| Bosco and Kitty's Piano Magic Piano solo [Sheet music + CD] Lee Roberts Music
Pace Piano Education. Book and CD package. Size 9x12 inches. 24 pages. Published...(+)
Pace Piano Education. Book and CD package. Size 9x12 inches. 24 pages. Published by Lee Roberts
$10.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| tellement froid que [Score] Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bass flute and live electronics. Composed by Walter Feldmann. This edition: Paperbound. (r)TELLEMENT FROID QUE- (GEORGIQUES I). Full score. Composed 1995-96. 66 pages. Duration 20 minutes. Carus Verlag #CV 16.310/00. Published by Carus Verlag (CA.1631000). ISBN 9790007242800. Language: all languages. 1989. Stay in Aix-en-Provence, France, doing a language course. Reading, discussing and analyzing Les Georgiques; this pursuit is going to be the foundation of the multiple intellectual and literary levels of my composing. 2. THE WOODEN PLATFORM IS COVERED WITH FINE WHITE SAND (OR SALT), THE TWO SHELVES WITH BLACK CLOTH ... At the time I work on my first serious piece, still a far cry from the under-standing of writing music I have today. << tellement froid que >> (georgiques I) for bass flute, electronics and scene (1995-96), sections 1-7. << comme si le froid >> (georgiques II) for baritone saxophone, timpani and piano (1998), sections 18-24. << n'etait le froid >> (georgiques III) for orchestra (2000-2002), sections not yet decided. 3. THE INTERPRETER WILL BE DRESSED IN BLACK AND WHITE, MAINLY WHITE IF BLUISH LIGHT IS AT HAND ... The enormously rich vocabulary and the accuracy of expression - in temporal, spatial and material terms - is particularly impressive. To comprehend all of it, a reading on three different levels is called for: a first reading of one passage, then the acquisition of unknown vocabulary; thirdly a repeated - knowing - reading, which points out the utopia of precise expression: The text is treated in a rather problematic (cold: le froid?) manner: it's not the semantic content that is primarily dominant, but rather the outward appearance, the mise en page and the syntactic structure. 4. THE INTERPRETER ENTERS THE STAGE WITH ALL THE FLUTES (S)HE WILL PLAY DURING THE CONCERT AND DEPOSITS THEM - EXCEPT FOR THE BASS FLUTE - ON SHELF B; IF (S)HE ONLY PLAYS THIS PIECE, (S)HE SHOULD PUT THE PROGRAMME OF THE CONCERT THERE; IN ANY CASE THE INSTRUCTIONS IN BAR 195 MUST BE FOLLOWED ... In concrete terms the 10 centimetres of a line in the minuit edition correspond to 10 seconds of musical structure (which is three times as slow as the average reading speed). Only seven years later is the term / expression casse ferique changed into casse ferrique, and thus its secret is revealed, which almost becomes - due to its unreadability - the key to the planned musical cycle. The text is measured from section to section (big format: each section is marked with a continuous, ,,cold chord by the bass flute, played on tape recorder), from full stop to full stop (new entry of keynote material), from comma to comma (tripling of continuous resonances) etc. 5. DURING THE PERFORMANCE UP TO BAR 195, THE INTERPRETER WILL TRY - IN A KIND OF THEATRICAL ADAPTATION - TO EXPRESS HIS/HER OWN FEELING OF IRREPRESSIBLY GROWING FRUSTRATION; FROM BAR 195 ONWARDS (S)HE WILL DEFINITELY HAVE PUT UP WITH THE BASS FLUTE ... Brackets in the text bring about a reduction of sound (the differentiating micro tones are no longer used), the syntactical progression to subordinate clauses of the remotest degree has its immediate effect on dynamics (degree of volume). Then: the perception of a logical and yet erratic syntax, vastly progressive layers of subordinate clauses and brackets (lowering tone of voice?), a polyphony of ,,memoire, which leads to a maelstrom of attention, a tonally centric / concentrated (main material?) and progressive (subordinate and brackets-material?) reading, listening and proceeding. The different levels are constantly in touch - transferring the sensuous moment of scenes of bodily encounter (Tryptique) that are evoked again and again - in perpetual excitement of text and imagination, memory and remembering sensitivity. 6. THE BODY MOVEMENTS AND FIXATION (FIGE) , BOTH CLEARLY PERCEPTIBLE, WILL EVOKE AND SUPPORT THE SAME EMOTIONS ... The basic moods of the text will be reflected in the relationship (which is very important here) of the interpreter to the music; (s)he is somehow at the mercy of given (and not always transparent) structures on the one hand and the complexity of musical sensations on the other, which has to be defeated inspite of exhaustion. It's not only here that semantic agreement (besides the materialistic structure) of music and text can be felt: On top of that there's the existential helplessness in view of the mercilessly flowing polyphony of levels and events -- as a mirror of this there are the remembered scenes of the Flemish cold in the second chapter (Les Georgiques). The interpreters are confronted with unusual directions which correspond to the adjectives in the respective passages of the text: anachronique, engourdi, glace et acre, monotone et desert etc. The possibilities of interpretation are amplified, the ability to perceive and personal reaction is opened. The impression of this inexorability is multiplied in the extremest way by the fact that the particular layers can be found in Simon's complete works. It's a continuous work of art in which each novel turns into a chapter of a complex, cyclic whole; its title denoting only one main strand, as it were. A personal comment is made also as regards the clearly defined stage; the mise en scene points out the extra-musical elements and the correlation between text, human being and music. 7. THE INTERPRETER IS ASKED TO MOVE FREELY WITHIN A DEFINED SPOT WITHOUT LOOKING ARTIFICIAL; SOUNDS CAUSED BY THE FEET MOVING ON THE SAND ARE WELCOME DURING THE WHOLE PIECE ... And here the idea of a cycle is born, an attempt to transfer these nuances of memorized structures, this clarity and coldness, to transform the text into musical material. Walter Feldmann. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Space Battleship Yamato, Highlight Concert band [Score and Parts] - Intermediate Yamaha
Wind Band - Grade 3.5 SKU: YM.GTW01094429 Concert Band. New Sounds in Bra...(+)
Wind Band - Grade 3.5 SKU: YM.GTW01094429 Concert Band. New Sounds in Brass (NSB). Animation Songs. Score & Parts. Yamaha Music Media #GTW01094429. Published by Yamaha Music Media (YM.GTW01094429). ISBN 9784636944297. New Sounds in Concert Band Series (NSB) Duration: approx.7'40 Arranged by Takashi Hoshide
Medley of: Miserable Yamato; Infinitely Large Universe; Yamato sleeping in the Sunset; Theme of Original Yamato; Cosmo Tiger; Black Tiger; Cross the Beautiful Ocean. $76.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Musikalisches Bilderbuch Piano solo - Easy Schott
Piano; Piano/Keyboard - easy SKU: HL.49005847 Piano Solo. Composed...(+)
Piano; Piano/Keyboard - easy SKU: HL.49005847 Piano Solo. Composed by Istvá, n Szelé, and nyi. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 32 pages. Schott Music #ED 5770. Published by Schott Music (HL.49005847). ISBN 9790001117814. UPC: 073999352979. 9.0x12.0x0.188 inches. $19.99 - See more - Buy online | | |
| PR30B Hal Leonard
SKU: HL.364993 Large-Diaphragm Dynamic Microphone with Black Body and ...(+)
SKU: HL.364993 Large-Diaphragm Dynamic Microphone with Black Body and Grill. Heil Sound. Microphone. Hal Leonard #PR30BK. Published by Hal Leonard (HL.364993). UPC: 810100410223. 4.75x11.25x3.25 inches. The Heil PR30B represents completely original dynamic microphone technology designed for a wide range of professional applications such as sophisticated recording, live sound, and commercial broadcast. Its smooth, wide frequency range sounds like a ribbon but can withstand large amounts of SPL. Outperforming the tired, 30-year-old technology of the industry, the large diameter of the Heil PR30B's dynamic element produces an outstanding upper mid-range that makes the PR30B an ideal guitar microphone as well as an excellent choice for reproducing the human voice. The pattern control of the Heil PR30B dynamic microphone is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low-mass diaphragm and a special mixture of neodymium, iron, and boron that gives the Heil PR30B mic the strongest magnet structure available. These features allow the microphone to achieve magnificent dynamic range. A unique screen system using two different diameter mesh screens and an internal breath blast filter allow the user to talk closely to the microphone with little worry of pops or excessive sibilance. The Heil PR30B's large diameter dynamic element is mounted in a unique sorbothane shock mount atop a non-resonant fixture, decoupling the element from the massive steel body. This body and the internal humbucking coil removes any worry of using the PR 30B near monitor screens or noisy lighting fixtures and controls. The new technology of the Heil PR30B has redefined the dynamic mic with superior wide frequency response, low presence of noise, flawless design, and elite quality expected by an innovator and leader in the field. $269.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sing Pop a Cappella Book 3 SATB/Piano W/ Audio Download Card Choral SATB SATB, Piano [Sheet music + Audio access] Novello & Co Ltd.
SATB Choir and Piano SKU: HL.14043700 Composed by Various. Arranged by Gi...(+)
SATB Choir and Piano SKU: HL.14043700 Composed by Various. Arranged by Gitika Partington. Choral. Pop & Rock. Softcover Audio Online. Composed 2015. Novello & Co Ltd. #NOV165110. Published by Novello & Co Ltd. (HL.14043700). ISBN 9781783058617. UPC: 888680736491. 9.0x12.0x0.125 inches. English. Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington . Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song. What's great about Gitika Partington 's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training,repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera) . Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are. The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive. $17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Unforgettable Concert band [Score] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-140 Composed by Irvin...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-140 Composed by Irving Gordon. Arranged by Toshio Mashima. New Sounds for Concert Band. Score Only. Composed 2006. 24 pages. De Haske Publications #DHP 1074203-140. Published by De Haske Publications (BT.DHP-1074203-140). 9x12 inches. English-German-French-Dutch. The phenomenal success of the singer Nat King Cole, eclipsed the talent of the jazz pianist to a legacy that remains a jazz master and model. For all of us, there remains his own unique interpretations of such classic songs as Sweet Lorraine, Mona Lisa, Embraceable You, Besame Mucho and, of course, Unforgettable, which was re-released many years after his death by his daughter, Natalie Cole. With more than 60 million discs sold, Nat King Cole was one of the first black American artists to attain such international notoriety. His clear and distinguished voice allowed for him to become a renowed crooner to his legions of loyal fans.
Unforgettable von Irving Gordon, der zahlreiche Hits für große Künstler wie Bing Crosby, Billie Holiday, Duke Ellington u.v.m. schrieb, gesungen von Nat King Cole im Jahr 1951. Dessen Tochter Natalie Cole wurde mit einer Neuaufnahme, auf der ihre Stimme und die ihres Vaters zu hören sind, im Jahr 1992 einen Grammy für die Single des Jahres verliehen. Toshio Mashima arrangierte das wahrlich unvergessliche“ Lied für Blasorchester.
Le succès phénoménal du chanteur Nat King Cole, a éclipsé le talent du pianiste qui reste pour le monde du jazz un maître et un modèle. Pour tous, il reste aussi l’interprète inoubliable de Sweet Lorraine, Mona Lisa, Embraceable You, Besame Mucho ou encore Unforgettable, repris des années plus tard par sa fille Natalie Cole. Avec plus de 60 millions de disques vendus, Nat King Cole est un des premiers artistes noir-américains atteindre une telle notoriété internationale. Sa voix claire et distinguée lui a permis de devenir un crooner de renom au physique de dandy élégant. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Unforgettable Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-010 Composed by Irvin...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-010 Composed by Irving Gordon. Arranged by Toshio Mashima. New Sounds for Concert Band. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1074203-010. Published by De Haske Publications (BT.DHP-1074203-010). 9x12 inches. English-German-French-Dutch. The phenomenal success of the singer Nat King Cole, eclipsed the talent of the jazz pianist to a legacy that remains a jazz master and model. For all of us, there remains his own unique interpretations of such classic songs as Sweet Lorraine, Mona Lisa, Embraceable You, Besame Mucho and, of course, Unforgettable, which was re-released many years after his death by his daughter, Natalie Cole. With more than 60 million discs sold, Nat King Cole was one of the first black American artists to attain such international notoriety. His clear and distinguished voice allowed for him to become a renowed crooner to his legions of loyal fans.
Unforgettable van Irving Gordon, die talloze hits schreef voor grote artiesten als Bing Crosby, Billie Holiday en Duke Ellington, werd in 1951 opgenomen door de Amerikaanse jazzpianist en zanger Nat King Cole. In 1992 scoordeNatalie Cole, zijn dochter, een hit met dezelfde song. De stem van haar in 1956 overleden vader was eveneens te horen in deze bijzondere versie. Toshio Mashima arrangeerde dit onvergetelijke nummer voor harmonieorkest.
Unforgettable von Irving Gordon, der zahlreiche Hits für große Künstler wie Bing Crosby, Billie Holiday, Duke Ellington u.v.m. schrieb, gesungen von Nat King Cole im Jahr 1951. Dessen Tochter Natalie Cole wurde mit einer Neuaufnahme, auf der ihre Stimme und die ihres Vaters zu hören sind, im Jahr 1992 einen Grammy für die Single des Jahres verliehen. Toshio Mashima arrangierte das wahrlich unvergessliche“ Lied für Blasorchester.
Le succès phénoménal du chanteur Nat King Cole, a éclipsé le talent du pianiste qui reste pour le monde du jazz un maître et un modèle. Pour tous, il reste aussi l’interprète inoubliable de Sweet Lorraine, Mona Lisa, Embraceable You, Besame Mucho ou encore Unforgettable, repris des années plus tard par sa fille Natalie Cole. Avec plus de 60 millions de disques vendus, Nat King Cole est un des premiers artistes noir-américains atteindre une telle notoriété internationale. Sa voix claire et distinguée lui a permis de devenir un crooner de renom au physique de dandy élégant. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| LCT 240 PRO Hal Leonard
SKU: HL.1117965 Black. Lewitt Audio. Microphone. Hal Leonard #LCT2...(+)
SKU: HL.1117965 Black. Lewitt Audio. Microphone. Hal Leonard #LCT240PROBLACK. Published by Hal Leonard (HL.1117965). UPC: 847986001696. 8.0x10.25x4.5 inches. Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Studio quality recordings made easy. The LCT 240 PRO sounds fantastic on all sources commonly used in a project studio situation like vocals, acoustic instruments, amplifiers, piano, etc. Whatever you record, you will accomplish great sounding results; fast and uncomplicated. Always on the safe side. No source is too loud or too subtle for the LCT 240 PRO. It can handle ear-shattering sound pressure levels up to 142 dBSPL. With its high sensitivity capsule it is able to reproduce every sound source in a clear and precise way at any volume. Used in high-end studios around the world. LEWITT microphones are being used for recording in countless studios around the world, like Atlantic Records in NYC, Echobar Studios in North Hollywood, Black Bird Studios in Nashville, Metropolis Studios in London, the list goes on and on. What's in the box? The 240 PRO comes with a mic mount, a transport bag, and a windscreen that you can use to reduce plosives. $99.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| PR48 Hal Leonard
SKU: HL.365005 Kick Drum Microphone. Heil Sound. Microphone. Hal L...(+)
SKU: HL.365005 Kick Drum Microphone. Heil Sound. Microphone. Hal Leonard #PR48. Published by Hal Leonard (HL.365005). UPC: 810100410360. 4.25x4.25x6.5 inches. The Heil PR48 kick drum microphone is the end result of what happens when you start with the finest kick drum microphone components – listen to what your customers want based on real-world drumming conditions, and put it all together. Heil incorporates suggestions from some of the best drummers and drum & sound technicians in the world into the PR48. That and two years of “in the field†research refining these suggestions, yields the PR48, ready to take on any kick drum. The PR48 contains a large vulcanized double shock-mounted diaphragm element, impervious to external vibration and noise. The PR48 also has our best rear noise rejection, and excellent (148 db) SPL handling; all housed in a solid flat black emron steel body with red screens on an adjustable swivel-mount. Heil adds passive internal low pass filters to create rises in the frequencies where the kick drum's sound benefits most. The kick beater is also represented like never before in the mix through this filtering. This is a great rock kick drum mic, but also is at home serving country, jazz, funk, blues and metal drummers with a kick drum sound that has no equal. While some kick drum microphones judge themselves by how well they can handle EQ; how about a kick drum mic that sounds fantastic with NO EQ! As a finishing touch, the PR48 has a 45 degree angle XLR plug to allow for easier XLR connecting during setup. The PR48 can be purchased separately, or in the HDK drum kit series, (HDK-5, HDK-7 and HDK-8), and is available with a variety of microphone mounting options. With the PR48 you get the built-in metal swivel mic stand mount connected. $249.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ultimate Easy Guitar Play-Along -- Led Zeppelin Guitar notes and tablatures [Sheet music + DVD] Alfred Publishing
(Easy Guitar TAB). For Guitar. This edition: Easy Guitar TAB. Artist/Perso...(+)
(Easy Guitar TAB). For
Guitar. This edition: Easy
Guitar TAB.
Artist/Personality; DVD;
Guitar Method or Supplement;
Guitar TAB; Play-Along.
Ultimate Easy Play-Along.
Pop/Rock; Rock. Published by
Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ezekiel Saw de Wheel Choral SATB - Intermediate Laurendale Associates
SATB choir, baritone voice solo, piano - Intermediate SKU: MN.CH-1339 Com...(+)
SATB choir, baritone voice solo, piano - Intermediate SKU: MN.CH-1339 Composed by Roosevelt Credit. Spirituals. African American Heritage, Black History Month. Octavo. Laurendale Associates #CH-1339. Published by Laurendale Associates (MN.CH-1339). UPC: 765844006020. The use of accents and consonants brings to the listener and performer heightened levels of excitement. The call and response section at mm 9 is emphasized. All the special sounds work together to create the sound of the wheel spinning in the air. The soloist is a proud storyteller speaking to the anticipating listeners. Traditional Spiritual. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazzin' The Blues: Deluxe Edition Guitar [Sheet music + CD + DVD] Music Sales
Special Deluxe Edition with DVD and 2 CDs. Music Sales America. French Edition, ...(+)
Special Deluxe Edition with DVD and 2 CDs. Music Sales America. French Edition, Spanish Edition, Blues, Jazz, Instruction. Music Sales #DV10043N. Published by Music Sales
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| LCT 240 PRO Hal Leonard
SKU: HL.1117966 White. Lewitt Audio. Microphone. Hal Leonard #LCT2...(+)
SKU: HL.1117966 White. Lewitt Audio. Microphone. Hal Leonard #LCT240PROWHITE. Published by Hal Leonard (HL.1117966). UPC: 847986001702. 8.0x10.0x4.5 inches. Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Studio quality recordings made easy. The LCT 240 PRO sounds fantastic on all sources commonly used in a project studio situation like vocals, acoustic instruments, amplifiers, piano, etc. Whatever you record, you will accomplish great sounding results; fast and uncomplicated. Always on the safe side. No source is too loud or too subtle for the LCT 240 PRO. It can handle ear-shattering sound pressure levels up to 142 dBSPL. With its high sensitivity capsule it is able to reproduce every sound source in a clear and precise way at any volume. Used in high-end studios around the world. LEWITT microphones are being used for recording in countless studios around the world, like Atlantic Records in NYC, Echobar Studios in North Hollywood, Black Bird Studios in Nashville, Metropolis Studios in London, the list goes on and on. What's in the box? The 240 PRO comes with a mic mount, a transport bag, and a windscreen that you can use to reduce plosives. $99.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Noona Young Pianist Solo Book 1 Piano solo Heritage Music Press
By Walter Noona. Piano. Level: Level 1. Piano method. Published by Heritage Musi...(+)
By Walter Noona. Piano. Level: Level 1. Piano method. Published by Heritage Music Press.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wee Sing in the Car Children choir [Sheet music + CD] Alfred Publishing
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This ...(+)
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This edition: Paperback. General Music and Classroom Publications. Wee Sing. 42 sing-along songs, 27 backseat games, 18 silly tongue twisters. Children's. Book and CD. 64 pages. Duration Over one hour. Published by Alfred Publishing.
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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