| A Gregorian Liturgical Year for Organ, Vol. 3: The Vigil of Pentecost through Pentecost 17 Ordinary Time 24 - Proper 19 Organ
Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Com...(+)
Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Complete Mass, Pentecost, Trinity, Communion. Medium. Published by Aureole Editions
$21.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Once Around the Sun July: Murmuration Piano solo Chester
Piano SKU: HL.14048256 For Piano Solo. Composed by Joby Talbot. Mu...(+)
Piano SKU: HL.14048256 For Piano Solo. Composed by Joby Talbot. Music Sales America. Classical. Softcover. Composed 2016. 6 pages. Chester Music #CH70114. Published by Chester Music (HL.14048256). 9.0x12.0 inches. Released in 2005, the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. July - Murmuration was the seventh piece to be composed and is scored here for solo Piano. $8.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Book - Volume V Eb Instruments Hal Leonard
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 page...(+)
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
Bb Instruments Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
C Instruments [Fake Book] Hal Leonard
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 46...(+)
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book Of Blues Piano solo Music Sales | | |
| Jazz Violin Studies Violin [Sheet music + CD] - Intermediate Mel Bay
By Usher Abell. For Fiddle and Violin. Technique. Jazz. Level: Intermediate. Boo...(+)
By Usher Abell. For Fiddle and Violin. Technique. Jazz. Level: Intermediate. Book/CD Set. Size 8.5x10.75. 152 pages. Published by Mel Bay Publications, Inc.
(1)$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O God, the King of Glory Choral SATB Zimbel Press
SATB Choir SKU: SU.80101283 For SATB Choir. Composed by Stephen Ke...(+)
SATB Choir SKU: SU.80101283 For SATB Choir. Composed by Stephen Kemp. Vocal/Choral, Sacred Choral. Accompanied by Organ. Choral Octavo. Zimbel Press #80101283. Published by Zimbel Press (SU.80101283). A superb, stirring motet setting the collect for the Seventh Sunday of Easter. Useful for any occasion. 8 pages Published by: Zimbel Press. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Gregorian Liturgical Year, Volume 2: Ash Wednesday through the Seventh Sunday of Easter Organ
By Gerald Near (1942-). For Organ. Ash Wednesday, Holy Week/Three Days, Lent, Go...(+)
By Gerald Near (1942-). For Organ. Ash Wednesday, Holy Week/Three Days, Lent, Good Friday, Easter. Medium. Published by Aureole Editions
$21.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Blues Fake Book
Fake Book [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chasing Mercury - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS234 Composed by Travis Weller. Folio. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+8+4+4+8+8+8+8+6+6+6+4+8+6+2+4+4+6+32 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CPS234. Published by Carl Fischer Music (CF.CPS234). ISBN 9781491156346. UPC: 680160914883. 9 x 12 inches. Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!. Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury! $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chasing Mercury [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS234F Composed by Travis Weller. Sws. Cps. Full score. 32 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CPS234F. Published by Carl Fischer Music (CF.CPS234F). ISBN 9781491156353. UPC: 680160914890. 9 x 12 inches. Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!. Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury! $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ron Miller Songbook Advance Music
Melody Instruments in C, with Guitar & Piano SKU: AP.1-ADV12041 40 Com...(+)
Melody Instruments in C, with Guitar & Piano SKU: AP.1-ADV12041 40 Compositions. Composed by Ron Miller. All Instruments Method or Collection; Method/Instruction. Advance Music. Jazz. Book. Advance Music #01-ADV12041. Published by Advance Music (AP.1-ADV12041). ISBN 9783892211044. UPC: 805095120417. English. As Professor Emeritus of Jazz Studies at the University of Miami, Ron's music has been performed and/or recorded by Red Rodney, Jerry Bergonzi, Pat Metheny, Stan Getz, John Abercrombie, Billy Hart and many more. This stylistically diverse collection of 40 of his favorite and most popular tunes in lead sheet format features music from all periods of his writing career (1962--2002). A written description of each tune provides helpful performance suggestions and background information. Titles: American Hope * Babes of Cancun * Bar Room Ballad * Bead Jive * BD Junkman * Blues For Ona * Blues For The High Priest * Dark Dance * Deep Pools * Designor Muzik * Gargoyle * Green Street * JC In The City * JC On The Land * Just A Breeder * Last Illusion * Lost Illusions * Love Thing * Man In White * Microcosm * Monk Strut * One Nite Strut * Nite Dancer * Nite Daze * Palm X * Password * Peacock Park * Ruth * Seventh Sign * Small Feats * Soul Bod * Spirit in Pursuit * SR Ballad * Sunchild * Sun Fun * Sweet GB * Sweet Illusions * The Lieb * The Wall * Wood Dance. $25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alfred's Adult All-in-One Course - Level 2 (Book)
Piano solo [Sheet music] - Easy Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Alfre...(+)
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Alfred's Basic Adult Piano Course. Format: instructional book. With introductory text, instructional text, illustrations and performance notes. Instructional. 9x12 inches. Published by Alfred Publishing.
(5)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Adult All-in-One Course - Level 2 (Book/CD)
Piano solo [Book + CD] - Easy Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. Instructional b...(+)
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. Instructional book (spiral bound) and accompaniment CD for piano. With introductory text, instructional text, standard notation and fingerings. Series: Alfred's Basic Adult Piano Course. 144 pages. Published by Alfred Publishing.
(5)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| You Can Teach Yourself Blues Harp Harmonica [Sheet music + CD] - Easy Mel Bay
by Phil Duncan. For all harmonica. You Can Teach Yourself. Blues, method. Level:...(+)
by Phil Duncan. For all harmonica. You Can Teach Yourself. Blues, method. Level: Beginning. Book/CD package. Method. Size 8.75x11.75. 84 pages.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Right of Your Senses St Rose Music Publishing
Choral (Vocal Score) SKU: HL.402077 For Soprano Solo, Children's Choir...(+)
Choral (Vocal Score) SKU: HL.402077 For Soprano Solo, Children's Choir and Orchestra. Composed by Nico Muhly. Choral. Classical. Octavo. Duration 1500 seconds. St. Rose Music #SRO100186-01. Published by St. Rose Music (HL.402077). ISBN 9781705160084. UPC: 196288056829. 9.0x12.0x0.276 inches. The Right of Your Senses is a set of nine songs for children's voices, solo soprano, and orchestra written for the National Children's Chorus, American Youth Symphony and Los Angeles Philharmonic Association. The texts are primarily 17th-century, by Thomas Traherne and George Herbert, but two of them come from the 11th-century Enchiridion by Byrhtferth. The overarching theme is the story of creation, but not just the list of objects created: the texts deal with the emotional resonances of the sun, the sea, the air, and the moon with all their mysterious, bright, and dark potential. There is a recurring gesture in the strings, introduced at the very top: a simple descending pattern which binds many of the movements together, even when hidden in the more tumultuous sections. The first two movements are bright, whereas the middle three movements are violent and deal with the angrier natural elements. The seventh movement is the most abstract and playful, and here a direct nod to Benjamin Britten's A Ceremony of Carols, with a fast three-part canon depicting the behavior of the atom. The eighth movement, Night, is the slowest, and depicts the night sky. The final movement is calm, and encourages us: Be faithful in a little, and you shall be master over much. The piece ends with five strokes of high bells. x Nico Muhly. $12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Spectrum of the Sky Marching band - Intermediate/advanced De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-1115226-020 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 6 SKU: BT.DHP-1115226-020 Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score and Parts). Composed 2011. De Haske Publications #DHP 1115226-020. Published by De Haske Publications (BT.DHP-1115226-020). 9x12 inches. English-Dutch. Gecomponeerd voor de 1e divisie van de Open Nederlandse Fanfare Kampioenschappen 2012Turend over het Friese platteland zag ik door de weerkaatsing van het zonlicht in een opkomende bui plotseling een regenboog verschijnen. Dit indrukwekkende natuurverschijnsel inspireerde me tot het schrijven van een compositie waarin de kleuren van de regenboog uitgangspunt waren. Elke kleur associeerde ik met willekeurige, contrasterende onderwerpen. Zo is Spectrum of the Sky een concertwerk geworden dat bestaat uit zeven, deels in elkaar overgaande, korte composities die qua thematiek en/of ritmiek aan elkaar gerelateerd zijn.1 Sun and Water Een regenboog verschijnt aan de horizon. Erg langduurt de betovering van dit prachtige natuurverschijnsel niet. Het schitterende plaatje wordt plots onderbroken door opkomend onweer.2 Red Planet MarsEen ruimtevaartuig vertrekt, om na een lange reis van negen maanden aan te komen op Mars, de rode planeet.3 Interlude in Orange MinorOranje: de nationale kleur van Nederland. Koninginnedag 2009. De festiviteiten op die dag werden wreed verstoord door een aanslag op de koninklijke familie. De gevolgen waren dramatisch. 4 Yellow FieldsDe eerste zonnestralen, knoppen in de bomen, nestelende vogels, pasgeboren dieren in de wei en onmetelijke velden van gele koolzaadbloemen. Een en al muzikale vrolijkheid, want het is lente.5 Capriccio in GreenGroen - de meest voorkomende kleur in de natuur. De grote diversiteit in ritmische en melodische lijnen verklankt de grilligheid van de natuur in het algemeen.6 Blue LakeDe helblauwe meren van Nieuw-Zeeland zijn van een onbeschrijfelijke schoonheid. Het magnifieke uitzicht op zoâ??n meer vormde de inspiratiebron voor het expressieve zesde deel.7 Grand Finale â??The Seventhâ?Indigo is voor het menselijk oog vaak niet te onderscheiden van blauw of violet. Deze kleur is in dit werk dan ook achterwege gelaten. De laatste verklankte kleur is violet - weerspiegeld in de septiem, het zevende interval, dat overheerst in de finale van de compositie.Jan de Haan. $380.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Rock Chorus Schott
SKU: HL.49015263 23 Titel zum Mitspielen nach Akkord-Symbolschrift...(+)
SKU: HL.49015263 23 Titel zum Mitspielen nach Akkord-Symbolschrift. Composed by Dieter Kreidler. Arranged by Holger Clausen. This edition: Paperback/Soft Cover. Book with MC. Edition Schott. Classical. Edition with Cassette. 96 pages. Schott Music #ED 7172. Published by Schott Music (HL.49015263). ISBN 9790001075176. German. Das vorliegende Rock-Chorus-Buch mit 23 Titeln wendet sich an alle Melodie- oder Harmonieinstrumentalisten im Rock-, Jazz- und- Pop-Bereich, die zur Improvisation oder Begleitung - aber auch als Grundlage fur Arrangements - haufig auf die Harmonienfolgen von bekannten Stucke zuruckgreifen. Die gewahlten Akkordverbindungen wurden so weit wie moglich einfach gehalten, um auch weniger Geubten den Einstieg in dieses Genre zu ermoglichen. Die Einspielung der Titel auf der Cassette entspricht professionellen Massstaben, was das Spiel-Mit-Erlebnis sicher noch attraktiver macht. Die Griffzusammenstellungen auf der jeweils rechten Seite der Beispiele sind fur Gitarre bestimmt. $16.95 - See more - Buy online | | |
| You Can Teach Yourself Blues Harp Harmonica [DVD] - Easy Mel Bay
taught by Phil Duncan. You Can Teach Yourself. Level: Beginning. Book DVD. Size ...(+)
taught by Phil Duncan. You Can Teach Yourself. Level: Beginning. Book DVD. Size 8.75x11.75. 84 pages. Published by Mel Bay Pub., Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Right Of Your Senses (Study Score) St Rose Music Publishing
Study Score Choral SKU: HL.402076 For Soprano Solo, Children's Choir a...(+)
Study Score Choral SKU: HL.402076 For Soprano Solo, Children's Choir and Orchestra. Composed by Nico Muhly. Choral. Classical. Softcover. 72 pages. Duration 1500 seconds. St. Rose Music #SRO100186. Published by St. Rose Music (HL.402076). ISBN 9781705160077. UPC: 196288056812. 9.0x12.0x0.167 inches. The Right of Your Senses is a set of nine songs for children's voices, solo soprano, and orchestra written for the National Children's Chorus, American Youth Symphony and Los Angeles Philharmonic Association. The texts are primarily 17th-century, by Thomas Traherne and George Herbert, but two of them come from the 11th-century Enchiridion by Byrhtferth. The overarching theme is the story of creation, but not just the list of objects created: the texts deal with the emotional resonances of the sun, the sea, the air, and the moon with all their mysterious, bright, and dark potential. There is a recurring gesture in the strings, introduced at the very top: a simple descending pattern which binds many of the movements together, even when hidden in the more tumultuous sections. The first two movements are bright, whereas the middle three movements are violent and deal with the angrier natural elements. The seventh movement is the most abstract and playful, and here a direct nod to Benjamin Britten's A Ceremony of Carols, with a fast three-part canon depicting the behavior of the atom. The eighth movement, Night, is the slowest, and depicts the night sky. The final movement is calm, and encourages us: Be faithful in a little, and you shall be master over much. The piece ends with five strokes of high bells. x Nico Muhly. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sting Lyrics and Chords [Sheet music] Hal Leonard
By Sting. Guitar Chord Songbook. Softcover. 136 pages. Published by Hal Leonard...(+)
By Sting. Guitar Chord Songbook. Softcover. 136 pages. Published by Hal Leonard.
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best of Classical Themes for Piano (all C instruments) Piano solo [Sheet music] Santorella Publications
Collection for solo piano(all C instruments), . 159 pages. Published by Santorel...(+)
Collection for solo piano(all C instruments), . 159 pages. Published by Santorella Publications.
(1)$16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Yngwie Malmsteen Anthology Guitar notes and tablatures - Intermediate Hal Leonard
Performed by Yngwie Malmsteen. Guitar Recorded Versions (Authentic note-for-note...(+)
Performed by Yngwie Malmsteen. Guitar Recorded Versions (Authentic note-for-note transcriptions). With notes and tablature. Size 9x12 inches. 272 pages. Published by Hal Leonard.
(6)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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