| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Prophesies [Score and Parts] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score and Parts. Composed by Mohammed Fairouz. Sws. Score and parts. With Standard notation. 68 pages. Duration 25 minutes. Theodore Presser Company #114-41903. Published by Theodore Presser Company (PR.114419030). ISBN 9781491114124. UPC: 680160669851. 9 x 12 inches. A fascination with polycultural synergy between diverse literary textsdrives the inspiration for much of Mohammed Fairouz’s prodigiouscreative output, including instrumental music as well as vocal. Inhis profound and extensive essay preceding the score, Fairouz shedslight on how Edgar Allen Poe’s “Israfel” relates to the prophetsand prophesies of the Quran, Old Testament, and New Testament.The eight-movement quartet may be heard as a dramatic galleryof portraits and of story-telling, flourishing in a post-traditionallanguage that is at once vernacular and spiritual, Middle Easternand Western. The complete set of score and parts is included in thispublication. (See pages 2-3 of score for clear distinction of paragraphs, etc.)Prophesies, by Mohammed FairouzEdgar Allen Poe’s rendition of Israfel was the point of departure for the final movement of my previous stringquartet which is titled The Named Angels. At the opening of his poem, Poe evokes the Quran:“And the angel Israfel, whose heartstrings are a lute, and who has the sweetest voice of all God’s creatures.”This informs the first lines of the poem that, in turn, gave me the title for the final movement of The Named Angels,“Israfel’s Spell”:In Heaven a spirit doth dwell“Whose heartstrings are a lute”None sing so wildly wellAs the angel Israfel,And the giddy stars (so legends tell),Ceasing their hymns, attend the spellOf his voice, all mute.It is the end of that poem, however, that is the starting point for the current quartet, Prophesies, which concernsitself with mortal prophets rather than eternal Angelic spirits.If I could dwellWhere IsrafelHath dwelt, and he where I,He might not sing so wildly wellA mortal melody,While a bolder note than this might swellFrom my lyre within the sky.Islamic thought has asked us to look at the example of the prophets. That’s significant because of the fact thatJoseph and all the prophets were human beings with the flaws of human beings. No prophet was perfect, andIslamic tradition has never asked its followers to aspire to the example of the Angels, the perfected ones. Instead weare given the gift of our prophets. While The Named Angels drew on the motion and energy of everlasting spirits,Prophesies is a depiction of the movements within our own mortal coil.This quartet is a continuation of a long tradition of Muslim artists telling their stories and singing their songs.Many of these renditions are, in fact, figurative and (contrary to popular belief) the Quran contains no “Islamicedict” prohibiting figurative renditions of the figures described in the Old Testament, New Testament, or Quran.The majority of artists, however, have preferred eternal and abstract forms such as words and their calligraphicrepresentations, poems (Yusuf and Zuleikha or the Conference of Birds come immediately to mind), architecture,and many other non-figurative art forms to the representation of man. These cold, ancient, and everlasting shapesof unending time flourished, and the divine infinity of representing geometric forms gained favor over the placementof the explicit representation of mankind and our own likeness at the center of the universes.Adding the string quartet to these forms which express the recursive spheres of heavens and earth abstractly shouldexplain why I have chosen to render higher things through the use of music without the addition of words or anyother art-form. It is the abstract art of pure form, in which all is form and all is content, which compels me. Thisquartet should be seen as no more programmatic than the arches of the Great Mosque at Cordoba.The first movement, Yāqub (Jacob), is slow, quiet and prayerful. It evokes the patient sorrow of a slow choraledeveloping over time as it coaxes our pulse out of the ticking of a clock-like meter that defines our day-to-day livesand into a divine eternity.The second, Saleh, imagines the spirit of that desert-prophet through the use of a Liwa; the dance-sequence that hasbeen such a prevalent form of expression in the Arabian Peninsula for much of our recorded history.The third movement is titled Dawoōd, and it is emblematic of the beloved Prophet, King, and Psalmist, David.Though it has no lyrics, the movement functions as a dabkeh (an ancient dance native to the Levant) and also “sets”the opening of Psalm 100 (Make a joyful noise unto the Lord, all ye lands). This line is never set to music or sung inthe quartet but is evoked through the rhythmic shape of the violin part which imitates the phonology and rhythmof my speaking the opening line in the Hebrew and develops the contours of that line incessantly throughout themovement.3The fourth movement is an ode to Yousef (Joseph) and relates to the first movement in tempo and tone just as Josephrelates to Jacob, his father. Together, the first and fourth movements provide a sort of Lamentation and relief.Joseph had the appearance of a noble angel, but he was very much a human being. And the story of this particularprophet had tragic beginnings many years before he found himself in a position of power in Egypt. Back in his youth,still among the Israelites, Joseph experienced a series of revelations through his dreams that spoke of his impendingcareer in prophecy. He confided his dreams to his father, the Prophet Jacob, who told his son of the greatness thatawaited him in his future only to have his brothers throw him into a well and leave him for dead. Joseph eventuallyfound his way from Israel to Egypt and rose out of slavery into a position of power. Meanwhile, famine engulfs Israel.Forty years pass, and back in the land of Jacob and Rachel, of Joseph’s brothers and Abraham’s tribe, Israel wasnot spared the effects of the famine. They sorely lacked Joseph’s prophecy and his vision. The Qur’an then tells usthat Jacob, sensing Joseph, sends the other brothers to Egypt instructing them to come back with food and grain.Arriving in Egypt, they unwittingly appear before Joseph. They don’t recognize their little brother who has risen toa position of might, dressed in his Egyptian regalia. They ask for the food and the grain.After some conversation, Joseph is no longer able to contain his emotion. Overcome, he reveals himself to his nowterrified brothers. He embraces them. He asks them eagerly, “How is our father?” Joseph gives them the gift of thefood and the grain that they came in search of. He relieves them from hunger and alleviates their fear. He sendsthem back with proof that he is alive, and it is this joyful proof from the miraculous hands of a prophet that bringsback the ancient Jacob’s vision after 40 years of blindness.In this story, I am struck by the fact that Joseph may not have made the decision to forgive his brothers on thespot, but that something inside the prophet’s soul found forgiveness and peace for the brothers who had so gravelywronged him at some point along his journey. I would suspect this point to have been present at Joseph’s inception,even before he had ever been wronged.This is proof, if we needed it, that Joseph’s angel-like beauty was not only physical and external, but also internalas well: Joseph possessed a profound loveliness of spirit that bound his appearance and his soul. In Joseph, formand soul are one.Time is to musicians what light is to a painter. In this way, the story of Joseph also shows us that time can affectour perception of even the most tragic wounds. In fact, the most common Arabic word for “human being” is insaan,which shares its roots with the word insaa, “to forget.” While our ability to remember is essential to how we learnabout ourselves, our capacity to “forgive and forget” may also be one of our great gifts as human beings.The fifth movement follows my ode to Joseph with a structural memory of Mūsa (Moses). The movement consistsentirely of descending motifs which I constructed as an indication of Moses’ descending movement as he emergedto his people from the heights of Mt. Sinai. The music is constructed in five phrases which function as a formalreference to the five books of Moses, the Pentateuch. The movement is placed as the fifth of the quartet for the samereason.While Joseph is always evoked as supremely beautiful in the Books of Judaism, Christianity, and Islam, Suleiman(Solomon) is described as surpassing in his quicksilver intelligence. This movement is composed of a seven-partriddle which passes by in an instant but can be caught by the attentive listener. From Solomon, we work our wayback to Yishak (Isaac) in a seventh movement that evokes Isaac’s literal meaning in Arabic and Hebrew: laughter.The eighth and final movement of this quartet is named for the Patriarch of the entire Book: Ibrahim (Abraham). Itrelates to Isaac just as Joseph relates to Jacob; they are father and son. The lines are prayerful and contemplative;the form of the music evolves from a fugue joining together many different forms of prayer into a single tapestry ofcounterpoint, to the cyclical form of this entire quartet which is rendered through the motion of pilgrims circling theKaaba (cube) in Mecca — a structure which was built by Abraham for Hagaar and their son Ismail.These are just some of the figures that are cherished by all three of the Middle Eastern monotheisms (Judaism,Christianity, and Islam) that the Qur’an refers to collectively as Ahl Al-Kitab. This Arabic phrase is most commonlytranslated as “The People of the Book,” but here the most common translation is a flawed one: the Arabic word“ahl” means “family” and not just “people.” A better translation would be “Family of the Book.” Each of the eightmovements of Prophesies grows from a single musical cell.This quartet is a family album.—Mohammed Fairouz (2018. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Church Anthem Book Choral SATB [Vocal Score] Oxford University Press
By Dakers. For Choral Collection: Mixed Choir Paper. Published by Oxford Univers...(+)
By Dakers. For Choral Collection: Mixed Choir Paper. Published by Oxford University Press.
$32.50 - See more - Buy online | | |
| Anthems for the Chapel Royal Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Singing voice/mixed choir/chamber orchestra (Voice, Mixed choir, chambOrch) S...(+)
Singing voice/mixed choir/chamber orchestra (Voice, Mixed choir, chambOrch) SKU: BA.BA04051 Seven sacred compositions. Composed by George Frideric Handel. Edited by Gerald Hendrie. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 9. Complete edition, Score. Duration 3 hours. Baerenreiter Verlag #BA04051_00. Published by Baerenreiter Verlag (BA.BA04051). ISBN 9790006443611. 33 x 26 cm inches. Text Language: English, German. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$440.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Praise and Worship Fake Book
Bb Instruments [Fake Book] Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instruments. Fake Book. Softcover. 432 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| O Sing Unto the Lord Choral SATB [Octavo] Brookfield Press
Psalm 96. Composed by Heather Sorenson and James C. Ward. Arranged by Hea...(+)
Psalm 96. Composed by Heather Sorenson and James C. Ward. Arranged by Heather Sorenson. Brookfield Choral Series. Octavo. 12 pages. Published by Brookfield Press (HL.194770).
$2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| O Sing Unto the Lord Choral CD [CD] Brookfield Press
Psalm 96. Composed by Heather Sorenson and James C. Ward. Arranged by Hea...(+)
Psalm 96. Composed by Heather Sorenson and James C. Ward. Arranged by Heather Sorenson. Brookfield Choral Series. CD only. Published by Brookfield Press (HL.194810).
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Buskers Fake Book All Time Hit Piano solo Music Sales | | |
| O Sing Unto the Lord Choral 3-part SAB [Octavo] Laurel Press | | |
| Anthems II: Anthems with Orchestra [Score] Stainer and Bell
SKU: ST.MB50 Composed by John Blow. Edited by Bruce Wood. Library Volumes...(+)
SKU: ST.MB50 Composed by John Blow. Edited by Bruce Wood. Library Volumes. Edited by Bruce Wood. First published in 1984. Pages: 208. Format: Paperback. Dimensions (mm): 330 x 254 x 19. Score. Stainer & Bell Ltd. #MB50. Published by Stainer & Bell Ltd. (ST.MB50). ISBN 9790220201295. Seven more anthems by this most influential of Restoration composers; five date from the closing years of Charles II's reign, and two from the reign of William III. CONTENTS Blessed is the man that hath not walked (SATB, Organ and Strings) I was glad (SSAATTBB, Organ, Trumpet and Strings) Lord, who shall dwell in thy tabernacle (SATB, Recorders, Organ, Strings and Continuo) O sing unto the Lord a new song: let the congregation of saints praise him (SSAATTBB, Organ and Strings) O sing unto the Lord a new song: sing unto the Lord, all the whole earth (SAATBB, Organ and Strings) Sing unto the Lord, O ye saints (SATB) Thy mercy, O Lord (SATB). $166.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sing unto the Lord Choral SATB SATB A Cappella National Music Publishing
Composed by George Lynn. Edited by Gregory Gentry. National/Emerson Fred Boc...(+)
Composed by George Lynn.
Edited by Gregory Gentry.
National/Emerson Fred Bock. A
Cappella, Anthem, Concert,
General Worship, Sacred.
Octavo. 12 pages. National
Music Publishers #NM1031.
Published by National Music
Publishers
$2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Richard Hinde: O Sing Unto The Lord Music Sales
Verse anthem setting the text of Psalm 96 by little-known 17th century composer,...(+)
Verse anthem setting the text of Psalm 96 by little-known 17th century composer, Richard Hinde. Edited by Barry Rose
$6.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I Will Sing unto the Lord - SAB Choral 3-part SAB [Octavo] Laurel Press
By Joseph M. Martin. For SAB choir. Sacred. Sacred Anthem. Published by Laurel P...(+)
By Joseph M. Martin. For SAB choir. Sacred. Sacred Anthem. Published by Laurel Press. (10/2823LA)
$2.75 $2.6125 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Will Sing Unto the Lord Choral SATB [Octavo] Hope Publishing Company
By Stan Pethel. For SATB choir. General, Sacred. Octavo. 8 pages. Published by H...(+)
By Stan Pethel. For SATB choir. General, Sacred. Octavo. 8 pages. Published by Hope Publishing Company Octavo General, Sacred
$2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| O come let us sing unto the Lord Peermusic Classical
Mixed Choir a cappella SKU: BT.PMC3677 Mixed chorus a cappella. Co...(+)
Mixed Choir a cappella SKU: BT.PMC3677 Mixed chorus a cappella. Composed by Morten Lauridsen. Choral Score. 18 pages. Peermusic Classical #PMC3677. Published by Peermusic Classical (BT.PMC3677). These two anthems are examples of Lauridsen's style in embryo, as it were, for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that would prove an enduring featureof the composer's technique. The pure and austere lines of I will lift up mine eyes, an a cappella setting of Psalm 121, evoke ancient organum and the imitative devices of Medieval polyphony. Complex chord structures and elaboratecanonic procedures give O come, let us sing unto the Lord a sense of inexorable forward momentum. The coruscating organ part further enhances the prevailing mood of joy that pervades this anthem. --Byron Adams. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Top 300 Contemporary Christian Songs Voice solo Lillenas Publishing Co.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald. For voice solo. Sacred Vocal. Published by Lillenas Publishing Company
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Contemporary Music For The Church Service Organ Choral SATB SATB, Organ Schirmer
By J. Beck. Arranged by J. Beck. (SATB). Choral Collection. Size 6.8x10.5 inches...(+)
By J. Beck. Arranged by J. Beck. (SATB). Choral Collection. Size 6.8x10.5 inches. 56 pages. Published by G Schirmer, Inc.
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Piano Treasury of Hymns Piano solo [Sheet music + CD] - Easy Music Sales
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 best-loved Christian hymns that have inspired praise and worship for over four centuries. Series: Piano Treasury Series. 392 pages. Published by Music Sales.
(1)$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cantate Domino Choral SSAATTBB - Intermediate/advanced Barenreiter
Mixed choir (SSAATTBB) - Level 4 SKU: BA.BA07414 Composed by Marten Janss...(+)
Mixed choir (SSAATTBB) - Level 4 SKU: BA.BA07414 Composed by Marten Jansson. Stapled. Choral score. 12 pages. Baerenreiter Verlag #BA07414_00. Published by Baerenreiter Verlag (BA.BA07414). ISBN 9790006559183. 27 x 19 cm inches. Text Language: Latin. Based on the well-known bible text “Sing unto the Lord a new song†(Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.
Originally conceived for male choir, women’s voices have now been added so that this version for mixed choir presents a further dimension of colour. This version also makes it possible to divide the choir into two groups, one for women and another for men, and to have them sing either together or as separate units. The version for mixed choir was premiered in Uppsala Cathedral (Sweden) on 26 October 2013, with the Uppsala Cathedral Singers conducted by Ulric Andersson.
“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’. My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.â€
MÃ¥rten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmenâ€, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.
Please find a recording of Cantate Domino performed by the Riga Recording Studio Singers (Latvia) by clicking on Multimedia.
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Come and Sing a Song unto the Lord Choral 2-part 2-part, Piano [Octavo] Choristers Guild
By Dan R. Edwards. For 2-part voices and piano (with optional clarinet, tambouri...(+)
By Dan R. Edwards. For 2-part voices and piano (with optional clarinet, tambourine). Sacred Anthem. Octavo. 16 pages. Published by Chorister's Guild
$2.10 $1.995 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Praise and Worship Fake Book - 2nd Edition C Instruments [Fake Book] Hal Leonard
For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. ...(+)
For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. Published by Hal Leonard (HL.160838).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 for 8-part Trombone Ensemble Trombone ensemble [Score and Parts] - Advanced Cherry Classics
8-part Trombone ensemble - Advanced SKU: CY.CC3156 Composed by Bach. J. S...(+)
8-part Trombone ensemble - Advanced SKU: CY.CC3156 Composed by Bach. J. S. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3156. Published by Cherry Classics (CY.CC3156). ISBN 9790530111239. 8.5 x 11 in inches. Bach's Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 was first performed in 1727 and the text is based on Psalms 149 and 150. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work of three movements is about 13 minutes in length and appropriate for advanced performers. Mr Sauer suggests, Since a complete performance of this Motet is about thirteen minutes in length, any of the three movements may be performed separately. The top voices in each choir have parts supplied in both alto and tenor clef. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
Next page 1 31 61 ... 361 |