| Modern Worship Song Collection Piano, Vocal and Guitar Alfred Publishing
Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Pia...(+)
Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords; Worship Resources. Contemporary Christian; Sacred. 256 pages. Published by Alfred Music
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| Radamisto HWV 12b Barenreiter
Solo voices, orchestra (4 Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Bass V...(+)
Solo voices, orchestra (4 Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Bass Voice Solo, Fl, 2 Ob, bassoon, 2 Hn, 2 Trp, Str, Continuo) SKU: BA.BA04066 Opera seria in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 9,2. 2nd version. Complete edition, Score. HWV 12. Duration 3 minutes. Baerenreiter Verlag #BA04066_00. Published by Baerenreiter Verlag (BA.BA04066). ISBN 9790006495832. 33 x 26 cm inches. Text Language: Italian. Nicola Francesco Haym. This volume of the “Halle Handel Edition†presents the music of the second version of the opera which was premiered on 28 December 1720 at the King's Theatre, Haymarket, London as well as the amendments made for November 1721 revival. The appendix includes the amendments for the January/February 1728 version.
The first season of the Royal Academy ended on 25 June 1720. The new vocal soloists arrived in London in September. As the first version of “Radamisto†had been a great success during the first season, Handel revised the opera for the oncoming season to accommodate it to his new more proficient cast.
The revision was extensive. It included: 1) Changes to the vocal range of Radamisto (soprano to alto for the singer Senesino), Zenobia (alto to soprano for the female singer Durastanti) and Tiridate (tenor to bass for the singer Boschi), 2) compositions of new arias and ensembles, 3) significant changes to the plot consisting of the reduction of Fraartes’ role from brother to servant Tiridates and the omission of his not so original love affair to Zenobia.
For most of Handel's operas it can be said that the first version is the best version. This is due to the fact that when a work was performed again in later seasons, Handel was often forced to make changes due to casting constraints which often affected the equilibrium and the dramatic context of the work. “Radamisto†is an exception to this rule – the December 1720 adaptation is a much more superior composition than the version performed in April of the same year.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Sonata in C Major Op. 40, No. 1 Cello, String Bass (duet) G. Henle
For Cello and Double Bass. Composed by Jean-Baptiste Breval. Edited by Tabea ...(+)
For Cello and Double Bass.
Composed by Jean-Baptiste
Breval. Edited by Tabea
Umbreit. Henle Music Folios.
Softcover. 24 pages. G. Henle
#HN1480. Published by G.
Henle
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| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Weihnachtslieder fur Kinder gesungen von Kindern Carus Verlag
SKU: CA.8301400 Composed by Various. Songs for children, Christmas Carols...(+)
SKU: CA.8301400 Composed by Various. Songs for children, Christmas Carols, Advent, Christmas. Compact Disc. Carus Verlag #CV 83.014/00. Published by Carus Verlag (CA.8301400). Most tellingly, Christmas songs render the joy and anticipation of children at Christmastime. The children's choir SingsalaSing of the Landesakademie for young musicians in Baden-Wurttemberg, Ochsenhausen, sings 26 traditional and new yuletide songs from Germany and neighboring countries. These are especially suited to children in elementary school. The colorful and diverse arrangements are by Bobby Fischer, Markus Munzer-Dorn, Veit Hubner, Christoph Muller. This CD is an invitation to children and their families to join in singing together during the Advent and Christmas seasons. This CD is part of the Lieder project which promotes and benefits singing with children. This project presents texts, music and recordings of songs to sing. It emphasizes quality and is designed especially for children. The goal is to once again focus on singing together in families. To date, 100 solo singers, vocal ensemble, choirs, instrumentalists and over 300 children have offered their time and talents to the Carus Lieder project. Profits derived from the sale of books and CDs in the Lieder project have now reached 400,000 Euros - these proceeds are being donated to causes which further singing with children. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Morceaux Choisis Pour Piano (book/download Card Al30695) Piano solo [Sheet music + Audio access] Leduc, Alphonse
Composed by Francois Pinel. Leduc. Tuition. 50 pages. Alphonse Leduc #AL30694....(+)
Composed by Francois Pinel.
Leduc. Tuition. 50 pages.
Alphonse Leduc #AL30694.
Published by Alphonse Leduc
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| Rondos for Piano Piano solo PWM (Polskie Wydawnictwo Muzyczne)
(Chopin National Edition Vol. VIIIA). Composed by Frederic Chopin (1810-1849). E...(+)
(Chopin National Edition Vol. VIIIA). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. For Piano. PWM. Polskie Wydawnictwo Muzyczne #51600014. Published by Polskie Wydawnictwo Muzyczne
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| Polonaises, Series B: Published Posthumously Piano solo [Sheet music] PWM (Polskie Wydawnictwo Muzyczne)
Chopin National Edition 26B, Vol. II. Composed by Frederic Chopin (1810-1...(+)
Chopin National Edition 26B, Vol. II. Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. PWM. Softcover. Polskie Wydawnictwo Muzyczne #51600018. Published by Polskie Wydawnictwo Muzyczne (HL.132302).
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| Treasures for Flute and Piano Flute and Piano Carl Fischer
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228). ISBN 9781491153529. 9 x 12 inches. Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€. Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A View from the Rear GIA Publications
SKU: GI.G-10597 Memoirs of a Virtuoso Timpanist in the Orchestra's Gol...(+)
SKU: GI.G-10597 Memoirs of a Virtuoso Timpanist in the Orchestra's Golden Age. Composed by Saul Goodman. Music Education. 134 pages. GIA Publications #10597. Published by GIA Publications (GI.G-10597). ISBN 9781574635409. At 19 years old, Saul Goodman became timpanist with the New York Philharmonic Orchestra under renowned conductor Arturo Toscanini. Forty-six years later, he retired as one of the most celebrated orchestral musicians of all time. During his illustrious career as composer, inventor, and timpanist, he performed on over 1,000 recordings, placed his students in the world’s major symphony orchestras, and set standards in percussion performance and pedagogy that remain in place to this day. His memoirs, and those of his students, trace his musical development and take the reader on a voyage of his unique experiences during the greatest era of the American symphony orchestras. His incredible legacy as a performer and a teacher is unrivaled in the history of percussion, and perhaps any other instrument as well. The list of his students reads like a ‘who’s who’ of our world. —Daniel Druckman, New York Philharmonic He was one of the greatest artists of all times. He was an inspiration to me, not only as a student, but throughout my professional career. —Vic Firth, Boston Symphony Orchestra Saul often said that his teachers were Toscanini, Monteux, Reiner, Stokowski, and Bruno Walter. He was the greatest player in the era of stars throughout the symphonic world. The sheer numbers of concerts, recordings, and TV that he played is staggering. —Morris Lang, New York Philharmonic Saul Goodman was a brilliant orchestral musician who just happened to play the timpani. His style, musicianship and strong personality were a tremendous influence on those with whom he worked. —James Rago, Louisville Orchestra Review from Percussive Notes Magazine This treasure of a book tells the story from the man himself: Saul Goodman, one of the most celebrated orchestral musicians, timpanists, and percussion teachers to ever live. Through a combination of Goodman’s own writing, as well as contributions from a variety of others who knew, studied, and worked with him, this 106-page book is informative for students and enjoyable for general music enthusiasts. The book is constructed in two parts — the first being a previously unpublished memoir written by Goodman during his lifetime (he died in 1996) and edited by Anthony Cirone, and the second consisting of reflections from students and colleagues, an interview with Goodman conducted by Rick Mattingly in 1981, a Percussive Notes article published shortly after this death, and an overview of his recording history. The book also contains several pages of pictures from throughout his career. The first part, written by Goodman, contains five chapters: Beginnings, Carnegie Hall, The Business of Modern Orchestra, Toscanini, and On Recording. While he discusses many percussion-specific things, such as lessons with Alfred Friese, Goodman spends just as much, if not more, time talking about the general orchestral culture of the time and how it evolved during his 46 years in the New York Philharmonic. This includes reflections on conductors, management, recording, and the audition process. The second part proves just as valuable, with first-hand stories from those who knew him. These range from acknowledgments of Goodman’s excellence in performing and instruments making to heartfelt and sometimes humorous anecdotes relating to his teaching. This book will undoubtedly be appreciated by all orchestral percussion and classical music performers, students, conductors, and teachers, as well as the general concert-going public. It is a rare first-hand look into the life and career of a world-class artist and teacher. — Jason Baker Percussive Notes, February 2022. $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 6 Easy Concert Pieces op. 12 Cello, Piano Schott
For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo S...(+)
For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).
$15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Recercada 1 & 2 Treble (Alto) Recorder, Piano - Intermediate Schott
Schott Student Edition Level 3 Piano Accompaniment; Recorder (Score and Solo Par...(+)
Schott Student Edition Level 3 Piano Accompaniment; Recorder (Score and Solo Part) - intermediate SKU: HL.49045571 For Treble Recorder and Piano - Schott Student Edition Level 3. Composed by Diego Ortiz. Edited by Maria Dorner-Hofmann. This edition: Saddle stitching. Sheet music. Woodwind. Classical. Softcover. 20 pages. Schott Music #SE1020. Published by Schott Music (HL.49045571). ISBN 9790001162548. UPC: 841886028968. 9.0x12.0x0.083 inches. German - English - French. The viol player Diego Ortiz, who was musical director at the court of the Spanish viceroy in Naples in the mid-16th century, wrote a textbook which became authoritative for the art of improvisation during the Renaissance. This textbook contains pieces with written improvisations in the tradition of the Renaissance period. Although the writing of improvisations was a contradiction in terms even then, Ortiz' pieces are excellent textbooks for the study of the structures and rules of this art. About Schott Student Edition The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.
The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.
Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation. $11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| All About the Call - Choral Book Word Music
Easy SKU: WD.080689561177 Composed by Ali Carlson. Choral, cantatas. Book...(+)
Easy SKU: WD.080689561177 Composed by Ali Carlson. Choral, cantatas. Book. Word Music #080689561177. Published by Word Music (WD.080689561177). UPC: 080689561177. ALL ABOUT THE CALL is the newest non-seasonal addition to the Simply WordKidz Series, a best-selling performance-friendly, easy-learn-easy-sing series for children’s choir from Word Music & Church Resources!
ALL ABOUT THE CALL takes place during the first summer morning of Prayground (a church day camp), and the very old-fashioned Coach Walker is about to be schooled in cell phone technology. But as his kid-campers teach him about apps and text codes and selfies, he teaches them about the most important call of all—the call of God on our lives. With humor, fun, and unforgettable songs, this little musical blends the modern cell phone obsession with Biblical truth in an engaging w. y that will have you laughing, praying and singing, all at the same time!
In less than 25 minutes, ALL ABOUT THE CALL brings to light an important, Bible-centric lesson not only for your kids, but for you and your audience, reminding us all to be present in each other’s lives and to focus on the Lord and the people who make up His body…not on our cell phones. Our call as sons and daughters of Christ is so much greater than apps, text codes, selfies, or even selfie-sticks! This playful, easy-learn Simply WordKidz musical serves as a great reminder of that Biblical truth, and will have everyone leaving the performance hugging more tightly to their families and less tightly to their mobile devices!
ALL ABOUT THE CALL from the Simply WordKidz Series…the perfect w. y to bring your church and community together to refocus on the most important “call†of all!
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatina in A Minor, Op. 88, No. 3 Piano solo - Intermediate Schott
Piano - intermediate SKU: HL.49046242 Schott Student Edition - Level 3...(+)
Piano - intermediate SKU: HL.49046242 Schott Student Edition - Level 3. Composed by Friedrich Kuhlau. Edited by Monika Twelsiek. This edition: Saddle stitching. Sheet music. Piano Solo. Classical. Softcover. Op. 88/3. 20 pages. Schott Music #SE1045. Published by Schott Music (HL.49046242). ISBN 9783795716691. UPC: 888680950040. 9x12 inches. German - English - French. “These real masterpieces, even if only a few minutes long, are of tremendous melodiousness and expressiveness!”, Franz Schubert said about Friedrich Kuhlau's sonatinas.
The four Sonatinas Op. 88 were written in 1827, i.e. during Friedrich Kuhlau's middle creative period, even before the great success of the opera “Elfenhügel.” and the year of Beethoven's death. All four works contain beautiful melodic ideas, but Sonatina Op. 88 No. 3 with its minor tonality, its free treatment of form and tempo in the first movement and the lively last movement is something special. Of medium difficulty, this sonatina is great fun to play.
This edition is accompanied by a preface and “Teaching Notes” by Monika Twelsiek. It is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. For further information on this series, see www.schott-student-edition.com. About Schott Student Edition The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.
The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.
Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation. $11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ten Easter Flourishes for Organ Organ GIA Publications
Organ SKU: GI.G-003029 Composed by Meirion Wynn Jones. Eastertide. Tune N...(+)
Organ SKU: GI.G-003029 Composed by Meirion Wynn Jones. Eastertide. Tune Name: Lasst Uns Erfreuen, Salzburg, Gelobt Sei Gott, Llanfair, Easter Hymn, Duke Street, Noel Nouvelet, O Filii Et Filae, Ellacombe, Victory. Sacred. GIA Publications #003029. Published by GIA Publications (GI.G-003029). UPC: 641151030609. Following his Ten Christmas Flourishes (WLP 003037), Welsh composer Meirion Wynn Jones adds to the WLP Organ Library with Ten Easter Flourishes. A collection of enlivening, celebratory introductions for beloved Easter hymns will similarly be a pleasure for organists to play! Some tunes are paired with more than one text during the days of Easter-Ascension-Pentecost, making this a most practical collection. Includes: “O Sons and Daughtersâ€, “I Know That My Redeemer Livesâ€, “Jesus Christ Is Risen Todayâ€, “Christ the Lord Is Risen Todayâ€, “All You Who Dwell Below the Skiesâ€, “The Strife Is O’erâ€, “At the Lamb’s High Feastâ€, “Good Christians Allâ€, “The Day of Resurrection,†and “Now the Green Blade Rises.â€. $12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music Play 2 - Bundle (includes parts A and B) GIA Publications
SKU: GI.G-J383 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J383 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H. Valerio. Jump Right In. Music Education. 494 pages. GIA Publications #J383. Published by GIA Publications (GI.G-J383). ISBN 9781622775408. Through engaging children using Music Play 2, adults may build relationships with newborn and young children, additional family members, and other adults as they joyfully make music together, affirm and nurture newborn and young children’s innate capacities for expressive musicking and movement, and honor and extend young children’s expressed musical curiosities, ideas, and audeas (musical thoughts and ideas), helping them realize that their musical identities are worth sharing, developing, and preserving. Music Play 2 materials function in companion with Music Play (GIA, 1998) and Edwin Gordon’s Music Learning Theory for Newborn and Young Children (GIA, 2013). Music Play 2 (494 pages) is bundled into two parts, Part A and Part B. The following are the features of each part:  Part A (264 pages) Part B (229 pages) Tribute to Edwin Gordon Guiding Newborn and Young Children’s Innate Music Capacities Guiding Young Children Through Types and Stages of Preparatory Audiation: The Materials Using Music Play 2 Inclusion: All Children and Their Families (Salvador) 45 Extended Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Each plan features More Audeas for Music Play, such as tonal pattern and/or rhythm pattern examples for each type of preparatory audiation, supplemental harmonic and rhythm accompaniments to add to the music selection, and More Ideas for Music Play, such as examples of ways to connect Music Play 2 activities to PK–2 2014 Music Standards, and one inclusion strategy in a Domain of Learning. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Complete listing of all PK–2 2014 Music Standards, along with which extended music engagement plans feature each standard. Indices: Comprehensive Index Headings, Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part A Music Selections Alphabetized by Type and Title Music Play 2: Part A Music Selections Alphabetized by Title 71 Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Apply More Audeas and More Ideas you discover using Part A to music selections and engagement plans in Part B. Part B features tonalites and meters unique to music selections in Part B, and “Hello†and/or “Goodbye†music selections. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Editor and Contributor List (83 total) An 11-page, comprehensive bibliography and resource list to support researchers and practitioners and promote their audiation-based social-music and movement play with others, especially during early childhood. Indices: Comprehensive Index Headings: Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part B Music Selections Alphabetized by Type and Title Music Play 2: Part B Music Selections Alphabetized by Title Download Music Play 2 Extended Indexes (free)  Music Play 2 is a welcomed contribution for all who are concerned with appropriately guiding children’s musical understandings—parents, teachers, and caregivers. The book is extremely well organized with an excellent balance of theory and practice. The theoretical underpinnings of Music Play 2 are presented in a “user friendly†manner, the lessons are easy to follow and adapt for individual children’s needs and level of development, the numerous songs and chants represent a wide variety of tonalities and meters, and an extensive section on inclusion and inclusive practices has been added. Music Play 2 will be the resource I use for my early childhood music classes! —Joanne Rutkowski, Ph.D., Professor Emeritus, Music Education   The Pennsylvania State University This book had me interested from the table of contents onward. The lessons are detailed and ready to use in the classroom. I love that there are tonal and rhythmic patterns to go with each song or chant. This is truly a resource that will delight children and teachers as it is easy to use, appropriate for young children, and pedagogically sound. When I finished, I was ready to jump back into teaching early childhood music. Fantastic! —Alice M. Hammel, Ph.D.   James Madison University Music Play 2 is devoted to the wonder of young children’s musical development. The authors have adeptly woven theory and practice, offering a treasure trove of fresh, accessible lesson plans developed by leading researchers and practitioners in the field of early childhood music. An excellent, indispensable resource with original and high-quality music content, Music Play 2 is essential for all providers of music for young children, and sure to be used time and time again. —Suzanne L. Burton, Ph.D., Professor of Music Education   University of Delaware. $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My First Concert Flute [Sheet music + CD] - Easy Schott
24 Easy Concert Pieces from 5 Centuries. Woodwind. Softcover with CD. 58 pages...(+)
24 Easy Concert Pieces from
5 Centuries. Woodwind.
Softcover with CD. 58 pages.
Schott Music #ED22129-50.
Published by Schott Music
$23.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| My First Concert - 23 Easy Concert Pieces from 4 Centuries Clarinet [Sheet music + CD] - Easy Schott
Mein erstes Konzert. Composed by Various. Edited by Rudolf Mauz. Woodwind So...(+)
Mein erstes Konzert. Composed
by Various. Edited by Rudolf
Mauz. Woodwind Solo.
Softcover with CD. 52 pages.
Schott Music #ED21107.
Published by Schott Music
$23.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arsenal Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0950665-010 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0950665-010 Composed by Jan Van der Roost. Brilliant Marches. Concert March. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950665-010. Published by De Haske Publications (BT.DHP-0950665-010). 9x12 inches. Arsenal was composed for the 50th anniversary of the 'Harmonie van het Spoorwegarsenaal' [railroad arsenal], based in Mechelen (Belgium). Rather a stately concert march, it has beautiful themes and a broad melody in the trio. It waspremiered in the Mechelen Cultural Center on the 11th of May 1996 during the solemn ceremony, opening the anniversary year and conducted by the composer. In the meantime, Arsenal has been recorded several times by such renowed performers likethe Tokyo Kosei Wind Orchestra, the Black Dyke BB etc.
Arsenal werd gecomponeerd ter gelegenheid van het vijftigjarig bestaan van de Koninklijke Harmonie Arsenaal Mechelen een orkest dat bij de oprichting in 1946 enkel uit spoorwegarbeiders van het ‘Arsenaal’ bestond. Deze heldhaftige en plechtige mars behoort inmiddels tot het standaardrepertoire van harmonieorkest en brassband.
Wer auf der Suche nach einem originalen, anspruchsvollen, eleganten und festlichen Konzertmarsch ist, hat ihn mit Arsenal von Jan Van der Roost gefunden. Arsenal wurde aus Anlass des 50jährigen Jubiläums der Harmonie van hetSpoorwegarsenaal (Blasorchester des belgischen Eisenbahnarsenals) in Mechelen, Belgien, komponiert. Der würdevolle Konzertmarsch enthält wunderschöne Themen und eine ausgedehnte Melodie im Trio.
Jan Van der Roost a composé cette marche de concert l’occasion des festivités célébrant le 50ème Anniversaire de l’Orchestre d’Harmonie de l’Arsenal des Chemins de Fer Belges basé Mechelen. La première eut lieu au Centre Culturel de Mechelen le11 mai 1996, jour de l’ouverture solennelle de l’année anniversaire. Arsenal est une marche majestueuse aux thèmes superbement colorés et dont le trio comporte une mélodie fluide aux sons larges et soutenus.
Arsenal è stato composto per il 50° anniversario dell’orchestra di fiati ‘Arsenaal’ con sede a Mechelen in Belgio, una banda che la tradizione vuole formata da ferrovieri . Questo brano, eroico e maestoso, è diventato uno standard nel repertorio di bande. $118.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Trumpet Basics, French Edition Trumpet - Beginner Voggenreiter
Trumpet - Beginning SKU: MB.3802406416 Composed by Martin Reuthner. Saddl...(+)
Trumpet - Beginning SKU: MB.3802406416 Composed by Martin Reuthner. Saddle-stitched, Style, French Language, CLEARANCE: OTHER, Pop, Trumpet and Bugle, Method, Jazz. Voggenreiter. Rock. Book/CD set. 64 pages. Voggenreiter #3802406416. Published by Voggenreiter (MB.3802406416). ISBN 9783802406416. 8.25 x 11.75 inches. Ce livre est un cours de base conçu comme un début facile pour apprendre à jouer de la trompette au cours des premières semaines et des premiers mois. Apprenez tout sur la génération de sons et la reproduction des premières notes, la technique de respiration appropriée et la théorie musicale de base. Les exercices et les exercices sont amusants tout en procurant la joie d’apprendre à jouer de la trompette. Le CD d'accompagnement contient des échantillons audio et un accompagnement de piano. Il vous permet d'écouter la pièce complète avec trompette et piano ou de jouer avec le piano. Édition française. This book is a basic course designed as an easy start to learning to play the trumpet during the first weeks and months. Learn everything about the generation of sounds and playing the first notes, the proper breathing technique and basic music theory. The exercises and practice pieces are fun while promoting the joy of learning to play the trumpet. The accompanying CD contains audio samples and piano accompaniment. It allows you to listen to the complete piece with trumpet and piano or to play along with the piano. French edition. $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs (Lieder) Volume 1 Medium voice, Piano Schott
Medium Voice; Piano Accompaniment (Medium Voice) SKU: HL.49045824 Medi...(+)
Medium Voice; Piano Accompaniment (Medium Voice) SKU: HL.49045824 Medium Voice and Piano. Composed by Max Kowalski. Edited by Luitgard Schader. Vocal Solo. Classical. Softcover. 44 pages. Duration 1680 seconds. Schott Music #ED22586. Published by Schott Music (HL.49045824). Max Kowalski (18821956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hochs Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forcedto flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Holderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Holderlin (1950) and the Geisha Lieder according to Klabund (1951). $27.99 - See more - Buy online | | |
| New Hymns Inspired by General Conference Addresses, Oct 2018 & Apr 2019 Jackman Music Corporation
Choir - Medium / medium acc. SKU: JK.19970 Composed by Janice Kapp Perry....(+)
Choir - Medium / medium acc. SKU: JK.19970 Composed by Janice Kapp Perry. Difficulty Medium. Christian, Inspirational. Jackman Music Corporation #19970. Published by Jackman Music Corporation (JK.19970). Hymn singing is an important part of our heritage as members of The Church of Jesus Christ of Latter-day Saints. Elder Boyd K. Packer, in October 1991 General Conference, said: If we will listen, [hymns] are teaching the gospel, for the hymns of the Restoration are, in fact, a course in doctrine! In his landmark speech entitled The Arts and the Spirit of the Lord, Elder Packer stated:
Our hymns speak the truth as far as they go. They could speak more of it if we had more of them specifically teaching the principles of the restored gospel of Jesus Christ. If I had my way there would be many new hymns with lyrics near scriptural in their power, bonded to music that would inspire people to worship. Think about how much we could be helped by another inspired anthem or hymn of the Restoration. (BYU, February 1, 1976)
In response to Elder Packer's invitation, we have been writing new hymns during the past decade based on favorite general conference sermons. Our hope was that once the central theme of each address was set to music it might serve as another witness of the inspired message, and would be sung in homes, in choirs, and in conjunction with the Teachings For Our Time lessons in Relief Society and Priesthood meetings.
Janice Kapp Perry David B. Larsen
This songbook contains a Topical Index
The hymns offered by Prime Recordings Inc. are neither made, provided, approved nor endorsed by Intellectual Reserve, Inc., The Church of Jesus Christ of Latter-day Saints or its leaders. Any content or opinions expressed, implied or included in, or with this book from Prime Recordings Inc., are solely those of David B. Larsen and Janice Kapp Perry, and not those of Intellectual Reserve, Inc., The Church of Jesus Christ of Latter-day Saints or its leaders. *** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! $6.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Preludio (130 Easy Concert Pieces from 6 Centuries for Guitar) Guitar Classical guitar - Easy Schott
130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Ed...(+)
130 Easy Concert Pieces from
6 Centuries for Guitar.
Composed by Various. Edited
by Martin Hegel. Guitar.
Softcover. 124 pages. Schott
Music #ED22626. Published by
Schott Music
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| What Praise Can I Play on Sunday?, Book 6 Piano solo Alfred Publishing
(November and December Services (10 Easily Prepared Piano Arrangements)). Arrang...(+)
(November and December Services (10 Easily Prepared Piano Arrangements)). Arranged by Carol Tornquist. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Advent; All Saints Day; Christ the King; Christmas; Contemporary Chri
$13.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for Band Barenreiter
Wind orchestra (BlOrchestra) SKU: BA.BA10502-01 Composed by Gioachino Ros...(+)
Wind orchestra (BlOrchestra) SKU: BA.BA10502-01 Composed by Gioachino Rossini. Edited by Denise Gallo. This edition: Edition of selected works, Urtext edition. Linen. Works of Gioachino Rossini, Volume 4. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10502_01. Published by Baerenreiter Verlag (BA.BA10502-01). ISBN 9790006552061. 33 x 26 cm inches. Text Language: English/Italian. Preface: Denise Gallo. Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious , in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas . Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again. Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse ' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'. Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi. Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$620.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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