(Hob. I:7). By Franz Joseph Haydn (1732-1809). Symphony. For orchesestra, violin, cello and bass ([1.2.0.1-2.0.0.0], Harpsichord, Strings). Viola part

2 flutes, 2 violins, viola, basso continuo

SKU: CA.3230312

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (Fk 65.C7). Single Part, Violin 2. BR-WFB, C 7. 4 pages. Carus Verlag #CV 32.303/12. Published by Carus Verlag (CA.3230312).

ISBN 9790007211783. Key: D minor. Language: all languages.

W. F. Bach's sinfonias were composed largely during his tenure in Dresden (1733-1746). They are contributions to a new and scarcely formed genre which was also preoccupying other young composers at that same time. In contrast to the capricious, humorous sinfonias BR-WFB C 1-6, the two-movement Sinfonia in D minor (C 7) is an unusually serious and compactly worked-out piece. The sinfonia belongs to an extensive repertoire of similar orchestral works which were performed as instrumental graduals during the celebration of the Mass in the Catholic Court Church in Dresden. Score and part available separately - see item CA.3230300.

2 flutes, 2 violins, viola, basso continuo

SKU: CA.3230314

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (Fk 65.C7). Single Part, Cello/Double Bass. BR-WFB, C 7. 4 pages. Carus Verlag #CV 32.303/14. Published by Carus Verlag (CA.3230314).

ISBN 9790007211806. Key: D minor. Language: all languages.

W. F. Bach's sinfonias were composed largely during his tenure in Dresden (1733-1746). They are contributions to a new and scarcely formed genre which was also preoccupying other young composers at that same time. In contrast to the capricious, humorous sinfonias BR-WFB C 1-6, the two-movement Sinfonia in D minor (C 7) is an unusually serious and compactly worked-out piece. The sinfonia belongs to an extensive repertoire of similar orchestral works which were performed as instrumental graduals during the celebration of the Mass in the Catholic Court Church in Dresden. Score and part available separately - see item CA.3230300.

Double bass, piano - Level 4-5

SKU: HF.FH-2039

Composed by Franz Joseph Haydn. Edited by Trumpf. Arranged by Trumpf. Sheet music. Friedrich Hofmeister Musikverlag #FH 2039. Published by Friedrich Hofmeister Musikverlag (HF.FH-2039).

ISBN 9790203420392. 9 x 12 inches.

1. Sinfonie Nr. 6 Le Matin, 2. Sinfonie Nr. 7 Le Midi, 3. Sinfonie Nr. 8 Le Soir, 4. Sinfonie Nr. 31 Mit dem Hornsignal, 5. Sinfonie Nr. 72.

Orchestra (STP)

SKU: HL.49041890

Einfuhrung und Analyse. Composed by Ludwig van Beethoven. This edition: Paperback/Soft Cover. Sheet music. Serie Musik. Siehe Rubrik Bucher/Multimedia. Study Score. Composed 1811-1812. Op. 93. 180 pages. Schott Music #SP 8122. Published by Schott Music (HL.49041890).

ISBN 9783795781224. German.

Ludwig van Beethoven stellte seine 8. Sinfonie am 27. Februar der Offentlichkeit vor; zuvor erklangen anlasslich dieser Akademie das Schwesterwerk, die Sinfonie Nr. 7 A-Dur, sowie die Schlachtensinfonie 'Wellingtons Sieg oder die Schlacht bei Vittoria', die Beethoven einen seiner grossten Erfolge als Komponist bescherte. Zwar war die Aufnahme der Achten durch das Publikum nach den vorangegangenen Programmpunkten eher kuhl, und auch heute noch steht die Achte wie auch etwa die Pastorale im Schatten der ungeraden Sinfonien - doch gewinnt sie bei Horern mehr und mehr an Beliebtheit: die vielen unerwartenden Wendungen in diesem Werk liessen die Einschatzugn eines Paradebeispiels fur den Humor in der Musik entstehen.Herbert Schneider legt in seiner Werkeinfuhrung dar, wie die Achte entstand, erstmals aufgefuhrt, gestochen und schliesslich gedruckt, wie sie auf Zeitgenossen und spatere Generationen wirkte, und schildert dies in diesem Buch auf Grund wissenschaftlich begrundeter Fakten auf anschauliche Weise; analytische und die Interpretation betreffende Kommentare schliessen sich an. Anregungen zur weiteren Beschaftigung mit dieser popularen Sinfonie geben Literaturhinweise und eine Diskographie. Anhand der vollstandig wiedergegebenen Partitur kann der Leser den Notentext beim Horen verfolgen und die analytischen Kommentare nachvollziehen.

Hob. I:49. Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. Orchestral music. Diletto Musicale. Symphonic music. Cello/contrabass part. 7 pages pages. Published by Doblinger Music Publishers (DB.DM-00249-C-K).

SKU: HL.50494472

Composed by M. Zafred. MGB. Ricordi #NR131621. Published by Ricordi (HL.50494472).

(1969) - PARTITURA.

Clarinet

SKU: HF.7804

Composed by Heyneck. Edited by Heyneck, Roscher, and Schreinicke. Arranged by Heyneck, Roscher, and Schreinicke. Sheet music. Friedrich Hofmeister Musikverlag #7804. Published by Friedrich Hofmeister Musikverlag (HF.7804).

ISBN 9790203458036. 9 x 12 inches.

Rigoletto (G.Verdi), Der Troubadour (G.Verdi), La Traviata (G.Verdi), Ein Maskenball (G.Verdi), Die Macht des Schicksals (G.Verdi), Aida (G.Verdi), Othello (G.Verdi), Falstaff (G.Verdi), Eine Faust-Ouverture (R.Wagner), Rienzi (R.Wagner), Der fliegende Hollander (R.Wagner), Tannhauser (R.Wagner), Lohengrin (R.Wagner), Siegfried-Idyll (R.Wagner), Tristan und Isolde (R.Wagner), Die Meistersinger (R.Wagner), Der Venusberg (R.Wagner), Sinfonien Nr. 7-12 (D.Schostakowitsch), Violinkonzert op. 99 (D.Schostakowitsch),.

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Program Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

Trombone / tube

SKU: HF.FH-7054

Anton Bruckner (Sinfonien 7-9). Edited by Seyffarth. Arranged by Seyffarth. Sheet music. Friedrich Hofmeister Musikverlag #FH 7054. Published by Friedrich Hofmeister Musikverlag (HF.FH-7054).

ISBN 9790203470540. 8.3 x 11.7 inches.

1. Symphonie Nr. 7 (E-Dur); 2. Symphonie Nr. 8 (c-Moll); 3. Symphonie Nr. 9 (d-Moll).

Violin (Vol 2)

SKU: HL.49005388

Edited by Ludwig Bus. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 64 pages. Schott Music #ED 5070. Published by Schott Music (HL.49005388).

ISBN 9790001057981. UPC: 884088048006. 8.0x11.75x0.25 inches.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.