Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone, Trumpet, Tuba, Wood Block and more. - Grade 1

SKU: CF.BPS132

Composed by Jason Taurins. Folio. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+3+3+2+3+1+1+2+4+12 pages. Duration 1 minute, 41 seconds. Carl Fischer Music #BPS132. Published by Carl Fischer Music (CF.BPS132).

ISBN 9781491158463. UPC: 680160917068. 9 x 12 inches.

Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R0B. Published by The Frederick Harris Music Company

By C.S. Wolf. For Piano. The FJH Piano Ensemble Series. Duet Sheet. Published by The FJH Music Company Inc.
Level: Early Intermediate.

By Martha Mier. Arranged by Jane Sebba. For Clarinet. Book; CD; Woodwind - Clarinet Method or Collection. Blues; Jazz; Ragtime. Published by Alfred Music Publishing

Composed by Valerie Roth Roubos. Sheet Music. Composers in Focus. Collection. 31 pages pages. Published by The FJH Music Company Inc (FJ.FJH2251).

By Martha Mier. Arranged by Jane Sebba. For Flute. Book; CD; Woodwind - Flute Method or Collection. Blues; Jazz; Ragtime. 28 pages. Published by Alfred Music Publishing

By Andy Beck and Brian Fisher. For Choir. Choral Octavo. Novelty, Christmas. CD. Published by Alfred Publishing.

Vocal and Piano

SKU: HL.14019200

Composed by Caroline Hoile. Music Sales America. Christmas. Cassette. Composed 2015. Golden Apple Productions #GA10925. Published by Golden Apple Productions (HL.14019200).

UPC: 884088435592. 2.75x4.25 inches. English.

It was Christmas Eve, and the frost air was cold and still. The house where the kittens lived was snug and warm. In a twinkling of an eye everything changed. One little kitten dashed out into the night through the unexpectedly opened front door. The search for the lost kitten takes us outside, where we encounter sneaky jumping mice, howling alley cats, snuffling hedgehogs and quacking ducks. In the end, all is happily resolved! Opportunities for mime, movement and dance. If you need to license a school/youth theatre performance of this product, please use the online application form.

Piano, Vocal and Guitar

SKU: HL.14019201

Composed by Caroline Hoile. Musical. Music Sales America. Musical Education. Book [Softcover]. Composed 2017. 28 pages. Music Sales #GA10913. Published by Music Sales (HL.14019201).

ISBN 9780711941625. UPC: 884088434991. 9x12 inches. English.

It was Christmas Eve, and the frost air was cold and still. The house where the kittens lived was snug and warm. In a twinkling of an eye everything changed. One little kitten dashed out into the night through the unexpectedly opened front door. The search for the lost kitten takes us outside, where we encounter sneaky jumping mice, howling alley cats, snuffling hedgehogs and quacking ducks. In the end, all is happily resolved! Opportunities for mime, movement and dance. Duration: 25 mins. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.

By Bradley Sowash. For piano. Piano. Thats Jazz. Music Book. Published by Neil A. Kjos Music Company.
Level: Intermediate.

By Mary K. Sallee. For Piano. Piano Solo; Sheet; Solo. Signature Series. Fall; Halloween. Late Elementary. 4 pages. Published by Alfred Music Publishing

(16 Piano Solos). By David Carr Glover. For Piano. Piano Collection. Festival of Favorites. Level: Elementary. Book. 36 pages. Published by Alfred Publishing.

By Various. Edited by Helen Marlais. For piano. The FJH Pianist's Curriculum!. Pre-Reading. Book. 26 pages