba, String Bass, Timpani/Chimes, Percussion 1 () - grade 3 SKU: CN.S11257 Composed by Michael Brand. Arranged by Geoffrey Brand. Band Music. Score only. Duration 5:30. Published by G & M Brand Music Publishers (CN.S11257). This piece is based on the local folk song Dance to your Daddy, and comprises four of these scenes: a misty morning as a village awakes, the local brass band marching past, a love duet and a dance. The full folk tune reappears and musical fragments of each scene compete for the Angel's attention.
Angel of the North takes its title and inspiration from the huge public sculpture next to the A1 road in Gateshead, England. Its wings are 54 meters wide, larger than a jumbo jet, and the statue stands higher than a five story building. $10.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Angel of the North
Concert band [Score and Parts] - Easy
G and M Brand Music Publishers
Concert band (Flute 1-2, Oboe, Bb Clarinet 1-3, Bb Bass Clarinet, Bassoon, Alto ...(+)
Concert band (Flute 1-2, Oboe, Bb Clarinet 1-3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1-2, Bb Tenor Saxophone, Eb Baritone Saxophone, Trumpet 1-2, Horn in F 1-2, Horn in Eb 1-2, Trombone 1-2, Euphonium, Baritone TC, Tuba, String Bass, Timpani/Chimes, Percussion 1 () - grade 3 SKU: CN.R10257 Composed by Michael Brand. Band Music. Score and parts. Duration 5:30. Published by G & M Brand Music Publishers (CN.R10257). This piece is based on the local folk song Dance to your Daddy, and comprises four of these scenes: a misty morning as a village awakes, the local brass band marching past, a love duet and a dance. The full folk tune reappears and musical fragments of each scene compete for the Angel's attention.
Angel of the North takes its title and inspiration from the huge public sculpture next to the A1 road in Gateshead, England. Its wings are 54 meters wide, larger than a jumbo jet, and the statue stands higher than a five story building. $70.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Stabat Mater D 383
Choral SATB
Barenreiter
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice ...(+)
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir, 2 Fl, 2 Ob, 2 bassoon, bassoon-Co, 2 Hn, 3trombone, Str) SKU: BA.BA05547 Oratorio: Jesus Christus schwebt am Kreuz. Composed by Franz Schubert. Edited by Manuela Jahrmärker. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series I, Volume 7. Complete edition, Score. D 383. Baerenreiter Verlag #BA05547_00. Published by Baerenreiter Verlag (BA.BA05547). ISBN 9790006497089. 33.1 x 25.6 cm inches. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| My Very Best Christmas, Flute and Oboe Edt.
Flute [Sheet music + Audio access] - Easy
Mel Bay
17 Solos, Duets and a play- along audio on Christmas favorites. Arranged by Kar...(+)
17 Solos, Duets and a play-
along audio on Christmas
favorites. Arranged by Karen
Khanagov. Squareback saddle
stitch. My Very Best
Christmas. Book and online
audio/PDF. Published by Mel
Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Double Concerto
Concert band [Score and Parts] - Intermediate
C.L. Barnhouse
By Antonio Vivaldi (1678-1741). Arranged by Andrew Glover. Concert Band. Spotlig...(+)
By Antonio Vivaldi (1678-1741). Arranged by Andrew Glover. Concert Band. Spotlight. Grade 3. Score and set of parts. Composed 2006. Duration 0:03:06
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Then Sings My Soul (How Great Thou Art)
Vocal duet
Hope Publishing Company
Composed by Stuart Hine. Arranged by Mary Mcdonald. For Vocal Duet (High and Low...(+)
Composed by Stuart Hine. Arranged by Mary Mcdonald. For Vocal Duet (High and Low Voice - Key of A-flat). Vocal Solo Sheet Music. Worshiping, Hymntune. Published by Hope Publishing Company
$7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Path to Serenity - C Inst. Bass Clef
Jackman Music Corporation
Baritone, Euphonium, Tuba, Sousaphone, Trombone, Cello - intermediate/advanced <...(+)
Baritone, Euphonium, Tuba, Sousaphone, Trombone, Cello - intermediate/advanced SKU: JK.01978 Composed by Various. Arranged by Sarah Brough Blomquist. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01978. Published by Jackman Music Corporation (JK.01978). UPC: 093285019782. Introducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.
The series includes three books (SOLD SEPARATELY):
Piano Accompaniment Book - #01976
C Instrument - Treble Clef - #01977
C Instrument - Bass Clef - #01978
Arrangements found in this book:
Be Still, My Soul
Come, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books)
Where Can I Turn for Peace?
If You Could Hie to Kolob
I Need Thee Every Hour
More Holiness Give Me
Jesus, the Very Thought of Thee
Amazing Grace
Our Savior's Love
Composer: Various
Arranger: Sarah Brough Blomquist
Difficulty: Late-Intermediate/Advanced. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Horen Lezen & Spelen Duoboek 1
De Haske Publications
Trombone BC - easy SKU: BT.DHP-1013005-401 By Jaap Kastelein and Michiel ...(+)
Trombone BC - easy SKU: BT.DHP-1013005-401 By Jaap Kastelein and Michiel Oldenkamp. Horen, Lezen en Spelen. Educational Tool. Book Only. Composed 2001. 24 pages. De Haske Publications #DHP 1013005-401. Published by De Haske Publications (BT.DHP-1013005-401). ISBN 9789043114868. Dutch. Parallel aan deel 1 kunnen de jonge muzikanten al beginnen met het spelen van duetten. De werkjes in verschillende stijlen zijn van de hand van uitstekende componisten en arrangeurs, zoals Jacob de Haan, Dizzy Stratford en Robertvan Beringen. Natuurlijk zijn ze ook los van de methode leuk om te spelen. Inhoud: De echoput • Alpino-boogie • Een beetje Italiaans • Après-ski • De wals van de weerwolf • Taxi Rag • De swingende parelvissers • Space Rocke.a. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Christmastime
Vocal duet
Hope Publishing Company
Composed by Michael W. Smith / Joanna Carlson. Arranged by Lloyd Larson. For Voc...(+)
Composed by Michael W. Smith / Joanna Carlson. Arranged by Lloyd Larson. For Vocal Duet (Two Medium Voices - Key of E-Flat). Christmas, Call To Worship, Children, Contemporary, Hymntune. Published by Hope Publishing Company
$7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Jam on Top - Easy
Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal, Snare Drum, Tambourine, Timpani, Trombone, Trumpet 1 and more. - Grade 2 SKU: CF.YPS232 Composed by Mark Lortz. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+6+2+3+1+1+2+3+16 pages. Duration 2 minutes, 5 seconds. Carl Fischer Music #YPS232. Published by Carl Fischer Music (CF.YPS232). ISBN 9781491158180. UPC: 680160916788. 9 x 12 inches. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39a50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style.
Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39-50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style.
Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39–50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Jam on Top [Score] - Easy
Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal, Snare Drum, Tambourine, Timpani, Trombone, Trumpet 1 and more. - Grade 2 SKU: CF.YPS232F Composed by Mark Lortz. Sws. Yps. Full score. 16 pages. Duration 2 minutes, 5 seconds. Carl Fischer Music #YPS232F. Published by Carl Fischer Music (CF.YPS232F). ISBN 9781491158197. UPC: 680160916795. 9 x 12 inches. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39a50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style.
Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39-50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style.
Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39–50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| He Came (Orchestration - CD-Rom)
Choral SATB
Lillenas Publishing Co.
SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1...(+)
SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, violin 1&2, viola, cello/bassoon, string bass) - Moderate SKU: LP.765762204300 Composed by Ray Jones Andrea Jones. Arranged by Brian Duncan. Anthems. Inspirational, Christmas and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762204300). UPC: 765762204300. Soul-stirring and evocative, this new ballad from the worship ministry of Community Bible Church in San Antonio, TX is a tender reflection on the birth of Christ and what it means to us, the miracle that He Came. This soprano and tenor duet with choir and accompanying video will make for a poignant moment in any Christmas celebration. $74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| 5 Lessons in a Frame
Boosey and Hawkes
Chamber Ensemble (Score) SKU: HL.48024815 Ensemble Score. Composed...(+)
Chamber Ensemble (Score) SKU: HL.48024815 Ensemble Score. Composed by Harrison Birtwistle. Boosey & Hawkes Scores/Books. Classical. Softcover. 40 pages. Duration 1200 seconds. Boosey & Hawkes #M060136139. Published by Boosey & Hawkes (HL.48024815). ISBN 9781784545277. UPC: 888680984168. These five duets 'framed' within the 5 Lessons were developed from the five instrumental duets written for members of the London Sinfonietta between 2008 and 2014 - The Message (Duet 1), Bourdon (Duet 2) and Duets 3-5. These are available from the publisher. Instrumentation: Flute (doubling Alto Flute), Oboe (doubling Cor Anglais), Clarinet in Eb and Bb, Bassoon, Trumpet, Horn, Trombone, Side Drum (with snares), Violin I Violin II, Viola, Cello, Double Bass. $32.00 - See more - Buy online | | | |
| Horen Lezen & Spelen Duoboek 2 - Easy
De Haske Publications
Trombone BC - early intermediate SKU: BT.DHP-1013055-401 By Jaap Kastelei...(+)
Trombone BC - early intermediate SKU: BT.DHP-1013055-401 By Jaap Kastelein and Michiel Oldenkamp. Horen, Lezen en Spelen. Educational Tool. Book Only. Composed 2001. 24 pages. De Haske Publications #DHP 1013055-401. Published by De Haske Publications (BT.DHP-1013055-401). ISBN 9789043116282. Dutch. Dertien duetten van onder anderen Michiel Oldenkamp en Jaap Kastelein (de makers van de methode Horen, lezen & spelen) Jacob de Haan en Fons van Gorp. De eenvoudige duetten in diverse stijlen zijn ook los van de methode tegebruiken en bezorgen de jonge muzikanten menig uurtje speelplezier, waarbij belangrijke aspecten van het musiceren spelenderwijs naar voren komen. Inhoud: Samen sterk • It’s Swingtime • De chef van Kiev • Fanfare • Luilekkerland• Cool, Man • Beier op de Balearen e.a. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Double Concerto
Concert band [Score] - Easy
Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3551-01 Composed by Antonio Vivaldi. Arranged by Glov...(+)
Grade 3 SKU: CL.012-3551-01 Composed by Antonio Vivaldi. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (items CL.WFR340 & CL.WFR354). Extra full score. Composed 2006. Duration 3 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-3551-01. Published by Opus III Wind Orchestra Publications (CL.012-3551-01). This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a chamber wind ensemble of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band! About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas is coming
Choral SATB
SATB, Piano [Octavo]
Oxford University Press
Composed by Mack Wilberg (1955-). For SATB choir and piano, 4-hands (3 flutes (3...(+)
Composed by Mack Wilberg (1955-). For SATB choir and piano, 4-hands (3 flutes (3rd doubles piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (suspended cymbal, sleigh bells, xylophone, glockenspiel) harp, piano, organ (opt.), strings). Mixed Voices. Christmas Carols. Level B (easy). Octavo. 20 pages. Duration 3'. Published by Oxford University Press
$4.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Down to the river to pray
Choral SATB
SATB, Piano
Oxford University Press
By Mack Wilberg (1955-). For SATB choir and piano four-hands/orchestra (piccolo,...(+)
By Mack Wilberg (1955-). For SATB choir and piano four-hands/orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 2 percussion, banjo (optional), strings). Mixed Voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 6'. Published by Oxford University Press
$4.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Lord, Listen to Your Children
Hope Publishing Company
Vocal Duet (2 Med. Voices) SKU: HP.9141 Composed by Ken Medema. Arranged ...(+)
Vocal Duet (2 Med. Voices) SKU: HP.9141 Composed by Ken Medema. Arranged by Arr. By Jack Schrader. Piano Accompaniment with Optional Orchestra. Vocal Score. 12 pages. Hope Publishing Company #9141. Published by Hope Publishing Company (HP.9141). UPC: 763628191412. Original anthem Jack Schrader's blues-gospel setting of this ever popular Ken Medema song continues to be one of the top-selling choral pieces in our catalog. Available in multiple voicings. The Orchestration by Don Hart contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, Horn 1 & 2, Trumpets 1, 2 & 3, Trombone 1 & 2, Trombone 3 & Tuba, Percussion 1 & 2, Harp, Rhythm, Violin 1 & 2, Viola, Cello, and Bass. $7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| He Loved Us More with More Than Wonderful
Choral SATB
Lillenas Publishing Co.
By Geron Davis. Arranged by Mike Speck. For SATB choir with vocal solo and duet ...(+)
By Geron Davis. Arranged by Mike Speck. For SATB choir with vocal solo and duet (flute, oboe, F horn 1and2/3, trumpet 1/2and3, trombone 1and2/3and4, percussion, rhythm, harp, violin 1, violin 2, viola, cello/bassoon, string bass). Christmas. Moderate. Orchestration on CD-ROM. Published by Lillenas Publishing Company
$74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Gershwin Fantasy
2 Saxophones (duet) [Score and Parts] - Intermediate
Editions Marc Reift (Swiss import)
By Dennis Armitage. Arranged by J.G. Mortimer. For instrumental duet (2 alto sax...(+)
By Dennis Armitage. Arranged by J.G. Mortimer. For instrumental duet (2 alto saxophones, 2 euphoniums, 2 flutes, 2 trombones, 2 trumpets; or alto saxophone and tenor saxophone, flute and oboe, or trumpet and horn) and concert band. Swiss import. Level: 3 . Score and parts. Published by Editions Marc Reift. (EMR 10276)
$154.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Mary, Did You Know?
Choral SATB [Vocal Score]
Hope Publishing Company
Composed by Buddy Greene. Arranged by Jack Schrader. For medium and high voice d...(+)
Composed by Buddy Greene. Arranged by Jack Schrader. For medium and high voice duet (key of D Minor). Hope's All-Time Best Sellers series. Christmas, Devotion, Contemporary, Contemporary Gospel. Vocal score. 12 pages. Published by Hope Publishing Company
$7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Send the Water (Orchestration - CD-Rom)
Choral SATB
Lillenas Publishing Co.
SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1...(+)
SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, violin 1&2, viola, cello/bassoon, string bass) - Moderate SKU: LP.765762195400 Composed by Tracey Barker & Mark Harris. Arranged by Steven V. Taylor. Anthems. Contemporary and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762195400). UPC: 765762195400. Arranged by Steven V. Taylor, this new song, penned by Tracey Barker and Christian music veteran Mark Harris speaks of the woman at the well. Arranged for duet feature with choir, this is a very special song of complete surrender. $74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
|
