| Easter Hymn of Praise Choral SATB SATB, Organ [Octavo] Lorenz Publishing Company
(Glorious Things of Thee Are Spoken). By Mary Mcdonald. For SATB choir, organ an...(+)
(Glorious Things of Thee Are Spoken). By Mary Mcdonald. For SATB choir, organ and piano, descant (with optional congregation, handbells (3-5 octaves), 2 trumpets, 2 trombones). Sacred Anthem, Eastertide, General, Reformation. Octavo. Published by Lorenz Publishing Company
$3.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 6 [Score] Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU: PR.16500104F Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F). ISBN 9781491132159. UPC: 680160681082. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Everglades (River of Grass) [Score] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500101F Mvt. 1 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00101F. Published by Theodore Presser Company (PR.16500101F). ISBN 9781491131725. UPC: 680160680252. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord Berners: The Triumph Of Neptune Suite For Piano Piano solo Chester
Berners The Triumph of Neptune Suite arranged for Piano. Described as 'A pantomi...(+)
Berners The Triumph of Neptune Suite arranged for Piano. Described as 'A pantomime in twelve scenes', this was composed in 1926 for Diaghilev's Russian Ballet. With a book by Sacheverell Sitwell and choreography by George Balanchine, it was inspired by a series of Victorian drawings which Diaghilev had bought Pollock and Webb's theatrical bookshop in Hoxton. It depicts the fortunes of Tom Tug, a sailor who has left his wife after her infidelity and follows his adventures which end triumphantly with his transformation into a Fairy Prince and marriage to Neptune's daughter
$19.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Flight of Valor C.L. Barnhouse
The Music of James Swearingen. Compact Disc (CD). Composed 2005. Published by C....(+)
The Music of James Swearingen. Compact Disc (CD). Composed 2005. Published by C.L. Barnhouse.
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Song of Triumph Choral SATB SATB divisi, A Cappella Boosey and Hawkes
By Dale Grotenhuis. (SATB DV A Cappella). Boosey and Hawkes Sacred Choral. Size...(+)
By Dale Grotenhuis. (SATB DV A Cappella). Boosey and Hawkes Sacred Choral. Size 6.8x10.5 inches. 8 pages. Published by Boosey & Hawkes.
(4)$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Song of Triumph Handbells - Intermediate Hope Publishing Company
Handbells 3-5 octave handbell choir; keyboard - Level 3 SKU: HP.1853 Comp...(+)
Handbells 3-5 octave handbell choir; keyboard - Level 3 SKU: HP.1853 Composed by Arnold B. Sherman. General Worship, Sacred. Handbell score. Hope Publishing Company #1853. Published by Hope Publishing Company (HP.1853). UPC: 763628018535. An original composition This original robust composition portrays well the essence of the victorious. The strength of this piece particularly reveals itself through four possible ways of performance: handbells alone, handbells and handchimes; handbells, hadchimes, and harp (or piano); or handbells and harp. Through any shape or form, the angular lines, the brisk pace and the fullness of sound create a positive encounter for program or worship alike. $6.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Song of Triumph Handbells - Intermediate Hope Publishing Company
3-5 octave handbell choir; keyboard - Level 3 SKU: HP.1855 Composed by Ar...(+)
3-5 octave handbell choir; keyboard - Level 3 SKU: HP.1855 Composed by Arnold B. Sherman. General Worship, Sacred. Choirchime Part. 8 pages. Hope Publishing Company #1855. Published by Hope Publishing Company (HP.1855). UPC: 763628018559. An original composition This original robust composition portrays well the essence of the victorious. The strength of this piece particularly reveals itself through four possible ways of performance: handbells alone, handbells and handchimes; handbells, hadchimes, and harp (or piano); or handbells and harp. Through any shape or form, the angular lines, the brisk pace and the fullness of sound create a positive encounter for program or worship alike. $5.75 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Strike the Cymbal [Octavo] Choristers Guild
(from Miriam's Song of Triumph SAB/Keyboard). By Franz Schubert (1797-1828). A...(+)
(from Miriam's Song of Triumph SAB/Keyboard). By Franz Schubert (1797-1828). Arranged by Austin C. Lovelace. For SAB choir. Mixed Voices Series. Sacred Anthem. Octavo. Published by Chorister's Guild
$1.95 $1.8525 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easter Song of Triumph Choral SATB SATB A Cappella Shawnee Press
By Austin C. Lovelace. For SATB Choir, a cappella (SATB A Cappella). Shawnee Pre...(+)
By Austin C. Lovelace. For SATB Choir, a cappella (SATB A Cappella). Shawnee Press. 10 pages
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Top 300 Contemporary Christian Songs Voice solo Lillenas Publishing Co.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald. For voice solo. Sacred Vocal. Published by Lillenas Publishing Company
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs for Praise and Worship Piano, Vocal and Guitar Hal Leonard
(253 of the finest praise and worship songs). Composed by Various. For voice, pi...(+)
(253 of the finest praise and worship songs). Composed by Various. For voice, piano and guitar (chords only). Sacred Folio. Gospel and Worship. Difficulty: medium. Songbook (spiral bound). Vocal melody, piano accompaniment, lyrics and chord names. 420 pages. Hal Leonard #080689006395. Published by Hal Leonard
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ride Of The Valkyries
One listen to this recording and you'll understand why hearing classics performe...(+)
One listen to this recording and you'll understand why hearing classics performed by a world class wind band will provide you with a memorable musical experience. Incredible performances of unforgettable music!
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Also Sprach Zarathustra
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Gypsy Dance from Carmen
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Water Music
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Slavonic Dance #1
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Tritsch-Tratsch Polka
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Espana Cani
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Clear Track Polka
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William Tell Overture Finale
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Ride Of The Valkyries
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Romanza
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Firebird Suite Finale
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Perpetuum mobile
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Tarantella
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Thunder & Lightning Polka
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Glory and Triumph
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| The Power of the Cross - Bulk Performance CDs (10 pak) Lorenz Publishing Company
SKU: LO.99-3108L Christ's Passion, Our Redemption. Composed by Mar...(+)
SKU: LO.99-3108L Christ's Passion, Our Redemption. Composed by Mark Hayes. Choral, cantatas. Holy Week, Eastertide, Sacred. Bulk performance CDs. Lorenz Publishing Company #99/3108L. Published by Lorenz Publishing Company (LO.99-3108L). UPC: 000308133554. In this powerful offering from Mark Hayes, we journey with Christ through Holy Week, experiencing momentous events that changed history for all of humankind. Mark's distinctive compositional voice adds to the drama of the work. Masterful arrangements of Twila Paris's Lamb of God and Keith Getty and Stuart Townend's The Power of the Cross, along with an unforgettable mezzo soprano solo inspired by Michelangelo's Pieta, contribute to a truly compelling work for Easter worship. This work may be performed during Holy Week by excluding the final movement or in its entirety for Easter and Eastertide. The beautiful piano accompaniment reflects Mark's keyboard artistry, and his masterful orchestration offers an added dimension to the drama. The Power of the Cross provides an artful and poignant reminder of Christ's sacrifice of love, His triumph over death, and His promise of redemption for us all. $79.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Power of the Cross - Split-track Accompaniment CD Lorenz Publishing Company
SKU: LO.99-3106L Christ's Passion, Our Redemption. Composed by Mar...(+)
SKU: LO.99-3106L Christ's Passion, Our Redemption. Composed by Mark Hayes. Choral, cantatas. Holy Week, Eastertide, Sacred. Split-track accompaniment CD. Lorenz Publishing Company #99/3106L. Published by Lorenz Publishing Company (LO.99-3106L). UPC: 000308133547. In this powerful offering from Mark Hayes, we journey with Christ through Holy Week, experiencing momentous events that changed history for all of humankind. Mark's distinctive compositional voice adds to the drama of the work. Masterful arrangements of Twila Paris's Lamb of God and Keith Getty and Stuart Townend's The Power of the Cross, along with an unforgettable mezzo soprano solo inspired by Michelangelo's Pieta, contribute to a truly compelling work for Easter worship. This work may be performed during Holy Week by excluding the final movement or in its entirety for Easter and Eastertide. The beautiful piano accompaniment reflects Mark's keyboard artistry, and his masterful orchestration offers an added dimension to the drama. The Power of the Cross provides an artful and poignant reminder of Christ's sacrifice of love, His triumph over death, and His promise of redemption for us all. $94.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The New Imperial Edition Low voice [Accompaniment CD] Boosey and Hawkes
Accompaniment CDs Bass Songs. Performed by Various. Boosey and Hawkes Voice. CD ...(+)
Accompaniment CDs Bass Songs. Performed by Various. Boosey and Hawkes Voice. CD only. Size 9x12 inches. 8 pages. Published by Boosey and Hawkes.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bass Songs
Low voice, Piano [Sheet music + Audio access] Boosey and Hawkes
The New Imperial Edition. By Various. Arranged by Sydney Northcote. (Bass). Boo...(+)
The New Imperial Edition. By Various. Arranged by Sydney Northcote. (Bass). Boosey and Hawkes Voice. Book only. Size 9x12 inches. 100 pages. Published by Boosey and Hawkes.
(2)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tribute and Triumph Walking Frog Records
The Washington Winds, Edward S. Petersen, conductor A collection of outstanding ...(+)
The Washington Winds, Edward S. Petersen, conductor A collection of outstanding compositions composed with young musicians in mind. An ideal model of tone quality, balance, blend, phrasing, and intonation for all developing band musicians. Let Evening Come, Robert Sheldon Northern Lights, Larry Neeck Antigua Bay, Ed Huckeby The Pinnacle , David Shaffer Park Street Celebration, James Swearingen Sirocco, Jerry Williams High Falls Overture , James Swearingen Tribute and Triumph, David Shaffer The Pioneer's Passage, Robert Sheldon Foxfire March, Ed Huckeby Deck The Halls With Dazzling Drummers, Jerry Williams Champions of Freedom March, Ken Harris Wyndham Variations , James Swearingen Battle Hymn Epic, Tim Loest Taco Time, Ed Huckeby Monster Rock, Tom Molter Of Kings and Christmas, Larry Neeck When The Koalas Do The Conga With The Kangaroos, Len Orcino Leader of The Class, Ed Huckeby Northpointe Fantasy, James Swearingen
$6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easter Song - Performance/Accompaniment CD plus Split-track Choral CD Medallion Music
SKU: LO.99-4106MD Composed by Annie Herring. Arranged by Jay Rouse. Chora...(+)
SKU: LO.99-4106MD Composed by Annie Herring. Arranged by Jay Rouse. Choral. Sacred Anthem, Eastertide. Performance/accompaniment CD (split-track). Medallion Music #99/4106MD. Published by Medallion Music (LO.99-4106MD). UPC: 000308156041. Performance/accompaniment CD plus Split-track for Easter Song (10/5403MD) - Jay Rouse's energetic arrangement of Annie Herring's beloved Easter Song triumphantly announces Christ's resurrection with a praiseful Hallelujah! Hallelujah! He's alive! Featuring easily learned harmonies, a driving 6/8 feel, memorable melodies, and an optional orchestra, this anthem celebrates Christ's resurrection and our redemption through His victory! From Songs of the Cross (55/1199MD). $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easter Song Choral SATB SATB, Piano Medallion Music
Composed by Annie Herring. Arranged by Jay Rouse. Choral. Sacred Anthem, East...(+)
Composed by Annie Herring.
Arranged by Jay Rouse.
Choral. Sacred Anthem,
Eastertide. Octavo.
Medallion Music #10/5403MD.
Published by Medallion Music
$3.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Simple Suite Handbells Choristers Guild
(Four Songs For Handbells). By Kevin McChesney. For handbells (2-3 octaves). Lev...(+)
(Four Songs For Handbells). By Kevin McChesney. For handbells (2-3 octaves). Level 2. Sheet music. Published by Chorister's Guild
$4.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sea of Tranquility Concert band - Intermediate Hal Leonard
Score and Parts Concert Band (Score) - Grade 4 SKU: HL.4005438 1st Mov...(+)
Score and Parts Concert Band (Score) - Grade 4 SKU: HL.4005438 1st Movement of The Seas of the Moon. Composed by Robert Buckley. MusicWorks Grade 4. Concert. Softcover. 16 pages. Duration 265 seconds. Published by Hal Leonard (HL.4005438). UPC: 888680728090. 9.0x12.0x0.051 inches. Since the beginning of humanity we've been mesmerized by the moon, and what were originally thought to be “seas†appearing on the surface. The “Sea of Tranquility†is probably the best-known of these thanks to the landing of Apollo 11 in 1969. The first movement of Robert Buckley's four-movement suite captures the astronauts' sense of awe and wonder of their journey from lift-off, to weightlessness, to the triumph and jubilation of the lunar landing itself. Dur: 4:25. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Evidence Of Grace Choral SATB Word Music
Evidence Of Grace (A Worship Musical Tracing God's Hand of Mercy). By David T. C...(+)
Evidence Of Grace (A Worship Musical Tracing God's Hand of Mercy). By David T. Clydesdale and Steve Moore. Arranged by David Clydesdale. For SATB Choir. Musical. Modern Christian. Choral Book. Duration 50'00". Published by Word Music
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs And Dances Of Death [Score] Fennica Gehrman
Bass voice, orchestra SKU: FG.042-07982-9 Composed by Modest Petrovich Mu...(+)
Bass voice, orchestra SKU: FG.042-07982-9 Composed by Modest Petrovich Mussorgsky. Arranged by Kalevi Aho. Score. Published by Fennica Gehrman (FG.042-07982-9). ISBN 979-0-042-07982-9. Songs of Dances and Death arranged for bass voice and orchestra by Kalevi Aho. This orchestral adaptation of Mussorgsky's brilliant song cycle was made in 1984 for the late Martti Talvela. The songs represent variations on the same storyline: Death arrives to take a life before its normal course has run. In all four Aho uses the instrumentation to highlight the movement towards Death's triumph and emphasise the cycle's dark psychological character. $35.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| With a Voice of Triumph Choral SATB SATB, Organ Harold Flammer Music
Arranged by Joseph M. Martin and David Angerman. Harold Flammer Cathedral. Adv...(+)
Arranged by Joseph M. Martin
and David Angerman. Harold
Flammer Cathedral. Advent,
Concert, Easter, General
Worship. Octavo. 16 pages.
Published by Harold Flammer
Music
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Johnnie Vinson : Arch of Triumph (French March) Concert band [Score and Parts] - Easy Hal Leonard
By Johnnie Vinson. For Concert Band (Score and Parts). MusicWorks Grade 2. Grade...(+)
By Johnnie Vinson. For Concert Band (Score and Parts). MusicWorks Grade 2. Grade 2. Softcover. Published by Hal Leonard
$65.00 $61.75 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Selection of 100 English Folk Dance Airs Recorder [Sheet music] Alfred Publishing
Edited by Maude Karpeles and Kenworthy Schofield. For Recorder. Recorder - Sopra...(+)
Edited by Maude Karpeles and Kenworthy Schofield. For Recorder. Recorder - Soprano or Tenor Recorder Solo. 72 pages. Published by Alfred Publishing.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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