SKU: AU.ED018797

ISBN 9780978145149.

Soli Deo Gloria is three-volume series of devotion collections for the choir, choir director, and music lovers covering years A, B, and C. The collection features brief meditations based on the texts given in the Revised Common Lectionary, emphasizing the choir's leadership role in worship.

The ministry of choral music requires preparation of both heart and voice. These devotionals, used at either rehearsal or before worship, will provide a spiritual element much as vocal warm-ups provide the musical element. Also included with each devotional is a hymn text appropriate for the day and rehearsal planning pages.

SKU: WD.080689079276

UPC: 080689079276.

An optional two-minute stand-alone drumline piece, Declare His Glory, is designed to be played immediately before or after the Soli Deo Gloria anthem. It includes parts for snare drum, quad drums, bass drum and cymbals.

SKU: AU.9780806698472

ISBN 9780806698472.

Soli Deo Gloria is a collection of devotions for the choir, choir director, and music lovers. The collection features brief meditations based on the texts given in the Revised Common Lectionary, emphasizing the choir's leadership role in worship.

The ministry of choral music requires preparation of both heart and voice. These devotionals, used at either rehearsal or before worship, will provide a spiritual element much as vocal warm-ups provide the musical element. Also included with each devotional is a hymn text appropriate for the day and rehearsal planning pages.

SKU: BT.ALHE33155

French.

Vuataz Piachaud Psaume 33 Op.50 Soli Deo Gloria Choir & Instruments Bk.

SKU: TM.02630SET

Key in C.

SKU: BT.DHP-0940571-020

In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan’s twentieth anniversary as a conductor of the top Dutch brass band, “Soli Deo Gloria” (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Saëns organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from ‘Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Saëns’ theme.

Homage wurde von Jan Van der Roost im Auftrage der Brass Band Soli Deo Gloria aus Leeuwarden geschrieben. Direkter Anlass dazu war das 20-jährige Jubiläum von Jan de Haan als Dirigent dieses Ensembles. Als Inspiration diente dem Komponistendas Choralthema der Orgelsymphonie von Camille Saint-Saëns, ein von Jan de Haan geschätztes Werk. Nebst diesem Choral basiert Homage ebenfalls auf den Notenbezeichnungen aus ‘Jan de Haan’ und ‘Soli Deo Gloria’, was die Notenreihe DEGAH ergab.Beide Elemente werden durcheinander verwendet, bis sich schließlich die ganze Band im Finale mit dem Saint-Saëns-Thema wieder zusammenfindet.

SKU: BT.GOB-000389-020

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band.
The solo part in its instrumentation distinguishes itself from the other saxophone solos.
The soloist should be able to play both the alto and soprano saxophone.

The piece consists of four parts, which almost blend into one another.
A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.
This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.
This piece exacts a high standard of the soloist’s technical skills.

The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest.
De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.

Het stuk bestaat uit vier deeltjes, die vrijwel in elkaar overlopen.
Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.
Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.

Gobelin Music Publications.