Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Du professeur de musique distingué, Robert A. Amchin, vient Shalom Chaveirim, ou 'Bonjour les amis!'. En complément de l'Schulwerk américaine Orff, Musique pour les enfants, cette collection présente des arrangements simples de chansons de dix-huit, des canons, et des mélodies de danse du patrimoine culturel des Juifs à travers le monde. Chaque pièce comprend une orchestration élémentaire, la traduction ou la translittération, ainsi que des suggestions pédagogiques utiles.Enrichi par une série de magnifiques illustrations de Robin Reikes, cette publication s'adresse aux enseignants en salle de classe qui cherchent à découvrir de nouvelles et attrayantes exercices musicaux, des chansons et des activités à explorer avec leurs élèves. / Guitare / 44 pages / Partition

This tuneful Israeli melody is arranged as a canon with keyboard and optional flute hand drum and finger cymbals or triangle (parts included in the choral). “Shalom Chaverim” is a universal message of peace andgoodwill making it an excellent choice as a closer for a choral concert or as a benediction. The original Hebrew words and English words provided by Patrick Liebergen may be used interchangeably. This familiar folk tune hasendless possibilities.

Play and Sing Songs in the Music Class with Step-by-Step Projectable Lesson Slides-Get on board! Using ukuleles in an elementary general music class can open new experiences for your students. These fun accessible instruments encourage singing while promoting confidence and musical independence. Ukuleles also provide an additional way for you to observe student progress and assess musical understanding. Ukuleles On Board! is a collection of sequential lessons that illustrate how teachers can use Ukuleles along with other common classroom resources to create engaging robust musical activities for students. Examples are provided for using Ukuleles together with Orff instruments Recorders a variety of Percussion and even Jug Bandinstruments. Each unit includes digital access to step-by-step projectable lesson slides so you can project all the visual cues your students will need. In addition to being easy to learn and fun the folk songs used throughout the book provide students with cultural and historical connections. The activities and concepts found in Ukuleles On Board! are based on the National Standards for Music Education. The material has been field-tested in grades 2-4 but is also appropriate for fifth grade students new to the Ukulele. This is a valuable guide to using Ukuleles to support and enhance the music curriculum in your school. Songs include: 'Are You Sleeping? (Frere Jacques!)' 'Michael Finnegan' 'Buffalo Gals' 'Joe Turner Blues' 'Shalom Chaverim' 'I Love the Mountains' 'Little 'Liza Jane' 'Hambone' 'One Bottle of Pop' 'Pay Me My Money Down' 'Let Us Chase the Squirrel' 'Go Tell Aunt Rhody' 'Old Joe Clark?. Suggested for grades 2-5.

Embracing a rich history of Israeli folk music this spirited work by Robert Jager weaves together authentic folk tunes in a composition that is both lyrical and dance-like. The piece begins and ends with a folk melody that isused for both greeting and parting Shalom Chaverim. Exotic harmonies and colors are explored using the melodies Zum Gali Od Yishama and Simon Tov giving the rhapsody an overall “zest for life” feeling inherent inthis music.

NFMC 2016-2020 Piano Hymn Event Class II Selection-This collection of Jewish folk and holiday songs has been produced to provide artistic keyboard transcriptions of moderate difficulty so that players of modest technical attainments may successfully perform them. The selections are mainly in Hebrew in either the Ashkenazic or the Sephardic dialect. There are a few songs in Yiddish and English. The vocal ranges of the melodies are in suitable keys for group singing. 21 songs including: Adon Olam - Chauka Song - Eli Eli - Hatikvah - Hava Nagila - Shalom Chaveyreem - Zum Gali Gali - and more.

Par LARSEN GREY. Here are 34 easy-to-play folk, popular and classical favorites arranged for tin whistle (also known as pennywhistle) or Irish flute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: ? Access to online audio for all 34 songs, with tin whistle, Irish flute, piano, and guitar ? Three duet arrangements If you don?t read music, you can still use this book! In addition to music notation, there is a specially designed tablature for tin whistle and Irish flute. What makes these tune arrangements easy? ? They are played in the lower two octaves of the whistle and flute?s range, ascending no higher than B in the second octave. ? They are in easy tin whistle and Irish flute keys, such as: D major, G major, E minor and B minor. No metal keys are needed on the Irish flute. ? They use only eight notes: D, E, F#, G, A, B, C and C#. ? They are also easy to play on soprano and tenor recorder, modern flute, and piccolo. Grey Larsen is a master musician who performs and teaches internationally. He has played tin whistle and Irish flute since the 1970s and has written nine books, including First Lessons Tin Whistle and the best-seller, The Essential Guide to Irish Flute and Tin Whistle. The author recommends using a tin whistle in D or a standard Irish flute (with or without keys) with this book. You can also use soprano and tenor recorders, modern flute, and piccolo. However, the tablature in this book uses only tin whistle and Irish flute fingerings. / Date parution : 2022-06-08/ Recueil / Flûte Traversière

for violin. Par . Famous Tunes contient 44 superbes mélodies traditionnelles plébiscitées par les enfants du monde entier. Ce recueil peut être utilisé de façon indépendante, mais constitue avant tout un excellent complément aux deux volumes de la méthode Je joue du violon ! Les enregistrements des accompagnements de piano, qui sont également inclus dans le recueil (version papier), sont disponibles en ligne (version play-along), tout comme les versions intégrales de chaque morceau. / Date parution : 2022-06-08/ Recueil / Violon et Piano

Par BLACKWELL KATHY / DAVID. Il couvre les modèles utilisés dans les doigts Viola Time Joggers et coureurs, et comprend toutes les gammes et arpèges pour les élèves de ABRSM 1 et 2, y compris le mineur naturel Etablit chaque forme avec un tableau de doigté, d'un téléphone 'helpline' pour renforcer le doigté arpège, et un jeu de rythme à pratiquer l'échelle Inclut une variété de pièces amusantes pour chaque touche, et une gamme de puzzles et des jeux de composition L'édition révisée de Viola échelles de temps déborde d'idées créatives et emballé avec des dessins animés imaginatives et amusantes à faire échelles d'apprentissage et d'arpèges faciles. / Niveau : Facile / Etude / Alto