(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Keyboard

SKU: SU.12800080

For Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800080. Published by Subito Music Corporation (SU.12800080).

BachScholar Editions Vol. 80: J.S. BACH: Sinfonia from Cantata 29: Etude on One Staff with Two Hands (5 pages) presents a unique and accessible transcription of Bach’s exciting Sinfonia from Cantata 29, which Bach reworked from his previously composed Preludio from Partita No. 3 for Solo Violin. The present edition notates Bach’s original solo in the treble clef played with alternating hands: stems up = R.H. and stems down = L.H. Sharing the solo between the two hands results in a difficulty half that of romantic, virtuoso transcriptions that add chords and accompaniment material in the bass clef. This unique transcription offers pianists Grades 5 and up a fun and rewarding study which fosters evenness of touch and tone and explores innovative fingerings and hand crossings. This transcription of Bach’s exciting Sinfonia from Cantata 29 has something for everyone — piano students, teachers, and concert artists alike! Published by: BachScholar.

Arranged by Noel Rawsthorne. For Organ. General collections. Classic. Advanced. Book. Published by Kevin Mayhew Publishers

(fl,str)

SKU: TM.05296SET

Composed by Johann Sebastian Bach. Set Type: D. Set of parts. Lucks Music Library #A7447. Published by Lucks Music Library (TM.05296SET).

Vocal score and Conductor score used for the for Prout edition (#10823).

Composed by Johann Sebastian Bach (1685-1750). For organ. Collection. Published by Oxford University Press

Arranged by E. Power Biggs. For Organ. Organ - Method or Collection. Level: Advanced. Book. 96 pages. Published by Alfred Publishing.

SB vocal soli, oboe d'amore, 2 violins, viola, cello (piccolo), basso continuo, organ obligato

SKU: CA.3104914

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich geh und suche mit Verlangen Vc picc. Sacred vocal music. Single Part, Cello piccol. Composed 1726. BWV 49. 2 pages. Duration 29 minutes. Carus Verlag #CV 31.049/14. Published by Carus Verlag (CA.3104914).

ISBN 9790007206215. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SB vocal soli, oboe d'amore, 2 violins, viola, cello (piccolo), basso continuo, organ obligato

SKU: CA.3104911

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich geh und suche mit Verlangen. Sacred vocal music. Single Part, Violin 1. Composed 1726. BWV 49. 8 pages. Duration 29 minutes. Carus Verlag #CV 31.049/11. Published by Carus Verlag (CA.3104911).

ISBN 9790007206185. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SB vocal soli, oboe d'amore, 2 violins, viola, cello (piccolo), basso continuo, organ obligato

SKU: CA.3104915

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich geh und suche mit Verlagen. Sacred vocal music. Single Part, Cello/Double Bass. Composed 1726. BWV 49. 12 pages. Duration 29 minutes. Carus Verlag #CV 31.049/15. Published by Carus Verlag (CA.3104915).

ISBN 9790007206222. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

Piano duets (solo: pno - 2(picc).2.2.2 - 2.2.1.0 - timp - str)

SKU: BR.EB-8901

Composed by Hans Gal. Solo instruments; Softbound. Edition Breitkopf. Solo concerto; Early modern; Music post-1945. Piano reduction. 100 pages. Duration 34'. Breitkopf and Haertel #EB 8901. Published by Breitkopf and Haertel (BR.EB-8901).

ISBN 9790004185292. 9 x 12 inches.

The composition of works for solo piano runs through Hans Gal's entire oeuvre. Like all of the piano reductions for his operas, cantatas and solo concertos, the piano reduction of the Piano Concerto Op. 57 was written by the composer himself. First performed in Bournemouth in 1949, the Piano Concerto fell into oblivion after 1959, only to be performed again in 2009 by Hartmut Hudezeck for the first time in 50 years. The chamber-musical texture of the Piano Concerto - each part literally plays a role and has an independent contrapuntal function makes rehearsing with the aid of the piano reduction virtually indispensable. The present critical new edition was prepared by Anthony Fox with the essential support of Hartmut Hudezeck, who, thanks to his practical performance experience and his expertise in the field, was able to address not only questions of content but also of performance practice. Moreover, the edition benefits from Sarah Beth Briggs's annotations, who first recorded the work with the Royal Northern Sinfonia under the baton of Kenneth Woods on CD. The Concerto is notable for its tightly organized musical material shared equally between soloist and orchestra: ...attractive and accessible... (Erik Levi, BBC Music Magazine).

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118803

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Vocal score. Composed 1728. BWV 188. 32 pages. Duration 25 minutes. Carus Verlag #CV 31.188/03. Published by Carus Verlag (CA.3118803).

ISBN 9790007187293. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score available separately - see item CA.3118800.